Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
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TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: the upgrade
>> From: "sgp" <somebody@sgp-7.net>
>
>> Subject: Re: RHIZOME_RAW: the upgrade
>>
>> Dyske,
>> I didn't realize that some of the people in
>> the photo's were there, but not because of a name tag, but because they
>> didn't simply come up to me an introduce themselves - putting a name to a
>> face, you included. What gives? You knew who I was. I often think this
>> crowd, and I am part of it, is a rather shy one when it comes to meeting in
>> physical space, in person. A bunch of wall flowers waiting for someone to
>> cross the room and say hello.
>> [sgp]
>
>It amuses me that you sign this email [sgp], i.e. you give no indication of
>who you are and make it very hard for anyone to introduce themselves. I dont
>know about shy, but putting an identity to a tag is surely a starting point,
>on or off line. Cheers, Ivan
>--
>Ivan Pope
>ivan@ivanpope.com
>
>http://www.ivanpope.com
>http://www.tochki-inc.com
>
>> From: "Dyske Suematsu" <dyske@dyske.com>
>>
>>> What would be helpful next time is for everyone to wear a "Hello My Name
>> Is"
>>> sticker with their email address on it.
>>>
>>> I was there, but I didn't meet anyone from this list.
>>>
>>> Dyske
>>>
>>>
>>>> Here are some photos of last weekend's Upgrade brunch:
>>>>
>>>> http://www.mteww.com/upgrade_brunch/
>>>>
>>>> If you don't know what The Upgrade is, then you can look at this URL
>>>> and find out:
>>>>
>>>> http://www.treasurecrumbs.com/theupgrade/
>>>>
>>>> But, it's 'A monthly gathering of new media artists and curators in New
>>>> York City'
>>>>
>>>> it was fun and there were krispy kreme donuts in effect.
>>>>
>>>> Jess Losseby showed up and it was nice to meet her and her husband.
>>>> --
--
<twhid>
http://www.mteww.com
</twhid>
the upgrade
http://www.mteww.com/upgrade_brunch/
If you don't know what The Upgrade is, then you can look at this URL
and find out:
http://www.treasurecrumbs.com/theupgrade/
But, it's 'A monthly gathering of new media artists and curators in New
York City'
it was fun and there were krispy kreme donuts in effect.
Jess Losseby showed up and it was nice to meet her and her husband.
--
<t.whid>
www.mteww.com
</t.whid>
Re: General Electric claiming patent to JPEG?
chant along with me!
PNG! SVG! PNG! SVG!
I'll march for built-in support for PNG and SVG in MSIE!
in the meantime pray for a *nix monopoly. death to m$! long live all
flavs of UNIX (including mac osx ;-))!!!
At 10:19 -0800 2/28/03, Brett Stalbaum wrote:
>http://lists.essential.org/pipermail/random-bits/2002-December/000998.html
>
>Has anyone else heard anything about this? It seems like this would have
>been much bigger news considering the famous compuserve/gif patent issues.
>
>Something Ralph Nader said in wired today is the first I have heard of
>it...
--
<twhid>
http://www.mteww.com
</twhid>
Re: FW: A Cash Infusion for Digital Archives
the Library of Congress is one of the best services that the US Gov't
provides. I was searching the online archive yesterday. Lots of great
historical photographs here: http://memory.loc.gov
the panoramic photos are especially cool:
http://memory.loc.gov/ammem/pnhtml/pnhome.html
lots of the photos are available to use as you wish and in large
formats as well, also archives of video and audio.
>Subject: A Cash Infusion for Digital Archives
>
>Copyright 2003 The New York Times Company The New York Times
>
>February 13, 2003, Thursday, Late Edition - Final
>
>SECTION: Section G; Page 7; Column 1; Circuits
>
>LENGTH: 691 words
>
>HEADLINE: A Cash Infusion for Digital Archives
>
>BYLINE: By KATIE HAFNER
>
>BODY: IN the strongest signal to date of its commitment to preserving the
>nation's digital legacy, Congress has set aside $100 million for the Library
>of Congress to carry out a plan for collecting and preserving digital
>information, including images, CD's, Web pages and electronic journals.
>
--
<twhid>
http://www.mteww.com
</twhid>
Re: if it good to you, it gotta be good for you
more shoe coverage
btw, not sure if anyone cares or not but the guy in white isn't me.
the guy in black is m.river tho.
At 12:19 -0400 2/27/03, Curt Cloninger wrote:
>i don't know. i only had eyes for the shoes. like love, those
>shoes cover over a multitude of sins.
>
>
>At 5:10 PM +0000 2/27/03, marc.garrett wrote:
>>Any token blacks there...didn't see any? Or is it mainly a white thang?
>>
>>marc
>>
--
<twhid>
http://www.mteww.com
</twhid>