Regina Pinto
Since 2002
Works in United States of America

ARTBASE (1)
PORTFOLIO (9)
BIO
Born in Rio de Janeiro, Regina Pinto lives, loves and believes in net.art. So that all her work
as artist ( http://arteonline.arq.br/library.htm )
or curator ( http://arteonline.arq.br )
is done for the web.
Discussions (225) Opportunities (4) Events (0) Jobs (0)
DISCUSSION

Museum of the Essential and Beyond That , News / Invitation


Please chek out the news :

2003 June / Museum of the Essential and Beyond That

At http://arteonline.arq.br - find (page-bottom) -

*Paris - Rio de Janeiro Gallery (9137 Km) > work in progress - 5, 015
metters up to now!

*News at the library / first floor: Book lero-lero / Cacaso (B), Book YEARS
/ David Daniels (D).

*News at the Library of Marvels: New visual and new book: The Newest Song of
Exile, Sabia Virtuality (now including the Song of Exile, by Goncalves =
Dias
in several languages).

*News at the Attic: the Art of Maya Kalogera (Croatia).

*New Section at the Library: Artist and Identity, showing Clemente Padin.

*New Search Engine by words and expressions.

*Section: CDs of Art and Poetry - "Sabia Virtuality" (3), "The New Padi=
n's
Spams Trashes" (4).

Do not forget that there is a section of essays at the library of the
Museum of the Essential and Beyond That . Below the rules for publication:

Guidelines for submissions

1. The Museum of the Essential and Beyond That accepts submissions
free of charge. Its only responsibility is to have its staff read written
submissions and check images, links or animations.

2. Submissions must be sent in digital format via e-mail. Only
submissions that comply with the following guidelines will be considered for
publication by the Museum of the Essential and Beyond That.

a) titles of books and periodicals must be underlined; chapter
titles or sections of books must be placed within quotation marks;
b) all quotations must be italicized. When quotations are more than
two lines long, they must be indented;
c) each quotation must be followed by its bibliographic reference in
the following format: (AUTHOR'S SURNAME: date of publication, page numbers).
For example (BORGES: 1954, 87, 88)
d) all highlights must be in bold face.
e) no footnotes are accepted. When necessary, please use endnotes.
f) Electronic files must be sent in the Rich Text format (RTF),
which is available in all word processing software programs.
g) All written submissions must be a maximum of 6 pages long, in
Arial font, with 1.5 line spacing.

3. In regard to writings, each submission must be accompanied by an
abstract in the original language.

4. A mini-resume of the author/creator is also required for all
kinds of submissions (5 lines maximum). Whenever possible, please include
the author/creator's email address so that readers can contact them.

5. All correspondence should be sent to the following address:

arteonline@arteonline.arq.br

CD-ROMs

If you have a multimedia CD-ROM and wish to divulge it, write to the
adress above too.

Thanks for your attention,

Regina

DISCUSSION

DISCUSSION

RHIZOME_RAW:_RE:_RHIZOME_RAW:_SABIA_VIRTUALITY


> Hi Jim,
>
> Thank you!
>
> If one day you decide to come to Rio, I will be your guide here.
>
> Yes, it is very sad the lack of oportunity of the youths of the lower
> layers of our society . How many poets, artists, scientis are being
wasted!
> However we have the Carnival where the peaceful union of all ranks of
> society pursues the common goal of beauty, organization and creativity. It
> is just "Sabia Virtuality" and it is hope too. Perhaps in the future we
can
> get the energy which builds the Samba Parades all the year and not only in
> the Carnival... Then our society will change.
>
> Artist's book is a category of art very spread in Brazil. Many artists
have
> been worked with artist's book. I have been working with artist's books
> since 1994. An artist's book is a book done by the artist, it is not
> published in series as a common book. It is a kind of work like a
painting.
>
> The importance of the artist's book or object book, is just that in it,
> words, images and signs transform into plastic organisms that are moved
> along of the pages in a variable sequence, where the innovation, so much
in
> the form as in the content is a result of evolution ( starting from
Mallarme
> until nowadays) that is happening with this form of expression, defying
> the reader for a new look and a new relation with the printed page.
>
> Artist's book were the begining of the multimidia art we are doing today.
>
> "Sabia Virtuality" book is a printed book with images and poetry working
in
> the way I wrote above, but it is a picture with its frames too. It is
very
> difficult to explain only with words.
>
> Regina
>
>
> ----- Original Message -----
> From: Jim Andrews
> To: List@Rhizome. Org
> Sent: Tuesday, May 13, 2003 4:51 PM
> Subject: RHIZOME_RAW: RE: RHIZOME_RAW: SABIA VIRTUALITY
>
>
> Hi Regina,
>
> Really enjoyed your new work!
>
> It makes me want to come to Rio!
>
> It is sad to know, however, that so many youths there have little choice
but
> crime and violence.
>
> I am curious about the artist's book. Could you tell me about it?
>
> ja
> -----Original Message-----
> From: owner-list@rhizome.org [mailto:owner-list@rhizome.org]On Behalf Of
> Regina Celia Pinto
> Sent: Tuesday, May 13, 2003 1:41 PM
> To: list@rhizome.org
> Subject: RHIZOME_RAW: SABIA VIRTUALITY
>
>
> I would like to invite all fo you to browser my new e-book at:
>
> http://arteonline.arq.br/Virtualidade
>
> Sabia is a brazilian bird.
>
> "Sabia Virtuality" is an experimental narrative that compares and
contrasts
> the real and the virtual through three versions of the same
text/hypertext:
>
> w A printed artist's book.
> w A multimedia and interactive digital artist's book (CD-ROM).
> w A multimedia and interactive "net-digital" artist's book (website).
>
> "Sabia Virtuality" also spotlights similarities between Brazilian and
> Mexican culture and plays with parodies of the poem "Cancao do Exilio"
> ("Song of Exile," 1843), by Brazilian poet Goncalves Dias. Sabia is a
> brazilian bird.
>
> If possible, send me a feedback.
>

DISCUSSION

SABIA_VIRTUALITY


I would like to invite all fo you to browser my new e-book at:

http://arteonline.arq.br/Virtualidade

Sabia is a brazilian bird.

"Sabia Virtuality" is an experimental narrative that compares and contras=
ts the real and the virtual through three versions of the same text/hyperte=
xt:

w A printed artist's book.
w A multimedia and interactive digital artist's book (CD-ROM).
w A multimedia and interactive "net-digital" artist's book (website).

"Sabia Virtuality" also spotlights similarities between Brazilian and Mex=
ican culture and plays with parodies of the poem "Cancao do Exilio" (=
"Song of Exile," 1843), by Brazilian poet Goncalves Dias. Sabia is a br=
azilian bird.

If possible, send me a feedback.

DISCUSSION

Museum of the essential and beyond that


April 2003 / Rio de Janeiro, Brasil

News at the Museum of the Essential and Beyond That :

At http://arteonline.arq.br - find (page-bottom) -

Paris - Rio de Janeiro Gallery > work in progress - 4,04 metters up to now!
New Books and Magazines - library / first floor
New section: CDs of art and Poetry (If you have a CD ROM and want to partic=
ipate, let we know: arteonline@arteonline.arq.br )

Regina