Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
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DISCUSSION

Fwd: Hyper-Runt For Immediate Release


Begin forwarded message:

> From: Emily Zimmerman <emilyz@inliquid.com>
> Date: August 20, 2004 4:44:05 PM EDT
> To: undisclosed-recipients:;
> Subject: Hyper-Runt For Immediate Release
>
>
> FOR IMMEDIATE RELEASE
> For information and high resolution images, contact: John Murphy,
> jmurphy@inliquid.com / 215-592-1310
>
> InLiquid.com presents a major new media project,
> HYPER-RUNT, curated by Ebon Fisher and Emily Zimmerman
> ONLINE September 3-18, 2004 and
> ONSITE October 8-14, 2004 at the National Products Building in Old
> City, Philadelphia.
>
> (Philadelphia, August 2004) In September and October 2004 the
> nonprofit artist organization, InLiquid.com, is pleased to present
> HYPER-RUNT, an exhibit of digital and conceptual art curated by "media
> breeder," Ebon Fisher and curator, Emily Zimmerman.
>
> HYPER-RUNT is an exhibition of experimental art projects by an
> internationally diverse group of artists including Bigtwin, Shawn
> Brixey, David Brody, Klip Collective, Ken Goldberg, Natalie
> Jeremijenko, Yael Kanarek, Mark Napier, Joseph Nechvatal,
> neuroTransmitter, Caterina Verde, and Tim Whidden. The artists were
> asked to submit those projects which rose up out of the creative
> process and took on an insistent life of their own, either in the
> studio or out in the public arena. These works do not fit snugly in
> the usual litter of cultural categories. As Ebon Fisher points out,
>
> "HYPER-RUNTs raise uneasy questions pertaining to the nature of art in
> the realm of artificial life forms, media viruses, robot psychology,
> and inter-species cultures. They flirt with the possibility of a
> "post-human" future in which the paradigm of art and civilization
> gives way to a hyper-biology of emergent processes. A HYPER-RUNT might
> be seen as an ornery cultural lifeform, an elan vital, unexpectedly
> rearing its head in the turmoil brewing between artist, audience,
> technology, and ecosystem."
>
> HYPER-RUNT

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>Animals<br>

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CURATED EXHIBITIONS (1)