Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
DISCUSSION

Fwd: Leonardo Sessions at CAA


Begin forwarded message:

> From: Melinda Klayman <mklayman@leonardo.info>
> Date: February 17, 2004 6:57:00 PM EST
> To: LEO ADV BOARD <mklayman@leonardo.info>
> Subject: Leonardo Sessions at CAA
>
> This week's College Art Association Annual Conference in Seattle will
> feature two sessions by Leonardo/ISAST:
>
> On Wednesday, February 18, 2004, 4:00-5:30pm, Leonardo/The
> International
> Society for the Arts, Sciences, and Technology will be holding an
> affiliated
> society panel discussion entitled: "Art, Science, and Technology:
> Problems
> and Issues Facing an Emerging Interdisciplinary Field"
>
> The panelists will be:
> Sheila Pinkel, Pomona College Art
> Julio Bermudez, University of Utah
> Nina Czegledy
> Roger Malina, Leonardo Chair
> Mark Resch, Onomy Labs
>
>
> On Saturday, February 21, 12:30-2:00pm, we will be holding a
> Leonardo/ISAST
> town hall meeting, with Leonardo staff and board members present to
> answer
> questions and take note of pressing issues in the community. Everyone
> should
> feel free to voice their concerns and receive feedback from the
> Art/Science/Technology community at this meeting.
>
> Please join us for these stimulating discussions in Seattle. Both
> sessions
> will take place at the Washington State Convention and Trade Center,
> 800
> Convention Place, in downtown Seattle.
>
> Both of these sessions are free and open to the public.
>

DISCUSSION

[Fwd: Summer Fellowships for New Journal]


---------------------------- Original Message ----------------------------
Subject: Summer Fellowships for New Journal
From: "Chris Hanson" <chanson@usc.edu>
Date: Fri, February 13, 2004 12:50 pm
To: chanson@usc.edu
--------------------------------------------------------------------------

Please distribute widely.

Summer Fellowship Call for Projects
Vectors: Journal of Culture and Technology in a Dynamic Vernacular

The Institute for Multimedia Literacy (IML) at the University of Southern
California's Annenberg Center for Communication is pleased to announce a
Fellowship program for summer 2004 to foster innovative research for its
new electronic publishing venture, Vectors: Journal of Culture and
Technology in a Dynamic Vernacular.

Vectors is a new, international electronic journal dedicated to expanding
the potentials of academic publication via emergent and transitional
media. Vectors brings together visionary scholars with cutting-edge
designers and technologists to propose a thorough rethinking of the
dynamic relationship of form to content in academic research, focusing on
the ways technology shapes, transforms and reconfigures social and
cultural relations.

Vectors will adhere to the highest standards of quality in a strenuously
reviewed format. The journal is edited by Tara McPherson and Steve
Anderson and guided by the collective knowledge of a prestigious
international board.

About the Fellowships

DISCUSSION

p0es1s. Digitale Poesie / exhibition, publication, colloquium


Begin forwarded message:

> From: "][mez][" <netwurker@hotkey.net.au>
> Date: February 10, 2004 4:31:08 PM EST
> To: Rachel Greene <rachel@rhizome.org>
> Subject: p0es1s. Digitale Poesie / exhibition, publication, colloquium
>
>
> From: "Friedrich W. Block" <fwblock@uni-kassel.de>
>
> p0es1s. Digitale Poesie
>
> This digital poetry exhibition presents and reflects on the use of
> languages in computers and digital networks: hybrid texts at the
> interfaces
> of script, image and sound, together with their programming and coding.
> Digital poetry is a creative, experimental, playful and critical
> language
> art that uses interaction, multimedia, animation, programming and
> network
> communication. It is also a type of poetry whose very existence
> requires
> the participation of those attending the exhibition.
> The curator for the exhibition is Friedrich W. Block, in cooperation
> with
> Benjamin Meyer-Krahmer. The chezweitz scenography team developed a
> distinct
> visual and spatial identity for p0es1s. Digitale Poesie.
>
> Many of the artists will attend the opening on Thursday, 12 February,
> at
> 7:00 pm in the special exhibition hall at the Kulturforum Potsdamer
> Platz,
> Berlin.
>
> > Jean Pierre Balpe > Giselle Beiguelman > Simon Biggs > Philippe
> Bootz >
> Christophe Bruno / Jimpunk > John Cayley / Giles Perring > Johannes
> Auer,
> Reinhard Dohl, Sylvia Egger, Oliver Gassner, Martina Kieninger, Beat
> Suter>
> Dragan Espenschied / Alvar Freude > Frank Fietzek > Ulrike Gabriel /
> Oskar
> Pastior > Loss Pequeno Glazier > Young- Hae Chang Heavy Industries >
> Jaromil > Jodi > Aya Karpinska > Mez > Andreas Muller-Pohle > Jorg
> Piringer
> > Daniela Alina Plewe > Jim Rosenberg > Stefan Schemat / Heiko Idensen
> >
> Bill Seaman > Romy Achituv / Camille Utterback > Andre Vallias > Marek
> Walczak / Martin Wattenberg > Uli Winters / Frank Fietzek >
> Zeitgenossen
>
> Digitale Poesie will run from 13 February to 4 April 2004, organized
> by the
> literaturWERKstatt berlin in cooperation with the Bruckner-Kuhner
> Foundation (Kassel) in the special exhibition hall at the Kulturforum
> Potsdamer Platz, Berlin. More than 40 artists from 12 countries are
> presenting various approaches to literary art using computers and the
> Internet.
>
> The publication "p0es1s. The Aesthetics of Digital Poetry" will be
> published by Hatje Cantz to coincide with the exhibition, which will
> also
> feature an exhibition guide.
>
>
> p0es1s. Digitale Poesie is an exhibition by the literaturWERKstatt
> berlin
> in cooperation with the Bruckner-Kuhner Foundation and with support=

