Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
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TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono
Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
DRAWING IN THE AGE OF INFORMATION
Lurking a tad on this thread...
To Joe Edit "what is the patent?"
What I can glean is that the patent has to do with appropriating images but bringing along some metadata about author, etc of the original image in the appropriation, and doing so in a real-time way, i.e. the appropriation artist can 'paint' the image and the metadata stays intact and attached.
Roz Dimon, is that correct?
Etsy: Video Editor Plus
Etsy.com , the online marketplace for all things handmade,
has an online magazine, the Storque, for which we are hiring an experienced
videographer/podcaster to produce, shoot, edit our online video content.
http://www.etsy.com/storque
Full-time, permanent position, health benefits and stock options after one
month. Position available immediately. Must be NYC-based, & able to work out
of Etsy Labs at 325 Gold st 6th fl, Brooklyn, NY (fun, non-corporate
atmosphere).
JOB DESCRIPTION We are looking for a creative self-starter with a
documentary or news background who wants to trail-blaze Etsy's online video
content and make it a DIY destination. We just hired videoblogging guru Bre
Pettis of MAKEzine's weekend projects and we're looking for a shooting
buddy/editor to work with him. Current programming includes producing a
monthly newscast, series of portraits/studio tours with Etsy sellers,
craft-oriented How-tos, and animated videos about
Etsy.comsite features. We would like someone who can
seek out interesting people and
events in the DIY world and make videos that captivate, inform and connect
the Etsy community.
Editor on Mac Finalcut Pro system, AfterEffects or similar graphics and
post-production work, experience videoblogging, troubleshooting codex and
compressions for web, experience with HD cameras, lighting. Experience in
developing look and feel (branding) videos. Knowledge of animation
techniques a plus. Sound editing and even music composition skills are
great! We are looking for a video/webby person!
- Production:
- Shoot videos with Bre Pettis, our videoblogger host/New Media
guru
- Editing:
- monthly newscast
- how-tos
- site help videos
- Take reviews & suggestions from other admin
- Post-production:
- develop a look and feel for videos
- post-production color correction and graphics
- make musical scores
- Distribution:
- upload video content to various sites
- play with/encourage online video community/user-generated
content
- be involved in the forums and community section of Etsy in
getting the word out about Storque & Videos
At least 3 years experience with the skills listed above
CHARACTER Basically, we want a digital age Renaissance person:
self-motivated, problem solver, Michel Gondry-esque aesthetic, technically
competent, hip to the blogosphere, with a great sense of humor, and the
drive to make Etsy the premiere DIY destination on the web.
More about Etsy: http://www.etsy.com/about.php
More about the Storque:
http://www.etsy.com/storque/section/etsyNews/article/about-the-storque/806/
Contact bre@etsy.com and say how you heard about the job.
members reception
Regrets that I couldn't talk to everyone that I wanted to talk to.
Thanks Lauren and co. Had lots-o fun :-) You should do it monthly (with free booze and all)!
Let's help Turbulence!!!
everyone to do so.
Turbulence has been, along with Rhizome, one of the most important
supporters of net art.
We all believe in net art as a medium. We don't want it to slide into
obscurity. It can happen.
Supporting Turbulence and Rhizome is important for the medium's
history and it's future.
Donate some cash now :-)
http://turbulence.org/
http://rhizome.org/support/
On Dec 10, 2007 10:05 AM, marc garrett <marc.garrett@furtherfield.org> wrote:
> Hi Everyone,
>
> Please go to Turbulence (http://turbulence.org) and make a donation now.
>
> I really, really think that everyone should be gathering a momentum in
> supporting Turbulence right now.
>
> The positive and cultural impact that they have had in supporting and
> nurturing the continuation of a lively and dynamic Internet and media
> art culture, has been pretty solid through the years.
>
> Many artists and artist groups have gained not only decent commissions
> from Turbulence but they have also experienced, productive results from
> their involvement with Turbulence regarding representation and other
> relevant connections that feed the much needed process of becoming seen
> by a larger audience. Their unique and flexible approach with working
> with artists is noted and respected, we could do with a few more groups
> like them out there.
>
> I am not exactly rolling in cash, but I have made an effort in
> contributing some money today. I want those who value our media art
> culture to give their money and support to Turbulence also. I do not
> just hope that Turbulence gets past this troubling period, but I also
> personally need reassurance that there are plenty of people out there
> who are interested in contributing to a sustainable future of groups
> such as Turbulence beyond mere, personal and immediate needs; that
> people are still interested in trying to maintain a creative field that
> does not only rely on traditional structures to justify our shared
> imaginations.
>
> We need these progressive platforms to keep our work and potential
> growth around it alive.
>
> We need them all. Feed them and they feed us - it's simple.
>
> So, please do not waste time and help them out before it's too late.
>
> Wishing everyone well.
>
> marc
> www.furtherfield.org
>
>
>
>
> > Many of you may not realize that we are a tiny, not-for-profit organization.
> > Helen and I spend much of our time raising funds from government and private
> > foundations to commission networked art. Our mission is to support both
> > emerging and established artists.
> >
> > There are very few resources for new media/networked art in the United
> > States, which makes the process highly competitive. When we succeed, we are
> > only entitled to use a very small percentage of the grants for server
> > maintenance and administrative overhead, which translates into inadequate
> > salaries for ourselves and our system administrator.
> >
> > Our passion for the field has fueled our commitment for many years, but we
> > can no longer sustain Turbulence, Networked Performance and Networked Music
> > Review without your help. We hope you value them enough to help us keep them
> > alive.
> >
> > Please go to Turbulence (http://turbulence.org) and make a donation now.
> >
> > Sincerely,
> > Jo and Helen
> >
> > Jo-Anne Green, Co-Director
> > New Radio and Performing Arts, Inc.: http://new-radio.org
> > New York: 917.548.7780 . Boston: 617.522.3856
> > Turbulence: http://turbulence.org
> > Networked_Performance Blog: http://turbulence.org/blog
> > Networked_Music_Review: http://turbulence.org/networked_music_review
> > Upgrade! Boston: http://turbulence.org/upgrade
> > New American Radio: http://somewhere.org
> >
> > +
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
