Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
OPPORTUNITY

Who's Afraid of Blue, Red and Green? online competition


Deadline:
Thu Jan 22, 2004 13:08

From: Sarah Bacon
Creative Time

Who's Afraid of Blue, Red and Green? is an online competition and public
art project by multimedia Austrian artist Gunther Selichar. From January
21


DISCUSSION

[Fwd: call for artists - get published!]


---------------------------- Original Message ----------------------------
Subject: call for artists - get published!
From: Rosenfeldka@aol.com
Date: Wed, January 21, 2004 6:24 pm
To: art@dslrwest.org
postchicago@ameritech.net
ensemble@critical-art.net
subrosa@cyberfeminism.net
info@rtmark.com
n55@n55.dk
ed@lumpen.com
queertotheleft@lists.riseup.net
aaron@tacticalmagic.org
iaa@appliedautonomy.com
crnational@criticalresistance.org
trevor@paglen.com
bitadmin@bureauit.org
contact@justseeds.org
rachel@rhizome.org
servers@temporaryservices.org
--------------------------------------------------------------------------

Greetings,

You're receiving this email because I'm hoping you can help me locate
artists who do activist and/or socially relevant work, and who would like
some free exposure in a national publication! In These Times magazine is
bringing back their "art page" feature, and has asked me to help them find
work to fill it. (For those who don't know me, I'm an independent arts
and culture writer and editor based in Chicago.)

Work should be reproducible in a 2-dimensional, 8 x 11 (roughly) format.
It can be original work, or photographs/documentation of performances,
installations, interventions, etc. - anything of which you can provide a
digital image or slide.

For those unfamiliar, here is ITT's description of itself from its website
(www.inthesetimes.org):

"In These Times is a national, biweekly magazine of news and opinion
published in Chicago. For 27 years, In These Times has provided
groundbreaking coverage of the labor movement, environment, feminism,
grassroots politics, minority communities and the media. In These Times
features award-winning investigative reporting about corporate malfeasance
and government wrongdoing, insightful analysis of national and
international affairs, and sharp cultural criticism about events and ideas
that matter."

If you are or know of artists or artist groups who might like to be
featured in this publication, please respond to or pass along this email
address, and please forward to anyone you think might be interested.

Thank you,
Kathryn Rosenfeld

DISCUSSION

Question for artists who seek commissions


I am interested in finding out from artists who seek commissions...

Do you prefer when there is a theme to the commissions or if the CFP (call
for proposals) is completely open? I would assume the latter but want some
feedback. Thanks, Rachel

DISCUSSION

RHIZOME.ORG NET ART COMMISSIONS -- CALL FOR PROPOSALS


RHIZOME.ORG NET ART COMMISSIONS

CALL FOR PROPOSALS

+Deadline for proposals: February 15, 2004+

Rhizome.org is pleased to announce that with support from The Jerome
Foundation and the Greenwall Foundation, five new net art projects
(works
of art that are made to be experienced online) will be
commissioned in 2004.

The fee for each commission will range from $1,500

DISCUSSION

Fwd: LMJ 13 Now Available


Begin forwarded message:

> From: "LEONARDO (mk)" <isast@well.com>
> Date: Mon Jan 19, 2004 4:16:06 PM US/Eastern
> To: LEO Network <isast@well.com>
> Subject: LMJ 13 Now Available
>
> NOW AVAILABLE!
> LEONARDO MUSIC JOURNAL VOLUME 13
> GROOVE, PIT AND WAVE
> RECORDING, TRANSMISSION AND MUSIC
>
> with CD curated by Philip Sherburne
>
> Despite Thomas Edison's assumption that the gramophone was nothing more
> than a sonic autograph album, suitable only for playing back the
> speeches
> of famous people, over the last 100 years recording has radically
> transformed the composition, dissemination and consumption of music.
> Similarly, the businesslike dots & dashes of Morse and Marconi have
> evolved
> into a music-laden web of radio masts, dishes, satellites, cables and
> servers. Sound is encoded in grooves on vinyl, particles on tape and
> pits
> in plastic; it travels as acoustic pressure, electromagnetic waves and
> pulses of light.
>
> The rise of the DJ in the last two decades has signaled the arrival of
> the
> medium as the instrument -- the crowning achievement of a generation
> for
> whom tapping the remote control is as instinctive as tapping two sticks
> together. Turntables, CD players, radios, tape recorders (and their
> digital
> emulations) are played, not merely heard; scratching, groove noise, CD
> glitches, tape hiss and radio interference are the sound of music, not
> sound effects. John Cage's 1960 "Cartridge Music" has yet to enter the
> charts, but its sounds are growing more familiar.
>
> In this issue of Leonardo Music Journal, the following authors
> contribute
> their thoughts on the role of recording and/or transmission in the
> creation, performance and distribution of music: Peter Manning, Yasunao
> Tone, Douglas Kahn with Christian Marclay, Nick Collins, David First,
> Matthew Burtner, Guy-Marc Hinant, Caleb Stuart, Alvaro Barbosa, Holger
> Schulze, Sergio Freire, Christopher Burns, Michael Bussiere, Marlena
> Corcoran, Trace Reddell, Tobias C. van Veen.
>
> The accompanying CD includes tracks by AGF, M. Behrens, Alejandra &
> Aeron,
> DAT Politics, Stephan Mathieu, Francisco Lopez, Institut fuer
> Feinmotorik,
> Janek Schaefer, Steve Roden, Scanner, Stephen Vitiello.
>
> Order LMJ13 from the MIT Press by visiting http://mitpress.mit.edu/LMJ
> or
> by contacting journals-orders@mit.edu
>
> More information about this issue, the table of contents, abstracts and
> selected texts are available at
> http://mitpress2.mit.edu/Leonardo/lmj
>


CURATED EXHIBITIONS (1)