Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
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TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: Re: hardcore conceptual digital art
> Hi Tim,
>
> Not exactly the same, but Josh Davis of Praystation fame writes
> generative software that cranks out stuff like this:
> http://www.once-upon-a-forest.com
>
> Josh mentioned in San Diego last year that he got tired of sitting
> there hitting refresh and having to personally assess which iterations
> he liked and which he didn't. So he was working on a separate
> program, teaching it to harvest the iterations that he would be most
> likely to choose. So he runs the first software to autogenerate the
> art, then he runs the second software which simulates his particular
> tastes to observe the first software, choose which iterations Josh
> might like, store them in a folder, and discard the rest.
>
> Then I presume Josh would look through the folder himself at the
> iterations which made the cut and pick the ones he likes. Or he could
> write a third program to look through the folder and choose the ones
> he might like, etc. etc.
LOL
Thanks Curt.
It is very similar in process, but the subject is different. He wants
people to focus on the abstract form of his 2d compositions, whereas
this computer to computer art idea is meant to focus folks on the idea
of art creation and appreciation as the subject.
It's interesting that two almost opposite motivations could have a
similar process.
Take care,
>
> peace,
> curt
>
>
> t.whid wrote:
>
>> Hi Rhizome,
>>
>> Had this idea and posted it to the mtaa blog today, but it sounds
>> familiar... anyone can direct me to something similar? Thanks.
>>
>> ++++
>>
>> AIOTD: Art By Computers, For Computers
>> posted at 14:25 by T.Whid in /news/twhid
>>
>> Two software programs are created. Program A creates �art data�
>> which
>>
>> is transmitted to program B. Program B is programed in such a way that
>>
>> it has aesthetic criteria with which it evaluates Program A�s art
>> data
>>
>> transmissions. The human witness doesn�t view the art data, but
>> Program
>> B responds to the art data in a way that is discernible by the human
>> witness.
>>
>> Oh! I almost forgot. This is hardcore conceptual digital art.
>>
>> ++++
>>
>> read M and me discussing it here:
>>
>> http://www.mteww.com/mtaaRR/news/twhid/
>> aiotd_art_by_computers_for_computers.html
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<twhid>http://www.mteww.com</twhid>
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hardcore conceptual digital art
Had this idea and posted it to the mtaa blog today, but it sounds
familiar... anyone can direct me to something similar? Thanks.
++++
AIOTD: Art By Computers, For Computers
posted at 14:25 by T.Whid in /news/twhid
Two software programs are created. Program A creates art data which is transmitted to program B. Program B is programed in such a way that it has aesthetic criteria with which it evaluates Program As art data transmissions. The human witness doesnt view the art data, but Program B responds to the art data in a way that is discernible by the human witness.
Oh! I almost forgot. This is hardcore conceptual digital art.
http://www.softwareartspace.com/
the web site looks a bit like a microsoft ad....
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<twhid>http://www.mteww.com</twhid>
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Re: Re: Re: adobe acquires macromedia
http://www.webstandards.org/buzz/archive/2005_04.html#a000516
This thing really has the web dev world going bezerk...
little faq from Adobe.. in pdf of course..
http://www.adobe.com/aboutadobe/invrelations/pdfs/AdobeMacromediaFAQ.pdf
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<twhid>http://www.mteww.com</twhid>
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