Dear folks,

The site is okay now.

first page: www.escaner.cl/netart

works page: http://www.escaner.cl/netart/_ARTISTAS.html

Cheers,

Regina

> Hi there,
>
> your link below does not work at the moment...
>
> marc
>
>
> > Net.art call English & Espanol
> > ****************************************************
> > (english)
> > goto("net.art")
> > www.escaner.cl/netart
> > chile - uruguay
> >
> > NeT.ArT Invitation
> > We invite you to visit our website: goto("net.art")
> > A meeting point to learn, discuss, share and create, focused on digital
> art
> > and 'Net Art'.
> > Become part of our site by sending work (preferably prepared especially
> for
> > goto("net.art").
> > There is a free choice of subject and the size must be no more than
500kb,
> > although the optimum size is 100kb.
> > The work must be animated or interactive. We do not accept simple
images.
> > Formats accepted: gif. flash, html, mov, etc.
> > No time limit.
> > Send to: ytoaranda@terra.cl o yto11@terra.cl
> > The work will be published at goto("net.art").
> >
> > Fraternally
> >
> > Clemente Padin
> > clepadin@adinet.com.uy
> >
> > Isabel Aranda *Yto*
> > ytoaranda@terra.cl
> >
> >
>
****************************************************************************
> > ************************************************
> > (espanol)
> > goto("net.art")
> > www.escaner.cl/netart
> > chile - uruguay
> > Invitacion NeT.ArT
> > Le invitamos a recorrer el sitio web: goto("net.art")
> > Punto de encuentro para conocer, discutir, mostrar y
> > crear en torno al arte digital y "Net Art"
> > Integrate a nuestro sitio enviando una obra
> > (ojala preparada especialmente para goto("net.art"))
> > El tema es libre y el tamano debe ser de un maximo de 500 kb, aunque lo
> > optimo seria no mayor de 100 kb.
> >
> > La obra debe ser animada o interactiva. NO se aceptan simples imagenes.
> > Se aceptan formatos gif, flash, html, mov, etc.
> > Sin fecha limite.
> > Enviar a: ytoaranda@terra.cl o yto11@terra.cl
> > Las obras se iran publicando en goto("net.art").
> >
> > Fraternalmente,
> >
> > Clemente Padin
> > clepadin@adinet.com.uy
> >
> > Isabel Aranda *Yto*
> > ytoaranda@terra.cl
> >
> >
> > + ti esrever dna ti pilf nwod gniht ym tup
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
>
>
>
>

Net.art call English & Espanol
****************************************************
(english)
goto("net.art")
www.escaner.cl/netart
chile - uruguay

NeT.ArT Invitation
We invite you to visit our website: goto("net.art")
A meeting point to learn, discuss, share and create, focused on digital art
and 'Net Art'.
Become part of our site by sending work (preferably prepared especially for
goto("net.art").
There is a free choice of subject and the size must be no more than 500kb,
although the optimum size is 100kb.
The work must be animated or interactive. We do not accept simple images.
Formats accepted: gif. flash, html, mov, etc.
No time limit.
Send to: ytoaranda@terra.cl o yto11@terra.cl
The work will be published at goto("net.art").

Fraternally

Clemente Padin
clepadin@adinet.com.uy

Isabel Aranda *Yto*
ytoaranda@terra.cl

****************************************************************************
************************************************
(espanol)
goto("net.art")
www.escaner.cl/netart
chile - uruguay
Invitacion NeT.ArT
Le invitamos a recorrer el sitio web: goto("net.art")
Punto de encuentro para conocer, discutir, mostrar y
crear en torno al arte digital y "Net Art"
Integrate a nuestro sitio enviando una obra
(ojala preparada especialmente para goto("net.art"))
El tema es libre y el tamano debe ser de un maximo de 500 kb, aunque lo
optimo seria no mayor de 100 kb.

La obra debe ser animada o interactiva. NO se aceptan simples imagenes.
Se aceptan formatos gif, flash, html, mov, etc.
Sin fecha limite.
Enviar a: ytoaranda@terra.cl o yto11@terra.cl
Las obras se iran publicando en goto("net.art").

