BIO
Agricola de Cologne
launched on 1 January 2000 as an artist brand, is standing for the
--> interdisciplinary media artist, director of experimental shortfilms and videos, curator of media art
--> founder & director of artvideoKOELN – the curatorial initiative „art & moving images“ serving since 2010 as the operating platform for a wide range of activities around "art & moving images", running CologneOFF - Cologne International Videoart Festival and Le Musee di-visioniste - the new museum of networked art
Agricola de Cologne is standing also for a broad bandwidth of dynamic curatorial contexts he is initiating in physical and virtual space, the co-curator and co-organiser of external festivals and exhibitions, the jury member of divers festivals, and not to forget the designer of a cross-platform culture.
Since its/his launch in 2000, Agricola de Cologne was presented @ more than 600 festivals and media art events in New York, Chicago, Los Angeles, Knoxville, Pittsburgh, Mexico City, Caracas, Maracaibo, Buenos Aires, Rosario, Montevideo, Rio de Janeiro, Sao Paulo, Santiago de Chile, Quito, Bogota, London, Paris, Lyon, Marseille, Madrid, Gijon, Sevilla, Valencia, Barcelona, Lisbon, Oslo, Stockholm, Helsinki, Tampere, Kopenhagen, Amsterdam, Rotterdam, Tokyo, Nagoya, Seoul, Manila, Hongkong, Bangkok, Phnom Penh, New Delhi, Guwahati, Mumbai, Jakarta, Perth, Melbourne, Casablanca, Rabat, Marrakesh, Istanbul, Ankara, Yerewan, Damaskus, Jerusalem, Tel-Aviv, Bethlehem, Gaza, Basel, Zurich, Vienna, Linz, Salzburg, Graz, Kiev, Kharkiv, Riga, Tallinn, Vilnius, Moscow, St.Petersburg, Kansk, Perm, Yekaterinburg, Sofia, Varna, Bukarest, Arad, Timisoara, Budapest, Belgrade, Zagreb, Split, Lubljana, Rome, Naples, Milan, Pescara, Venice, Torino, Bologna, Berlin, Cologne, Düsseldorf, Karlsruhe, Nuremberg, & elsewhere, but also on biennials like ISEA Nagoya (2002), Venice Biennale 2003, 2005, 2007, Biennale of New Media Art Merida/MX 2003, Biennale of Electronic Arts Perth/Australia (2004), Biennale de Montreal (2004), Biennale of Video & New Media Santiago de Chile (2005), ISEA Singapore 2008.
His media art projects and videos were honoured with prizes and awards.
Links
Agricola de Cologne --> http://www.agricola-de.cologne
artvideoKOELN --> http://artvideo.koeln
Cologne International Videoart Festival --> http://coff.newmediafest.org
Le Musee di-visioniste - the new museum of networked art - http://www.nmartproject.net
SoundLAB - http://soundlab.newmediafest.org
LMD Interview Project - http://interviews.newmediafest.org
Fw: Media Art Festival
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Content-Type: text/plain;
charset="koi8-r"
Content-Transfer-Encoding: quoted-printable
Sent: Tuesday, July 20, 2004 2:01 PM
Subject: Media Art Festival
NPAK
Jean and Albert Boghossian
Center for Contemporary Experimental Art
Invites You
to the International Media Art Festival
Public_Media_Space, July 23-August 1st
The works will be shown at the Armenian Center for Contemporary Experimenta=
l Art, as well as Sil Plaza screen, cafes Cascade +, Opera
Internet cafes-Rencom, Gloria, AgmaSys, McZone
Program
July 23, 5:00 pm -Openning
July 24, 27 12:00am - Cinema Board, Rotterdam, Films, ACCEA
1:00pm - Ursula Bienman, Writing Desire, ACCEA
2:00pm - Gagik Ghazareh, Film, ACCEA
4:00pm - Paksii Endre, Presentation, ACCEA
5:30pm - One Frame, One Minute, ACCEA
July 28 - 7:00pm - Canned Budapest Party, ACCEA (please,
call 56.82.25 to sign up)
Curator Angela Harutyunian
1/3 Pavstos Biuzand Blvd. (South side of the Vernissage)
..........................................................................=
.....................
ACCEA/NPAK is a not-for-profit, non-governmental organization registered in=
Armenia and the U.S.A. and is dedicated to development and promotion of Ar=
menian contemporary art.
ARMENIA: 1/3 Pavstos Biuzand Blvd., Yerevan, Armenia
T: +3741 568325 & 568325
F: +3741 560216
E: accea@netsys.am
W: www.accea.org
U.S.A.: 81 Murray Street, New York, NY 10007, USA
T: +1212 732-3598
F: +1212 732-1175
E: sonarned@aol.com
If you wish not to receive more announcements from ACCEA, please, replay to=
this message with "UNSUBSCRIBE" on the subject line.
