Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
DISCUSSION

FW: Stan Brakhage Memorial Benefit Screenings and Concert


------ Forwarded Message
From: "NYC film and music events" <nyc@astriasuparak.com>
Reply-To: "NYC film and music events" <nyc@astriasuparak.com>
Date: Fri, 04 Apr 2003 10:17:52 -0800
To: rachel@rhizome.org
Subject: Stan Brakhage Memorial Benefit Screenings and Concert

ANTHOLOGY FILM ARCHIVES
32 SECOND AVENUE NEW YORK, NY 10003; (212) 505-5181 fax (212) 477-2714

For Immediate Release March 24, 2003
Contact: Travis Miles at (212) 505-5181 x20, or at afatravis@mac.com

STAN BRAKHAGE MEMORIAL BENEFIT SCREENINGS AND SONIC YOUTH CONCERT at
Anthology Film Archives

Stan Brakhage, one of America's great film artists and a visionary film
pioneer, died on March 9, 2003. In honor of his memory, and to assist the
Brakhage family with medical costs, Anthology Film Archives is presenting a
series of benefit screenings. Accompanying these benefit screenings will be
a broad selection of Brakhage's work that composes part of our Essential
Cinema series.

SONIC YOUTH (Kim Gordon, Thurston Moore, Jim O'Rourke, Lee Ranaldo and Steve
Shelley) will perform in the Courthouse Theater at Anthology Film Archives
as a memorial tribute to Brakhage. All proceeds from this benefit concert
will be used to assist in the coverage of his substantial medical expenses.
This program will be an intimate, predominantly instrumental "chamber
concert," with an assortment of Brakhage films screened during the
performance.
All tickets will be $50 and can be purchased in advance at Anthology and at
Other Music (15 East 4th Street).
Doors will open at 8:00 and the performance will begin at 9:00.

Friday, April 4
8:00 TRIBUTE AND BENEFIT FOR STAN BRAKHAGE (1933-2003)
In tribute to a great filmmaker and a dear friend, Anthology will present
the most recent and some of the final films of the life and career of Stan
Brakhage. These screenings will be the only presentation of these films in
New York. All proceeds from this weekend's screenings will go directly to
benefit Brakhage's family.
ASCENSION
2002, 3 minutes, 16mm, color/silent.
MAX
2002, 4 minutes, 16mm, color/silent.
THE JESUS TRILOGY AND CODA
2001, 20 minutes, 16mm, color/silent.
RESURRECTUS EST
2002, 9 minutes, 16mm, color/silent.
PANELS FOR THE WALLS OF HEAVEN
2002, 35 minutes.

Saturday, April 5
8:00 TRIBUTE AND BENEFIT FOR STAN BRAKHAGE (1933-2003)
ASCENSION
2002, 3 minutes, 16mm, color/silent.
MAX
2002, 4 minutes, 16mm, color/silent.
THE JESUS TRILOGY AND CODA
2001, 20 minutes, 16mm, color/silent.
RESURRECTUS EST
2002, 9 minutes, 16mm, color/silent.
PANELS FOR THE WALLS OF HEAVEN
2002, 35 minutes.

Sunday, April 6
8:00 TRIBUTE AND BENEFIT FOR STAN BRAKHAGE (1933-2003)
ASCENSION
2002, 3 minutes, 16mm, color/silent.
MAX
2002, 4 minutes, 16mm, color/silent.
THE JESUS TRILOGY AND CODA
2001, 20 minutes, 16mm, color/silent.
RESURRECTUS EST
2002, 9 minutes, 16mm, color/silent.
PANELS FOR THE WALLS OF HEAVEN
2002, 35 minutes.

Thursday, April 10
8:00 ESSENTIAL CINEMA
Stan Brakhage
DESISTFILM (1954); REFLECTIONS ON BLACK (1955); THE WONDER RING (1955);
FLESH OF MORNING (1956); DAYBREAK AND WHITEYE (1957); WINDOW WATER BABY
MOVING (1959).
Total running time: 65 minutes

Friday, April 11
8:00 ESSENTIAL CINEMA
Stan Brakhage
ANTICIPATION OF THE NIGHT (1958); CAT

DISCUSSION

FW: Fleeting Image live


------ Forwarded Message
From: "Bee Mindful" <bmindful@fleetingimage.org>
Date: Thu, 10 Apr 2003 17:27:10 -0700
To: "Ted Rheingold" <ted@onematchfire.com>
Subject: Fleeting Image live

Hi All,

Sorry for the spam nature, but I just put a site live I built with a group
of usual and not-so-usual suspects (see below) that is simple and constantly
satisfying. Take a look.