Fraternalmente,

Clemente Padin
clepadin@adinet.com.uy

Isabel Aranda *Yto*
ytoaranda@terra.cl

The Museum of the Essential and Beyond That! To comemorate some very
interesting news, at http://arteonline.arq.br - find (page-bottom) -:

Paris - Rio de Janeiro Gallery (9137 Km) > work in progress - 5,340 metters
up to now! (July)

New interview: Regina Celia Pinto interviews Regina Vater (July)

News at the Library of Marvels: The Newest Song of Exile, Sabia Virtuali=
ty
> See the photos of the printed book. (July)

News at the gallery Borders of net.art - web.art and art today: the Art of
Tanja Vujinovic & Zvonka Simcic from Yugoslavia, Eslovenia (July)

News at the gallery Digital Poetry:
Saadi 1 , colaborative art / poetry, by David Daniels (USA) and Regina
Celia Pinto (Brazil);

The Tiradentes' horse by Oscar Araripe (Brazil). (July)

Section CDs of Art and Poetry - "Sabia virtuality" (3), available to free
download *8963 KB, including covers and label - during July, just a gift of
first birthday. (The CD narrative is different of the book and website
narratives).

All the best,

Regina

The Green House is the name I have given to the region in cyberspace where
these new (?) artistic forms of expression can be found - "Net Art" or "Web
Art". It alludes to the electric green colour widely used on the Internet,
especially in its links, and also, of course, to the approximation I have
made to the work of Machado de Assis. The Green House that I am writing
about can be accessed by Itaguai, by all the towns and villages near and far
to it, by the city of Rio de Janeiro itself and lastly, by all at any
latitude or longitude of this our planet Earth. Many artists are already
exploring and researching this new stand for art, which, despite the
mathematics, in my view, has far more of butterfly wings - art and madness
in support of coming to be.
Today cyberspace offers us thousands of possibilities to be adrift or to
find ourselves in a safe harbour amid the intricate paths of its
cartography. "Net Art" or "Web Art" would fit into which of these two
options?
I don't know exactly when the Green House was opened, but the fact is that
at the end of the seven years in which I have been watching it, the
experiences have not yet run out. In Itaguai and in the rest of the whole
world, the possibility exists to access and enjoy this open territory of Art
that I insist on calling the Green House.

And I was right. From all the cities and little places lost in the world
artists have flowed to the Green House. In the beginning there were those
who wanted to exhibit their traditional creations: paintings, prints,
sculptures

Hellow,

The section of "Contemporary Memories" in the library of the "Museum of the
Essential and Beyond " http://arteonline.arq.br would like to invite you
to read an important interview/testimony (english- portuguese) in:
http://arteonline.arq.br/museu/interviews/introinterviews.htm
where the Brazilian visual artist and poet Regina Vater recounts to the
researcher and visual artist Regina Celia Pinto interesting facts about h=
er
art and life. This document gives an insight into Ms. Vater's career and
her temperament as an artist/person. Perhaps this interview is the most
complete report yet published (text and images) about the work that this
Brazilian contemporary artist has been developing in this area.

The "Museum of the Essential and Beyond" is not connected to an institution
and does not rely on any kind of financial support or sponsorship. It has
a dynamic digital model, and is in a constant state of becoming. It
receives contributions from different latitudes and longitudes from the
actual geography without borders created by information technologies. The
world seems to be turning to virtual communities as a way of building a
better future. It is wonderful to meet artists such as Regina Vater who
believes in this kind of work and enjoys participating in it.

The museum's project consists in the creation of virtual architectures: a
museum with its libraries and galleries that have no brick-and-mortar
counterparts, but our "museum" is rather uncommon. It is a museum that
does not exist in the real world, and whose architecture and collections are
formed by a string of digits: 01010101.

Regina Vater was the curator of the exhibition which deserved a six page
article written by the critic and also a good poet Raphael Rubinstein which
came out in the Art In American (May 2002) magazine.

Best regards, and if possible, send a feedback,

Regina Celia Pinto