------=_NextPart_001_02D8_01C46E80.F2872970
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<HTML xmlns:o = "urn:schemas-microsoft-com:office:office"><HEAD>
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<DIV><B>Sent:</B> Tuesday, July 20, 2004 2:01 PM</DIV>
<DIV style="FONT: 10pt arial">
<DIV><B>Subject:</B> Media Art Festival</DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-FAMILY: Arial"><FONT size=3>NPAK
<o:p></o:p></FONT></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Jean and Albert Boghossian
<o:p></o:p></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Center for Contemporary Exper=
imental
Art<o:p></o:p></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 8pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></STRO=
NG></P>
<H1 style="MARGIN: 0cm 0cm 0pt"><FONT size=5><EM><SPAN
style="FONT-STYLE: normal; FONT-FAMILY: 'Courier New'">Invites
You</SPAN></EM><I><SPAN
style="FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 10.0pt"><o:p></o:p=
></SPAN></I></FONT></H1>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 8pt"><FONT
face="Times New Roman"> <o:p></o:p></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">to
the International Media Art Festival <o:p></o:p></SPAN></P>
<H3 style="MARGIN: 0cm 0cm 0pt"><SPAN style="FONT-STYLE: normal"><FONT=
size=5><FONT face="Courier New">Public_Media_Space, July 23-August
1st</FONT></FONT></SPAN></H3>
<H3 style="MARGIN: 0cm 0cm 0pt"><SPAN style="FONT-STYLE: normal"><FONT=
size=5><FONT face="Courier New"><o:p></o:p></FONT></FONT></SPAN> <=
/H3>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; mso-bidi-font-size: 16.0pt"><FONT
face="Times New Roman"> <SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Times New Roman'; mso-bidi-font-siz=
e: 16.0pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: E=
N-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><IMG
height 0 src="cid:02d601c46e70$2ef72d80$0300a8c0@NewMediaArtNet" widt=
h=283
v:shapes="_x0000_i1025"></SPAN><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Times New Roman'; mso-bidi-font-siz=
e: 16.0pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: E=
N-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"></SPAN></FONT>=
</SPAN></P>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 11pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">The
works will be shown at the Armenian Center for Contemporary Experimental Ar=
t, as
well as Sil Plaza screen, cafés Cascade +, Opera<o:p></o:p></SPAN></=
H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 11pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">Internet
cafes-Rencom, Gloria, AgmaSys, McZone</SPAN><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">
<o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt"> <o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">Program<o:p></o:p></SPAN></H2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">July
23,<SPAN style="mso-spacerun: yes"> </SPAN>5:00 p=
m
–Openning<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">July
24, 27<SPAN style="mso-spacerun: yes"> </SPAN>12:00am – Cinem=
a Board,
Rotterdam, Films, ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 171pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>1:00pm – Ursula Bienman, Wri=
ting Desire,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 162pt; TEXT-INDENT: 9pt">=
<SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>2:00pm – Gagik Ghazareh, Fil=
m,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 153pt; TEXT-INDENT: 18pt"=
><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>4:00pm – Paksii Endre, Prese=
ntation,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes">  =
;
</SPAN>5:30pm – One Frame, One Minute, ACCEA<o:p></o:p></SPAN></P>
<P class=MsoBodyTextIndent style="MARGIN: 0cm 0cm 0pt 99pt"><FONT
face="Courier New">July 28 -<SPAN style="mso-spacerun: yes">  =
;
</SPAN>7:00pm – Canned Budapest Party, ACCEA (please,<SPAN
style="mso-spacerun: yes"> </SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes">  =
; &n=
bsp;
</SPAN><SPAN
style="mso-spacerun: yes">  =
; </SPAN><SPAN
style="mso-spacerun: yes"> </SPAN>call 56.82.25 to sign
up)<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"></SPAN></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"></SPAN></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"><STRONG><FONT size=3>Curator Angela
Harutyunian</FONT></STRONG></SPAN><o:p></o:p></SPAN></P>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt"> <o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"> </H2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">1/3 Pavstos Biuzand Blvd. (So=
uth
side of the Vernissage)</SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT
face="Times New Roman"><SPAN style="FONT-SIZE: 8pt"> </SPAN><FONT=
size=3>..................................................................=
............................. </FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 109.65pt 0pt 0cm"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">ACCEA</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">/<B
style="mso-bidi-font-weight: normal">NPAK </B>is a not-for-profit,
non-governmental organization registered in Armenia and the U.S.A. and is=
dedicated to development and promotion of Armenian contemporary
art.<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">ARMENIA</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">: 1/3 Pavstos Biuzand Blvd.,=
Yerevan, Armenia <BR>T: +3741 568325 & 568325<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">F: +3741 560216<BR>E: <A
href="mailto:accea@netsys.am">accea@netsys.am</A><BR>W: <A
href="http://www.accea.org">www.accea.org</A> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">U.S.A.</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">: 81 Murray Street, New York,=
NY
10007, USA<BR>T: +1212 732-3598<BR>F: +1212 732-1175<BR>E: <U><A
href="mailto:sonarned@aol.com">sonarned@aol.com</A></U> <o:p></o:p></SPAN=
></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If you wish not to receive mo=
re
announcements from ACCEA, please, replay to </SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">this message with “UNSU=
BSCRIBE” on
the subject line.<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt"> </P></FONT></DIV></BODY></HTML>
------=_NextPart_001_02D8_01C46E80.F2872970--
Content-Type: text/plain;
charset="koi8-r"
Content-Transfer-Encoding: quoted-printable
Sent: Tuesday, July 20, 2004 2:01 PM
Subject: Media Art Festival
NPAK
Jean and Albert Boghossian
Center for Contemporary Experimental Art
Invites You
to the International Media Art Festival
Public_Media_Space, July 23-August 1st
The works will be shown at the Armenian Center for Contemporary Experimenta=
l Art, as well as Sil Plaza screen, cafes Cascade +, Opera
Internet cafes-Rencom, Gloria, AgmaSys, McZone
Program
July 23, 5:00 pm -Openning
July 24, 27 12:00am - Cinema Board, Rotterdam, Films, ACCEA
1:00pm - Ursula Bienman, Writing Desire, ACCEA
2:00pm - Gagik Ghazareh, Film, ACCEA
4:00pm - Paksii Endre, Presentation, ACCEA
5:30pm - One Frame, One Minute, ACCEA
July 28 - 7:00pm - Canned Budapest Party, ACCEA (please,
call 56.82.25 to sign up)
Curator Angela Harutyunian
1/3 Pavstos Biuzand Blvd. (South side of the Vernissage)
..........................................................................=
.....................
ACCEA/NPAK is a not-for-profit, non-governmental organization registered in=
Armenia and the U.S.A. and is dedicated to development and promotion of Ar=
menian contemporary art.
ARMENIA: 1/3 Pavstos Biuzand Blvd., Yerevan, Armenia
T: +3741 568325 & 568325
F: +3741 560216
E: accea@netsys.am
W: www.accea.org
U.S.A.: 81 Murray Street, New York, NY 10007, USA
T: +1212 732-3598
F: +1212 732-1175
E: sonarned@aol.com
If you wish not to receive more announcements from ACCEA, please, replay to=
this message with "UNSUBSCRIBE" on the subject line.
