Rachel Greene
Since the beginning
Works in New York, Nebraska United States of America

BIO
Rhizome is friends and family for Rachel, who has been involved with the org. in one capacity or another since 1997 when it was rhizome.com!!
Rachel wrote a book on internet art for thames & hudson's well-known WORLD OF ART series: it was published in June 2004. She was a consultant and catalogue author for the 2004 Whitney Biennial. She has also written for publications including frieze, artforum, timeout and bomb.
Discussions (824) Opportunities (20) Events (0) Jobs (0)
DISCUSSION

Fwd: Mike Figgis Talk & Screening at EYEBEAM


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Begin forwarded message:

> From: info@eyebeam.org
> Date: Tue Sep 16, 2003 7:48:54 PM US/Eastern
> To: <list@eyebeam.org>
> Subject: Mike Figgis Talk & Screening at EYEBEAM
>

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Begin forwarded message:

<excerpt><bold>From: </bold>info@eyebeam.org

<bold>Date: </bold>Tue Sep 16, 2003 7:48:54 PM US/Eastern

<bold>To: </bold><<list@eyebeam.org>

<bold>Subject: </bold>Mike Figgis Talk & Screening at EYEBEAM

</excerpt>
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DISCUSSION

Fwd: Introducing: The Bomb Project: Art + Information Forum


Begin forwarded message:

> From: The Bomb Project - update <info@thebombproject.org>
> Date: Sat Sep 13, 2003 1:44:54 AM US/Eastern
> To: 00 <info@firstpulseprojects.org>
> Subject: Introducing: The Bomb Project: Art + Information Forum
>
> Introducing: The Bomb Project: Art + Information Forum
>
> There is now a message board online at The Bomb Project. Please feel
> free to post relevant urls and information about conferences,
> publications, articles, projects, and exhibitions pertaining to
> nuclear issues.
>
> Thanks and best regards,
> Joy Garnett
> The Bomb Project
>
> either click on the forum link at:
> http://www.thebombproject.org
>
> or go directly to:
> http://pub32.bravenet.com/forum/show.php?usernum'04252453&cpv=2
>
> ++++
> Current Front Page Features:
> 1) CWIHP Conference: Cold War Memory: Interpreting the Physical Legacy
> of the
> Cold War; "Capturing the Bomb: the Nuclear Weapons Photography of Paul
> Shambroom + Robert Del Tredici" slide presentation.
>
> 2) Face To Face with the Bomb. Photographs + essay by Paul Shambroom
> Intro. by Richard Rhodes. Johns Hopkins University Press (May 2003)
>
> 3) The Atomic Revolution (1957) by M. Philip Copp. The making of a
> Cold War comic.
> Discovered + presented by Ethan Persoff; History researched by Greg
> Allen at Greg.org
>
> >>> Upcoming Feature:
> 100 SUNS, by Michael Light. Knopf (pub date Oct 2003)
>
> ++++

DISCUSSION

Fwd: Hip Hop Killed the Video Star Invitation


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Begin forwarded message:

> From: opensorcery <opensorcery@opensorcery.net>
> Date: Fri Sep 12, 2003 5:58:25 PM US/Eastern
> To: opensorcery@opensorcery.net
> Subject: Hip Hop Killed the Video Star Invitation
>
> ////////////////////////////////
> Three Works by Parangari Cutiri a.k.a. Anne-Marie Schleiner
> (Deutsch unten)
> "Hip Hop Killed the Video Star"
> Opening: Wednesday, September 17

DISCUSSION

Fwd: <nettime> Free Radio Berkeley - Seize the Airwaves!


Begin forwarded message:

