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Supporter
Regina Pinto
Since 2002
Works in United States of America

- http://www.arteonline.arq.br

ARTBASE (1)

Caleidoscópios - Kaleidoscopes
PORTFOLIO (9)

Camcorder Paintings
Carnaval Carnival 2008
Cell Show
Dancing Tree
Equilibrium
Lapa
People / Gente
Sombra Ação
Twitters for the New Year
BIO

Born in Rio de Janeiro, Regina Pinto lives, loves and believes in net.art. So that all her work
as artist ( http://arteonline.arq.br/library.htm )
or curator ( http://arteonline.arq.br )
is done for the web.
RHIZOME ACTIVITIES

Discussions (225) Opportunities (4) Events (0) Jobs (0)
DISCUSSION
Posted on Sat Nov 15, 2003

## What is going on inside my bag?

Hello,
What is going on inside my bag? http://arteonline.arq.br/reginaworks.htm
Have fun,
Regina

DISCUSSION
Posted on Thu Nov 13, 2003

## The last day of the guided tour!

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Hello,
We are finally arriving at the end of our tour!
Have you liked the way by which the Museum of the Essential and Beyond Tha=
t was showed? I hope the museum and its attractions are better known after =
this guided tour. It lasted almost a week.
Today the basement and its galleries:
We get the basement clicking the same logo map...at http://arteonline.arq.b=
r .
There are three galleries in the basement:
Descend by the escalator from the library to the basement we can find ...
The Gallery Esthetic of Tragedy and the works of :
Agricola de Cologne, Carlos Zerpa, Caterina Davinio, Clemente Padin, Dani=
el Acosta, Dea Junqueira, Hilda Paz, Joeser Alvarez, Leo Lezcano, Manik=
, Marcelo Frazao, Miekal And, Neide Sa, Paulo Villela, Regina Celia P=
into
The Gallery Tragicomedy and the works of:
Marcelo Frazao, Paulo Villela and Regina Celia Pinto
and the Special Room:
a tribute to Goya by Regina Celia Pinto
...tragedy and its esthetic or things we really do not want to think about,=
have been shifted (with a touch of morbid humor) to the basement of the mu=
seum...
To finish this series of emails, I would like to thank all the artists and =
researchers that have colaborated with us since July 2002. In fact I do not=
consider myself a curator. I am only an artist who likes to invite other a=
rtists to participate of my/our work. Yes, the museum before of any other c=
lassification is my/our work of art, done with my/our dreams and imaginatio=
n. And always I think as it has grown, I become happy because I am living a=
time where I can build a very large museum using only butterfly wings. O=
ther reason for my happiness is the absence of boundaries, according to the=
statisticses the museum in spite of being situated in Rio de Janeiro, Braz=
il, is seen in the more differents regions of the Earth. To conclude I beli=
eve that just because of this Art can be a way to Peace. Let's keeping on t=
rying!
If you have any question about butterfly wings, absence of boundaries, cura=
tors or other stuff, send an email to arteonline@arteonline.arq.br or to rh=
izome list.
Next week we will launch the newst news. Thanks for your kind attention,
Regina Celia Pinto
( )
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2734.1600" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV align=center><FONT size=2><FONT size=2>
<P><STRONG><FONT face=Arial>Hello,</FONT></STRONG></P>
<P><STRONG><FONT face=Arial>We are finally arriving at the end of our
tour</FONT></STRONG></FONT><FONT face=Arial size=2><STRONG>!</STRONG></=
FONT></P>
<P><FONT face=Arial size=2>Have you liked&nbsp; the way by which the Mu=
seum of
the Essential and Beyond That was showed? I hope&nbsp;the museum and its