------=_NextPart_001_02D8_01C46E80.F2872970
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charset="koi8-r"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML xmlns:o = "urn:schemas-microsoft-com:office:office"><HEAD>
<META http-equiv=Content-Type content="text/html; charset=koi8-r">
<META content="MSHTML 6.00.2800.1400" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV><B>Sent:</B> Tuesday, July 20, 2004 2:01 PM</DIV>
<DIV style="FONT: 10pt arial">
<DIV><B>Subject:</B> Media Art Festival</DIV></DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-FAMILY: Arial"><FONT size=3>NPAK
<o:p></o:p></FONT></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Jean and Albert Boghossian
<o:p></o:p></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">Center for Contemporary Exper=
imental
Art<o:p></o:p></SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 8pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></STRO=
NG></P>
<H1 style="MARGIN: 0cm 0cm 0pt"><FONT size=5><EM><SPAN
style="FONT-STYLE: normal; FONT-FAMILY: 'Courier New'">Invites
You</SPAN></EM><I><SPAN
style="FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 10.0pt"><o:p></o:p=
></SPAN></I></FONT></H1>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 8pt"><FONT
face="Times New Roman"> <o:p></o:p></FONT></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">to
the International Media Art Festival <o:p></o:p></SPAN></P>
<H3 style="MARGIN: 0cm 0cm 0pt"><SPAN style="FONT-STYLE: normal"><FONT=
size=5><FONT face="Courier New">Public_Media_Space, July 23-August
1st</FONT></FONT></SPAN></H3>
<H3 style="MARGIN: 0cm 0cm 0pt"><SPAN style="FONT-STYLE: normal"><FONT=
size=5><FONT face="Courier New"><o:p></o:p></FONT></FONT></SPAN> <=
/H3>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; mso-bidi-font-size: 16.0pt"><FONT
face="Times New Roman"> <SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Times New Roman'; mso-bidi-font-siz=
e: 16.0pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: E=
N-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"><IMG
height 0 src="cid:02d601c46e70$2ef72d80$0300a8c0@NewMediaArtNet" widt=
h=283
v:shapes="_x0000_i1025"></SPAN><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Times New Roman'; mso-bidi-font-siz=
e: 16.0pt; mso-fareast-font-family: 'Times New Roman'; mso-ansi-language: E=
N-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA"></SPAN></FONT>=
</SPAN></P>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 11pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">The
works will be shown at the Armenian Center for Contemporary Experimental Ar=
t, as
well as Sil Plaza screen, cafés Cascade +, Opera<o:p></o:p></SPAN></=
H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 11pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">Internet
cafes-Rencom, Gloria, AgmaSys, McZone</SPAN><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">
<o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt"> <o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 14pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt">Program<o:p></o:p></SPAN></H2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">July
23,<SPAN style="mso-spacerun: yes"> </SPAN>5:00 p=
m
–Openning<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt">July
24, 27<SPAN style="mso-spacerun: yes"> </SPAN>12:00am – Cinem=
a Board,
Rotterdam, Films, ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 171pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>1:00pm – Ursula Bienman, Wri=
ting Desire,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 162pt; TEXT-INDENT: 9pt">=
<SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>2:00pm – Gagik Ghazareh, Fil=
m,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 153pt; TEXT-INDENT: 18pt"=
><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"> </SPAN>4:00pm – Paksii Endre, Prese=
ntation,
ACCEA<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt 99pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes">  =
;
</SPAN>5:30pm – One Frame, One Minute, ACCEA<o:p></o:p></SPAN></P>
<P class=MsoBodyTextIndent style="MARGIN: 0cm 0cm 0pt 99pt"><FONT
face="Courier New">July 28 -<SPAN style="mso-spacerun: yes">  =
;
</SPAN>7:00pm – Canned Budapest Party, ACCEA (please,<SPAN
style="mso-spacerun: yes"> </SPAN></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes">  =
; &n=
bsp;
</SPAN><SPAN
style="mso-spacerun: yes">  =
; </SPAN><SPAN
style="mso-spacerun: yes"> </SPAN>call 56.82.25 to sign
up)<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"></SPAN></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"></SPAN></SPAN> </P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
2.0pt"><SPAN
style="mso-spacerun: yes"><STRONG><FONT size=3>Curator Angela
Harutyunian</FONT></STRONG></SPAN><o:p></o:p></SPAN></P>
<H2 style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 12pt; FONT-FAMILY: 'Courier New'; mso-bidi-font-size: 1=
8.0pt"> <o:p></o:p></SPAN></H2>
<H2 style="MARGIN: 0cm 0cm 0pt"> </H2>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><STRONG><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">1/3 Pavstos Biuzand Blvd. (So=
uth
side of the Vernissage)</SPAN></STRONG></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><FONT
face="Times New Roman"><SPAN style="FONT-SIZE: 8pt"> </SPAN><FONT=
size=3>..................................................................=
............................. </FONT></FONT></P>
<P class=MsoNormal style="MARGIN: 0cm 109.65pt 0pt 0cm"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">ACCEA</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">/<B
style="mso-bidi-font-weight: normal">NPAK </B>is a not-for-profit,
non-governmental organization registered in Armenia and the U.S.A. and is=
dedicated to development and promotion of Armenian contemporary
art.<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">ARMENIA</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">: 1/3 Pavstos Biuzand Blvd.,=
Yerevan, Armenia <BR>T: +3741 568325 & 568325<o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">F: +3741 560216<BR>E: <A
href="mailto:accea@netsys.am">accea@netsys.am</A><BR>W: <A
href="http://www.accea.org">www.accea.org</A> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><B
style="mso-bidi-font-weight: normal"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">U.S.A.</SPAN></B><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">: 81 Murray Street, New York,=
NY
10007, USA<BR>T: +1212 732-3598<BR>F: +1212 732-1175<BR>E: <U><A
href="mailto:sonarned@aol.com">sonarned@aol.com</A></U> <o:p></o:p></SPAN=
></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial"> <o:p></o:p></SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">If you wish not to receive mo=
re
announcements from ACCEA, please, replay to </SPAN></P>
<P class=MsoNormal style="MARGIN: 0cm 0cm 0pt"><SPAN
style="FONT-SIZE: 10pt; FONT-FAMILY: Arial">this message with “UNSU=
BSCRIBE” on
the subject line.<o:p></o:p></SPAN></P>
<P class=MsoNormal
style="MARGIN: 0cm 0cm 0pt"> </P></FONT></DIV></BODY></HTML>
------=_NextPart_001_02D8_01C46E80.F2872970--
public space Yerewan
[R][R][F] 2004 --->XP ~ E-Journal - Vol.7
www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
available online also on
www.newmediafest.org/rrf2004/e-journal.htm <http://www.newmediafest.org/rrf2004/e-journal.htm>
////////////////////////////////////////////////////////////////////////
editorial at the end of this text--->
///////////////////////////////////////////////////////////////////////
Features
.
1 [R][R][F] 2004 --->XP - News!!
2. public space- Yerewan/Armenia
--> "making history" -
a new curatorial contribution by Stephanie Benzaquen
////////////////////////////////////////////////////////////////////////
1. News
.
The 4th presentation suite
includes in July/August two media festivals hosting
[R][R][F] 2004 --->XP
--->
public_space_festival Yerewan (Armenia)
23 JUly - 03 August 2004 www.accea.org <http://www.accea.org>
--->
and
West Coast Numusic & Electronic Art Festival Stavanger/Norway
18-22 August 2004 www.numusic.no <http://www.numusic.no>
.
b) [R][R][F] 2004 --->XP will be installed in a large interactive
installation
as a part of Biennale for Electronic Art Perth/Australia
7 September - 17 November and
Agricola de Cologne will stay for several weeks in September/October
as an "artist in residence" in Australia on this occasion.
////////////////////////////////////////////////////////////////////////////
///
.
2. public space Yerewan-->
~E-Journal - Vol.7
contents
~~~~~~~~~~~~~
-->
1. "Making History" a new curatorial contribution by Stephanie Benzaquen
a) curatorial statement
b) about the curator
c) about the curated artists and art works
.
2. Recent calls
~~~~~~~~~~~~~
1.
it represents certainly a challenge for
[R][R][F] 2004 --->XP for participating in a festival in one of the
Caucasian republics
and the project is proud to publish and include especially on this occasion
a new curatorial contribution to RRF version 2.0
prepared by Stephanie Benzaquen (Amsterdam/Netherlands - Holon/Israel)
entitled "Making History".