>> www.fleetingimage.org <http://www.fleetingimage.org> <<

The premise is very straightforward, though the site itself is rather
crytpic. Fleeting Image is simply a viewing window of randomly presented
interesting pictures posted by other viewers. You can look at as many or as
few as you want. No branding, no pop-ups, no login, no back, no cookies, no
ads. Just a bunch of interesting pictures one after the next. More simply
put, the Fleeting Image experience *is* the destination.

If you enjoy it, please forward to your peeps. This is not the kind of site
one stumbles upon in a google search, but it is one of those sites that
benefits exponentially from increased participation. Whenever you see an
'upload photo" link you can add a picture to the entire set. (As an early
user I highly recommend you do so, it'll likely be there forever. =)

Images will constantly be added to the site (anyone, including you!, are
highly encouraged to add appropriate pixs) and images will be constantly
removed (mostly those that simply are not in harmony with the site's
purpose). The viewing order is always randomized as well. Therefore
everytime you come back to the site you'll see new images ... it's like the
url that keeps giving..... Check out the "questions?" page for more details
and fleeting mp3s.

Many thanks to Eugene Chen, Molly D and D. Boyer for site development work
and Timmmi P., Tina B., Mike Royer and Larry Smith for suggestions and
feedback. (Larry even recommends making it your homepage and starting your
day off right ;).

That's it, sorry for the interruption, you may now return to your regularly
scheduled activity .... after you do a run thru www.fleetingimage.org
<http://www.fleetingimage.org>

Peace on Earth,

Bee Mindful,
aka Ted Rheingold

_______________________________________________________
fleetingimage.org: the experience *IS* the destination.

------ End of Forwarded Message

DISCUSSION

FW: ATC @ UCB: Ant Farm, Monday 7:30pm


------ Forwarded Message
From: Ken Goldberg <goldberg@ieor.berkeley.edu>
Date: Tue, 8 Apr 2003 09:36:36 -0400 (EDT)
To: "Announce ATC @ UCBerkeley" <goldberg@ieor.berkeley.edu>
Subject: ATC @ UCB: Ant Farm, Monday 7:30pm

ATC@UCB:

Iconographic Art Making: The Legacy of Ant Farm
Chip Lord (UCSC) and Constance Lewallen (Berkeley Art Museum)

The Art, Technology, and Culture Colloquium
Mon, 14 Apr, 7:30-9:30pm: UC Berkeley,
Location: 160 Kroeber Hall
All ATC Lectures are free and open to the public.

The artist collective Ant Farm emerged in the late 1960's, a period in
which collaboration went hand-in-hand with explorations of the
alternative fringe in architecture and art. Counter-cultural artists
and architects turned away from traditional institutional frameworks
and created alternative practices that became earthworks, conceptual
art, performance, video art, installation, and designer/builder
architecture. Ant Farm's hybrid practice touched on all of these
areas, which have since been formalized as genres of art practice.
While post-structuralism and deconstruction had not yet entered the
discourse of art criticism, Ant Farm's best works were prescient
illustrations of simulation theory and iconic spectacle demonstrating
a deep understanding of "the Society of the Spectacle."

Constance Lewallen, Senior Curator for Exhibitions at the BAM and
curator of the upcoming exhibition "Ant Farm 1968-1978" will begin the
program with a brief historical overview of Ant Farm's ten-year
collaboration.

In the second part of the program, artist Chip Lord, using slides and
video, will present Ant Farm's Cadillac Ranch (1974) and Media Burn
(1975) projects, two works that achieved popular and wide ranging
visibility when they were created and then continued to extend their
reach and influence as icons over the next 25 years. Lord will detail
this history of appropriation, licensing, and remakes in art and
popular media.

http://arts.ucsc.edu/faculty/lord/

In 2004, the Berkeley Art Museum will present a major retrospective of
Ant Farm's work.

**********************************************************************
The ATC Colloquium continues our partnership with the Berkeley Art
Museum and the Walker Art Center to present online video of ATC talks,
available both in QuickTime (highlights) or MP3 audio. For links and
the full 2002-2003 series schedule, please see:

http://www.ieor.berkeley.edu/~goldberg/lecs/
**********************************************************************

------ End of Forwarded Message

DISCUSSION

from natalie bookchin -- betatesters wanted


------ Forwarded Message
From: N Bookchin <natalie@action-tank.org>
Date: Mon, 31 Mar 2003 12:17:28 -0800
To: <rachel@rhizome.org>
Subject: beta testers

Rhizomers:

I am launching version 1 of my game Metapet in a month with many new
features and improvements
and am looking for some beta testers.