> from
> the Kunstbibliothek der Staatlichen Museen zu Berlin (Art Library of
> the
> Berlin State Museums).
>
> Funded by the Kulturstifting des Bundes
> (Federal Cultural Foundation, Germany).
>
> Colloquium
>
> 13 February, 11 am - 6 pm
> Lecture room in the Museum of Applied Art
> Kulturforum Potsdamer Platz
> Entry: Matthaikirchplatz
>
> "Digital Poetry" - Generic Term or Curatorial Label?
> Does a generic term or a term used for orientation like "Digital
> Poetry"
> carry any aesthetic value, can artists following an entirely individual
> agenda identify themselves with it? Or is it merely a label for
> propaganda
> that enables curators to fit art into categories?
>
> Short statements by:
> Reinhard Dohl (D), Loss Pequeno Glazier (USA), Andre Vallias (BRA),=

> Simon
> Biggs (AUS/GB)
>
> The Function of Language in Media Art
> What role does language play in new media practice? Is it just one
> element
> amongst other different media being used - particularly with the
> computer
> as the integrative medium? Or is language of superior importance,
> especially with respect to the the basal languages of the computer? How
> does the use of language in media art relate to the tradition of
> language
> art or "the language of art"?
>
> Short statements by:
> Giselle Beiguelman (BRA), Romy Achituv (USA/ISR), Daniela Alina Plewe
> (D),
> Bill Seaman (USA)
>
> Intermezzo
> Presenetations:
> Philippe Bootz (F): ALIRE
> Loss Pequeno Glazier: The Electronic Poetry Center
> Zeitgenossen: Webfictions
> Johannes Auer: netzliteratur.net
>
> Screen Text vs. Source Text: The question of an "Adequate" Aesthetics
> of
> the Media
> How can digital poetry as language art in digital media deal with the
> demands to represent and reflect the specific mediality: by working in
> a
> "radical" or "concrete" way with programming languages and the codes
> they
> are based upon; or by focussing on an aesthetic of the screen which
> takes
> the perceptions and activities of the user as its point of departure?
>
> Short statements by:
> Jean-Pierre Balpe (F), Zeitgenossen (A), Florian Cramer (D)
>
> http://www.p0es1s.net/
>
>
> .(c)[lick].
> -
> -
>
> http://www.hotkey.net.au/~netwurker
> http://www.livejournal.com/users/netwurker/
>

DISCUSSION

Fwd: fAf: Latest and last ...