.
This contribution is from its structure not yet complete,
but be will be developed in different steps and on different levels,
to be published in coming physical [R][R][F] 2004 --->XP events.
.
For Yerewan, it includes in the first step
following three Tel-Aviv/Israel based artists
Ariel Yanay-Shani, Dana Levy,
Liat and Ariel Shechter-Mayrose
.
The contribution can be accessed via the artistic body of
[R][R][F] 2004 --->XP www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
--->
"MAKING HISTORY"
a curatorial statement by Stephanie Benzaquen
"Two days after the second truce came into effect, the Seventh Brigade was
ordered to withdraw from Nazareth. Avraham Yaffe, who had commanded the 13th
battalion in the assault on the city, now reported to me with orders from
Moshe Carmel to take over from me as its military governor. I complied with
the order, but only after Avraham had given me his word of honour that he
would do nothing to harm or to displace the Arab population. My demand way
sound strange, but I had good reason to feel concerned on this subject.
Only a few hours previously, Haim Laskov had come to me with astounding
orders: Nazareth's civilian population was to be evacuated! I was shocked
and horrified. I told him I would do nothing of the sort - in view of our
promises to safeguard the city's people, such a move would be both
superfluous and harmful. I reminded him that scarcely a day earlier, he and
I, as representatives of the Israeli army, had signed the surrender
document, in which we solemnly pledged to do nothing to harm the city or its
population. When Haim saw that I refused to obey the order, he left.
A scarce twelve hours later, Avraham Yaffe came to tell me that his
battalion was relieving my brigade; I felt sure that this order had been
given because of my defiance of the evacuation order. But although I was
withdrawn from Nazareth, it seems that my disobedience did have some effect.
It seems to have given the high command time for second thoughts, which led
them to the conclusion that it would, indeed, be wrong to expel the
inhabitants of Nazareth. To the best of my knowledge, there was never any
more talk of the evacuation plan, and the city's Arab citizens have lived
there since ever".
This story is reported by Peretz Kidron, who was asked in 1974 to be the
"ghost writer" of Paul Dunkelman, a Canadian Jew, who wished to write his
memoirs. Paul Dunkelman, combat officer with the Canadian expeditionary
force in France during World War Two, and volunteered for the Israeli army
in 1948. He was appointed to the relatively senior post of brigade
commander, charged with dislodging Arab forces in central and upper Galilee.
When Peretz Kidron got back the draft chapter he had given for corrections
to Paul Dunkelman, he saw the following comment penciled in the margin of
the episode in question: "I wish to consider whether I should include this
or not". Eventually, the episode was removed from the memoirs .
In the eighties, the Israeli state archives of "Independence War" became
available. Access to official records including documents of Prime Minister'
s office, Jewish industries and personal diaries, was at last possible. This
moment marked the appearance of "New History", an ensemble of critical
researches dealing with the Israeli historiography of 1948. These
investigations led by the "New Historians" (Simha Flappan, Benny Morris,
Ilan Pappe, Tom Segev, Avi Shlaim ) widened into a general movement of
academicians, journalists, artists, and writers, all calling into question
the previously accepted interpretations of events. This movement encountered
a strong interest in Israel. Documentary films, studies, and essays show how
eager Israelis were to understand, and reconsider. This wave of interest did
not survive the explosion of the Second Intifada in September 2000, with its
resulting discourses, re-framing and interdictions.
The perspectives generated by New History on the Nakbah ("Catastrophe" -
Palestinian term for the Israeli Independence War) revealed facts which were
hard to cope with for the Israelis. The New Historians refuted the view that
Palestine was empty when Jewish settlers came and that Palestinians
voluntarily left in 1948. The data they provided were explicit: more than 11
towns and 400 villages destroyed by the Israeli Defense Forces (IDF);
750.000 Palestinians expulsed. Other sources even referred to over one
million of expelled Palestinians . The New Historians undermined the Israeli
myth of "few against many", by revealing the secret agreement between the
Jordanian Army and the IDF, creating a parity on battlefield. In his article
in Middle Eastern Studies of January 1986, Benny Morris (Ben-Gurion
University of Beer-Sheva), basing his research on the copy of a 1948 report
of the intelligence branch of the Israeli Army revealed that 72% of the
Palestinians were expelled by Israeli forces (IDF and unofficial Zionist
groups like Irgun and Stern). This exodus was contrary to the strategic
desires of the Arab Higher Committee which, according to some sources had
made radio calls to leave, but never broadcasted any instruction. When Ilan
Pappe (senior lecturer of Political Science at the University of Haifa)
stated that Palestinians had suffered ethnic cleansing during the birth of
Israel, he touched the utterly forbidden point. This was an electroshock for
the Israeli society.
"New History" was - and remains - a debated movement as indicate its
numerous designations: "Revisionist History", "Post-Zionism", even
"Anti-Zionism". Several researches have been far from accepted. The student
from Haifa University, who revealed in his MA dissertation that the IDF
massacred the inhabitants of the village of Tantura, has been sued in court
by veteran soldiers of the army unit he accused. Haifa University warned
they would disqualify him unless he would change his findings. This somber
affair shows how unacceptable it was, for Israelis, to imagine their army as
perpetrators of massacres - even worse maybe, planning such massacres. The
"Old Historians" (Efraim Karsh, Itamar Rabinovich, Anita Shapira, Shabtai
Tevet) opposed the investigations of the "New Historians", accusing them of
lacking of evidences, of falsifying documents, if not inventing them . One
confronts here the power of the ultimate taboo: a master-plan for mass
expulsion could not have existed, let alone planning massacres. How to
explain that Plan D (Daleth), from the beginning of 1947, was calling for
the "destruction of villages (setting fire to, blowing up, and planting
mines in the debris) especially those population centers which are difficult
to control continuously"?
"Post-Zionism is in effect what used to be called anti-Zionism. (.) The
intellectual heirs of the early anti-Zionism are, first, the
www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
available online also on
www.newmediafest.org/rrf2004/e-journal.htm <http://www.newmediafest.org/rrf2004/e-journal.htm>
////////////////////////////////////////////////////////////////////////
editorial at the end of this text--->
///////////////////////////////////////////////////////////////////////
Features
.
1 [R][R][F] 2004 --->XP - News!!
2. public space- Yerewan/Armenia
--> "making history" -
a new curatorial contribution by Stephanie Benzaquen
////////////////////////////////////////////////////////////////////////
1. News
.
The 4th presentation suite
includes in July/August two media festivals hosting
[R][R][F] 2004 --->XP
--->
public_space_festival Yerewan (Armenia)
23 JUly - 03 August 2004 www.accea.org <http://www.accea.org>
--->
and
West Coast Numusic & Electronic Art Festival Stavanger/Norway
18-22 August 2004 www.numusic.no <http://www.numusic.no>
.
b) [R][R][F] 2004 --->XP will be installed in a large interactive
installation
as a part of Biennale for Electronic Art Perth/Australia
7 September - 17 November and
Agricola de Cologne will stay for several weeks in September/October
as an "artist in residence" in Australia on this occasion.
