Hello all,

There are excellent news at the Museum of the Essencial and Beyond That:

1- The Gallery Digital Poetry has now a poetry by Augusto de Campos, one of
the poets who initiated the international moviment of concrete poetry in
Brazil. What a honor for our museum! This poetry by Augusto de Campos is, in
fact, a "despoesia" ("unpoetry" / do > undo, poetry>unpoetry) and it is
called "Poema-Bomba". It belongs to the CD-ROM "Nao Clip Poemas", which
accompanies the book "Nao Poemas", both by Augusto de Campos. You will find
both at the library of the museum too. To browser this work, go to
http://arteonline.arq.br/ , click first floor and "Digital Poetry" . You
will find there the book and the CD ROM, just click books and CDs.

The site of Augusto de Campos is http://www.uol.com.br/augustodecampos/ ,
if you do not browser this site, you must do it right away!

2- We are opening the Museum Shopping, yes, u la la! ... In fact the
shopping is a "NON" Shopping... and an end of year gift to all of you!

To visit the shopping browser at: http://arteonline.arq.br/ . I wish you
find there all you need to the end of year seasons.

Next week we will have more news!

All the best,

Regina Celia Pinto
(Artist of the Museum of the Essential and Beyond That)

> Perhaps virtual food and water...

----- Original Message -----
From: "manik" <manik@ptt.yu>
To: "][m.e.z(y.gote)]" <netwurker@hotkey.net.au>; <list@rhizome.org>
Sent: Friday, November 28, 2003 7:18 AM
Subject: Re: RHIZOME_RAW: Test confirms 'sadhu' abstained food, water for 66
years

> Jesus resurrection...

> ----- Original Message -----
> From: "][m.e.z(y.gote)]" <netwurker@hotkey.net.au>
> To: <list@rhizome.org>
> Sent: Friday, November 28, 2003 4:00 AM
> Subject: RHIZOME_RAW: Test confirms 'sadhu' abstained food, water for 66
> years
>
>
> > Test confirms 'sadhu' abstained food, water for 66 years
> > Press Trust of India
> > Ahmedabad, November 27
> > http://www.hindustantimes.com/news/181_473961,0008.htm
> >
> > It's no fast-unto-death, it's no hunger strike. But a septuagenarian
> > sadhu's apparently simple decision to switch off food since the age of
ten
> > after being "blessed by the Goddess" that has left scientists perplexed.
> >
> > Prahllad Jani, the 76-year-old 'sadhu' from the pilgrim town of Ambaji
in
> > north Gujarat, has scientifically proved that he neither ate nor drank
> > anything for the past 66 years.
> >
> > Jani claims that he has managed to fight hunger and thirst after he was
> > blessed by "Mataji" (Ambaji deity) at the age of 10 years.
> >
> > The medical fraternity did not believe it prima facie, but after a close
> > 10-day observation, including sonography twice a day, at the Neuro ICCU
of
> > Sterling Hospital, medicos had to admit that Jani has the ability to
> > survive without food and water.
> >
> > Hospital authorities confirmed that Jani not only refrained intake
through
> > mouth or any other route but he also did not excrete, while under
> observation.
> >
> > "No doubt, his bladder produced 400 ml urine during the day, but the
next
> > day it was absorbed by the bladder itself", Dinesh Desai, a doctor at
the
> > Sterling Hospital said.
> >
> > "Mataji blessed me at the age of 10 with energy in the form of 'Amrut'
> from
> > my upper jaw to sustain me and since then I have never felt the need for
> > food nor water nor have I fallen ill," Jani claimed.
> >
> > "I will continue to live like this till she commands," he added.
> >
> > "Though no normal person can continue without passing stool or urine for
> > more than seven days, Jani is absolutely normal and shows the same
> > physiological process like any other person. He is fit and fine," Dr VN
> > Shah, a member of the Association of Physicians of Ahmedabad (APA),
said.
> >
> > The panel formed by APA, which took it upon itself to verify the
> > authenticity of Jani's claim to observe him included a physician,
> > cardiologist, neurologist, neurosurgeon, gastoenterologist,
diabetologist
> > and an ENT surgeon.
> >
> > The Defence Institute of Physiology and Allied Sciences (DIPAS), New
Delhi
> > would be conducting further research on him, Shah added.
> >
> > Jani has now been discharged from the hospital but doctors intend to
keep
> a
> > track of him as this could result into new findings.
> >
> >
> >
> > - pro][rating][.lucid.tones
> > -
> > -
> >
> > http://www.hotkey.net.au/~netwurker
> > http://www.livejournal.com/users/netwurker/
> > _
> > _poly.phonic.ring[tones]
> >
> > +
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > -> visit: on Fridays the Rhizome.org web site is open to non-members
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>