attractions are better known after this guided tour.&nbsp;It lasted almost =
a
week.</FONT></P>
<P><FONT face=Arial size=2><STRONG>Today the basement and its
galleries:</STRONG></FONT></P>
<P><FONT face=Arial>We get the basement clicking the same logo map...at=
</FONT><A href="http://arteonline.arq.br"><FONT
face=Arial>http://arteonline.arq.br</FONT></A><FONT face=Arial> .</FONT=
></P>
<P><FONT face=Arial><IMG alt="" hspace=0
src="cid:000801c3a9ce$402835c0$0100007f@NOMEAmigotec" align=baseline
border=0></FONT></P>
<P><FONT face=Arial>There are three galleries in the basement:</FONT></P>
<P><STRONG><FONT face=Arial>D<FONT size=2>escend by the escalator from =
the
library to the basement we can&nbsp;find ...</FONT></FONT></STRONG></P>
<P><FONT face=Arial><IMG alt="" hspace=0
src="cid:000901c3a9ce$40531650$0100007f@NOMEAmigotec" align=baseline
border=0></FONT></P>
<P><FONT face=Arial size=2><STRONG>The Gallery Esthetic of Tragedy and =
the works
of :</STRONG></FONT></P>
<P><FONT face=Arial size=2>Agricola de Cologne, Carlos Zerpa, Caterina =
Davinio,
Clemente Padin, Daniel Acosta, Dea Junqueira, Hilda Paz, Joeser Alvar=
ez, Leo
Lezcano, Manik, Marcelo Frazao, Miekal And, Neide Sa, Paulo Villela, Re=
gina
Celia Pinto</FONT></P>
<P><FONT face=Arial size=2><STRONG>The Gallery Tragicomedy and the work=
s
of:</STRONG></FONT></P>
<P><FONT face=Arial size=2>Marcelo Frazao, Paulo Villela and Regina C=
elia
Pinto</FONT></P>
<P><STRONG><FONT face=Arial>and the Special Room:</FONT></STRONG></P>
<P><FONT face=Arial>a tribute to <STRONG>Goya</STRONG> by Regina Celia=
Pinto<FONT size=2>&nbsp;&nbsp;&nbsp;</FONT></FONT></P>
<P><FONT size=2><FONT face=Arial><STRONG>...tragedy and its esthetic or=
things
we really do not want to think about, have been shifted (with a touch of mo=
rbid
humor) to the basement of the museum...</STRONG></FONT></FONT></P>
<P><FONT size=2><FONT face=Arial>To finish this series of emails,&nbsp;=
I would
like to&nbsp;thank all the artists and researchers that have colaborated wi=
th us
since July 2002. In fact&nbsp;I do not consider myself a curator. I am only=
an
artist who likes to invite&nbsp;other artists to participate of my/our work=
.
Yes, the museum before of any other classification is my/our&nbsp;work of a=
rt,
done with my/our dreams and imagination. And always I think as it has grown=
, I
become happy because I am living a time where I can build a very
large&nbsp;museum&nbsp; using &nbsp;only <FONT face=ARIAL size=2>butter=
fly
wings. Other reason for my happiness is the absence of
boundaries,&nbsp;</FONT></FONT></FONT><FONT face=Arial>according to the=
statisticses the museum in spite of being situated in Rio de Janeiro,
Brazil,&nbsp;is seen in the more differents regions of the Earth.&nbsp;To=
conclude I believe that just because of this Art can be a way to Peace. Let=
's
keeping on trying!</FONT><FONT size=2></P></FONT>
<P><FONT face=Arial>If you have any question about butterfly wings, absen=
ce of
boundaries, curators or other stuff, send an email to <A
href="mailto:arteonline@arteonline.arq.br">arteonline@arteonline.arq.br</=
A> or
to&nbsp;rhizome list.</FONT></P>
<P><FONT size=2><FONT face=Arial><FONT face=ARIAL size=2>Next week =
we will
launch the newst news. Thanks for your kind attention, </FONT></FONT></FONT=
></P>
<P><FONT face=Arial>Regina Celia Pinto</FONT></P>
<P><FONT face=Arial>(&nbsp;&nbsp;<IMG alt="" hspace=0
src="cid:000a01c3a9ce$40531650$0100007f@NOMEAmigotec" align=baseline
border=0>)</FONT><FONT size=2><FONT face=Arial>&nbsp;</FONT></FONT><F=
ONT
size=2></P></FONT></FONT></DIV></BODY></HTML>
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DISCUSSION
Posted on Wed Nov 12, 2003

