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Supporter
MTAA
Since the beginning
Works in Brooklyn, New York United States of America

- http://www.mtaa.net

ARTBASE (7)

1 year performance video (aka samHsiehUpdate)
onKawaraUpdate (v2)
Simple Net Art Diagram
TIME!
To Be Listened To…
vieweratstar67@yahoo.com (the 3mb annexation)
Website Unseen
PORTFOLIO (3)

Five Small Videos About Interruption Or Disappearing
Rhizome Reception [part 1]
whereas T.Whid wonders about art in relation to 2bl2
BIO

Artists M. River and T. Whid formed MTAA in 1996 and soon after began to explore the internet, video, software and sculpture as mediums for their conceptually-based art. The duo’s exhibition history includes group shows and screenings at The New Museum of Contemporary Art, Postmasters Gallery and Artists Space, all in New York City, and at The Getty Research Institute in Los Angeles. In "New Media Art" (Taschen, 2006), authors Mark Tribe and Reena Jana describe MTAA’s "One Year Performance Video (aka samHsiehUpdate)" as “a deftly transparent demonstration of new media’s ability to manipulate our perceptions of time.” The collaboration has earned grants and awards from Creative Capital, Rhizome.org, Eyebeam, New Radio & Performing Arts, Inc. and The Whitney Museum of American Art.
BLOG POSTS

Published on Tue Apr 17, 2007

## TRACEPLACESPACE

New audio by Cary Peppermint, check it out…
+++
TRACEPLACESPACE
seven audio works .mp3 - Cary Peppermint 2007

The audio works of TRACEPLACESPACE were formed loosely in response to ever-accelerating technological developments, passing time, urgent ecological issues, and remarkable events of our globally connected system in process long before but brought to the forefront since the latter part of the year 2001. The works of TRACEPLACESPACE are components of a digital, multi-media, network-infused performance of the same title.
I like to perform this work in small community venues, outdoor gatherings, art-spaces, and galleries where everyone is welcome and can sit on the floor, talk to one another, and drink green tea. However I will perform TRACEPLACESPACE approximately anywhere.

READ ON »

Published on Fri Aug 18, 2006

## Filming Outside the Cinema

I have to admit that I'd not given much thought to film outside the cinema, web film or live video, or anything like that, but I've spent lots of time here hanging out with Peter Horvath and I'm impressed.
Peter makes very beautiful films for the web, and you can check them all out online. Today he showed us The Presence of Absence, which was comissioned for the Whitney Museum's Artport in 2003, and then Tenderly Yours from 2005, which "resituates the personal, casual and ambiguous approach of French new wave cinema in a net art narrative that explores love, loss and memory. The story is recited by a striking and illustrious persona, who moves through the city with her lover. Her willful independence is intoxicating, though her sense of self is ambiguous..." Gorgeous.

READ ON »

Published on Sun Jun 04, 2006

## Cut Piece - Yoko Ono

Cut Piece (2006, 36.5MB, 9 min)

“Ono had first done the performance in 1964, in Japan,
and again at Carnegie Hall, in New York, in 1965.
Ono sat motionless on the stage after inviting the audience
to come up and cut away her clothing, covering her breasts
at the moment of unbosoming.”
from Bedazzled .

READ ON »

Published on Sun Jun 04, 2006

## Conglomco Media Network announces http://meta-cc.net live

Conglomco Media Network is pleased to announce the official beta release of the META[CC] video engine at http://meta-cc.net.

META[CC] seeks to create an open forum for real time discussion, commentary, and cross-refrencing of electronic news and televised media. By combining strategies employed in web-based discussion forums, blogs , tele-text subtitling, on-demand video streaming, and search engines, the open captioning format employed by META[CC] will allow users to gain multiple perspectives and resources engaging current events. The system is adaptable for use with any cable or broadcast television network.

We hope that you will take a moment from your viewing time to add the RSS feed of a blog you find noteworthy. As more information sources are supplied to META[CC], the more intelligent the system becomes. As such, the META[CC] search engine is apolitical and influenced only by the news and information sources supplied by its viewers/users. We apologize, but at this time podcasts and vlogs are not supported.

