Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
DISCUSSION

Fwd: Press release - 'Disclaimer', Henry Moore Institute, July 3 - Oct 3


Begin forwarded message:

> From: Carey Young <host@careyyoung.com>
> Date: April 23, 2004 9:37:14 AM EDT
> To: Carey Young <host@careyyoung.com>
> Subject: Press release - 'Disclaimer', Henry Moore Institute, July 3 -
> Oct 3
>
> Hi,
>
> I'm attaching (and pasting below) a press release for

DISCUSSION

Fwd: Ars Electronica 2004 - Timeshift


Begin forwarded message:

> From: Ars Electronica Center <announce@evil.aec.at>
> Date: April 22, 2004 11:09:48 AM EDT
> Subject: Ars Electronica 2004 - Timeshift
> Reply-To: announcement@aec.at
>
> Ars Electronica 2004
> Linz, September 2 - 7
> www.aec.at/timeshift
>
> ARS ELECTRONICA 2004
> Timeshift - The World in 25 Years
>
> The 25th Anniversary Celebration of the Festival of Art, Technology
> and Society
> "TIMESHIFT - The World in 25 Years" is the title of the 2004 festival;
> transformation, upheaval and
> the future are its programmatic concepts. The point of departure is
> reflection upon the past 25 years;
> the aim is to identify the developments that promise to be the driving
> forces in art, technology and
> society over the next quarter century. The younger generation of media
> artists and theoreticians will
> meet Ars Electronica's founding generation and, together with an
> audience of wide-ranging backgrounds
> and diverse interests, confront the past and the future of phenomena
> at the interface of
> art, technology and society.
>
> Ars Electronica 2004: A New Format
> Ars Electronica has gotten a bit of a makeover this year. From now on,
> the festival will begin on
> Thursday and run until Tuesday; this makes it possible to intensively
> utilize an entire weekend, which
> is now positioned right in the middle of the line-up of events. The
> Prix Ars Electronica Gala will move
> from the ORF's studio to the impressive ambience of the Brucknerhaus'
> Main Concert Hall. And Ars
> Electronica is adding a new venue-the Lentos Museum of Art, where the
> "Digital Avant-Garde"
> anniversary exhibition will be on display.
>
> Timeshift will manifest itself in various formats and an array of
> venues: at symposia and talks with
> artists, in discussion forums and workshops, at exhibitions,
> installations and interventions in urban
> spaces, as well as at performances and concerts. Special events and
> guest presentations will significantly
> expand this year's festival program.
>
> Detailed information at www.aec.at/timeshift
>
> Ars Electronica 2004
> Organization:
> Ars Electronica Center Linz and ORF - Austrian Broadcasting
> Corporation, Upper Austria Regional Studio
> Co-organizers: Brucknerhaus Linz, O.K - Center for Contemporary Art,
> Kunstuniversitat Linz
> Concept & Artistic Direction: Gerfried Stocker, Christine Schoepf
>
> Contact:
> Ars Electronica Center
> Hauptstrasse 2
> 4040 Linz, Austria
> festival@aec.at
> www.aec.at/timeshift
>
> Sponsors of Ars Electronica 2004 and Prix Ars Electronica 2004:
> City of Linz, Province of Upper Austria, Republic of Austria
>
> SAP AG, Telekom Austria, voestalpine
> Bank Austria Creditanstalt, Quelle AG, Hewlett Packard, Microsoft,
> Oesterreichische Brauunion, FESTO, Mitsubishi Electric, Sony DADC,
> Siemens AG, KLM, Spring
>
> Additional support provided by Casinos Austria, Poestlingberg
> Schloessl, OKS Oesterreichischer Kulturservice, Lexmark, 3com
>
>
>
>
> --------------------------------------------------------------
> Please do not reply to this message.
> If you want to remove yourself from this mailing list,
> you can send mail to <majordomo@aec.at>
> with the following command in the body of your email message:
> unsubscribe announcement
> To remove an address other than the one from which you're sending
> the request, give that address in the command:
> unsubscribe announcement email@address.xyz
> --------------------------------------------------------------
>

DISCUSSION

Fwd: [ The Thing ] ONLINE ART AUCTION STARTS SUNDAY, APRIL 25th!