## Let's know the first floor today!

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Hello all,
I hope you have appreciate the second floor of the Museum of the Essential =
and Beyond That: the galleries, the artists and their amazing works!
Now, let's know the first floor:
The first floor is the floor of the library of the museum. The library that=
is intended to be specialized, gradually building up a virtual bibliograph=
ic collection on art and technology. Exactly like a real library, each book=
has or will have its own reference card. Rooms for magazines, CDs of multi=
media art,
essays and contemporary memories (interviews, artist/identity) are also fo=
und on the library.
The Library of Marvels, the Digital Poetry Gallery and the Virtual Object=
Book Gallery are inside the library too.
The library is very large and as you read above, has many sections, you ca=
n see below its map with different sections and some of its bookshelfs:
(You get this map clicking the logo of the museum at http://arteonline.arq.=
br )
Logo Map
(You get the bookshelfs going to http://arteonline.arq.br/museu/home2.htm a=
nd clicking the button library. )
Let's know each room of the library:
1- Digital Poetry / artists: Alan Sondheim, Alexandre Venera, Ana Maria Uri=
be, Clemente Padin, David Daniels, Fernando Fiorese, Jim Andrews, Joese=
r Alvarez, Jorge Luiz Antonio, Lucio Agra, Michael Szpakowski, Oscar Ararip=
e, Regina Celia Pinto and Suely Rodriguez.
2- Library of Marvels: the Library of Marvels is my personal work and its b=
ooks are based on masterworks from the universal literature and ancient ga=
mes, and are also multimedia /not linear hypertexts . The desire to broaden=
this space led me to invite other authors to participate. The first reside=
nt writer was Joel Weishaus. I will invite other authors yet.
3- Books: we have already many books registred and every month we add more =
two books there. If you have or like a book and want to show it in our libr=
ary, send an email to: arteonline@arteonline.arq.br
Some authors of registred books: Jean Baudrillard, Gustavo Bernardo & Rica=
rdo Mendes, Cacaso, Ernesto Manuel de Mello e Castro, David Daniels, Cateri=
na Davinio, Regis Debray, Diana Domingues, Pierre Francastel, Marcelo Fra=
zao, Clifford Geertz, Lucia Leao, Pierre Levy, Arlindo Machado, Jor=
ge Luiz Antonio, Marcel Mauss, Michel Maffesoli, Clemente Padin, Erwin Pa=
nofski, Charles S. Peirce, Lucia Santaella & Winfried Noth, Paulo Anton=
io Silveira, Ana Maria Uribe, Noah Wardrip-Fruin & Nick Montfort
4- Print Magazines and CDs: browser the section to see our collection of m=
agazines, CDs collection up to now: Ladders and other Anipoems by Ana Maria=
Uribe, Lake Sea Somewhat Boat Rain by Jorge Luiz Antonio and Regina Celi=
a Pinto, Sabia Virtuality by Regina Celia Pinto, The New Padin's Spam=
s trashes by Clemente Padin, H.O Supra Sensorial: a obra de Helio Oit=
icica, director: Katia Maciel
Send your CD, the museum will show it, but remember that we are not comerci=
al, so that, no sales!
5- Contemporary Memories:
5.1- Interviews: Adalton Lopes, Edneuza Bezerril, Jim Andrews, Neide Sa,=
Paulo villela, Regina Vater, Reiner Strasser e Romero Cavalcante, coming s=
oon: Celeida Tostes and David Daniels.
5.2- Artist and Identity: Clemente Padin, coming soon: Marcelo Frazao
6- Virtual Object Book: Barry Smylie, Jeff Viector, Ryan Douglas and Suzan =
Kats; Blas Valdez, Leandro de Almeida, Regina Celia Pinto, coming soon: a=
nimaalice, by Guto Nobrega and his students.
7- Essays: ACOSTA, Daniel; ANTONIO, Jorge Luiz; ARANTES, Priscila; AZEVEDO,=
Wilton; CHUTIWONGPETI, Sarawut ; DAVINIO, Caterina; DOMINGUES, Diana; INFA=
NTE, Juan Jose Diaz; PADIN, Clemente; PINTO, Regina Celia; RODRIGUE=
Z, Suely; SA, Neide and PADIN, Clemente; SONDHEIM, Alan.
Guidelines for submissions
1. The Museum of the Essential and Beyond That accepts submissions =
free of charge. Its only responsibility is to have its staff read written s=
ubmissions and check images, links or animations. It is under no obligation=
to publish unsolicited submissions.
2. Submissions must be sent in digital format via e-mail. Only sub=
missions that comply with the following guidelines will be considered for p=
ublication by the Museum of the Essential and Beyond That.
a) titles of books and periodicals must be underlined; chapter titl=
es or sections of books must be placed within quotation marks;