If you are interested, please write me privately and I'll send you more
info

thanks
natalie

------ End of Forwarded Message

DISCUSSION

FW: Bauhauis Kolleg IV | 3rd Trimester


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------ Forwarded Message
From: "Beeck, Sonja" <bauhaus-kolleg@bauhaus-dessau.de>
Date: Fri, 28 Mar 2003 12:31:37 +0100
To: <kolleg@bauhaus-dessau.de>
Subject: Bauhauis Kolleg IV | 3rd Trimester

<http://www.bauhaus-dessau.de/dotcity>
<http://www.bauhaus-dessau.de/dotcity>
<http://www.bauhaus-dessau.de/dotcity>
IV. Bauhaus Kolleg 2002 / 2003

<http://www.bauhaus-dessau.de/en/kolleg.asp>

Bauhaus Kolleg IV Dot.City - 3rd trimester: May 22nd to August 22nd, 2003
The third trimester of the Bauhaus Kolleg Dot.City will start on May 22nd,
2003. Subject is the potential of modern information and communication
technologies for the re-construction and re-activation of public spheres
within urban spaces. Chosen site for examinations and experiments is the
town of Dessau. Architects, designers, artists and planners work together at
the Bauhaus Kolleg in a multidisciplinary, international team to develop
ideas and concepts. Since the beginning of the 1990s, the town of Dessau has
to deal with the breakdown of its industrial history. The consequences are
radical questions concerning the future perspectives of this city. In spite
of a difficult economic situation and the loss in population (1990 ca.
100,000 / 2003 ca. 80,000), Dessau is "functioning" as a city regarding
administration and built environment. But it is missing "urbanity",
complexity and density of relations. These are lost. Our question is: Can
the use of ICT counteract the continuous processes of devaluation, the loss
of urban identity, the lack of multifunctional networks? Can the activation
and implementation of new social techniques of knowledge production
compensate for missing economical impulses and functions? How do such
processes generate new species of urban values? Is it possible to re-program
local social resources using intelligent network technologies? How do urban
action areas designed for this purpose look like? How can urban information
spheres and physical urban spaces penetrate each other? The Bauhaus Kolleg
defines itself as a workshop for ideas. Participants are prompted to search
for new ways of conceptual thinking and designing. Dessau is particularly
interesting as a case study for our projects because of the limited success
of conventional instruments of planning and design. The routines of the
design professions swiftly come up against limiting factors. During the past
trimesters (1st trimester: Sept 23rd to Dec 12th, 2002 / 2nd trimester: Jan
23st to April 17th, 2003), we mainly gathered basis knowledge, discussed
methods, and carried out some rather situationist experiments. Goal of the
3rd trimester are long term planning projects. Ideas and concepts developed
during the first two trimesters will be qualified in co-operation with
protagonists of the town's economy and politics, but also with external
guest experts. Where possible they will be developed into realizable
projects. The "International Building Exhibition Sachsen-Anhalt - City 2010"
will form an additional background for the scope of work. Possible partners
are chosen IT enterprises, the chamber of trade and commerce, the department
of works, the building societies and the town's administration. The entire
process of the Bauhaus Kolleg's work is continuously documented and
published at www.bauhaus-dessau.de/dotcity . Parallel to the Dessau team,
groups at Caracas, Malmo and New York participate in the Bauhaus Kolleg.
They contribute their own projects to the program; they give input to the
website which is thus developed into a thematic forum. Chats held every two
weeks provide a regular platform for exchange. All participating partners
contribute information, and the chats are open to everybody interested also
from outside the Kolleg. So, if you are interested in the Kolleg's program,
get additional information at the Dot.City website, participate in one of
the next chats, or apply directly at
http://www.bauhaus-dessau.de/kolleg-application/step-1.asp Bauhaus Dessau
Foundation
Bauhaus-Kolleg
Gropiusallee 38
04668 Dessau
Sonja Beeck (Kolleg Management) beeck@bauhaus-dessau.de
Dr. Gregor Langenbrinck (Advisor) langenbrinck@bauhaus-dessau.de
Torsten Blume (Advisor) blume@bauhaus-dessau.de

if you want to be deleted from this mailing list send this mail
<mailto:delete@bauhaus-dessau.de?subject=please%20delete%20me%20from%20th=
e%2
0mailing%20list> back to us.

for more information
http://www.bauhaus-dessau.de/dotcity/infomail/dot.city_infomail2.html