Hello Eduardo,

About Lygia Clark I wrote a thesis ten years ago and she was really amazing
and her trajectory in art is exceptional: paintings - two dimensions
objects, three dimensions objects - "Casulos" ("Cocoons"), organic
sculptures - "Bichos"(Animals) , which were the first interactive work I
have
Known. In fact if you study her works since the beginning you will see that
they are a sequence which has the moviment from inside to outside. After the
"Bichos" , "Caminhando" (Walking) where she used the moebius ribbon
structure, where the inside can be outside and vice -versa. She wrote, yes,
she wrote texts about all her works:

<"Caminhando" ("Walking") it is the act, it is the potentiality of going
ahead. The act of doing as the act of being, both integrated in the world,
the individual in direction to the collective. It is the essence of the
art.>

After "Caminhando" lots of works: objects, performances, installations. All
of them working with inside and outside but not only this their works were
above all Genre (Man/Woman), Psychology and Anthropology. Some of them
primitive rites. The most important thing about Lygia Clark is that she was
completely concious about she was doing, if you read her texts you will
understand this.Conceptual? Yes, but much more than this... I spent a year
reading her texts and I think I have much more to study about her..

She guess our times - the interactivity - and she wrote in a letter to a
friend
of her (1964):

"...but it is the terrible conscience of the uselessness of my expression
that I believe have arrived to the end. It is not an individual end but of
time. I see in the future the crowd of the victorious anonyms pass on
artist's body . This artist's dissolution in life, giving to possibility of
the anonym create, is our own death and, how many of us will stand that
dilaceramento, this identity with the collective?

Sometime after this she give up of Art, said Art is Life and became a kind
of psychiatrist - xaman.

It is very difficult for me to explain in English the Art of Lygia Clark
but I must say that she was really a genius.
xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx
xxxxxxxxxxxxxxxxxxxxxxxxxxxxx

About the discussion I would like to say that Conceptual, Political,
Baroque, Neo-Baroque, Still Life... it is not important. Art must be...Art
and artists must be critical of themselves, it is the first step to do GOOD
ART: Political, Conceptual or what you want.

PS: As you are talking about the paper which we use in the toilets, I would
like to say that the restrooms of the Musem of the Essential and That are
not separated by genre (Man/Woman) but by style of Art, and they were done
in this way just because of discussions like that ...;-) he he he.
http://arteonline.arq.br/museu/bathroom

Last but not least, we already have Conceptual Style Toilets, but
unfortunatelly we do not have "Political Style toilets", so if one of you
were interested in this category, send us your collaboration! I think it is
really a failure.

"Walking",

Regina

----- Original Message -----
From: <eduardo@navasse.net>
To: <list@rhizome.org>
Sent: Tuesday, November 25, 2003 5:14 PM
Subject: Re: RHIZOME_RAW: Re: Thom Yorke / Howard Zinn

