ARTBASE (1)
BIO
Born in Rio de Janeiro, Regina Pinto lives, loves and believes in net.art. So that all her work
as artist ( http://arteonline.arq.br/library.htm )
or curator ( http://arteonline.arq.br )
is done for the web.
as artist ( http://arteonline.arq.br/library.htm )
or curator ( http://arteonline.arq.br )
is done for the web.
Virtual tourism
1- If you want to know Rio de Janeiro, I discovered this wonderful link.
(Portugues, English, Espanol, Francais)
http://www.riodejaneirovirtual.com/rio/
Regina Celia Pinto
http://arteonline.arq.br/
http://arteonline.arq.br/library.htm
Last Works:
http://arteonline.arq.br/magic_walls/
http://arteonline.arq.br/eva/
http://arteonline.arq.br/ducks/
http://arteonline.arq.br/eua200km/
http://arteonline.arq.br/ecologia/
(Portugues, English, Espanol, Francais)
http://www.riodejaneirovirtual.com/rio/
Regina Celia Pinto
http://arteonline.arq.br/
http://arteonline.arq.br/library.htm
Last Works:
http://arteonline.arq.br/magic_walls/
http://arteonline.arq.br/eva/
http://arteonline.arq.br/ducks/
http://arteonline.arq.br/eua200km/
http://arteonline.arq.br/ecologia/
Re: Re: Re: How to make a perfect Malevich painting using only basic HTML code
Dear Eric,
That is it! Of course we can't. The reciprocal is true. You are completely
right, the skills and tools are completely different, paintings are
paintings and web.art is web.art, both are very interesting in their own
ways. To make sites with brushes on canvas is possible, but they would be
only simulacra of sites because they would not be on the web and they will
not be interactive. Maybe in the future all of this will be possible! We
never know how technology will devellop.
However, nowadays, there is one aspect where web.art does not win paintings:
the time of duration. Paintings made in 1400 are alive today, but I am
almost sure that our web.art will not be alive in 2600. Last Sunday for
example, I was searching for some photos I took at the start of 80's and I
found them, but they were completely ancient, impossible to use. If they
were paintings, it would not occur.
Bye, have a good day,
Regina
----- Original Message -----
From: "Eric Dymond" <dymond@idirect.ca>
To: <list@rhizome.org>
Sent: Wednesday, January 25, 2006 9:43 PM
Subject: RHIZOME_RAW: Re: Re: How to make a perfect Malevich painting using
only basic HTML code
> But can we make web sites with brushes, paints and solvents?
> Now, then I'd be impressed.
>
> Eric
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
That is it! Of course we can't. The reciprocal is true. You are completely
right, the skills and tools are completely different, paintings are
paintings and web.art is web.art, both are very interesting in their own
ways. To make sites with brushes on canvas is possible, but they would be
only simulacra of sites because they would not be on the web and they will
not be interactive. Maybe in the future all of this will be possible! We
never know how technology will devellop.
However, nowadays, there is one aspect where web.art does not win paintings:
the time of duration. Paintings made in 1400 are alive today, but I am
almost sure that our web.art will not be alive in 2600. Last Sunday for
example, I was searching for some photos I took at the start of 80's and I
found them, but they were completely ancient, impossible to use. If they
were paintings, it would not occur.
Bye, have a good day,
Regina
----- Original Message -----
From: "Eric Dymond" <dymond@idirect.ca>
To: <list@rhizome.org>
Sent: Wednesday, January 25, 2006 9:43 PM
Subject: RHIZOME_RAW: Re: Re: How to make a perfect Malevich painting using
only basic HTML code
> But can we make web sites with brushes, paints and solvents?
> Now, then I'd be impressed.
>
> Eric
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
Re: How to make a perfect Malevich painting using only basic HTML code
----- Original Message -----
From: "Pall Thayer" <p_thay@alcor.concordia.ca>
To: "listserv Rhizome" <list@rhizome.org>
Sent: Wednesday, January 25, 2006 2:48 PM
Subject: Re: RHIZOME_RAW: How to make a perfect Malevich painting using only
basic HTML code
>
>> <!-- this is a Malevich painting, it seems strange but it is -->
>> <!-- http://lunk.altervista.org/malevich --> ..."
>
> I disagree. It's a copy of a Malevich-ish idea. Not even a copy of a
> Malevich painting. >
Yes, you are completely right, we can't do perfect paintings with
computers. (up to now, perhaps in the future?)
When painting there is a tangible medium - paint, which makes a sloppy mess
in cyan, yellow and magenta. In the case of computers, what we have is light
and pixels, and red, green, blue, a clean art and.a certain limitation due
to the software.
What I think that is important is to explore in digital mediums all the
possibilities of recognized Works of Art, it is a way of continue creating
with that work. It means that the work continues alive. Exactely for this
Creative Commons and Free Art are so important.
Regina
From: "Pall Thayer" <p_thay@alcor.concordia.ca>
To: "listserv Rhizome" <list@rhizome.org>
Sent: Wednesday, January 25, 2006 2:48 PM
Subject: Re: RHIZOME_RAW: How to make a perfect Malevich painting using only
basic HTML code
>
>> <!-- this is a Malevich painting, it seems strange but it is -->
>> <!-- http://lunk.altervista.org/malevich --> ..."
