PORTFOLIO (3)
BIO
Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono
Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: Re: RHIZOME_RAW: dot.com implosion killed net art?
On 7/30/06, marc <marc.garrett@furtherfield.org> wrote:
> Hi T.Whid & all,
>
> >Remembering the crash, I was thinking at the time that it *would*
> throw cold water on the net art movement and thinking that it didn't
> seem to be happening.
>
> As long as one has a computer that is connected to another computer, or
> network, or Internet - net art will go on, no matter what other so
> called 'knowing' individuals would prefer us to think.
Well sure that's inarguable. People will always find ways to express
themselves in whatever media they like. IMHO, the important question
is whether or not net art will be *relevant* in the future. By
relevant I mean, relevant to collectors, art-thinkers, other artists,
curators, gallerists, etc etc. After all, isn't that what people mean
when they speculate whether or not a certain art form/medium/technique
is 'dead?'
IMHO, mail art is more-or-less irrelevant. I don't want that to happen
to net art.
As far as the dot.com boom went. The art establishment got as caught
up with the hype as everyone else so you saw more interest in net art
during and right after the boom. I think that's pretty obvious. I
guess I could do some research to prove my point, but I'm too lazy :-)
I have anecdotal evidence however. Two of the biggest names in net art
were earning a living at it during and after the boom but since have
had to take on day gigs.
Hope all is well Marc! You guys do good work :-)
Best
>
> The idea of net art and the death of it has come up so many times on
> this list, one would have to think - how many times can it die if it
> did, which of course, it is not dead - it's mythology and political to
> want it to...
>
> marc
>
> > Hi all,
> >
> > re: the discussion about net art being
> > weakend/not-as-interesting/killed/whatever-you-want-to-call-it
> >
> > There has been several assertions made that the dot.com bust poured
> > cold water on the movement but I wanted to look at it a little more
> > closely.
> >
> > As some of you know, M.River and I were very much involved with the
> > net art movement from 97 onward. I was also working within the dot.com
> > bubble at the time and was very attuned to its movements.
> >
> > I remember knowing there was trouble with the bubble in mid-'00. Then,
> > by late 00/early 01, it was obvious to everyone that the burst had
> > happened. (See this graph of the nasdaq:
> > http://upload.wikimedia.org/wikipedia/commons/2/2c/NASDAQ_IXIC_-_dot-com_bubble_small.png).
> >
> >
> > I was out of work in early/mid 00 and it was super-easy to get a
> > dot.com gig at the time due to the fact that the forward momentum of
> > companies isn't as easily stopped as the rise of their stock price.
> >
> > Remembering the crash, I was thinking at the time that it *would*
> > throw cold water on the net art movement and thinking that it didn't
> > seem to be happening.
> >
> > Probably due to the fact that museums and art institutions are even
> > slower moving than businesses, it took a good year or two after the
> > dot.com burst for the net art fad to fizzle in the art institutions.
> > Not to say that the dot.com collapse didn't help cause it, but it took
> > a while for it to be felt.
> >
>
>
> --
> Furtherfield - http://www.furtherfield.org
> HTTP - http://www.http.uk.net
> Node.London - http://www.nodel.org
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
--
<twhid>www.mteww.com</twhid>
> Hi T.Whid & all,
>
> >Remembering the crash, I was thinking at the time that it *would*
> throw cold water on the net art movement and thinking that it didn't
> seem to be happening.
>
> As long as one has a computer that is connected to another computer, or
> network, or Internet - net art will go on, no matter what other so
> called 'knowing' individuals would prefer us to think.
Well sure that's inarguable. People will always find ways to express
themselves in whatever media they like. IMHO, the important question
is whether or not net art will be *relevant* in the future. By
relevant I mean, relevant to collectors, art-thinkers, other artists,
curators, gallerists, etc etc. After all, isn't that what people mean
when they speculate whether or not a certain art form/medium/technique
is 'dead?'
IMHO, mail art is more-or-less irrelevant. I don't want that to happen
to net art.
As far as the dot.com boom went. The art establishment got as caught
up with the hype as everyone else so you saw more interest in net art
during and right after the boom. I think that's pretty obvious. I
guess I could do some research to prove my point, but I'm too lazy :-)
I have anecdotal evidence however. Two of the biggest names in net art
were earning a living at it during and after the boom but since have
had to take on day gigs.
Hope all is well Marc! You guys do good work :-)
Best
>
> The idea of net art and the death of it has come up so many times on
> this list, one would have to think - how many times can it die if it
> did, which of course, it is not dead - it's mythology and political to
> want it to...