> From: Pit Schultz <pit@bootlab.org>
> Date: Wed Sep 10, 2003 3:56:55 AM US/Eastern
> To: nettime-l@bbs.thing.net
> Subject: <nettime> Free Radio Berkeley - Seize the Airwaves!
> Reply-To: Pit Schultz <pit@bootlab.org>
>
> Day of Mass Electronic Civil Disobedience - October 17, 2003
> by Stephen Dunifer - Free Radio Berkeley
>
>
>
> Seize the Airwaves!
> Break the Corporate Media's Stranglehold on the Free Flow of
> Information,
> News, Music, Artistic Expression, and Cultural Creativity
>
> Day of Mass Electronic Civil Disobedience
> Celebrating International Media Democracy Day
> Friday, October 17, 2003
>
> You go to the demonstrations, write letters and email to Congress; and
> yet,
> you feel as if your voice is not being heard. What if there was a way
> for
> your voice, and the voices of your compatriots, to actually be heard?
> There
> is - it is called micropower broadcasting or free radio.
>
> Micropower broadcasting began as a means to empower the residents of a
> housing project in Springfield, Illinois in the late 1980's. By
> creating a
> low power FM broadcast station, this community established its own
> voice and
> a direct means to fight against police brutality and repression.
> Unlicensed
> and unsanctioned by the government, Human Rights Radio, as it is now
> known,
> continues to broadcast to this very day.
>
> Since then, micropower broadcasting has grown into a national movement
> of
> electronic civil disobedience. Based on the principles of Free Speech
> and
> Direct Action, micropower broadcasting seeks to reclaim the electronic
> commons of the airwaves - a public resource and trust stolen by the
> corporate broadcasters, aided and abetted by the Federal Communications
> Commission (FCC) and other appendages of the US Government.
>
> Continuing in the rich tradition of the struggle to speak freely and be
> heard, micropower broadcasting has traded the historic soapbox for the
> FM
> broadcast transmitter. Advances in technology and design have allowed
> for
> the creation of FM transmitters at a very low cost in comparison to
> standard, commercial broadcasting equipment. An entire FM broadcast
> station
> covering a radius of 5-12 miles can be assembled for $1000 or less.
>
> Yes, there are legal risks involved. Such stations are violating FCC
> regulations and statutes, and are subject to possible legal actions
> such as
> threatening letters or fines, and sometimes seizure of equipment.
> Despite
> this, at any given time, there are hundreds of stations on the air
> across
> the United States. Unfortunately, stations tend to go on the air in
> isolation from one another, making them an easier target for the FCC.
>
> Despite the somewhat uncoordinated efforts of the last ten years,
> hundreds
> of micropower stations taking to the airwaves forced the FCC to
> respond to a
> rapidly growing, ungovernable situation. William Kennard, former head
> of the
> FCC, admitted this is in a documentary, LPFM - The Peoples' Voice,
> produced
> by the United Church of Christ's Microradio Implementation Project. (
> http://www.veriteproductions.net/html/awards.html ;
> http://www.current.org/in/in009LPFM.html ) Adding further legitimacy
> to the
> micropower broadcasting movement, the FCC's own study on possible
> interference issues, The Mitre Study
> (http://prometheusradio.org/release_71303.shtml), failed to show even
> marginal interference to full power broadcasters by low power FM
> stations.
> It went further to recommend the lifting of burdensome restrictions
> imposed
> on the LPFM broadcasting service.
>
> For years, the National Association of Broadcasters(NAB), representing
> corporate interests, has used interference as a red herring issue in
> their
> attempts to stifle the Free Speech Rights of micropower broadcasters.
> Joined
> by National Public Radio, the NAB, using bogus interference claims
> augmented
> with political grease, succeeded in getting a bill, ironically titled
> -The
> Broadcast Preservation Act of 1999, passed by Congress to severely
> limit the
> number of LPFM stations authorized by the FCC when they established
> the LPFM
> service in January of 1999. Whether it was the Free Speech fights of
> the
> Wobblies, folks refusing to go to the back of the bus or hundreds of
> unsanctioned low power FM taking to the airwaves, mass movements
> creating
> ungovernable situations do work.
>
> Therefore, we are calling for a day of electronic solidarity and direct
> action, marking the beginning of a new chapter in micropower
> broadcasting by
> raising the struggle to an entirely new level of engagement. Between
> now and
> October, 17th, we are asking you and your community to create your own
> broadcast station to further empower your vision of a just, humane,
> peaceful
> and sustainable world.
>
> Hundreds of new stations going on the air all at once will be a
> powerful
> statement to the corporate media and the government that the airwaves
> belong
> to the people who have chosen to seize them back, speaking in one
> strong
> collective voice. With budgets and resources stretched thin, the FCC
> will be
> hard-pressed to respond to such an expression of solidarity. This
> action
> will encourage many more communities to set up their own broadcast
> stations.
> Schools, arts centers, housing projects, senior communities; all could
> be
> empowered with free radio broadcasting. Critical mass can be achieved
> within
> a very short period of time.
>
> To further amplify this collective voice, a mass 24 hour broadcast of
> the
> same programming by hundreds of micropower stations would meld
> hundreds of
> small voices into one giant shout for Free Speech Rights. Using the
> existing
> infrastructure of the Internet and audio streaming technologies which
> have
> been employed by the Independent Media Centers since 1999, a common
> audio
> stream would be created for re-broadcasting. Individual stations would
> work
> collectively to create programming for this 24 hour broadcast. Given
> the
> number of IMC sites in the US, they could serve as hubs for the audio
> streams, both incoming and outgoing. And, quite possibly, stations
> outside
> the US would join in as well, creating a global movement to reclaim the
> broadcast spectrum.
>
> Setting up a basic FM broadcast station requires the following items.
> Approximate price ranges are given.
>
> Transmitter - $150 to $600
> Power Supply - $35to $100
> Antenna - $15 to $125
> Antenna cable - $50 to $75
> Compressor/limiter - $80 to $100
> Audio mixer - $75 to $150
> Microphones $25 to $50 each
> Tape and CD players, go to garage sales or get donated units
> Donated 300-500 Mhz computer to work as an MP3 sound file jukebox.
> Allows
> unattended playing of program material as needed.
>
> Transmitters are available as kits or fully assembled units. Assembled
> units
> are mostly available from vendors in the UK. A list of vendors follows
> at
> the end of this article. A very serviceable antenna can be built from
> common
>

DISCUSSION

[Fwd: :// [plug.in.back.online] // Play Global]


---------------------------- Original Message ----------------------------
Subject: :// [plug.in.back.online] // Play Global
From: "[plug.in]" <office@iplugin.org>
Date: Wed, September 10, 2003 1:46 pm
To: "[plug.in]" <office@weallplugin.org>
--------------------------------------------------------------------------

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Liebe FreundInnen

Alle [plug.in] Domains sind ab sofort wieder in Betrieb. Bitte verwendet
ab heute
wieder die zugehorigen Emailadressen.

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Dear Friends

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Donnerstag, 11. 9. 2003, 20 Uhr

Play Global

Transmediale Video Selelection 2003

1. Bull.Miletic (US): "WHIR" 12:00

2. Gabriela Golder (AR): "Cows" 4:30

3. Mark Boswell (US): "Agent Orange" 5:00

4. Ximenia Cuevas (MX): "La Tombola" 7:00

5. Lotte Schreiber (AT): "Quadro" 10:00

6. Linda Wallace (AU): "eurovision" 19:30

7. Andrea Walter (DE): "Video Poem 2909" 1:43

8. 242.pilots (INT): "live@podewil" 6:30

9. J. F. Romero, M. Canas (ES): "Places without Engine" 3:34

10. Chris Bowman (GB): "afterlife" 10:00

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[plug.in]
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Remember: Jeden Donnerstag von 20:00 - 22:++ Content, Bar and Ambience!

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CURATED EXHIBITIONS (1)