////////////////////////////////////////////////////////////////////////////
///
.
2. public space Yerewan-->
~E-Journal - Vol.7
contents
~~~~~~~~~~~~~
-->
1. "Making History" a new curatorial contribution by Stephanie Benzaquen
a) curatorial statement
b) about the curator
c) about the curated artists and art works
.
2. Recent calls
~~~~~~~~~~~~~
1.
it represents certainly a challenge for
[R][R][F] 2004 --->XP for participating in a festival in one of the
Caucasian republics
and the project is proud to publish and include especially on this occasion
a new curatorial contribution to RRF version 2.0
prepared by Stephanie Benzaquen (Amsterdam/Netherlands - Holon/Israel)
entitled "Making History".
.
This contribution is from its structure not yet complete,
but be will be developed in different steps and on different levels,
to be published in coming physical [R][R][F] 2004 --->XP events.
.
For Yerewan, it includes in the first step
following three Tel-Aviv/Israel based artists
Ariel Yanay-Shani, Dana Levy,
Liat and Ariel Shechter-Mayrose
.
The contribution can be accessed via the artistic body of
[R][R][F] 2004 --->XP www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
--->
"MAKING HISTORY"
a curatorial statement by Stephanie Benzaquen
"Two days after the second truce came into effect, the Seventh Brigade was
ordered to withdraw from Nazareth. Avraham Yaffe, who had commanded the 13th
battalion in the assault on the city, now reported to me with orders from
Moshe Carmel to take over from me as its military governor. I complied with
the order, but only after Avraham had given me his word of honour that he
would do nothing to harm or to displace the Arab population. My demand way
sound strange, but I had good reason to feel concerned on this subject.
Only a few hours previously, Haim Laskov had come to me with astounding
orders: Nazareth's civilian population was to be evacuated! I was shocked
and horrified. I told him I would do nothing of the sort - in view of our
promises to safeguard the city's people, such a move would be both
superfluous and harmful. I reminded him that scarcely a day earlier, he and
I, as representatives of the Israeli army, had signed the surrender
document, in which we solemnly pledged to do nothing to harm the city or its
population. When Haim saw that I refused to obey the order, he left.
A scarce twelve hours later, Avraham Yaffe came to tell me that his
battalion was relieving my brigade; I felt sure that this order had been
given because of my defiance of the evacuation order. But although I was
withdrawn from Nazareth, it seems that my disobedience did have some effect.
It seems to have given the high command time for second thoughts, which led
them to the conclusion that it would, indeed, be wrong to expel the
inhabitants of Nazareth. To the best of my knowledge, there was never any
more talk of the evacuation plan, and the city's Arab citizens have lived
there since ever".
This story is reported by Peretz Kidron, who was asked in 1974 to be the
"ghost writer" of Paul Dunkelman, a Canadian Jew, who wished to write his
memoirs. Paul Dunkelman, combat officer with the Canadian expeditionary
force in France during World War Two, and volunteered for the Israeli army
in 1948. He was appointed to the relatively senior post of brigade
commander, charged with dislodging Arab forces in central and upper Galilee.
When Peretz Kidron got back the draft chapter he had given for corrections
to Paul Dunkelman, he saw the following comment penciled in the margin of
the episode in question: "I wish to consider whether I should include this
or not". Eventually, the episode was removed from the memoirs .
In the eighties, the Israeli state archives of "Independence War" became
available. Access to official records including documents of Prime Minister'
s office, Jewish industries and personal diaries, was at last possible. This
moment marked the appearance of "New History", an ensemble of critical
researches dealing with the Israeli historiography of 1948. These
investigations led by the "New Historians" (Simha Flappan, Benny Morris,
Ilan Pappe, Tom Segev, Avi Shlaim ) widened into a general movement of
academicians, journalists, artists, and writers, all calling into question
the previously accepted interpretations of events. This movement encountered
a strong interest in Israel. Documentary films, studies, and essays show how
eager Israelis were to understand, and reconsider. This wave of interest did
not survive the explosion of the Second Intifada in September 2000, with its
resulting discourses, re-framing and interdictions.
The perspectives generated by New History on the Nakbah ("Catastrophe" -
Palestinian term for the Israeli Independence War) revealed facts which were
hard to cope with for the Israelis. The New Historians refuted the view that
Palestine was empty when Jewish settlers came and that Palestinians
voluntarily left in 1948. The data they provided were explicit: more than 11
towns and 400 villages destroyed by the Israeli Defense Forces (IDF);
750.000 Palestinians expulsed. Other sources even referred to over one
million of expelled Palestinians . The New Historians undermined the Israeli
myth of "few against many", by revealing the secret agreement between the
Jordanian Army and the IDF, creating a parity on battlefield. In his article
in Middle Eastern Studies of January 1986, Benny Morris (Ben-Gurion
University of Beer-Sheva), basing his research on the copy of a 1948 report
of the intelligence branch of the Israeli Army revealed that 72% of the
Palestinians were expelled by Israeli forces (IDF and unofficial Zionist
groups like Irgun and Stern). This exodus was contrary to the strategic
desires of the Arab Higher Committee which, according to some sources had
made radio calls to leave, but never broadcasted any instruction. When Ilan
Pappe (senior lecturer of Political Science at the University of Haifa)
stated that Palestinians had suffered ethnic cleansing during the birth of
Israel, he touched the utterly forbidden point. This was an electroshock for
the Israeli society.
"New History" was - and remains - a debated movement as indicate its
numerous designations: "Revisionist History", "Post-Zionism", even
"Anti-Zionism". Several researches have been far from accepted. The student
from Haifa University, who revealed in his MA dissertation that the IDF
massacred the inhabitants of the village of Tantura, has been sued in court
by veteran soldiers of the army unit he accused. Haifa University warned
they would disqualify him unless he would change his findings. This somber
affair shows how unacceptable it was, for Israelis, to imagine their army as
perpetrators of massacres - even worse maybe, planning such massacres. The
"Old Historians" (Efraim Karsh, Itamar Rabinovich, Anita Shapira, Shabtai
Tevet) opposed the investigations of the "New Historians", accusing them of
lacking of evidences, of falsifying documents, if not inventing them . One
confronts here the power of the ultimate taboo: a master-plan for mass
expulsion could not have existed, let alone planning massacres. How to
explain that Plan D (Daleth), from the beginning of 1947, was calling for
the "destruction of villages (setting fire to, blowing up, and planting
mines in the debris) especially those population centers which are difficult
to control continuously"?