>
> marc
>
> > Hi all,
> >
> > re: the discussion about net art being
> > weakend/not-as-interesting/killed/whatever-you-want-to-call-it
> >
> > There has been several assertions made that the dot.com bust poured
> > cold water on the movement but I wanted to look at it a little more
> > closely.
> >
> > As some of you know, M.River and I were very much involved with the
> > net art movement from 97 onward. I was also working within the dot.com
> > bubble at the time and was very attuned to its movements.
> >
> > I remember knowing there was trouble with the bubble in mid-'00. Then,
> > by late 00/early 01, it was obvious to everyone that the burst had
> > happened. (See this graph of the nasdaq:
> > http://upload.wikimedia.org/wikipedia/commons/2/2c/NASDAQ_IXIC_-_dot-com_bubble_small.png).
> >
> >
> > I was out of work in early/mid 00 and it was super-easy to get a
> > dot.com gig at the time due to the fact that the forward momentum of
> > companies isn't as easily stopped as the rise of their stock price.
> >
> > Remembering the crash, I was thinking at the time that it *would*
> > throw cold water on the net art movement and thinking that it didn't
> > seem to be happening.
> >
> > Probably due to the fact that museums and art institutions are even
> > slower moving than businesses, it took a good year or two after the
> > dot.com burst for the net art fad to fizzle in the art institutions.
> > Not to say that the dot.com collapse didn't help cause it, but it took
> > a while for it to be felt.
> >
>
>
> --
> Furtherfield - http://www.furtherfield.org
> HTTP - http://www.http.uk.net
> Node.London - http://www.nodel.org
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
--
<twhid>www.mteww.com</twhid>
dot.com implosion killed net art?
Hi all,
re: the discussion about net art being
weakend/not-as-interesting/killed/whatever-you-want-to-call-it
There has been several assertions made that the dot.com bust poured
cold water on the movement but I wanted to look at it a little more
closely.
As some of you know, M.River and I were very much involved with the
net art movement from 97 onward. I was also working within the dot.com
bubble at the time and was very attuned to its movements.
I remember knowing there was trouble with the bubble in mid-'00. Then,
by late 00/early 01, it was obvious to everyone that the burst had
happened. (See this graph of the nasdaq:
http://upload.wikimedia.org/wikipedia/commons/2/2c/NASDAQ_IXIC_-_dot-com_bubble_small.png).
I was out of work in early/mid 00 and it was super-easy to get a
dot.com gig at the time due to the fact that the forward momentum of
companies isn't as easily stopped as the rise of their stock price.
Remembering the crash, I was thinking at the time that it *would*
throw cold water on the net art movement and thinking that it didn't
seem to be happening.
Probably due to the fact that museums and art institutions are even
slower moving than businesses, it took a good year or two after the
dot.com burst for the net art fad to fizzle in the art institutions.
Not to say that the dot.com collapse didn't help cause it, but it took
a while for it to be felt.
--
<twhid>www.mteww.com</twhid>
re: the discussion about net art being
weakend/not-as-interesting/killed/whatever-you-want-to-call-it
There has been several assertions made that the dot.com bust poured
cold water on the movement but I wanted to look at it a little more
closely.
As some of you know, M.River and I were very much involved with the
net art movement from 97 onward. I was also working within the dot.com
bubble at the time and was very attuned to its movements.
I remember knowing there was trouble with the bubble in mid-'00. Then,
by late 00/early 01, it was obvious to everyone that the burst had
happened. (See this graph of the nasdaq:
http://upload.wikimedia.org/wikipedia/commons/2/2c/NASDAQ_IXIC_-_dot-com_bubble_small.png).
I was out of work in early/mid 00 and it was super-easy to get a
dot.com gig at the time due to the fact that the forward momentum of
companies isn't as easily stopped as the rise of their stock price.
Remembering the crash, I was thinking at the time that it *would*
throw cold water on the net art movement and thinking that it didn't
seem to be happening.
Probably due to the fact that museums and art institutions are even
slower moving than businesses, it took a good year or two after the
dot.com burst for the net art fad to fizzle in the art institutions.
Not to say that the dot.com collapse didn't help cause it, but it took
a while for it to be felt.
--
<twhid>www.mteww.com</twhid>
Re: rhiz's new "net art or not"
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Re: Re: Re: Re: Re: Re: net art?
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Re: Re: Re: Re: Re: Re: net art?
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