>
> I disagree. It's a copy of a Malevich-ish idea. Not even a copy of a
> Malevich painting. >
Yes, you are completely right, we can't do perfect paintings with
computers. (up to now, perhaps in the future?)
When painting there is a tangible medium - paint, which makes a sloppy mess
in cyan, yellow and magenta. In the case of computers, what we have is light
and pixels, and red, green, blue, a clean art and.a certain limitation due
to the software.
What I think that is important is to explore in digital mediums all the
possibilities of recognized Works of Art, it is a way of continue creating
with that work. It means that the work continues alive. Exactely for this
Creative Commons and Free Art are so important.
Regina
Re: How to make a perfect Malevich painting using only basic HTML code
Hi Lunk,
It is very interesting but I prefer this "new" Malevich:
http://arteonline.arq.br/
This below is very important:
"This is the POWER of net.art, you can't do this with old (and wonderful)
art! ..."
Thanks for let me know this HTML code,
Regina Celia Pinto
http://arteonline.arq.br/
http://arteonline.arq.br/library.htm
New Works:
http://arteonline.arq.br/magic_walls/
http://arteonline.arq.br/eva/
http://arteonline.arq.br/ducks/
http://arteonline.arq.br/ecologia/
----- Original Message -----
From: "LUNK" <lumaca42@email.it>
To: <list@rhizome.org>
Sent: Wednesday, January 25, 2006 12:25 PM
Subject: RHIZOME_RAW: How to make a perfect Malevich painting using only
basic HTML code
> How to make a perfect Malevich painting using only basic HTML code
> http://lunk.altervista.org/malevich/
>
> "... This page gives you the HTML code to "... make a perfect Malevich
> painting...". It's a basic HTML code. Everyone can have a Malevich, you
> can see it on your computer screen or print it. This is the POWER of
> net.art, you can't do this with old art! ..."
>
> "... Source Code ("this is a Malevich painting, it seems strange but it
> is")
>
> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
> <HTML>
> <HEAD>
> <TITLE>Malevich</TITLE>
> <!-- this is a Malevich painting, it seems strange but it is -->
> <!-- http://lunk.altervista.org/malevich --> ..."
>
> Credits
> "How to make a perfect Malevich painting using only basic HTML code" by
> LUNK & guddene
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
It is very interesting but I prefer this "new" Malevich:
http://arteonline.arq.br/
This below is very important:
"This is the POWER of net.art, you can't do this with old (and wonderful)
art! ..."
Thanks for let me know this HTML code,
Regina Celia Pinto
http://arteonline.arq.br/
http://arteonline.arq.br/library.htm
New Works:
http://arteonline.arq.br/magic_walls/
http://arteonline.arq.br/eva/
http://arteonline.arq.br/ducks/
http://arteonline.arq.br/ecologia/
----- Original Message -----
From: "LUNK" <lumaca42@email.it>
To: <list@rhizome.org>
Sent: Wednesday, January 25, 2006 12:25 PM
Subject: RHIZOME_RAW: How to make a perfect Malevich painting using only
basic HTML code
> How to make a perfect Malevich painting using only basic HTML code
> http://lunk.altervista.org/malevich/
>
> "... This page gives you the HTML code to "... make a perfect Malevich
> painting...". It's a basic HTML code. Everyone can have a Malevich, you
> can see it on your computer screen or print it. This is the POWER of
> net.art, you can't do this with old art! ..."
>
> "... Source Code ("this is a Malevich painting, it seems strange but it
> is")
>
> <!DOCTYPE html PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN">
> <HTML>
> <HEAD>
> <TITLE>Malevich</TITLE>
> <!-- this is a Malevich painting, it seems strange but it is -->
> <!-- http://lunk.altervista.org/malevich --> ..."
>
> Credits
> "How to make a perfect Malevich painting using only basic HTML code" by
> LUNK & guddene
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
My secret identity...
(Only for people that speak Spanish or Portuguese, Sorry!)
The truth is that there is an interview with me on the newest number (80)
of Escaner Cultural, the electronic magazine created by Isabel Aranda YTO /
Chile - (on line since last century).
Ya esta en Internet el numero 80 de Escaner Cultural
Escaner Cultural
+------------------------------------------------------------------+
Ano 8/ Numero 80/Enero - Febrero de 2006
+------------------------------------------------------------------+
La revista se encuentra en:
www.escaner.cl
+-----------------------+
|escaner cultural 80|
+-----------------------+
Instalar ...La Accion
NOTA 04:
Descorporalizar... desmaterializar... desrealizar
Desde Barcelona, Alberto Caballero
Al Documentar
ARTE ACCION EN LA
7
The truth is that there is an interview with me on the newest number (80)
of Escaner Cultural, the electronic magazine created by Isabel Aranda YTO /
Chile - (on line since last century).
Ya esta en Internet el numero 80 de Escaner Cultural
Escaner Cultural
+------------------------------------------------------------------+
Ano 8/ Numero 80/Enero - Febrero de 2006
+------------------------------------------------------------------+
La revista se encuentra en:
www.escaner.cl
+-----------------------+
|escaner cultural 80|
+-----------------------+
Instalar ...La Accion
NOTA 04:
Descorporalizar... desmaterializar... desrealizar
Desde Barcelona, Alberto Caballero
Al Documentar
ARTE ACCION EN LA
7