b) all quotations must be italicized. When quotations are more than=
two lines long, they must be indented;
c) each quotation must be followed by its bibliographic reference i=
n the following format: (AUTHOR'S SURNAME: date of publication, page number=
s). For example (BORGES: 1954, 87, 88)
d) all highlights must be in bold face.
e) no footnotes are accepted. When necessary, please use endnotes.
f) Electronic files must be sent in the Rich Text format (RTF), whi=
ch is available in all word processing software programs.
g) All written submissions must be a maximum of 6 pages long, in Ar=
ial font, with 1.5 line spacing.
4. In regard to writings, each submission must be accompanied by an=
abstract in the original language.
5. Whenever possible, please include the author/creator's email add=
ress so that readers can contact them.
6. Written submissions may have been published elsewhere.
7. It is understood that publication on the Internet is not include=
d in any copyright rights the author/creator may have previously ceded to a=
nother publisher and/or publication under contract for conventional publica=
tion. However, the author/creator will be responsible for any legal dispute=
s that may result from publication by the Museum of the Essential and Beyon=
d That.
8. All correspondence should be sent to the following address:
arteonline@arteonline.arq.br
The museum's contents were selected on the basis of the essential c=
riteria of contemporaneousness and quality.
Tomorrow we will show you the basement!
Yours,
Regina Celia Pinto
(Director of the Museum of the Essential and Beyond That)
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<META content="MSHTML 6.00.2733.1800" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV align=center><FONT face=Arial size=2>Hello all,</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2><STRONG>I hope you have app=
reciate the
second floor of the Museum of the Essential and Beyond That: the galleries,=
the
artists and their amazing works!</STRONG></FONT></DIV>
<DIV align=center><STRONG><FONT face=Arial size=2></FONT></STRONG>&nb=
sp;</DIV>
<DIV align=center><STRONG><FONT face=Arial size=2>Now, let's know the=
first
floor:</FONT></STRONG></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>The first floor is the floo=
r of the
library of the museum. The library that is intended to be specialized, grad=
ually
building up a virtual bibliographic collection on art and technology. Exact=
ly
like a real library, each book has or will have its own reference card. Roo=
ms
for magazines, CDs of multimedia art,&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2>&nbsp;essays and contempora=
ry memories
(interviews, artist/identity)&nbsp;are also found on the library.</FONT></D=
IV>
<DIV align=center><FONT face=Arial size=2>The Library of Marvels,&nbs=
p;
the&nbsp; Digital Poetry Gallery and the Virtual Object Book Gallery are in=
side
the library too.</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>The library is very large a=
nd as you
read above, has many sections,&nbsp; you can see below&nbsp;its map with
different sections and some of&nbsp;its bookshelfs:</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><IMG alt="" hspace=0
src="cid:000a01c3a8b5$5a98b4d0$0100007f@NOMEAmigotec" align=baseline
border=0></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>(You get this map clicking =
the logo of
the museum at <A href="http://arteonline.arq.br">http://arteonline.arq.br=
</A>
)</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><IMG alt="" hspace=0
src="cid:000b01c3a8b5$5a9fb9b0$0100007f@NOMEAmigotec" align=baseline
border=0></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>Logo Map</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><IMG alt="" hspace=0
src="cid:000c01c3a8b5$5a9fb9b0$0100007f@NOMEAmigotec" align=baseline
border=0></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>(You get the bookshelfs goi=
ng to <A
href="http://arteonline.arq.br/museu/home2.htm">http://arteonline.arq.br/=
museu/home2.htm</A>
and clicking the button library.&nbsp;)</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>Let's know each room of the=
library:</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>1- <STRONG>Digital Poetry /=
artists:</STRONG> Alan Sondheim, Alexandre Venera, Ana Maria Uribe, Clement=
e
Padin, David Daniels, Fernando Fiorese, Jim Andrews, Joeser Alvarez, Jo=
rge Luiz
Antonio, Lucio Agra, Michael Szpakowski, Oscar Araripe, Regina Celia