------ End of Forwarded Message

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<HTML>
<HEAD>
<TITLE>FW: Bauhauis Kolleg IV | 3rd Trimester</TITLE>
</HEAD>
<BODY>
<FONT FACE="Tahoma"><BR>
------ Forwarded Message<BR>
<B>From: </B>&quot;Beeck, Sonja&quot; &lt;bauhaus-kolleg@bauhaus-dessau.de&=
gt;<BR>
<B>Date: </B>Fri, 28 Mar 2003 12:31:37 +0100<BR>
<B>To: </B>&lt;kolleg@bauhaus-dessau.de&gt;<BR>
<B>Subject: </B>Bauhauis Kolleg IV | 3rd Trimester<BR>

</FONT>
<P ALIGN=CENTER>
<FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Roman"> <B=
R>
</FONT></FONT></FONT><FONT SIZE="2"><FONT FACE="Times New Roman"><IMG s=
rc="cid:3131683576_4430294" ></FONT></FONT><FONT FACE="Times New Roman"=
><FONT COLOR="#666666"> &lt;http://www.bauhaus-dessau.de/dotcity&gt; </FO=
NT><FONT SIZE="2"><IMG src="cid:3131683576_4455478" ></FONT><FONT COLOR=
="#666666"> &lt;http://www.bauhaus-dessau.de/dotcity&gt; </FONT><FONT SIZ=
E="2"><IMG src="cid:3131683576_4447166" ></FONT><FONT COLOR="#666666"=
> &lt;http://www.bauhaus-dessau.de/dotcity&gt; <FONT SIZE="2"><IMG src==
"cid:3131683576_4453382" ><BR>
<B>IV. Bauhaus Kolleg 2002 / 2003</B></FONT></FONT></FONT><FONT FACE="Tah=
oma"> <BR>
</FONT><FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Rom=
an"> <BR>
</FONT></FONT></FONT><FONT SIZE="2"><FONT FACE="Times New Roman"><B><IM=
G src="cid:3131683576_4449602" ></B></FONT></FONT><FONT FACE="Times New=
Roman"><FONT COLOR="#666666"> &lt;http://www.bauhaus-dessau.de/en/kolleg=
.asp&gt; <BR>
<FONT SIZE="2"> <BR>
<IMG src="cid:3131683576_4461127" ><IMG src="cid:3131683577_4432247" ><=
IMG src="cid:3131683577_4459749" >
</FONT></FONT></FONT>
<P>
<FONT FACE="Times New Roman"><FONT COLOR="#666666"><FONT SIZE="2"> <B=
>Bauhaus Kolleg IV Dot.City - 3rd trimester: May 22nd to </B></FONT></FONT>=
</FONT><FONT SIZE="2"><B><FONT FACE="Tahoma">August 22nd, 2003</FONT></=
B></FONT><FONT FACE="Tahoma"> </FONT><FONT COLOR="#666666"><FONT SIZE=
="2"><FONT FACE="Times New Roman">The third trimester of the Bauhaus Ko=
lleg Dot.City will start on </FONT></FONT></FONT><FONT SIZE="2"><FONT FAC=
E="Tahoma">May 22nd, 2003. Subject is the potential of modern information=
and communication technologies for the re-construction and re-activation o=
f public spheres within urban spaces. Chosen site for examinations and expe=
riments is the town of Dessau.</FONT></FONT><FONT FACE="Tahoma"> </FONT><=
FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Roman">Arch=
itects, designers, artists and planners work together at the Bauhaus Kolleg=
in a multidisciplinary, international team to develop ideas and concepts. =
Since the beginning of the 1990s, the town of Dessau has to deal with the b=
reakdown of its industrial history. The consequences are radical questions =
concerning the future perspectives of this city. In spite of a difficult ec=
onomic situation and the loss in population (1990 ca. 100,000 / 2003 ca. 80=
,000), Dessau is &quot;functioning&quot; as a city regarding administration=
and built environment. But it is missing &quot;urbanity&quot;, complexity =
and density of relations. These are lost. Our question is: Can the use of I=
CT counteract the continuous processes of devaluation, the loss of urban id=
entity, the lack of multifunctional networks? Can the activation and implem=
entation of new social techniques of knowledge production compensate for mi=
ssing economical impulses and functions? How do such processes generate new=
species of urban values? Is it possible to re-program local social resourc=
es using intelligent network technologies? How do urban action areas design=
ed for this purpose look like? How can urban information spheres and physic=
al urban spaces penetrate each other?</FONT></FONT></FONT><FONT FACE="Tah=
oma"> </FONT><FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times N=
ew Roman">The Bauhaus Kolleg defines itself as a workshop for ideas. Partic=