"Post-Zionism is in effect what used to be called anti-Zionism. (.) The
intellectual heirs of the early anti-Zionism are, first, the
video channel://call for proposals
VideoChannel
a common project environment of
-->
Cinematheque at MediaCentre
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org>
and
[R][R][F]2004--->XP
www.newmediafest.org/rrf2004/ <http://www.newmediafest.org/rrf2004/>
.
invites video artists for participating
and submitting proposals of video works
.
Subject: "Memory & identity" and/or "Violence"
Running time: minimum 1 minute - maximum 10 minutes
Dimensions: 320x240 pixels
extended deadline: 30 October 2004.
Following digital formats are accepted-->
URL, in case the work is posted online or for
download-->
mpeg, Quicktime (.mov) with DiVX compression (.avi), Real Video (rm)
Windows Media (.wmf), Flash video (.swf).
.
Due to the optionally large size of the videos,
please do not attache any video work to the submission,
but make the media file available for download from your server.
.
Only works combining an excellent artistic expression
with an excellent image quality will be selected.
.
Please use this form for submitting:
*******************
1.name of artist, email address, URL
2. short biography/CV (not more than 300 words)
3. 1 work only -->title, year of production, running time
a) URL of the posted work online
or
b) URL from where the media file can be downloaded
4. short work description
(not more than 300 words each)
The artists or owners of the video works will keep all rights
on their submitted works
.
Confirmation/authorization:
The submitter declares and confirms
that he/she is holding all author's rights
and gives permission to include the submitted work
in "VideoChannel" online environment until revoke.
Signed by (submitter)
Please send the complete submission to
mediacentre@le-musee-divisioniste.org <mailto:mediacentre@le-musee-divisioniste.org>
subject: Video Channel
deadline 30 October
The video submissions to this call will be launched on occasion
of the physical installation during 404 New Media Art Festival Rosario/Argentina
which will take place in December 2004.
.
**********************************
As part of the global networking project
[R][R][F]2004--->XP
www.newmediafest.org/rrf2004/ <http://www.newmediafest.org/rrf2004/>
VideoChannel will collect during the coming months
a) curatorial contributions of video works from many countries on the globe
b) video works of individual artists
which are based on the subjects "memory & and identity" and "violence"
VideoChannel is that "Memory Channel" within
[R][R][F]2004--->XP, which is always installed sepearately
in all physical installations,
all accepted videos will be screened in physical space
[R][R][F]2004--->XP will be developing and operating through 2006.
.
*****************************
Cinematheque at Media Centre
www.le-musee-divisioniste.org/mediacentre/ <http://www.le-musee-divisioniste.org/mediacentre/>
and
[R][R][F] 2004--->XP
www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
the progressive project environment
in the framework of
A Virtual Memorial
www.a-virtual-memorial.org <http://www.a-virtual-memorial.org>
are corporate members of
[NewMediaArtProjectNetwork]:||cologne
the experimental platform for netbased art
-->founded, directed and curated by
Agricola de Cologne.
.
Copyright 2000-2004. All rights reserved.
*******************************
a common project environment of
-->
Cinematheque at MediaCentre
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org>
and
[R][R][F]2004--->XP
www.newmediafest.org/rrf2004/ <http://www.newmediafest.org/rrf2004/>
.
invites video artists for participating
and submitting proposals of video works
.
Subject: "Memory & identity" and/or "Violence"
Running time: minimum 1 minute - maximum 10 minutes
Dimensions: 320x240 pixels
extended deadline: 30 October 2004.
Following digital formats are accepted-->
URL, in case the work is posted online or for
download-->
mpeg, Quicktime (.mov) with DiVX compression (.avi), Real Video (rm)
Windows Media (.wmf), Flash video (.swf).
.
Due to the optionally large size of the videos,
please do not attache any video work to the submission,
but make the media file available for download from your server.
.
Only works combining an excellent artistic expression
with an excellent image quality will be selected.
.
Please use this form for submitting:
*******************
1.name of artist, email address, URL
2. short biography/CV (not more than 300 words)
3. 1 work only -->title, year of production, running time
a) URL of the posted work online
or
b) URL from where the media file can be downloaded
4. short work description
(not more than 300 words each)
The artists or owners of the video works will keep all rights
on their submitted works
.
Confirmation/authorization:
The submitter declares and confirms
that he/she is holding all author's rights
and gives permission to include the submitted work
in "VideoChannel" online environment until revoke.
Signed by (submitter)
Please send the complete submission to
mediacentre@le-musee-divisioniste.org <mailto:mediacentre@le-musee-divisioniste.org>
subject: Video Channel
deadline 30 October
The video submissions to this call will be launched on occasion
of the physical installation during 404 New Media Art Festival Rosario/Argentina
which will take place in December 2004.
.
**********************************
As part of the global networking project
[R][R][F]2004--->XP
www.newmediafest.org/rrf2004/ <http://www.newmediafest.org/rrf2004/>
VideoChannel will collect during the coming months
a) curatorial contributions of video works from many countries on the globe
b) video works of individual artists
which are based on the subjects "memory & and identity" and "violence"
VideoChannel is that "Memory Channel" within
[R][R][F]2004--->XP, which is always installed sepearately
in all physical installations,
all accepted videos will be screened in physical space
[R][R][F]2004--->XP will be developing and operating through 2006.
.
*****************************
Cinematheque at Media Centre
www.le-musee-divisioniste.org/mediacentre/ <http://www.le-musee-divisioniste.org/mediacentre/>
and
[R][R][F] 2004--->XP
www.newmediafest.org/rrf2004 <http://www.newmediafest.org/rrf2004>
the progressive project environment
in the framework of
A Virtual Memorial
www.a-virtual-memorial.org <http://www.a-virtual-memorial.org>
are corporate members of
[NewMediaArtProjectNetwork]:||cologne
the experimental platform for netbased art
-->founded, directed and curated by
Agricola de Cologne.
.
Copyright 2000-2004. All rights reserved.