Pinto&nbsp;and Suely Rodriguez.&nbsp;&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>2- <STRONG>Library of
Marvels:</STRONG> the Library of Marvels&nbsp;is my personal work and&nbsp;=
its
books&nbsp; are based on masterworks from the universal literature and anci=
ent
games, and are also multimedia /not linear&nbsp;hypertexts . The desire to=
broaden this space led me to invite other authors to participate. The first=
resident writer was Joel Weishaus.&nbsp;I will&nbsp;invite other authors
yet.&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT size=2>3- <FONT face=Arial><STRONG>Books:
</STRONG>we<STRONG> </STRONG>have already many books registred and every mo=
nth
we add more two books there.&nbsp;If you have or like a book and want to sh=
ow it
in our library, send an email to: <A
href="mailto:arteonline@arteonline.arq.br">arteonline@arteonline.arq.br</=
A>
</FONT></FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2><STRONG>Some authors of reg=
istred
books:</STRONG> Jean Baudrillard,&nbsp;&nbsp;Gustavo Bernardo &amp; Ricardo=
Mendes, Cacaso, Ernesto Manuel de Mello e Castro, David Daniels, Caterina=
Davinio, Regis Debray, Diana Domingues, Pierre Francastel, Marcelo Fraz=
ao,
Clifford Geertz, Lucia Leao, Pierre Levy, Arlindo Machado, Jorge Luiz=
Antonio,
Marcel Mauss, Michel Maffesoli, Clemente Padin, Erwin Panofski, Charles S=
.
Peirce, Lucia Santaella &amp;&nbsp;<FONT face=Verdana>Winfried Noth, =
Paulo
Antonio Silveira, Ana Maria Uribe, Noah&nbsp;Wardrip-Fruin &amp;
Nick</FONT>&nbsp;<FONT face=Verdana>Montfort</FONT></FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>4- <STRONG>Print Magazines =
and
CDs:</STRONG>&nbsp;&nbsp;</FONT><FONT face=Arial size=2>browser the sec=
tion to
see our collection of magazines, CDs collection up to now: Ladders and othe=
r
Anipoems<FONT face="Times New Roman" size=3><FONT face=Arial size=2=
>&nbsp;by Ana
Maria Uribe, Lake Sea Somewhat Boat Rain&nbsp;by Jorge Luiz Antonio and Reg=
ina
Celia Pinto, Sabia Virtuality by Regina Celia Pinto, <FONT face=Ver=
dana><FONT
face=Arial>The New Padin's Spams trashes</FONT><FONT size=2>&nbsp;<FO=
NT
face=Arial>by Clemente Padin,&nbsp;</FONT><FONT face=Verdana>&nbsp;</=
FONT><FONT
face=Arial>H.O Supra Sensorial:&nbsp;&nbsp;a obra de Helio Oiticica, di=
rector:
Katia
Maciel&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</FONT></FONT></FONT>&nbsp;</FONT><FONT=
face=Arial>&nbsp;</FONT></FONT>&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2>Send&nbsp;your CD, the muse=
um will
show&nbsp;it, but remember that we are not comercial, so that, no sales!
</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>5- <STRONG>Contemporary
Memories:</STRONG> </FONT></DIV>
<DIV align=center><STRONG><FONT face=Arial size=2></FONT></STRONG>&nb=
sp;</DIV>
<DIV align=center><FONT face=Arial size=2>5.1-<STRONG> Interviews:</S=
TRONG>
Adalton Lopes, Edneuza Bezerril,&nbsp; Jim Andrews, Neide Sa, Paulo ville=
la,
Regina Vater, Reiner Strasser e Romero Cavalcante, coming soon: Celeida Tos=
tes
and David Daniels.</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>5.2- <STRONG>Artist and
Identity</STRONG>: Clemente Padin, coming soon: Marcelo Frazao</FONT></=
DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>6- <STRONG>Virtual Object=
Book:</STRONG> Barry Smylie, Jeff Viector, Ryan Douglas and Suzan Kats; Bla=
s
Valdez, Leandro de Almeida, Regina Celia Pinto, coming soon:&nbsp;animaal=
ice, by
Guto Nobrega and his students.&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>7- <STRONG>Essays:</STRONG>=
<FONT
face="Verdana, Arial, Helvetica, sans-serif" color=#000000 size=2>ACO=
STA,
Daniel; <FONT face="Verdana, Arial, Helvetica, sans-serif" size=2>ANTON=
IO, Jorge
Luiz; <FONT face="Verdana, Arial, Helvetica, sans-serif" size=2>ARANTES=
,
Priscila;&nbsp;AZEVEDO, Wilton; <FONT
face="Verdana, Arial, Helvetica, sans-serif" color=#000000 size=2>CHU=
TIWONGPETI,
Sarawut</FONT></FONT></FONT>&nbsp;; DAVINIO, Caterina; DOMINGUES, Diana; <F=
ONT
face="Verdana, Arial, Helvetica, sans-serif" color=#000000 size=2>INF=
ANTE,
</FONT><FONT face="Arial, Helvetica, sans-serif" size=2><FONT
face="Verdana, Arial, Helvetica, sans-serif" color=#000000>Juan Jose =
Diaz;
PADIN, Clemente; PINTO, Regina Celia; RODRIGUEZ, Suely; SA, Neide and=
PADIN,
Clemente; SONDHEIM, Alan.</FONT></FONT></FONT></FONT></DIV>
<DIV align=center><FONT face=Arial size=2><FONT
face="Verdana, Arial, Helvetica, sans-serif" color=#000000 size=2><FO=
