Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: NET ART NEWS: all rhizomers in one
On Oct 2, 2004, at 11:50 AM, trashconnection wrote:
> all rhizomers in one - portrait gallery
>
>
>
> http://www.artknowledge.net/trashconnection/gallery/img.html
>
>
--
<t.whid>
www.mteww.com
</t.whid>
Re: Turbulence Commission: "1 year performance video (aka samHsiehUpdate)" by MTAA
images may make it easier for them:
http://www.twhid.com/misc/images/1ypv_02.gif
http://www.twhid.com/misc/images/1ypv_01.gif
;-)
On Sep 30, 2004, at 7:06 PM, Jo-Anne Green wrote:
> September 30, 2004
> Turbulence Commission: "1 year performance video (aka
> samHsiehUpdate)" by MTAA
> http://turbulence.org/works/1year
>
> "We shall seal images of ourselves in images of our studio, seemingly
> in solitary confinement inside seemingly identical images of
> cell-like rooms measuring 10ft x 10ft x 10ft. We seemingly shall not
> converse, listen to the radio or watch television, until--after you
> have viewed them for one year--we unseal our images."
>
> "1 year performance video" continues MTAA's series of Updates "that
> resound seminal performance art from the 60s and 70s, in part by
> replacing human processes with computer processes."
>
> "1 year performance video (aka samHsiehUpdate) is a 2004 commission
> of New Radio and Performing Arts, Inc., (aka Ether-Ore) for its
> Turbulence web site. It was made possible with funding from the Jerome
> Foundation."
>
> BIOGRAPHY
>
> MTAA (M.River & T.Whid Art Associates) is a Brooklyn, New York-based
> conceptual and net art collaboration founded in 1996. Their studies of
> networked & digital culture & materials; the institutions of art; and
> the pursuit of the absurd take the form of web sites, videos,
> installations, sculptures, and photographic prints. Their work has
> been commissioned by The Alternative Museum, Creative Time, New Radio
> and Performing Arts, Inc., and The Whitney Museum of American Art and
> has been exhibited by PS1 Art Center (New York, 2000), The Walker Art
> Center (Minneapolis, 2000), Eyebeam Atelier (New York, 2002) and
> Postmasters gallery (New York, 2004).
>
> To view more information about Turbulence, please visit
> http://turbulence.org/
>
>
>
===
<twhid>http://www.mteww.com</twhid>
===
Re: (RSS) Feed me, Seymour
thanks Francis
are you thinking of doing a RAW feed too?
cya
On Sep 23, 2004, at 1:20 PM, Francis Hwang wrote:
> Hey all,
>
> I'm happy to announce a few more RSS channels for y'all to slurp down.
> The Net Art News RSS feed has been running for some time now, and is
> now joined by an artwork.rss feed, which announces new artworks as
> they're made live in the ArtBase, and a rare.rss feed, which mirrors
> the Rhizome Rare email list. You can read more about this here:
>
> http://rhizome.org/syndicate/
>
> Feel free to do with these feeds whatever you'd do with any other
> feeds: aggregate 'em, blog 'em, etc. And if you have any other ideas
> for feeds you'd like to see please let me know.
>
>
===
<twhid>http://www.mteww.com</twhid>
===
Re: bush speeches
ps fuck bush
On Sep 10, 2004, at 5:15 PM, Kevin McGarry wrote:
> + video!: http://bushspeech.org/
>
>
> On 9/10/04 3:11 PM, "Plasma Studii - uospn