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Supporter
MTAA
Since the beginning
Works in Brooklyn, New York United States of America

- http://www.mtaa.net

ARTBASE (7)

1 year performance video (aka samHsiehUpdate)
onKawaraUpdate (v2)
Simple Net Art Diagram
TIME!
To Be Listened To…
vieweratstar67@yahoo.com (the 3mb annexation)
Website Unseen
PORTFOLIO (3)

Five Small Videos About Interruption Or Disappearing
Rhizome Reception [part 1]
whereas T.Whid wonders about art in relation to 2bl2
BIO

Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
BLOG POSTS

Published on Tue Apr 17, 2007

## TRACEPLACESPACE

New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007

The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.

READ ON »

Published on Fri Aug 18, 2006

## Filming Outside the Cinema

I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.

READ ON »

Published on Sun Jun 04, 2006

## Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)

“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .

READ ON »

Published on Sun Jun 04, 2006

## Conglomco Media Network announces http://meta-cc.net live

Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.

META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.

We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.

Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net

READ ON »

Published on Thu Jan 26, 2006

## Open Call for Sound Works : WILD INFORMATION NETWORK

Cary Peppermint:

WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006

http://www.restlessculture.net/deepwoods

If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural

READ ON »

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RHIZOME ACTIVITIES

Discussions (875) Opportunities (2) Events (9) Jobs (1)
DISCUSSION
Posted on Wed Mar 12, 2003

## Re: after rhizome?

re: after rhizome
I would just like to say that I don't endorse the writer's opinions.
This should be obvious to anyone who read my posts regarding the
matter.
I'm starting to wonder if I should have dredged the debate up again
by posting the link...
The writer makes many strange accusations, calling Mark and Alex
greedy and manipulative. I'm not going to paint them as angels, they
have careers and agendas that they're striving after like everyone
else. But collecting a salary under 50K for directing a non-profit
arts org isn't out of line with the rest of NYC's non-profits. I
don't think there are many greedy people working in the arts, greedy
people usually choose other careers.
Most of Rhizome's money didn't come from members anyway. It came from
large grants and institutional funders who knew *how* Rhizome was
going to use the money. Rhizome never said they would pay members for
content so I don't see why people would feel ripped-off after the
fact. If you do it's just your own problem easily fixed by not
submitting work in the future.
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Wed Mar 12, 2003

## after rhizome?

from netartreveiw:
You have Rhizome lovers and haters. After Rhizome is a website that
has put a few Pro and Contra arguments next to each other. Though
this site is clearly not on the Rhizome side (=understatement) the
arguments it uses are for a change not only based on emotions but
also on facts. For that reason they could well trigger a new debate
on some Rhizome issues, as for example free access for people that
have work in the artbase, or issues regarding the Rhizome membership
agreement. Next to all the Pro and Contras After Rhizome reviews a
lot of sites that can be seen as free alternatives to Rhizome. So
really a site worth visiting if you want to read some indepth
arguments why not to spend your money on Rhizome, or when you search
for free Rhizome alternatives, or when you love Rhizome but you think
the no.1 netart resource is just not enough.
:: Peter Luining [+] ::
here it is:
http://www34.brinkster.com/afterrhizome/
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Wed Mar 12, 2003

## Re: you know the drill

At 11:44 +0000 3/12/03, marc.garrett wrote:
>Hi Twhid,
>
>First of all, keep drilling but if you find oil don't tell Bush as you'll be
>invaded immediately...
>
>The photos have been kool & great to see who is who - although I was
>surprised to discover that Cory was wearing a ah hem, headband. Assuming
>that he is not a relative of John McEnroe, that he is not an eighties
>(female) porn kitten and not a Van Halan groupy or anyhting of that ilk. We
>can only assume that he has a sweaty forehead. Now this is not uncommon and
>I have heard that it is not necessarily to do with weight; sweat is a
>tiresome and niggling annoyance. Now, I am not one to dwell on something so
>trivial as fashion and style (may be I am) but that head band hurts my
>emotional sensibilities - although I have heard on the grapevine that
>certain individuals, some female, some male here, fancy Cory - so that image
>of his unshaven face will be enjoyed by those who desire his flesh.
>
>http://www.mteww.com/thing_benefit/index-Pages/Image19.html
>
>marc
hi marc,
one thing, it's plain to see here:
http://www.mteww.com/thing_benefit/index-Pages/Image20.html
that cory is actually wearing a *visor*, but he's not wearing a cool
Missy Elliot-style Kangol visor or anything like that. oh no. he's
wearing an out-of-work Fort Lauderdale construction worker from the
80s getting drunk on the beach at noon type visor.
which is cooler? you be the judge ;-)
his visor seemed to be very important to cory that night, it was the
cruz of his ensemble.
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Wed Mar 12, 2003

## Re: you know the drill

d,
the latter.
cheers
At 2:23 -0500 3/12/03, debordguy wrote:
>What's annoying? Taking the photos or being taken as a paparazzi?
>
>On Wednesday, March 12, 2003, at 01:05 AM, t.whid wrote:
>
>> I'm probably going to stop doing this as I'm getting to be known
>>as the guy who takes the photos and it's annoying.
>>
>> http://www.mteww.com/thing_benefit/
>>
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Wed Mar 12, 2003

## you know the drill

I'm probably going to stop doing this as I'm getting to be known as the
guy who takes the photos and it's annoying.
http://www.mteww.com/thing_benefit/
--
<t.whid>
www.mteww.com
</t.whid>

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