NT
face="Arial, Helvetica, sans-serif" size=2><FONT
face="Verdana, Arial, Helvetica, sans-serif"
color=#000000></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center>
<TABLE style="WIDTH: 594px; HEIGHT: 849px" cellSpacing=0 cellPadding==
0 width=594
border=0>
<TBODY>
<TR>
<TD>
<BLOCKQUOTE>
<DIV align=center><FONT face="Arial, Helvetica, sans-serif"
size=2><B><FONT face="Verdana, Arial, Helvetica, sans-serif"
color=#000000 size=3></FONT></B></FONT>&nbsp;</DIV>
<DIV align=center><B><FONT size=2><FONT face=Arial><FONT
color=#000000>Guidelines for submissions</FONT> </FONT></FONT></B=
></DIV>
<P align=left><FONT face=Arial color=#000000 size=2>1. The<=
B><I> Museum
of the Essential and Beyond That</I></B> accepts submissions free o=
f
charge. Its only responsibility is to have its staff read written=
submissions and check images, links or animations. It is under no=
obligation to publish unsolicited submissions.</FONT></P><FONT
color=#000000>
<P align=left><BR><FONT face=Arial size=2>2. Submissions must=
be sent in
digital format&nbsp;&nbsp;via e-mail. Only submissions that comply =
with
the following guidelines will be considered for publication by the=
Museum of the Essential and Beyond That.</FONT></P>
<P align=left><FONT face=Arial size=2></FONT></FONT><FONT
color=#000000><BR><FONT face=Arial size=2>a) titles of books =
and
periodicals must be underlined; chapter titles or sections of books=
must
be placed within quotation marks;<BR>b) all quotations must be
italicized. When quotations are more than two lines long, they must=
be
indented;<BR>c) each quotation must be followed by its bibliographi=
c
reference in the following format: (AUTHOR'S SURNAME: date of
publication, page numbers). For example (BORGES: 1954, 87, 88)<BR>d=
) all
highlights must be in bold face.<BR>e) no footnotes are accepted. W=
hen
necessary, please use endnotes.<BR>f) Electronic files must be sent=
in
the Rich Text format (RTF), which is available in all word processi=
ng
software programs.<BR>g) All written submissions must be a maximum =
of 6
pages long, in Arial font, with 1.5 line spacing.</FONT></FONT></P>
<P align=left><FONT face=Arial color=#000000 size=2>4. In r=
egard to
writings, each submission must be accompanied by an abstract in the=
original language. </FONT></P>
<P align=left><FONT color=#000000><BR><FONT face=Arial size=
=2>5.
Whenever possible, please include the author/creator's email addres=
s so
that readers can contact them.</FONT></FONT></P>
<P align=left><FONT color=#000000><BR><FONT face=Arial size=
=2>6. Written
submissions may have been published elsewhere.</FONT></FONT></P>
<P align=left><FONT color=#000000><BR><FONT face=Arial size=
=2>7. It is
understood that publication on the Internet is not included in any=
copyright rights the author/creator may have previously ceded to an=
other
publisher and/or publication under contract for conventional
publication. However, the author/creator will be responsible for an=
y
legal disputes that may result from publication by the Museum of th=
e
Essential and Beyond That.</FONT></FONT></P>
<P align=left><FONT color=#000000><BR><FONT face=Arial size=
=2>8. All
correspondence should be sent to the following
address:</FONT></FONT></P>
<P align=left><FONT face=Arial color=#000000 size=2><A
href="mailto:arteonline@arteonline.arq.br">arteonline@arteonline.=
arq.br</A></FONT></P>
<DIV align=center><FONT face=Arial><FONT size=2><FONT face==
Verdana><FONT
face=Arial>The museum's contents were selected on the basis of th=
e
essential criteria of contemporaneousness and quality.&nbsp;</FONT>=
</FONT></FONT></FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT><FONT face=
=Arial><FONT
size=2></FONT></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial><FONT size=2>Tomorrow we w=
ill show
you the basement!&nbsp;&nbsp;</FONT></FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>Yours,</FONT></DIV>
<DIV align=center><FONT face=Arial size=2></FONT>&nbsp;</DIV>
<DIV align=center><FONT face=Arial size=2>Regina Celia
Pinto</FONT></DIV>
<DIV align=center><FONT face=Arial size=2>(Director of the Mu=
seum of the
Essential and Beyond That)</FONT>&nbsp;</DIV>
<P align=left></P>
<P align=left></P>
<P align=center>&nbsp;</P></BLOCKQUOTE></TD></TR>
<TR>
<TD>
<DIV align=center>&nbsp;</DIV></TD></TR></TBODY></TABLE><FONT face=
=Arial
size=2>&nbsp;</FONT></DIV></BODY></HTML>
------=_NextPart_001_000E_01C3A8A4.97339970--