>
> ----- Original Message -----
> From: "curt cloninger" <curt@lab404.com>
> > My sister-in-law and I were talking last night, and the topic of
> conceptual art somehow came up. She asked, "what is conceptual art?" I
> said it was art in which the art object was largely incidental or a prop
for
> the concept, and [...]
> <--snip-->
> > The assertion that the circus is marginally useful Marxian opiate
> entertainment and that overt, socially conscious art is the only way to
> *really* change the world -- that sounds just like something a political
> scientist would say.
> <--snip-->
>
> Hey Curt,
>
> I know we have had some interesting discussions on Conceptual Art on this
> list, and one thing that has somehow lingered is your last comment.
First,
> I think while such influence might be true, it is also important to note
> that there were other factors that played into the development and energy
of
> the conceptual movement in the U.S in particular. Adrianne Piper, for
> example, is also considered a performance and installation/video artist
and
> her main influence is Kant. She, in fact, is a neo-kantian philospher.
> Also, Coceptual art moved around the globe and was actually already in
> practice by people like Piero Manzoni in Europe under a different context,
> but all the ingridients were there already. And Brazilian artists like
> Lygia Clark created some amazing paintings and performances based on
> conceptual strategies. She is also considered a conceptual artists to
some
> degree under a global context. And many artists who came after the
> "hardcore" movement, in the U.S., developed work that was completely
> dependent on the art object. Roni Horn, Janine Antoni among others. I
> honestly do not understand the bashing. Maybe you should be more honest
> because in many ways Conceptual Art cleaned-up the corners that Duchamp
had
> left untouched. Now, "truth to form" is usually the left over question of
> disinterestedness that most educators pose in the art classroom when
> scrutinizing the students for their assigments. This is why Greenberg
> called evertything that is taught at universities and art schools
"kitsch."
>
> Conceptual art is now part of history and should be considered a starting
> point, not a bashing scapegoat.
>
> Best,
>
> Eduardo Navas
>
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>

News at the Museum of the Essential and Beyond That:

At http://arteonline.arq.br - find (page-bottom) -

SPRING / SUMMER (Southern Hemisphere), FALL / WINTER (Northern Hemi=
sphere)- 2003

New Floor: Terrace with gardens, restaurant, panoramic elevator, ad=
ministration and bathrooms (November).

Paris - Rio de Janeiro Gallery (9137 Km) > work in progress - 8,000=
metters up to now! (November).

News at the library, books >"Nao Poemas" by Augusto de Campos, "A=
Imagem-Tempo" by Gilles Deleuze, "Women, Art & Technology" by Judy Malloy =
(November).

News at the library, magazines > "Cuadernos del LIMbO", "Poesia P=
ara Todos" (November).

News at the library, Artist and Identity > Marcelo Frazao (Novemb=
er).

News at the gallery Borders of net.art - web.art and art today >"Qu=
e Ambre" by Juan Manuel Patino, Argentina (November).

News at the gallery Digital Poetry >"Autocidade" by Jordons Francis=
co (November).

News at the gallery Esthetic of Tragedy > "Requiem" by Michael Take=
o Magruber, England and "The Pet goat" by Erik Salvaggio, USA (November).

News at the gallery Virtual Book-Object > "Anima Alice" by Guto N=
obrega and students of the EBA/UFRJ (November).

Section: CDs of Art and Poetry >"Nao clip Poemas" by Augusto de C=
ampos (7)/ Brazil /It accompanies the book "Nao Poemas" and "Azap" by Ahm=
et Atif Akin (6), Turkey (November).

