Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
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TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono
Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: Letters from Lebanon
http://dvblog.com and http://the9th.com) who's living in Israel currently.
He's usually in NYC.
His mom lives in Haifa and she's elderly and not well, so he went there with
his brother to keep her company (Doran is living in Tel Aviv). Haifa is the
town that's been getting a lot of the Hezbollah missiles.
He sent me a link to this video he took of a building near his mom's place
(he said it was only 40m from it):
http://www.the9th.com/06/Haifa_bat_galim.mov
On 7/17/06, Ryan Griffis < ryan.griffis@gmail.com> wrote:
>
> a couple from Walid Raad on the 16 Beaver blog and another from a
> friend of a friend of Temporary Services.
> http://www.16beavergroup.org/journalisms/archives/001939.php
> http://tempserv.livejournal.com/38401.html
> ryan
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
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<twhid>www.mteww.com </twhid>
The Art of News Feeds
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RSS newsreaders deliver headlines with all the panache of a brick.
But a growing number of bohemian RSS mashups are combining news feeds with
style, art and whimsy.
Electronic artists are tweaking RSS interfaces, harnessing Flash animation
and relational algorithms to breed outlandish, new ways of presenting
information captured from news feeds.
<http://www.wired.com/news/technology/internet/0,71103-0.html>
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<twhid>www.mteww.com</twhid>
Re: ass dislikes art
[a] the author calls homosexuality a 'degradation'
he equates it with pedophilia and drug abuse
*and*
this fucker is now "Assistant to the President for Domestic Policy to U.S.
President George W. Bush, replacing Claude Allen."
http://en.wikipedia.org/wiki/Karl_Zinsmeister
That's the kind of gov't we have now in the USA because of Bush.
BTW, M.River initially posted this on our blog:
http://www.mtaa.net/mtaaRR/news/mriver/more_on_culture_war_2_0.html
> On 6/13/06, Pall Thayer <p_thay@alcor.concordia.ca> wrote:
> > Heh... I've stumbled onto that website a couple of times. Pretty
> > humorous. If you liked the inhuman article, check this one out:
> >
> > http://www.artrenewal.org/articles/2005/abstract/ross1.asp
> >
> >
> > On 13.6.2006, at 13:15, T.Whid wrote:
> >
> > > http://www.artrenewal.org/articles/2002/Art_Inhuman/inhuman1.asp
> > >
> > > humbly submitted for the Rhizome community's perusal ;-)
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<twhid>www.mteww.com</twhid>
ass dislikes art
humbly submitted for the Rhizome community's perusal ;-)
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<twhid>www.mteww.com</twhid>
embedded video and bbedit
could help to update pages to deal with the eolas/ms patent bug
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<twhid>www.mteww.com</twhid>