ipants are prompted to search for new ways of conceptual thinking and desig=
ning. Dessau is particularly interesting as a case study for our projects b=
ecause of the limited success of conventional instruments of planning and d=
esign. The routines of the design professions swiftly come up against limit=
ing factors. During the past trimesters (1st trimester: Sept 23rd to Dec 12=
th, 2002 / 2nd trimester: Jan 23st to April 17th, 2003), we mainly gathered=
basis knowledge, discussed methods, and carried out some rather situationi=
st experiments. Goal of the 3rd trimester are long term planning projects. =
Ideas and concepts developed during the first two trimesters will be qualif=
ied in co-operation with protagonists of the town's economy and politics, b=
ut also with external guest experts. Where possible they will be developed =
into realizable projects. The &quot;International Building Exhibition Sachs=
en-Anhalt - City 2010&quot; will form an additional background for the scop=
e of work. Possible partners are chosen IT enterprises, the chamber of trad=
e and commerce, the department of works, the building societies and the tow=
n's administration. The entire process of the Bauhaus Kolleg's work is cont=
inuously documented and published at www.bauhaus-dessau.de/dotcity . Parall=
el to the Dessau team, groups at Caracas, Malm&ouml; and New York participa=
te in the Bauhaus Kolleg. They contribute their own projects to the program=
; they give input to the website which is thus developed into a thematic fo=
rum. Chats held every two weeks provide a regular platform for exchange. Al=
l participating partners contribute information, and the chats are open to =
everybody interested also from outside the Kolleg.</FONT></FONT></FONT><FON=
T FACE="Tahoma"> </FONT><FONT COLOR="#666666"><FONT SIZE="2"><FONT FA=
CE="Times New Roman">So, if you are interested in the Kolleg's program, g=
et additional information at the Dot.City website, participate in one of th=
e next chats, or apply directly at http://www.bauhaus-dessau.de/kolleg-appl=
ication/step-1.asp</FONT></FONT></FONT><FONT FACE="Tahoma"> </FONT><FONT =
COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Roman">Bauhaus D=
essau Foundation<BR>
Bauhaus-Kolleg<BR>
Gropiusallee 38<BR>
04668 Dessau<BR>
Sonja Beeck (Kolleg Management) beeck@bauhaus-dessau.de<BR>
Dr. Gregor Langenbrinck (Advisor) langenbrinck@bauhaus-dessau.de
</FONT></FONT></FONT>
<P ALIGN=CENTER>
<FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Roman">Tor=
sten Blume (Advisor) blume@bauhaus-dessau.de</FONT></FONT></FONT><FONT FACE=
="Tahoma"> </FONT><FONT COLOR="#666666"><FONT FACE="Times New Roman">=
<FONT SIZE="2"> <BR>
<IMG src="cid:3131683577_4444912" ><IMG src="cid:3131683577_4475372" ><=
IMG src="cid:3131683577_4436096" >
</FONT></FONT></FONT>
<P>
<FONT COLOR="#666666"><FONT FACE="Times New Roman"><FONT SIZE="2"><IM=
G src="cid:3131683577_4449578" >
</FONT></FONT></FONT>
<P ALIGN=CENTER>
<FONT FACE="Tahoma"><BR>
</FONT><FONT COLOR="#666666"><FONT FACE="Times New Roman"> <BR>
</FONT></FONT><FONT FACE="Tahoma"><BR>
</FONT><FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Rom=
an">if</FONT></FONT></FONT><FONT SIZE="2"><FONT FACE="Tahoma"> you want=
to be deleted from this mailing list send this mail</FONT></FONT><FONT FAC=
E="Tahoma"> &lt;mailto:delete@bauhaus-dessau.de?subject=please%20delete=
%20me%20from%20the%20mailing%20list&gt; <FONT SIZE="2"> back to us.<BR>
</FONT><BR>
</FONT><FONT COLOR="#666666"><FONT SIZE="2"><FONT FACE="Times New Rom=
an">for more information http://www.bauhaus-dessau.de/dotcity/infomail/dot.=
city_infomail2.html
</FONT></FONT></FONT>
<P>
<FONT FACE="Tahoma"><BR>
</FONT><FONT FACE="Times New Roman"> <BR>
</FONT><FONT FACE="Tahoma"><BR>
<BR>
------ End of Forwarded Message<BR>
</FONT>
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CURATED EXHIBITIONS (1)