> --------------------------------------------------------------------------
--
> NewsArtcogitans : November 2003
> Think today the world to come...
> --------------------------------------------------------------------------
--
> -----------------------------------------
> This month on artcogitans
> -----------------------------------------
> Interview with Isabel Saij :
> http://www.artcogitans.com/Interview/I.SaijAN.pdf
>
> -----------------------------------------
> EVENTS : conferences
> -----------------------------------------
> =>Le Fresnoy, Studio national des arts contemporains et la Cinematheque
> francaise
> ont le plaisir de vous inviter a la projection des films produits au
Fresnoy
> en 2002-2003
> Le lundi 17 novembre 2003 a 19 heures et 21 heures >
> a la Cinematheque Francaise
> Salle du Palais de Chaillot
> 7, avenue Albert de Mun - 75116 Paris
> entree cote jardin
> metro Iena ou Trocadero>
> Invitation valable pour deux personnes dans la limite des places
disponibles
> Confirmation necessaire par telephone au 01 44 05 93 45
> ou par e-mail : cinematec-fr@magic.fr (specifier objet : Le Fresnoy)
> For more information :
> http://www.artcogitans.com/Fr./Actus/synopsis_2003.doc.pdf
>
> => MetallosMedialab : 12-16 november 2003
> For more information : http://www.artcogitans.com/Fr./Actus/Metallos.php
>
> => Call for participation : Fluid Image
> http://www.fluid-image.net/accueil.html
>
> => Soace multimedia Gantner
> For more information :
> http://www.artcogitans.com/Fr./Actus/Gantner.php
>
> => 4eme congres interprofessionnel de l'art contemporain
> L'enjeu europeen de l'art contemporain, echanges et cooperations
> 27 et 28 november 2003, a l'Arsenal de Metz
> For more information : http://www.artcogitans.com/Fr./Actus/Metz.php
>
> => COLLOQUE INTERNATIONAL BRUXELLES EXPOSER L'IMAGE EN MOUVEMENT
> " De la grammaire spatiale a la production de contenus"
> ISELP, Vendredi 28 et Samedi 29 novembre 2003, avec la presentation de
> l'oeuvre multim"dia " De Casablanca a Locarno, l'amour revu et corrige par
> Internet"
> Installation video utilisant simultanement : TV + radio + cinema +
> theatre + telephone + Internet (Grand Prix de la Ville de Locarno/Festival
> des arts electroniques, Locarno 1995)
> Inscription : ISELP
> 31, bd de Waterloo
> B-Bruxelles
> Fax 00 32 (0) (0) 2 /502 45 26
>
> ==> aRT+sCIENCE (LINKS)
> For more information : http://www.artandscience.fr.st
>
>
> -----------------------------------------
> EVENTS : exhibition
> -----------------------------------------
> => Call : See Section "News" and "Currently", please
> daily up to date
>
> => DISPLAY PIXEL #2
> For more information : http://www.artcogitans.com/Fr./Actus/Display.php
>
> => Exhibition
> Ortheses Katrin GATTINGER
> le mercredi 19 novembre 2003 18 h
> Lavitrine
> Association Limousin Art Contemporain & Sculptures,
> 4 rue Raspail 87000 Limoges
> Expo 20/11/03<---->20/12/03
> du mardi au samedi de 14h30 a 19h et sur rendez-vous
> telephone 05 55 70 12 17 ou 06 81 35 51 35
> For more information : http://www.artcogitans.com/Fr./Actus/Ortheses.php
>
> => See : AURA ( mystere et force)
> Collective Exhibition with Marie AMAR - Stephane BELZERE - Anne
DELEPORTE -
> Louis JAMMES - Yuki ONODERA - Philippe PASQUA - Francoise PETROVITCH -
> Philippe TOURRIOL - XIAO FAN
> du 15 novembre 2003 au 9 janvier 2004
> Galerie RX - Art Contemporain
> Eric RODRIGUE - Eric DEREUMAUX
> 6, avenue Delcasse - 75008 Paris - France
> (prolongement avenue Matignon)
> Tel: 33-1 45 63 18 78 - Fax: 33-1 45 63 16 88
> For more information : http://www.artcogitans.com/Fr./Actus/AURA.php
>
> => Art Nature Project XXI
> For more information :
> http://www.artcogitans.com/Fr./Actus/Artnature.doc.pdf
>
> => art+biotech issues
> For more information : http://www.geocities.com/melanitis2001/
>
> => Call for participation : Apelse