*******************************
my mission://update & call for entries
my mission://update July 2004
Contents:
://New entries
://"My mission" on Biennale for Electronic Art Perth/Australia
://Call for entries
~~~~~~~~~~~~~~~~~~~
---> "My Mission"
The ongoing collection of textual self-representations in form of artistic
statements ----> as part of
"{self}_representation 2003" -
the new show on Le Musee di-visioniste
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org> or
www.le-musee-divisioniste.org/start1.htm <http://www.le-musee-divisioniste.org/start1.htm>
------> launched on 30 september 2003
the project has meanwhile 81 entries
--> these artists are added recently
--->
MM, Brian Routh, Marcello Mercado,
Volker-Behrend Peters, Veronica C. Wilkinson
David Hlongwane, Natasha Randell
Sandra Becker, Anahi Caceres
------>
These artists form the basis of "My Mission":
-------->
Daniel Young, David Crawford, Cendres Lavy
Gita Hashemi, Barry Smylie, Sergeij Jakovlev
Igor Ulanovsky, Rene Joseph, Mr. Robert Montini
Robin Miller, Eva Lewarne, Eric Van Hove
Jorn Ebner, Dr. Hugo, Wendy Lu
Richard Ellis, Harriet Jameson Pellizzari, RAnders
Xavier Malbreil, Graham Thompson, Alvaro Ardevol
Lisa Ndejuru , Cezar Lazarescu, Julie Andreyev
Carla Della Beffa, Catherine Daly,
Xavier Pehuet, Kristin Calabrese, Sol Kjok
Michael Crane, Ricardo Miranda Zuniga, Blair Butterfield
Anthony Lealand, gintas k, Luigia Cardarelli
Ksenija Kovacevic
Pino Boresta, Dizzy, Aikaterini Gegisian, Jeremy Newman,
Carole Loeffler, Michael Haskett, Ida Dominici, kosmoagonia,
Alberto Frigo , Heather J. Tait, Miss C Johnston,
Nitin Shroffs, Shaukat Khan, Ann Tracy,
Luna Nera, Clemente Padin, Nigel Petherick
X Rokeby, Michael Branthwaite, Boel Olsson,
Cyrill Duneau, Domenico Olivero,
Ijose Benin, Stella Maris Angel Villegas
Zon Sakai, Doren Garcia, Fabian Giles
Enter the project via
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org> or
www.le-musee-divisioniste.org/start1.htm <http://www.le-musee-divisioniste.org/start1.htm>
or go directly also to:
www.le-musee-divisioniste.org/exhibitionhall/2003/self/mymission.htm <http://www.le-musee-divisioniste.org/exhibitionhall/2003/self/mymission.htm>
News!!
"My Mission" will be part of
[R][R][F] 2004--->XP
on occasion of
Biennale for Electronic Arts Perth/Australia
7 September - 17 November
and will be projectedas part of the physical installation.
There are much more artists who have a mission.
Come and join the project by responding to this call:
"My Mission" - call for submissions
****************************
invites artists to submit to the recently initiated project
"My Mission",
collection of textual self-representations in form of artistic statements.
Please send your statement as a short text in plain email format (not more
than 500 words),
how you see your mission as an artist, if you have any.
"My mission" is an ongoing project with an open end, so you can send your
statement at any time. No deadline.
All serious submissions will be immediately included.
Please send your submission
including your name and email address, to
info@le-musee-divisioniste.org <mailto:info@le-musee-divisioniste.org>
subject line: My Mission
***********************************
"{self}_representation 2003"
is curated and created by Agricola de Cologne
for Le Musee di-visioniste
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org>
- corporate member of
[NewMediaArtProjectNetwork] :||cologne -
the experimental platform for net based art -
operating from Cologne/Germany.
Contents:
://New entries
://"My mission" on Biennale for Electronic Art Perth/Australia
://Call for entries
~~~~~~~~~~~~~~~~~~~
---> "My Mission"
The ongoing collection of textual self-representations in form of artistic
statements ----> as part of
"{self}_representation 2003" -
the new show on Le Musee di-visioniste
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org> or
www.le-musee-divisioniste.org/start1.htm <http://www.le-musee-divisioniste.org/start1.htm>
------> launched on 30 september 2003
the project has meanwhile 81 entries
--> these artists are added recently
--->
MM, Brian Routh, Marcello Mercado,
Volker-Behrend Peters, Veronica C. Wilkinson
David Hlongwane, Natasha Randell
Sandra Becker, Anahi Caceres
------>
These artists form the basis of "My Mission":
-------->
Daniel Young, David Crawford, Cendres Lavy
Gita Hashemi, Barry Smylie, Sergeij Jakovlev
Igor Ulanovsky, Rene Joseph, Mr. Robert Montini
Robin Miller, Eva Lewarne, Eric Van Hove
Jorn Ebner, Dr. Hugo, Wendy Lu
Richard Ellis, Harriet Jameson Pellizzari, RAnders
Xavier Malbreil, Graham Thompson, Alvaro Ardevol
Lisa Ndejuru , Cezar Lazarescu, Julie Andreyev
Carla Della Beffa, Catherine Daly,
Xavier Pehuet, Kristin Calabrese, Sol Kjok
Michael Crane, Ricardo Miranda Zuniga, Blair Butterfield
Anthony Lealand, gintas k, Luigia Cardarelli
Ksenija Kovacevic
Pino Boresta, Dizzy, Aikaterini Gegisian, Jeremy Newman,
Carole Loeffler, Michael Haskett, Ida Dominici, kosmoagonia,
Alberto Frigo , Heather J. Tait, Miss C Johnston,
Nitin Shroffs, Shaukat Khan, Ann Tracy,
Luna Nera, Clemente Padin, Nigel Petherick
X Rokeby, Michael Branthwaite, Boel Olsson,
Cyrill Duneau, Domenico Olivero,
Ijose Benin, Stella Maris Angel Villegas
Zon Sakai, Doren Garcia, Fabian Giles
Enter the project via
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org> or
www.le-musee-divisioniste.org/start1.htm <http://www.le-musee-divisioniste.org/start1.htm>
or go directly also to:
www.le-musee-divisioniste.org/exhibitionhall/2003/self/mymission.htm <http://www.le-musee-divisioniste.org/exhibitionhall/2003/self/mymission.htm>
News!!
"My Mission" will be part of
[R][R][F] 2004--->XP
on occasion of
Biennale for Electronic Arts Perth/Australia
7 September - 17 November
and will be projectedas part of the physical installation.
There are much more artists who have a mission.
Come and join the project by responding to this call:
"My Mission" - call for submissions
****************************
invites artists to submit to the recently initiated project
"My Mission",
collection of textual self-representations in form of artistic statements.
Please send your statement as a short text in plain email format (not more
than 500 words),
how you see your mission as an artist, if you have any.
"My mission" is an ongoing project with an open end, so you can send your
statement at any time. No deadline.
All serious submissions will be immediately included.
Please send your submission
including your name and email address, to
info@le-musee-divisioniste.org <mailto:info@le-musee-divisioniste.org>
subject line: My Mission
***********************************
"{self}_representation 2003"
is curated and created by Agricola de Cologne
for Le Musee di-visioniste
www.le-musee-divisioniste.org <http://www.le-musee-divisioniste.org>
- corporate member of
[NewMediaArtProjectNetwork] :||cologne -
the experimental platform for net based art -
operating from Cologne/Germany.
JavaMuseum://updates
July 2004
JavaMuseum://updates--->
--------------------------------->
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org <http://www.javamuseum.org>
information updates---------------------------------->
1. the last show in the framework of 3rd of Java series (2003-2004),
will be launched and as a contribution to [R][R][F] 2004--->XP
on occasion of Biennale of Electronic Art Perth/Australia
7 September - 17 November 2004
and will include these artists --->
Susan Collins (UK), Nanette Wylde (USA)
Yvonne Martinsson (Sweden)
Laurie Halsey Brown (Netherlands)
Luigia Cardarelli (Italy)
.
