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Supporter
MTAA
Since the beginning
Works in Brooklyn, New York United States of America

- http://www.mtaa.net

ARTBASE (7)

1 year performance video (aka samHsiehUpdate)
onKawaraUpdate (v2)
Simple Net Art Diagram
TIME!
To Be Listened To…
vieweratstar67@yahoo.com (the 3mb annexation)
Website Unseen
PORTFOLIO (3)

Five Small Videos About Interruption Or Disappearing
Rhizome Reception [part 1]
whereas T.Whid wonders about art in relation to 2bl2
BIO

Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
BLOG POSTS

Published on Tue Apr 17, 2007

## TRACEPLACESPACE

New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007

The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.

READ ON »

Published on Fri Aug 18, 2006

## Filming Outside the Cinema

I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.

READ ON »

Published on Sun Jun 04, 2006

## Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)

“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .

READ ON »

Published on Sun Jun 04, 2006

## Conglomco Media Network announces http://meta-cc.net live

Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.

META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.

We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.

Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net

READ ON »

Published on Thu Jan 26, 2006

## Open Call for Sound Works : WILD INFORMATION NETWORK

Cary Peppermint:

WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006

http://www.restlessculture.net/deepwoods

If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural

READ ON »

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RHIZOME ACTIVITIES

Discussions (875) Opportunities (2) Events (9) Jobs (1)
DISCUSSION
Posted on Wed Mar 17, 2004

## My blog has fleas

Hi Rhizome,
My blog has fleas!
http://www.mteww.com/mtaaRR/

DISCUSSION
Posted on Mon Mar 15, 2004

## Re: found: molotov

On Mar 15, 2004, at 7:46 PM, Joy Garnett wrote:
>
>
> and TWID!
> how'd you suss it out? I gave you no hints; did someone you know point
> you in the right direction? are you a bloodhound? do I owe you a drink
> or
> something? please don't anyone send her a dead rat in the mail, it's
> not
> worth the trouble and you might get arrested.
Hi Joy,
Wasn't hard. Earlier you mentioned she was a magnum photographer. Once
I knew it was a photo of a Sandinista a simple search for 'Sandinista'
on the Magnum site turned it up pretty easily.
She also did the Carnival Stripper book. Those photos are amazing I
must say.
No dead rats from me.. My posting of the original on my site is simply
reportage in aid of our discussion on this mailing list.
cya ;-)
--
<t.whid>
www.mteww.com
</t.whid>

DISCUSSION
Posted on Mon Mar 15, 2004

## Drinkin' & Drawin' Championship

Hi Rhizome,
for those in NYC:
+++
M.River & T.Whid Art Assoc. (MTAA) and Bar Matchless present:
/////////////////////
// The 1st Annual
// DRINKIN' & DRAWIN'
// CHAMPIONSHIP
/////////////////////
http://www.tinjail.com/drinkAndDraw
/////////////////////
GRAND PRIZE:
$100 bar tab
/////////////////////
*What?
A one-night-only contest to crown the 2004 Drinkin' & Drawin' Champion.
*When?
Wednesday, March 31, 2004 8PM - 11PM. No pre-registration necessary;
free drawin' materials will be provided.
*Where?
Bar Matchless, corner of Driggs and Manhattan Aves., Greenpoint,
Brooklyn, NYC (directions at the bottom of this message)
*Who?
Open to all professional and amateur artist, designers, architects,
curators, craft-persons and barflies. No entry fee, all comers welcome.
*Celebrity Judges?
Magda Sawon & Tamas Banovitch of Postmasters Gallery and Heather
Stephens of 31Grand Gallery will crown the champion. Judging begins at
11PM SHARP!
*DJ?
tinydiva
*Why?
It might be interesting if an art idea conceived in a bar could use a
bar as a site and context for said art idea plus, it's been a long hard
winter.
*More?
Contestants are provided with sheets of 8.5 x 11 paper and a #2 pencil.
Or BYOM (bring your own media, must be paper!)
!bar snacks
!drink specials
http://www.tinjail.com/drinkAndDraw
For more info: mriver@mteww.com
For more info on the promoters, MTAA: http://www.mteww.com
For more info on the venue: http://www.BARMATCHLESS.COM
*Directions:
*From Manhattan:
Take the L train to Bedford Ave. North on Driggs Ave. (past McCarren
Park) to +Manhattan Ave.
*From Brooklyn or Queens:
Take G train to Nassau. Walk one block east on Manhattan Ave. to Driggs
Ave.
*map:
http://www.mapquest.com/maps/map.adp?
country=US&addtohistory=&addressU7%2Bmanhattan%2Bave.&city=brooklyn&st
ate=ny&zipcode222&homesubmit=Get%2BMap
Who will be the 2004 Drinkin' & Drawin' Champion?
--
<t.whid>
www.mteww.com
</t.whid>

DISCUSSION
Posted on Mon Mar 15, 2004

## more joywar...

for those not wanting to log-in to magnum, here's the photo in question:
http://www.twhid.com/photos/joywar.jpg

DISCUSSION
Posted on Mon Mar 15, 2004

## joywar: the photo that started it all :: addendum

http://www.magnumphotos.com/c/htm/TreePf_MAG.aspx?ID=MES
having seen the original now...
It's incredible to me how different Joy's painting is from the original.
Joy's painting is much more punk rock, he looks like a black-bloccer
instead of the angry sandinista farm-boy that he is.
there is also no sun or environs in Joy's painting -- making it much
more symbolic. the photo is very specific. a very specific struggle at
a very specific time in a very specific context. Joy's painting takes
it out of the specific context and it becomes much more a portrait of
violent, anti-corporate youth rebellion.
===
<twhid>http://www.mteww.com</twhid>
===

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