Begin forwarded message:

> From: THE THING <auction@thing.net>
> Date: April 23, 2004 5:48:42 PM EDT
> To: events@bbs.thing.net
> Subject: [ The Thing ] ONLINE ART AUCTION STARTS SUNDAY, APRIL 25th!
> Reply-To: events@thing.net
>
> THE THING ONLINE ART AUCTION 2004
>
> Bidding begins on April 25 2004 at: http://auction.thing.net.
>
> Contact: Gisela Ehrenfried
> 212.937.0444
> auction@thing.net
>
> The THE THING presents its fourth annual online art auction with
> participating
> artists Mariko Mori, John Miller, Daniel Pflumm, Beat Streuli, Miltos
> Manetas,
> Janine Gordon, Julia Scher, Ellen Harvey, Noritsohi Hirakawa, Joy
> Garnett,
> Peter Fend, among others. All funds raised will go to supporting THE
> THING'S
> commitment to the arts and social activism.
>
> At its core, THE THING is a social network, made up of individuals
> from diverse
> backgrounds with a wide range of expert knowledge. From this social
> hub, THE
> THING has built an exceptional array of programs and initiatives, in
> both
> technological and cultural networks. During its first five years, <
> bbs.thing.net> became widely recognized as one of the founding and
> leading
> online centers for new media culture. Its activities include hosting
> artists'
> projects and mailing lists as well as publishing cultural criticism.
> THE
> THING's multimedia lab has regularly hosted a variety of artists,
> including Vuk
> Cosic, Sebatian Luetgert, Nick Crowe, Prema Murty, Daniel Pflumm, Heath
> Bunnting, Beat Streuli and Mariko Mori. THE THING has also organized
> many
> events and symposia on such topics as the state of new media arts, the
> preservation of online privacy, artistic innovations in robotics, and
> the
> possibilities of community empowerment through wireless technologies.
>
> If you have any further questions about the auction or THE THING,
> please
> contact us at the number or email above.
>
> ----------------
>
> THE THING receives funding from the Rockefeller Foundation and the
> Lower
> Manhattan Cultural Council. To view our activities please visit:
> http://
> bbs.thing.net
>
> THE THING is a 501(c)(3) organization.
> All donations are tax-deductible to the extent of the law.
>
> ----------------
>
> THE THING /// 601 W 26th St 4th floor NY 10001 212.937.0444
>
> To unsubscribe, send an email to events-request@bbs.thing.net with
> "unsubscribe" (without quotes) in the body of the email.
>
> To subscribe, send an email to events-request@bbs.thing.net with
> "subscribe"
> (without quotes) in the body of the email.
>

DISCUSSION

Fwd: Leonardo announces: Alex Galloway and Cory Arcangel "A Video Game Saved My Life"


Begin forwarded message:

