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Supporter
MTAA
Since the beginning
Works in Brooklyn, New York United States of America

- http://www.mtaa.net

ARTBASE (7)

1 year performance video (aka samHsiehUpdate)
onKawaraUpdate (v2)
Simple Net Art Diagram
TIME!
To Be Listened To…
vieweratstar67@yahoo.com (the 3mb annexation)
Website Unseen
PORTFOLIO (3)

Five Small Videos About Interruption Or Disappearing
Rhizome Reception [part 1]
whereas T.Whid wonders about art in relation to 2bl2
BIO

Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
BLOG POSTS

Published on Tue Apr 17, 2007

## TRACEPLACESPACE

New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007

The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.

READ ON »

Published on Fri Aug 18, 2006

## Filming Outside the Cinema

I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.

READ ON »

Published on Sun Jun 04, 2006

## Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)

“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .

READ ON »

Published on Sun Jun 04, 2006

## Conglomco Media Network announces http://meta-cc.net live

Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.

META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.

We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.

Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net

READ ON »

Published on Thu Jan 26, 2006

## Open Call for Sound Works : WILD INFORMATION NETWORK

Cary Peppermint:

WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006

http://www.restlessculture.net/deepwoods

If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural

READ ON »

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RHIZOME ACTIVITIES

Discussions (875) Opportunities (2) Events (9) Jobs (1)
DISCUSSION
Posted on Tue Sep 07, 2004

## Re: Copy-art.net opens at the ICA, London

this is a great idea. luvs it.
On Sep 7, 2004, at 2:09 PM, Rachel Greene wrote:
>> From:Carey Young [mailto:host@careyyoung.com]
>> Sent:Tue 9/7/2004 1:43 PM
>> To:Carey Young
>> Cc:
>> Subject:Copy-art.net opens at the ICA, London
>>
>> Copy-art.net (http://www.copy-art.net) will be exhibited at the ICA
>> London
>> from Tuesday 7th September to Sunday 3rd October 2004.
>>
>> Copy-art.net is a copyright-free website, a curatorial project that
>> aims to
>> create an online platform to exchange works between artists, curators
>> and
>> the public and give the audience free access to works of art. This
>> project
>> intends to challenge the idea of intellectual property and test its
>> limits
>> in a copyright-free zone.
>>
>> Submitted works can be downloaded, changed, distributed, exhibited
>> and used
>> by all visitors for free. All submitted works will be present online
>> in an
>> archive, and available to the public to access. Only commercial use is
>> excluded, as all works are registered with Creative Commons under a
>> non-commercial license.
>>
>> This show marks the premier of new artists' contributions by:
>> Elizabeth
>> Price, Carey Young, Doug Fishbone, Abigail Reynolds, Reza Aramesh,
>> Peter
>> Coffin, Ella Gibbs, Gavin Wade, Beltran Obregon and Richard Crow.
>>
>> Existing work will be also shown by Anna Best, Bigert&Bergstrom,
>> Colectivo
>> Cambalache, Critical Art Ensemble, A K Dolven, House of O'Dwyer, Per
>> Huttner, juneau/projects/, Matthieu Laurette, Miltos Manetas, N55,
>> Szuper
>> Gallery, Thomson & Craighead and SAK
>>
>> 12-7.30pm daily, Institute of Contemporary Art, London, The Mall, SW1
>>
>> www.copy-art.net <http://www.copy-art.net>
>>
>> for further information please email mail@copy-art.net
>>
>
===
<twhid>http://www.mteww.com</twhid>
===

DISCUSSION
Posted on Sun Sep 05, 2004

## Re: Re: Re: republican art

there is no defense for that painting. it's propaganda painted by an
idiot. your insinuation that other artists -- ones you would probably
categorize as post-modern -- don't care about their work is simply
insulting.
On Sep 6, 2004, at 12:16 AM, curt cloninger wrote:
> This video by doron golan gets props from me simply because the
> musician is so painfully earnest, and the director's approach to his
> subject is equally open and earnest:
> http://www.the9th.com/04/revolution/
>
> It's risky to unabashedly care. Very not post-modern. No nudge. No
> wink. No reverse spin. Nothing to fall back on.
>
> "a smile like the cartoon, tooth for a tooth
> you said that irony was the shackles of youth"
> - mr. stipe
>
> _
>
> Jim Andrews wrote:
>
>> such work indicates a failure of compassion and understanding and,
>> instead,
>> celebrates barbarism, is easily identifiable as political propaganda.
>> so
>> too, on the other hand, can (for instance) anti-republican art fall
>> into a
>> different but related category of political propaganda. how then to
>> create
>> work which escapes both categorizations but does not simply avoid the
>> political?
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
--
<t.whid>
www.mteww.com
</t.whid>

DISCUSSION
Posted on Sun Sep 05, 2004

## republican art

http://it.news.yahoo.com/040831/38/2x6oy.html
yeeesh, speaks for itself...
--
<t.whid>
www.mteww.com
</t.whid>

DISCUSSION
Posted on Tue Aug 31, 2004

## Re: Re: Re: Re: Re: Charles Simic:

Jim makes a great point. Bush's 'us vs. them' position is going to turn
the entire world into the west bank.
that'll be fun.
On Aug 31, 2004, at 5:06 PM, Jim Andrews wrote:
>
>
>
> what is required is real international cooperation. but that is not
> possible
> under the republicans. four more years of bush will mean further
> reshaping
> of the usa to support perpetual warfare on the arab world. it must be
> perpetual because the unilateral nature of it increases anti-usa
> sentiment
> rather than diminishing it.
>
===
<twhid>http://www.mteww.com</twhid>
===

DISCUSSION
Posted on Tue Aug 31, 2004

## Re: Re: Re: understanding repubs?

God-damn. Where's the christian generosity when you need it?
I think it was obvious I was stepping back a bit from my first rant,
but let me clarify.
I understand the repubs' positions. And they're wrong. If I was going
to council Dem operatives I wouldn't council them to empathize with the
repubs. I would council them to go for the throat. Sure, as Joy points
out, understand their views and methods and use that understanding to
completely destroy them.
If I were to council a friend on how to talk to a co-worker, relative,
associate, &c., I would suggest a reasonable, calm dissection of the
Right-wing line and an explaination that if you're moderate you
probably agree more with Kerry than with the radical right-wing now
running the gov't.
Different theaters of debate require different approaches. So you see,
it is possible to have these seemingly antithetical quotes of mine make
sense.
On Aug 31, 2004, at 4:40 PM, curt cloninger wrote:
> beautiful.
>
> _
>
> t.whid wrote:
>
> Of course we normal citizens interacting on personal levels should
> try to attain some
> understanding of one another's views...
>
> No, I'm sorry Fuck That.
>
> I understand that they are perfectly mistaken and that's all I need to
> understand.
>
>
===
<twhid>http://www.mteww.com</twhid>
===

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