DISCUSSION
Posted on Tue Nov 11, 2003

## Are you already ready?

------=_NextPart_001_0020_01C3A82B.483E2C00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
"Good morning",
Are you already ready to our guided visit in the second floor of the Museum=
of the Essential and Beyond That?
The second floor of the museum is part of the primitive building and its ga=
lleries are created for the inauguration of it / July - 2002. Yes, the muse=
um have grown a lot since its inauguration, one year ago: the attic, Paris =
Connection and the terrace did not exist when our institution was launched=
. The text below was written to the inauguration
The museum started out as a "work in progress": so is it information archit=
ecture? But it is also an imaginary two-story pixel-building with a basemen=
t. The building's architectural design can be changed at any time, whether =
by constructing another story or changing part of its shape - a Niemeyer de=
sign, constellation, space station, Piranesi engraving: creative interface
. This museum was conceived as an open structure in which information is sp=
read out in a number of spaces; a machine that can travel infinitely in all=
directions.
However the second floor galleries are always being enriched with new works=
. The museum seems to be an alive organism, a spatial-temporal shape built =
up through movement: transportation and communication able to grow in the =
most different ways. We have already lots of growing projects to 2004... Yo=
u must wait!
Below the map of the second floor:
As you can see, there are four galleries and a spam room in the second floo=
r.
Galleries and artists:
1- Cloning and web: Babel, Isabel Aranda and Regina Celia Pinto
2- The concept of borders today: Agricola de Cologne, Alan Sondheim, Antoni=
o Alvarado, Barry Smilie & Rian Douglas, George Hartley & Juan Felipe Herre=
ra, Lewis Lacook, Miguel A. Jimenez and Suely Farhi
3- Cartographies and globalization: Caterina Davinio, Giovanni Strada, Hele=
nice Dorneles, Lia Belart, Luc Fierens, Marcelo Frazao, Muriel Frega, Nil=
da Saldamando, Ricardo Corona & Eliane Borges, Sandra Miguelez & Rafael G=
onzalez
4- Borders of web.art, net.art and art today: Alvaro Ardevol, Barry Smyli=
e and Ryan Douglas, Brad Brace, Diana Domingues and Artecno Group, Freder=
ic Durieu & Jean-Jacques Birge, Guto Nobrega, Isabel Aranda, Isabel Sai=
j, Jim Andrews, Joeser Alvarez, Manik, Regina Celia Pinto, Reiner Stras=
ser, Ricardo Baez-Duarte, Roberto Echen, Sarawut Chutiwongpeti, Tanja Vuj=
inovik & Zvonka Simcik
and the spams room, where the uruguayan Clemente Padin invites you to sen=
d one of his famous spams, including the spam of the museum ;-))
As you can see to visit the second floor is a varied program because we hav=
e artists of several parts of the world, grouped by work and subject. If yo=
u did not visit the second floor yet, browser at:
http://arteonline.arq.br (click the logo map) and enjoy our diversified col=
lection.
and many thanks to all artists that are showing their works in the second =
floor. If you are not and want to join us, choose your gallery and send an =
email to: arteonline@arteonline.arq.br
...Tomorrow the first floor, do not lose!
Regina Celia Pinto
(director of the Museum of the Essential and Beyond That)
------=_NextPart_001_0020_01C3A82B.483E2C00
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2733.1800" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff>
<DIV align=center><FONT face=Arial size=2><STRONG>"Good morning",
</STRONG></FONT></DIV>
<DIV align=center><STRONG><FONT face=Arial size=2></FONT></STRONG>&nb=
sp;</DIV>
<DIV align=center><FONT face=Arial size=2><STRONG>Are you already&nbs=
p;ready to
our guided visit in the second floor of the Museum of the Essential and Bey=
ond
That?</STRONG>&nbsp;</FONT></DIV>
<DIV align=center><FONT face=Arial size=2>The second floor of the mus=
eum is part
of the primitive&nbsp;building and its galleries are created for the
inauguration of it / July - 2002. Yes, the museum have grown a lot since it=
s
inauguration, one year ago: the attic, Paris Connection &nbsp;and the terra=
ce
did not exist when our institution was launched. The text below was written=
to
the inauguration</FONT></DIV>
<DIV align=center>
<P><FONT face=Arial color=#000000 size=2>The museum started out as a =
"work in
progress": so is it information architecture? But it is also an imaginary=
<STRONG>two-story pixel-building with a basement</STRONG>