Many thanks for your interest and participation,
The META[CC] team
http://meta-cc.net

READ ON »

Published on Thu Jan 26, 2006

## Open Call for Sound Works : WILD INFORMATION NETWORK

Cary Peppermint:

WILD INFORMATION NETWORK
The Department of Ecology, Art, and Technology
Open Call for Sound Works In Mp3 Format - Deadline April 1, 2006

http://www.restlessculture.net/deepwoods

If we encountered a pod-cast, or a streaming radio server in the woods, in the “natural

READ ON »

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RHIZOME ACTIVITIES

Discussions (875) Opportunities (2) Events (9) Jobs (1)
DISCUSSION
Posted on Wed Feb 26, 2003

## Re: from the MTAA society pages

>what? no creative captions? no names? where's the pride t.whid? :)
>
>in jest,
>
>david goldschmidt
click the thumbs dude :-)
or start here:
http://www.mteww.com/rhiz_benefit_feb_03/index-Pages/Image0.html
take care
>> http://www.mteww.com/rhiz_benefit_feb_03/
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Wed Feb 26, 2003

## from the MTAA society pages

http://www.mteww.com/rhiz_benefit_feb_03/
It was much fun and everyone got drunk. (or at least I did and once
one is drunk it's hard to tell the state of others.)
Shrimp were dispatched, dancing was done, talk was had, a performance
occurred (but I missed it), an honorary payment of the 5 dollars was
completed, drink was drunk in a big inflatable room, and hopefully
Rhizome made some money.
cheers
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Tue Feb 25, 2003

## Re: Re: Linking vs. Plagiarizing (Re: Turbulence.org)

curt:
>Dyske,
>
>I don't mean to discuss "art" or "not art" in terms of "what is
>art?" I mention "not art" in response to Alex's satement (found in
>the text intro to Data Diaries) that Cory is "not a net artist."
>
>Deep/Young has deep linked and recontextualized plenty of other
>works by "non net artists," but this is the only time anyone ("non
>net artist," "established net artist," or otherwise) has ever
>required us to point to their funding credits.
++
twhid:
but Cory didn't ask you to remove it, the funder did. I don't see the irony.
curt:
>I find this ironic for a work that claims
>to be outside of established art traditions.
++
twhid:
I don't think the work or artist make's any claim like that. the
intro made the claim we don't know if Cory agrees with it. Also 'not
a net artist' isn't a statement that puts one outside of established
art traditions as in 'Rembrandt was not a net artist and neither is
Julian Schnabel' you get my point.
curt:
>
>If T. is right in his assessment of Cory's work vis the 'net art
>canon' and Alex is exaggerating for dramatic effect, then the above
>irony is certainly less pronounced.
++
twhid:
my argument is unassailable :-)
>
>At 10:42 PM -0500 2/24/03, Dyske Suematsu wrote:
>><quote>
>>evidently "punk" is too open a term. so let's abandon it and move on to the
>>idea of "not art" or "outsider art" or "art brut."
>></quote>
>>
>>Curt,
>>
>>Forget it. If "punk" is too open, then discussing "art" or "not art" ain't
>>gonna fly.
--
<twhid>
http://www.mteww.com
</twhid>

DISCUSSION
Posted on Tue Feb 25, 2003

## is t.whid illiterate?

I should really try to proofread better.
With a new 200 buck digital camera MTAA will make the scene at the rhiz
benefit as well.
On Monday, February 24, 2003, at 11:27 PM, t.whid wrote:
> The glamorous life of MTAA encoded in JPEG format for your perusal:
>
> http://www.mteww.com/barney_opening/barney_opening.html
>
> With my new 200 buck digital camera MTAA also make the scene at the
> rhiz benefit.
>
> Stay tuned.
> -

DISCUSSION
Posted on Tue Feb 25, 2003

## the glamorous life of MTAA

The glamorous life of MTAA encoded in JPEG format for your perusal:
http://www.mteww.com/barney_opening/barney_opening.html
With my new 200 buck digital camera MTAA also make the scene at the
rhiz benefit.
Stay tuned.
--
<t.whid>
www.mteww.com
</t.whid>

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