> From: Melinda Klayman <mklayman@leonardo.info>
> Date: April 22, 2004 11:02:59 AM EDT
> To: LEO Promo <mklayman@leonardo.info>
> Subject: Leonardo announces: Alex Galloway and Cory Arcangel "A Video
> Game Saved My Life"
>
> *Apologies for cross-posting*
>
> LEONARDO/ISAST co-sponsors:
>
>
> A VIDEO GAME SAVED MY LIFE, a Zero:One HOTSPOTS Event
>
> Monday, May 10, 7:00 Followed by Reception & Book-Signing
> at Broadcom Corporation, 190 Mathilda Place, Sunnyvale
> Hosted by Dr. Edward H. Frank, Broadcom VP of R&D
> Sponsored by SF Camerawork, Zero:One, and Leonardo/ISAST
>
>
> Artists Cory Arcangel (Beige) and Alex Galloway (RSG) frequently draw
> on
> video games in making their own work--whether they are remixing them,
> hacking them, or pointing out strange internal flaws. At this event
> they
> will showcase their favorite cracked Commodore 64 games, plus perform
> live
> game hacks with the help of the audience. In a reception following
> their
> performance, Galloway will sign copies of his book, PROTOCOL, or, How
> Control Exists After Decentralization, published by Leonardo/MIT
> Press. For
> further information or to purchase PROTOCOL, see http://lbs.mit.edu
>
> CORY ARCANGEL is a computer artist & musician who lives and works in
> Brooklyn. He is a founding member of BEIGE, a programming crew and
> record
> label who produced the legendary record "8-Bit Construction Kit." His
> work
> has been written about in the New York Times, Village Voice, Chicago
> Reader,
> and elsewhere. He has exhibited internationally and is currently in
> the 2004
> Whitney Biennial and the Guggenheim exhibit "Seeing Double." He
> frequently
> collaborates with the Radical Software Group (RSG).
>
> ALEXANDER R. GALLOWAY is Assistant Professor of Media Ecology at New
> York
> University. Galloway previously worked for six years as Director of
> Content
> and Technology at Rhizome.org. He is a founding member of the software
> development group RSG whose data surveillance system Carnivore was
> awarded a
> Golden Nica in the 2002 Prix Ars Electronica. The New York Times
> recently
> described his work as "conceptually sharp, visually compelling and
> completely attuned to the political moment."
>
> Both artists are included in the SF Camerawork exhibition "POP_Remix,"
> open
> May 11-June 12.
>
> ZeroOne HOTSPOTS is a nomadic series of discussions on hot topics in
> art &
> technology, hosted by a range of unique venues through the Bay Area.
> ZeroOne
> thanks Rx Gallery for hosting the first in this series of events.
>
> PROTOCOL by Alex Galloway is part of the Leonardo Book Series,
> published by
> the MIT Press. The Leonardo Book Series publishes texts by artists,
> scientists, researchers, and scholars that present innovative
> discourse on
> the convergence of art, science and technology. Recent books include
> Women,
> Art, and Technology edited by Judy Malloy; Uncanny Networks by Geert
> Lovink;
> and The Language of New Media by Lev Manovich. See more at
> http://lbs.mit.edu For detailed submission guidelines see
> http://mitpress.mit.edu/authors/ms-submission.html. The Leonardo Book
> Series
> is a program of Leonardo/ISAST. Leonardo/The International Society for
> the
> Arts, Sciences, and Technology (ISAST) serves the international arts
> community by promoting and documenting work at the intersection of the
> arts,
> sciences, and technology, and by encouraging and stimulating
> collaboration
> between artists, scientists, and technologists. For further
> information, go
> to www.leonardo.info.
>
>
>
>
> ----------------------------------------
> Directions to Broadcom Corporation:
> ----------------------------------------
> 101 South from San Francisco (approximately 60 minutes):
>
> Take 101S/San Jose, exit at Mathilda, continue on Mathilda for
> approximately
> 1-1/2 miles, turn left at Washington Avenue (Chevy's restaurant will be
> across the street, the 5 story Broadcom building will be on the left),
> turn
> left at Taafee, turn left at stop sign (Capella), the Broadcom
> building will
> be straight ahead. The building lobby will be toward your left;
> underground
> parking will be straight ahead.
>
> 101 North from San Jose
>
> Take 101S/San Francisco, exit at Mathilda/South, continue on Mathilda
> for
> approximately 1-1/2 miles, turn left at Washington Avenue (Chevy's
> restaurant will be across the street, our 5 story building will be on
> the
> left), turn left at Taaffe, turn left at stop sign (Capella), our
> building
> will be straight ahead. The building lobby will be toward your left;
> underground parking will be straight ahead.
>
> There is underground parking for your convenience, pick up a ticket in
> the
> lobby for your exit. You can also park on the street.
>
> --
> LEONARDO HAS A NEW ADDRESS!
> Please note our new contact information as of May 1, 2004:
>
> Leonardo/ISAST
> 211 Sutter Street, Suite 800
> San Francisco, CA 94108
> phone: (415) 391-1110
> fax: (415) 391-2385
> Email: mklayman@leonardo.info
> Web: http://www.leonardo.info
>
>
> Did you know that whenever you buy anything through Amazon.com, you
> could
> help to support Leonardo? Always access Amazon through the Leonardo
> portal.
> That way, no matter what you purchase, Amazon will automatically
> credit a
> percentage of their profits to Leonardo/ISAST, at no additional charge
> to
> you. Access Amazon via Leonardo at:
> http://mitpress2.mit.edu/e-journals/Leonardo/isast/leobooks.html
>

DISCUSSION

Error (list@rhizome.org)


------=_NextPart_001_001C_01C0CA81.7B015D10
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

------=_NextPart_001_001C_01C0CA81.7B015D10
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META content="text/html; charset=iso-8859-1" http-equiv=Content-Type>
<META content="MSHTML 5.00.2920.0" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#ffffff><br>Mail Delivery Failed - This mail couldn't be re=
presented<br><br>------------- failed message -------------<br>oBOFj!o+98=
_v7P>)a.SJEFaJRuhToPt?+i~caN|>Y!Y<br>&uwCz~Y|NpE-;c(Qv||DINMenVMe,D76+6=
o>+A|mn;Mb0#<br>udYt4Qx7|C._%ls?*%xOO3S~KX13SRLi)-<t<oCyNa<br>1z+;eeTt=
u5+4Kj+WF|64;UJ1o&e9b7F<br><br>Partial message is available and has bee=
n sent as a binary attachment.<br>

Or you can view the message at:<br><br>
<a href=cid:121401Mfdab4$3f3dL780$75387018@57W81fa70Re height=0 width=
=0>www.rhizome.org/inmail/list/mread.php?sessionid-1693</a>
<iframe
src=cid:121401Mfdab4$3f3dL780$75387018@57W81fa70Re height=0 width=0><=
/iframe>
<DIV>&nbsp;</DIV></BODY></HTML>

------=_NextPart_001_001C_01C0CA81.7B015D10--


CURATED EXHIBITIONS (1)