Begin forwarded message:

> From: linda carroli <lcarroli@pacific.net.au>
> Date: February 9, 2004 11:15:54 PM EST
> To: (Recipient list suppressed)
> Subject: fAf: Latest and last ...
>
> fineArt forum v.18 n.02 2004
>
> fineArt forum = art + technology netnews
> http://www.fineartforum.org
>
> This issue:
> :: Latest and last fAf
> :: Call to the Community: Proposals for Continuation of fineArt forum
> :: News
> :: fAfText
>
> :: Latest and last fAf
>
> The current issue of fAf, now live, will be the last produced by the
> present Australian team of Paul Brown, Linda Carroli and Nisar
> Keshvani. Due to a number of setbacks and obstacles, the magazine has
> ceased its operations at QUT, Brisbane, Queensland. Without an
> appropriate level of resourcing fAf could not continue in its current
> form, context or locale. Rather than close down the publication after
> 17 years of consistent publishing in the field of arts, science and
> technology, the Art Science and Technology Network has issued a call
> for expressions of interest from organisations that are interested in
> publishing fAf.
>
> :: Call to the Community: Proposals for Continuation of fineArt forum
>
> As has been announced in this issue of fAf this is the last issue
> being produced by the Australian team. fineArt forum was set up by Ray
> Lauzzana in 1988 and has been operated by a number of organisations
> since then as a community resource under the umbrella of the "Art,
> Science, Technology Network" (ASTN) presided by Annick Bureaud.
>
> Organisations who may be interested in exploring ways to take on
> publishing of fineArt forum may contact Roger Malina at
> leo@mitpress.mit.edu indicating their possible interest.
>
> The ASTN takes this opportunity to thank Paul Brown, Linda Carroli,
> Nisar Keshvani and the whole Australian team for their many years of
> work sustaining fAf as an invaluable community resource.
>
> All back issues of fAf will be archived on the Leonardo Electronic
> Almanac website and will continue to be available. Other opportunities
> for archiving are also being sought.
>
> The art/science/technology landscape has changed dramatically over the
> past 15 years. It is likely that fAf needs to mutate to respond to
> real community needs today. We look forward to working with interested
> organisations in developing an new evolutionary niche for fAf.
>
> :: fAf Ezine is online
>
> News stories and announcements in Upfront online at
> http://www.fineartforum.org/Backissues/Vol_18/faf_v18_n02/
> upfront_index.html
>
> 2004 Events and Deadlines Calendar listings are online at
> http://www.fineartforum.org/Backissues/Vol_18/calendar_index.html
>
> :: fAfText
>
> [ ESSAYS ]
>
> Te[XT][C]hnology: A Play (on words) in FIVE ACTS
> Lisa Gye's presentation at Electrofringe in 2004 examines literary
> assassinations from Socrates to rap.
>
> Intimate Transactions
> A Quicktime documentary produced by Keith Armstrong exploring the
> interactions of artistic practice and research in the development of
> the Transmute Collective's current collaborative project, Intimate
> Transactions.
>
> [ REVIEWS ]
>
> ME++ The Cyborg self and the networked city: William J. Mitchell
> reviewed by Molly Hankwitz
>
> Computers & Art: edited by Stuart Mealing
> reviewed by Tracey Benson
>
> The Surrealestate Project: MOOT Records
> reviewed by Brett Woodward
>
> Designer's Bureau at Art Miami 2003: Kirill Chelushkin
> Selma Stern profiles Russian artist Kirill Chelushkin's recent works.
>
> Live art, Dead art, and Things in-between, Or, The Good Thing about
> Forgetting
> Josephine Wilson reviews Coded Characters: Media Art by Jill Scott
>
> Supporting the Evolution of Australian Design: Australian INfront
> report by Zoe Winter
>
> Li'l Elvis Jones and the Truckstoppers
> reviewed by Lisa Chittick
>
> Designer's Dream Portal: Digital Thread
> report by Zoe Winter
>
> Writing Machines: N. Katherine Hayles
> reviewed by Linda Carroli
>
> fAfText online at:
> http://www.fineartforum.org/Backissues/Vol_17/faf_v17_n12/reviews/
> reviews_index.html
>

DISCUSSION

Fwd: Open Call for Artists in Residence Proposals


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> From: Eyebeam <info@eyebeam.org>
> Date: February 9, 2004 4:58:22 PM EST
> To: <list@eyebeam.org>
> Subject: Open Call for Artists in Residence Proposals
>

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<excerpt><bold><fontfamily><param>Helvetica</param><color><param>0000,0000,0000</param>From:
</color></fontfamily></bold><fontfamily><param>Helvetica</param>Eyebeam
<<info@eyebeam.org>

<bold><color><param>0000,0000,0000</param>Date:
</color></bold>February 9, 2004 4:58:22 PM EST

<bold><color><param>0000,0000,0000</param>To:
</color></bold><<list@eyebeam.org>

<bold><color><param>0000,0000,0000</param>Subject: </color>Open Call
for Artists in Residence Proposals

</bold></fontfamily>

</excerpt>
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