> For more information : http://www.artcogitans.com/pict/Apelse.htm
>
> => The Museum of The Essential and Beyond That
> communicates the opening of its international and cybervirtual restaurant,
> the Restaurant "Eating Pixels" at:
> Website : http://arteonline.arq.br/museu/restaurante
> For more information :
http://www.artcogitans.com/Fr./Actus/EatingPixels.php
>
>
> -----------------------------------------
> Paper : news
> -----------------------------------------
>
>
> => Journees de Sousse, about R. Mbarak in Net
> Art Review
> http://www.netartreview.net/featarchv/backFeatures.html click on
> 11_02_03/
>
> => Exhibition Flow/Courant about Purblue of Y. Breuleux in
> Net Art Review
> http://www.netartreview.net/featarchv/backFeatures.html click on
> 10_05_03/
>
> => Exhibition in la Chambre Blanche, about Where are you ? de
> O. Kisseleva in Nu-media
> http://numedia.scola.ac-paris.fr/index.php?rub=6
>
> -----------------------------------------
> EMERGENCY ART : new links...
> -----------------------------------------
>
> => Arora Anjali, What's for news today?
> http://www.artcogitans.com/Angl./netart/Anjali.php
>
> => Babel, Patinage
> http://www.artcogitans.com/Angl./netart/Babel.php
>
> => Gerard Dalmon, Xavier Malbreil, Le livre des Morts
> http://www.artcogitans.com/Angl./netart/Dalmon.php
>
> => Bouschet Gast, THE TRUSTFILES
> http://www.artcogitans.com/Angl./netart/Gast.php
>
> =>Valery Grancher, "Google alphabet !"
> http://www.artcogitans.com/Angl./netart/Grancher8.php
> => Valery Grancher-Emmanuel Grancher, Sophie Weyeneth, " Tuer le temps "
> http://www.artcogitans.com/Angl./netart/Grancher7.php
> => Valery Grancher-Chistophe Bruno, " UNbehagen"
> http://www.artcogitans.com/Angl./netart/Grancher6.php
> => Valery Grancher, " No memory book "
> http://www.artcogitans.com/Angl./netart/Grancher5.php
> Valery Grancher, " Wap "
> http://www.artcogitans.com/Angl./netart/Grancher4.php
> Valery Grancher, " Somewhere/Sometimes "
> http://www.artcogitans.com/Angl./netart/Grancher3.php
> Valery Grancher, " Search Art "
> http://www.artcogitans.com/Angl./netart/Grancher2.php
> Valery Grancher, " NoMemory "
> http://www.artcogitans.com/Angl./netart/Grancher1.php
>
> => Sachiko Hayashi, "Trapped "
> http://www.artcogitans.com/Angl./netart/Hayashi.php
> => Sachiko Hayashi, "Last Meal Requested "
> http://www.artcogitans.com/Angl./netart/Hayashi2.php
>
> => I8U, Median
> http://www.artcogitans.com/Angl./netart/I8U3.php
> => I8U, Isu
> http://www.artcogitans.com/Angl./netart/I8U.php
> => I8U, OBSTACLE
> http://www.artcogitans.com/Angl./netart/I8U2.php
>
> => Olga Kisseleva, Where are you ?
> http://www.artcogitans.com/Angl./netart/Kisseleva3.php
> => Olga Kisseleva, How are you ?
> http://www.artcogitans.com/Angl./netart/Kisseleva.php
> => Olga Kisseleva, Creations a decouvrir
> http://www.artcogitans.com/Angl./netart/Kisseleva1.php
>
> => Michiel Knaven, Works,
> http://www.artcogitans.com/Angl./netart/knaven.php
>
> => Alexandre le Veuf, La video tue les stars
> http://www.artcogitans.com/Angl./netart/Leveuf.php
>
> => Xavier Malbreil, Gerard Dalmon, Le livre des Morts
> http://www.artcogitans.com/Angl./netart/Malbreil.php
> => Xavier Malbreil, L'Attentionometre
> http://www.artcogitans.com/Angl./netart/Malbreil3.php
>
> => Tamara Lai, Web_of_lies (tisse de mensonges)
> http://www.artcogitans.com/Angl./netart/Lai17.php
>
> => Isabel Saij, mechanism2
> http://www.artcogitans.com/Angl./netart/Saij28.php
> => Isabel Saij, random-01
> http://www.artcogitans.com/Angl./netart/Saij27.php
> => Isabel Saij, morphing-01
> http://www.artcogitans.com/Angl./netart/Saij26.php
> => Isabel Saij, chaos-01-1/2/3
> http://www.artcogitans.com/Angl./netart/Saij25.php
> => Isabel Saij, 24 virtually yours
> http://www.artcogitans.com/Angl./netart/Saij24.php
> => Isabel Saij, shadows
> http://www.artcogitans.com/Angl./netart/Saij22.php