Updated shows:
2. I - Corrida - Netart from Spain
launched on occasion of Basics Festival 2004 Salzburg/Austria
www.javamuseum.org <http://www.javamuseum.org>
or directly
www.javamuseum.org/2004/spanishfeature/index.html <http://www.javamuseum.org/2004/spanishfeature/index.html>
.
3. Current Positions of French Netart
includes now 55 French netartists--->
latest additions -->KROK, Les 2 Douaniers
www.javamuseum.org/2002/2nd/frenchfeature/index.html <http://www.javamuseum.org/2002/2nd/frenchfeature/index.html>
.
4. I - Ocean - Netart from all Asia and Pacific area
launched on occasion of
New Media Art Festival 2004 Bangkok/Thailand
www.javamuseum.org/2004/asiafeature/index.html <http://www.javamuseum.org/2004/asiafeature/index.html>
.
----------------------------------->
Further shows----->
.
5. "I-Fjords" - the show of Netart from Norther Europe
launched on occasion of Electronic Art Meeting 2004 Pescara/Italy
www.javamuseum.org <http://www.javamuseum.org>
or directly
www.javamuseum.org/2004/nordicfeature/index.html <http://www.javamuseumorg/2004/nordicfeature/index.html>
.
6.
I-Islands - Netart from Great Britain and Ireland
www.javamuseum.org/2003/englishfeature/index.html <http://www.javamuseum.org/2003/englishfeature/index.html>
.
7.
Online since 14 October 2003
"Perspectives'03" - competition and show 2003
and the winners of JavaArtist of the Year Award 2003
on occasion and within the framework of Computer Space Festival 2003
Sofia/Bulgaria
www.javamuseum.org/2003/perspectives03/index.html <http://www.javamuseum.org/2003/perspectives03/index.html>
.
8.
"I-Highway - Netart from Canada" on
www.javamuseum.org/2003/canadafeature/index.html <http://www.javamuseumorg/2003/canadafeature/index.html>
.
9. "I-rivers" - Netart form German speaking countries
launched on occasion of Computer Space Festival 2003 Sofia/Bulgaria
on www.javamuseum.org/2003/germanfeature/index.html <http://www.javamuseum.org/2003/germanfeature/index.html>
.
10.
"Current Positions of Italian Netart" on
www.javamuseum.org/2002/2nd/italyfeature/index.html <http://www.javamuseum.org/2002/2nd/italyfeature/index.html>
.
11.
"LatinoNetarte.net" -
Netart from Latin American countries
on www.javamuseum.org/2003/latinofeature/index.html <http://www.javamuseum.org/2003/latinofeature/index.html>
.
and much more on
www.javamuseum.org <http://www.javamuseum.org>
.
All shows on JavaMuseum are open for new artists' submissions.
The respective entry forms are included in each show.
.
************************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
(Java=Joint Advanced Virtual Affairs)
www.javamuseum.org <http://www.javamuseum.org>
info@javamuseum.org <mailto:info@javamuseum.org>
.
is corporate member of [NewMediaArtProjectNetwork]:||cologne
- the experimental platform for netbased art -
operating from Cologne/Germany.
JavaMuseum://updates--->
--------------------------------->
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
www.javamuseum.org <http://www.javamuseum.org>
information updates---------------------------------->
1. the last show in the framework of 3rd of Java series (2003-2004),
will be launched and as a contribution to [R][R][F] 2004--->XP
on occasion of Biennale of Electronic Art Perth/Australia
7 September - 17 November 2004
and will include these artists --->
Susan Collins (UK), Nanette Wylde (USA)
Yvonne Martinsson (Sweden)
Laurie Halsey Brown (Netherlands)
Luigia Cardarelli (Italy)
.
Updated shows:
2. I - Corrida - Netart from Spain
launched on occasion of Basics Festival 2004 Salzburg/Austria
www.javamuseum.org <http://www.javamuseum.org>
or directly
www.javamuseum.org/2004/spanishfeature/index.html <http://www.javamuseum.org/2004/spanishfeature/index.html>
.
3. Current Positions of French Netart
includes now 55 French netartists--->
latest additions -->KROK, Les 2 Douaniers
www.javamuseum.org/2002/2nd/frenchfeature/index.html <http://www.javamuseum.org/2002/2nd/frenchfeature/index.html>
.
4. I - Ocean - Netart from all Asia and Pacific area
launched on occasion of
New Media Art Festival 2004 Bangkok/Thailand
www.javamuseum.org/2004/asiafeature/index.html <http://www.javamuseum.org/2004/asiafeature/index.html>
.
----------------------------------->
Further shows----->
.
5. "I-Fjords" - the show of Netart from Norther Europe
launched on occasion of Electronic Art Meeting 2004 Pescara/Italy
www.javamuseum.org <http://www.javamuseum.org>
or directly
www.javamuseum.org/2004/nordicfeature/index.html <http://www.javamuseumorg/2004/nordicfeature/index.html>
.
6.
I-Islands - Netart from Great Britain and Ireland
www.javamuseum.org/2003/englishfeature/index.html <http://www.javamuseum.org/2003/englishfeature/index.html>
.
7.
Online since 14 October 2003
"Perspectives'03" - competition and show 2003
and the winners of JavaArtist of the Year Award 2003
on occasion and within the framework of Computer Space Festival 2003
Sofia/Bulgaria
www.javamuseum.org/2003/perspectives03/index.html <http://www.javamuseum.org/2003/perspectives03/index.html>
.
8.
"I-Highway - Netart from Canada" on
www.javamuseum.org/2003/canadafeature/index.html <http://www.javamuseumorg/2003/canadafeature/index.html>
.
9. "I-rivers" - Netart form German speaking countries
launched on occasion of Computer Space Festival 2003 Sofia/Bulgaria
on www.javamuseum.org/2003/germanfeature/index.html <http://www.javamuseum.org/2003/germanfeature/index.html>
.
10.
"Current Positions of Italian Netart" on
www.javamuseum.org/2002/2nd/italyfeature/index.html <http://www.javamuseum.org/2002/2nd/italyfeature/index.html>
.
11.
"LatinoNetarte.net" -
Netart from Latin American countries
on www.javamuseum.org/2003/latinofeature/index.html <http://www.javamuseum.org/2003/latinofeature/index.html>
.
and much more on
www.javamuseum.org <http://www.javamuseum.org>
.
All shows on JavaMuseum are open for new artists' submissions.
The respective entry forms are included in each show.
.
************************
JavaMuseum -
Forum for Internet Technologies in Contemporary Art
(Java=Joint Advanced Virtual Affairs)
www.javamuseum.org <http://www.javamuseum.org>
info@javamuseum.org <mailto:info@javamuseum.org>
.
is corporate member of [NewMediaArtProjectNetwork]:||cologne
- the experimental platform for netbased art -
operating from Cologne/Germany.