Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
TRACEPLACESPACE
New audio by Cary Peppermint, check it out…
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TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007
The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.
Filming Outside the Cinema
I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.
Cut Piece - Yoko Ono
Cut Piece (2006, 36.5MB, 9 min)
“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .
Conglomco Media Network announces http://meta-cc.net live
Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.
META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.
We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.
Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net
Open Call for Sound Works : WILD INFORMATION NETWORK
Cary Peppermint:
WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006
http://www.restlessculture.net/deepwoods
If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural
Re: Question for artists who seek commissions
On Jan 21, 2004, at 2:00 PM, rachel@rhizome.org wrote:
> I am interested in finding out from artists who seek commissions...
>
> Do you prefer when there is a theme to the commissions or if the CFP
> (call
> for proposals) is completely open? I would assume the latter but want
> some
> feedback. Thanks, Rachel
Wired News: Currency Detector Easy to Defeat
follow-up on the my earlier forward re: Adobe and currency scanning...
===
<twhid>
http://www.mteww.com
</twhid>
Re: Feds and Adobe forbid you from scanning currency
http://www.wired.com/news/privacy/0,1848,61877,00.html
On Jan 12, 2004, at 1:50 PM, Matthew Mascotte wrote:
> t.whid-
>
> the link you supplied is broken and a search at wired
> for feds and adobe doesn't yield anything that looks like
> what you're upset about. can you provide a new link or
> a title so I can search better.
>
> Thanks man,
>
> Matthew
>
>
>
> On Monday, January 12, 2004, at 10:21AM, t.whid <twhid@twhid.com>
> wrote:
>
>> http://www.wired.com/news/print/0,1294,61877,00.html
>>
>> The really disgusting thing about this that Adobe didn't inform their
>> customers.
>>
>> Another reason to stick with Photoshop 7?
>>
>>
>> ===
>> <twhid>
>> http://www.mteww.com
>> </twhid>
Feds and Adobe forbid you from scanning currency
The really disgusting thing about this that Adobe didn't inform their
customers.
Another reason to stick with Photoshop 7?
===
<twhid>
http://www.mteww.com
</twhid>
Re: you are being mapped
> Dear rhizomers,
>
> notice: All email sent to this list is being confiscated and analized.
dude.. i didn't know one COULD analize someone online ;-)
j/k
This is a very interesting work. It actually prompted me to post to the
list which I've been neglecting to do the last few weeks. Having
something like this officially connected with email lists could be a
very helpful tool IMO.
I have one question, do you consider this to be art? software? software
art? net art? Not that it matters much, it's an interesting piece of
socio-cultural software IMO, but I was curious as to how you approached
it or contextualized it for yourself.
Are you mapping other lists? which ones? can others use the tool to map
lists?
take care,
>
> Which are the dynamics of mailing lists as social groups? How do they
> organize themselves? Who are the main speakers and who the most
> socially
> visual persons in those groups?
> http://www.marumushi.com/apps/socialcircles/
>
> Ever wondered how the rhizome list would look like if you wanted to
> draw a
> map of it?
> http://www.marumushi.com/apps/socialcircles/socialcircles.cfm?
> list=rhizome
>
> All emails to the list are beeing plotted as they happen, which makes
> these
> diagrams almost *live* snapshots of the current status of the lists.
> Although on the works is a version which will let you see straight
> into your
> inbox, in the time beeing if anyone has further ideas on lists you'd
> like to
> see, please drop me a line.
>
> behave,
>
> -marcos
===
<twhid>
http://www.mteww.com
</twhid>
