Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
DISCUSSION

Re: new media terms for film editing


Hi -- Not sure about the terminology, though I'm sure it's discussed in
a thorough way in Manovich's Language of New Media, which very much
uses cinematic idioms in relation to new media. I suggest looking at
the "idiomorphic" software of Barabra Lattanzi. wildernesspuppets is
her domain... and 'idiomorphic" is her self-styled term for her
cinema-derived editing applications. Her 10 or so freeware applications
are on her site... Rachel

On Thursday, June 5, 2003, at 11:33 PM, Rupauk wrote:

> Emil Lahteenmaki wrote:
>
>> There's continuity editing, montage,... What would you suggest as a
>> specific term for film editing in new media? When the consumer is the
>> final editor and actual editor's job is to determine beforehand in
>> what ways the consumer can access to the material.
>>
>> I've come up with something like "pre-programmed editing"/"programmed
>> editing". I thought you were the right people to suggest better ones.
>> I'd use it in my research.
>>
>> Emil Lahteenmaki
>> Film Student
>
> you pose an interesting question, emil. regardless of whether content
> can be accessed randomly by the end user, the bias of selection and
> placement still lies with the 'author' so to speak. some sequence
> does persist. in designing objects that can be compared in odd
> juxtopositions maybe it is apt to refer to the designer as a composer
> of memes, a memist or somesuch relationship to the imparting of ideas
> through tangental means. the means that we give the user access to
> our ideas is a replication of our perspective - how they use it may
> differ from our intentions depending on how strict the codes for
> interaction are. some ideas .. id like to know more about what you
> think ..
>
> rupauk
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
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> +
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>

DISCUSSION

[Fwd: Blast Theory im Edith-Ru ss-Haus_fur_Medienkunst]


---------------------------- Original Message ----------------------------
Subject: Blast Theory im Edith-Russ-Haus fur Medienkunst
From: Edith-Russ-Haus fur Medienkunst <info@edith-russ-haus.de>
Date: Thu, June 5, 2003 6:06 am
To: "Frau von Sydow" <info@edith-russ-haus.de>
--------------------------------------------------------------------------

(scroll down for english)

Can You See Me Now? Oldenburg
Blast Theory und Mixed Reality Lab
Aufruf an alle Abenteurer! Vom 4. Juli - 3. August 2003 ist die britische
Kunstlergruppe Blast Theory mit ihrem Projekt

DISCUSSION

Fwd: GO EAST FESTIVAL 08.06 von: Sofya Semyonovna


Begin forwarded message:

> From: Steve Mass <kontakt@muddclub-berlin.de>
> Date: Wed Jun 4, 2003 8:26:00 AM US/Eastern
> Subject: GO EAST FESTIVAL 08.06 von: Sofya Semyonovna
> Reply-To: kontakt@muddclub-berlin.de
>
> Von: Sofya Semyonovna
>
> Veranstaltung: GO EAST FESTIVAL
> Russische & Balkanische Party des
> Karnevals der Kulturen)
>
> Wo: Mudd Club, Gr. Hamburger Str. 17,
> (Nahe Hackescher Markt)
>
> Wann: Sonntag, 08.06. , Ab 21:00 Uhr
>
> Festivalplan: Outdoor / indoor, Essen, Live Band
> Buhne, zwei verschiedene Dj-Set ups
>
> 1. LIVE: "ETO" (Russian post ethnic crossover)
>
> Polina Proutskova , die Sangerin verfugt uber
> einen ausdruckstarken Stimmreichtum, der von
> Drum & Bass-sexyness bis zu der reinen Klarheit
> sibirischer Schamanengesange reicht. Auf der
> Buhne wandelt sie sich auf magische Art von
> einer unerreichbaren Eisjungfrau zu einem
> trotzigen Rock-Grunge-Kind. Eigensinnig
> verweigert sie sich Kategorisierungen.
> immer auf der Pirsch nach der nachsten
> Rock-Version von Marlene Dietrich, bleibt sie aber
> den Ikonen der russischen Weiblichkeit verbunden,
> wie Sofya Semyonovna, der Geliebten Raskolnikovs ,
> die den gewalttatigen Mannern dieser Welt
> vorsingen " Kusse die Erde, die Du entweiht hast"
>
> Eto ist Teil einer neuen Welle junger talentierter
> Russen, die im Folk-Crossover-Medium komponieren,
> und dabei die Tradition von Glinka, Tchaikowsky
> und Rimsky Korsakow fortsetzen, welche Folklore-
> Motive extensiv in ihre Musik integriert haben.
>
>
> 2. BALKANBEATS D-JAYS ROBERT AND SASHA
>
> D-jays Robert Soko und Sasha Dakic. spielen die
> Schallplatten aus den Balkan-Landern Bosnien-
> Herzegowina, Kroatien, Montenegro, Serbien,
> Slowenien, Mazedonien, und andere Punk-Rock-Musik.
> Balkan Beats Parties sind schweisstreibende
> Happenings mit allen moglichen sonder-
> baren Paarungen zwischen Stilen die so
> verschieden sind wie subkulturelle Zigeuner-
> Musik und post romantischer Punk.
>
>
> 3. OCCULT BARBIES:
>
> Die Occult Barbies (Anastasia & Natalia) laden
> herzlich ein zum Fruhlingstanz zu den heidnischen
> Klangen Russlands und Osteuropas. Die Occult
> Barbies kommen aus St Petersburg und Sibirien.
> Diese boshaften russischen Madchen spielen Ska,
> Polka, Rock, Pop, Smasher Music, mit einer
> Verrucktheit, die die Gefahr auf dem Dancefloor
> von einer hysterischen Menge Zertrampelt zu werden,
> heraufbeschwort.
>
>
> 4. VJ VADIM LEVIN:
>
> VideoperformanceVideo-Kaleidoskop enthusiastischer
> Russischer Folkloretanzer"
>
> 5. Russisches Snacks & Spezialitaten
>
> Eintritt: 6 EUR, mit Studenteausweis: 5 EUR
>
> Mudd Club, Grosse Hamburger Strasse 17,
> (Kellereingang im Hinterhof) , Nahe Hackescher Markt.
> S- Bahn: Hackescher Markt, Oranienburger Strasse,
> U- Bahn: Weinmeister Strasse Nachtbusse: 5, 6, 8, 52,
> 54, 58, 65, 84, 92 Tram: 1, 2, 3, 4, 5, 13, 15, 50, 53
>
>
> Reservierung: 030 44036299 / 0179 514 56 08
> Presse: http://www.muddclub.de
>