> => Isabel Saij, metapond
> http://www.artcogitans.com/Angl./netart/Saij21.php
> => Isabel Saij, metarust
> http://www.artcogitans.com/Angl./netart/Saij19.php
> => Isabel Saij, metabstract
> http://www.artcogitans.com/Angl./netart/Saij18.php
> => Isabel Saij, mechanism 1
> http://www.artcogitans.com/Angl./netart/Saij17.php
> => Isabel Saij, entr'actes
> http://www.artcogitans.com/Angl./netart/Saij16.php
> => Isabel Saij, illusions - x9
> http://www.artcogitans.com/Angl./netart/Saij15.php
> => Isabel Saij, illusions - x16
> http://www.artcogitans.com/Angl./netart/Saij14.php
> => Isabel Saij, illusions - x25
> http://www.artcogitans.com/Angl./netart/Saij13.php
> => Isabel Saij, major-domo
> http://www.artcogitans.com/Angl./netart/Saij12.php
> => Isabel Saij, once upon a murky time
> http://www.artcogitans.com/Angl./netart/Saij11.php
> => Isabel Saij, Bx0=$=+++
> http://www.artcogitans.com/Angl./netart/Saij10.php
> => Isabel Saij, heiligenscheinheilig...
> http://www.artcogitans.com/Angl./netart/Saij9.php
> => Isabel Saij, viennese-soliloquy - du-surmoi-au-ca
> http://www.artcogitans.com/Angl./netart/Saij8.php
> => Isabel Saij, democrazy
> http://www.artcogitans.com/Angl./netart/Saij7.php
> => Isabel Saij, FW-l-b-d-p
> http://www.artcogitans.com/Angl./netart/Saij6.php
> => Isabel Saij, fence-off-fence
> http://www.artcogitans.com/Angl./netart/Saij5.php
> => Isabel Saij, crackles
> http://www.artcogitans.com/Angl./netart/Saij4.php
> => Isabel Saij, political transparency
> http://www.artcogitans.com/Angl./netart/Saij3.php
> => Isabel Saij, prayer wheels
> http://www.artcogitans.com/Angl./netart/Saij2.php
> => Isabel Saij, approved
> http://www.artcogitans.com/Angl./netart/Saij1.php
> => Isabel Saij, Works 2002
> http://www.artcogitans.com/Angl./netart/Saij.php
>
> => Graham Thompson, NORTH-SOUTH-EAST-WEST
> http://www.artcogitans.com/Angl./netart/Thompson.php
>
> => Monique Wender, "Works"
> http://www.artcogitans.com/Angl./netart/Wender.php
>
> => Jaka Zeleznikar, Retypescape - interactive internet based language
> related art work
> http://www.artcogitans.com/Angl./netart/zeleznikar6.php
> => Jaka Zeleznikar, " I N T E R A K T I V A L I J A "
> http://www.artcogitans.com/Angl./netart/zeleznikar5.php
> => Jaka Zeleznikar, " Generator "
> http://www.artcogitans.com/Angl./netart/zeleznikar4.php
> => Jaka Zeleznikar, " TYPESCAPE.2 "
> http://www.artcogitans.com/Angl./netart/zeleznikar3.php
> => Jaka Zeleznikar, " Syntax of Desire "
> http://www.artcogitans.com/Angl./netart/zeleznikar2.php
> => Jaka Zeleznikar, " Poem for Echelon"
> http://www.artcogitans.com/Angl./netart/zeleznikar.php
>
> -----------------------------------------
> CONTACT
> -----------------------------------------
> ARTCOGITANS
> BP 38
> 91201 ATHIS-MONS CEDEX
> Portable : 33 (0)6 08 83 09 20
>
> DELIVER THIS LETTER
> -----------------------------------------
> Send a copy to your friends and colleagues;
> they could free subscribe at NewsArtcogitans.
>
> -----------------------------------------
> MEMORANDUM
> -----------------------------------------
> ==> If you want release an info into the News or into website, write to
> Evelyne Rogue (Research fellow associated at the Pantheon-Sorbonne
> University (CPPAC), Department of the aesthetic) at :
erogue@artcogitans.com
> - For any questions or comments, wrtite to : redaction@artcogitans.com
> - If you change your e-mail, please, write to : news@artcogitans.com
> - To unsusbscribe, send an e-mail to stop-news@artcogitans.com with
> 'unsubscribe' as subject.
>
>
> Editorial Staff
> =============================================================
> Take part in emergency art today and tomorrow
> http://www.artcogitans.com
> =============================================================
>
>
>
>
>
>
> Your use of Yahoo! Groups is subject to http://docs.yahoo.com/info/terms/
>
>
>