DISCUSSION
Posted on Mon Nov 10, 2003

## Fw: [Eric Van Hove - newsletter] Performance with Tsuruyama and Collaboration to "Eating Pixels":

(French message follows)
-+-+-+-+- English message -+-+-+-+-
* Performance with Kinya Tsuruyama, initiating "Cercle carre", at french ar=
t dealer Mathieu Ticolat's private suite, Tokyo, Japan
Performance with Butoh dancer Kinya Tsuruyama and two musicians at french a=
rt dealer Mathieu Ticolat's private appartment in Jingumae, Tokyo. This per=
formance initiate a series of installations and performances using Mr. Tico=
lat's balcony as an exhibit space, under the name of "Cercle carre".
The word "cercle" refers to the french 19th century "salon" tradition, whil=
e "carre" describes more specifically the shape of the venue.
Cercle carre, as Cabaret Voltaire by Hugo Ball in Zurich in 1916 or San F=
rancisco's Six Gallery, where Allen Ginsberg first read "Howl", attempt to =
create a new type of exchange in Tokyo art scene.
Pictures are from Italian photographer Roberto Giostra.
http://www.transcri.be/cercle1.html
http://www.transcri.be/cercle2.html
http://www.transcri.be/cercle3.html
http://www.transcri.be/cercle4.html
http://www.transcri.be/cercle5.html
* Collaboration to "Eating Pixels": curated by Regina Celia Pinto for The M=
useum of The Essential and Beyond That, (net-art), Rio de Janeiro, Brazil=
To visit this work = http://www.iis.com.br/~regvampi/museu/restaurant/res=
taurante.htm
-+-+-+-+- French message -+-+-+-+-
* Performance avec Kinya Tsuruyama, pour "Cercle carre", dans la suite du=
marchand d'art francais Mathieu Ticolat, Tokyo, Japon
Performance avec Kinya Tsuruyama et deux musiciens sur le balcon de l'appar=
tement du marchand d'art francais Mathieu Ticolat a Jingumae, Tokyo. Ce=
tte performance ce veut inaugurale d'une serie d'installations et de happ=
enings utilisant le balcon de Mr. Ticolat a la maniere d'un espace d'ex=
position, sous le nom de "Cercle carre".
Le mot "cercle" renvoyant a la tradition francaise du "salon", tandis q=
ue le mot "carre" renvoie plus precisement a la forme de l'espace d'e=
xposition.
Cercle carre, dans la lignee du "Cabaret Voltaire" de Hugo Ball a Zur=
ich en 1916 ou de "Six Gallery" a San Francisco en 1955, ou Allen Ginsber=
g lu "Howl" pour la premiere fois, tente d'amorcer un nouveau type d'ec=
hange dans le milieu artistique Tokyoite.
Les photos sont du photographe Italien Roberto Giostra.
http://www.transcri.be/cercle1.html
http://www.transcri.be/cercle2.html
http://www.transcri.be/cercle3.html
http://www.transcri.be/cercle4.html
http://www.transcri.be/cercle5.html
* Collaboration a "Eating Pixels": curatrice, Regina Celia Pinto pour le =
Museum of The Essential and Beyond That, (net-art), Rio de Janeiro, Bresi=
l
Pour voir ce travail = http://www.iis.com.br/~regvampi/museu/restaurant/r=
estaurante.htm
Sinceres salutations,
kindest regards,
Eric Van Hove -
www.transcri.be
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