DISCUSSION

Re: Fwd: FW: Digital Artists: Call for Entries


Sorry about the double posting -- I get many emails asking me to
forward on to the list, and while I check to see if something has
already been posted, I don't always catch everything. Especially as
people post announcements on different days. Anyway, glad there was a
distinction between posts that merited note. -- Rachel

On Tuesday, June 3, 2003, at 02:47 PM, Michael Szpakowski wrote:

> This call was posted to the list directly a couple of
> days back.
> Both Ruth Catlow & I pointed out then that they're
> willing to pay , if you're willing to self censor for
> the benefit of their corporate sponsor. The
> extraordinary turn of phrase was " non pornographic
> and nonpolitical" I think, althoguh interestingly this
> appears only as "non pornogrphic" in the pdf
> attachment here.
> So politics and pornography is out but apparently a
> bit of corporate whoring is completely acceptable.
> best
> michael
> --- Rachel Greene <rachel@rhizome.org> wrote:
>>
>>
>> Begin forwarded message:
>>
>>> From: Trevor Smith <TSmith@newmuseum.org>
>>> Date: Tue Jun 3, 2003 10:00:52 AM US/Eastern
>>> To: "'rachel@rhizome.org'" <rachel@rhizome.org>,
>>> "'d.kreckler@ecu.edu.au'" <d.kreckler@ecu.edu.au>
>>> Subject: FW: Digital Artists: Call for Entries
>>> -----Original Message-----
>>> From: Jon Tomlinson
>> [mailto:digital@bigdaddyenterprises.biz]
>>> Sent: Tuesday, June 03, 2003 8:54 AM
>>> To: jon@bigdaddyenterprises.biz
>>> Subject: Digital Artists: Call for Entries
>>>
>>>
>>> Good morning...
>>>
>>> As part of an event I am putting together, I'd
>> like to feature the
>>> work of
>>> approximately 10 digital artists. The nice thing
>> is that I'll be able
>>> to
>>> pay them for the efforts. So... if you know of
>> anyone who would like
>>> to
>>> participate, would you mind passing along the
>> attached Call for
>>> Entries?
>>>
>>> Thanks... take care,
>>> Jon Tomlinson
>>>
>>>
>>>
>>
>
>> ATTACHMENT part 2 application/pdf x-unix-mode66;
> name=DIGITALCFE_2.pdf
>
>
>
>
> =====
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DISCUSSION

Fwd: FW: Digital Artists: Call for Entries


Begin forwarded message:

> From: Trevor Smith <TSmith@newmuseum.org>
> Date: Tue Jun 3, 2003 10:00:52 AM US/Eastern
> To: "'rachel@rhizome.org'" <rachel@rhizome.org>,
> "'d.kreckler@ecu.edu.au'" <d.kreckler@ecu.edu.au>
> Subject: FW: Digital Artists: Call for Entries
> -----Original Message-----
> From: Jon Tomlinson [mailto:digital@bigdaddyenterprises.biz]
> Sent: Tuesday, June 03, 2003 8:54 AM
> To: jon@bigdaddyenterprises.biz
> Subject: Digital Artists: Call for Entries
>
>
> Good morning...
>
> As part of an event I am putting together, I'd like to feature the
> work of
> approximately 10 digital artists. The nice thing is that I'll be able
> to
> pay them for the efforts. So... if you know of anyone who would like
> to
> participate, would you mind passing along the attached Call for
> Entries?
>
> Thanks... take care,
> Jon Tomlinson
>
>
>


CURATED EXHIBITIONS (1)