ARTBASE (1)
BIO
Michael Szpakowski is an artist, composer, writer and educator.
CV:
http://www.somedancersandmusicians.com/szpakowski_cv.pdf
Video work:
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi
Stills:
http://www.flickr.com/photos/szpako
12 Remixes:
http://www.michaelszpakowski.org/mickiewicz/
CV:
http://www.somedancersandmusicians.com/szpakowski_cv.pdf
Video work:
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi
Stills:
http://www.flickr.com/photos/szpako
12 Remixes:
http://www.michaelszpakowski.org/mickiewicz/
Fauves' Day Out
Fauves' Day Out:
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi/2007/07/22#post158
60MB, sound.
Three 'Lumiere' pieces:
'Performing 'Pulled Up' by the Talking Heads in my
Garden'
48.1MB, silent.
'Tree, partially obscured by line of washing'
39.5MB, silent.
'Land of the Giants'
39MB, silent.
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi
best
michael
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi/2007/07/22#post158
60MB, sound.
Three 'Lumiere' pieces:
'Performing 'Pulled Up' by the Talking Heads in my
Garden'
48.1MB, silent.
'Tree, partially obscured by line of washing'
39.5MB, silent.
'Land of the Giants'
39MB, silent.
http://www.somedancersandmusicians.com/vlog/ScenesOfProvincialLife.cgi
best
michael
Re: RHIZOME_RAW: g9 begin work on invisibility potion
I particularly like the two images, which for reasons
quite hard to rationally articulate, filled me with
happiness.
I look forward to seeing, or perhaps not seeing,
further developments.
michael
--- "Southworth, Kate"
<Kate.Southworth@falmouth.ac.uk> wrote:
>
> glorious ninth begin work on an invisiblity potion.
>
> If anyone is interested in developing their own
> invisibility potion, we advise caution and
> familiarity with the rituals involved. For its
> potency to be maximised, the root should be dug and
> prepared on the 25th July.
>
> Continuing our search for forms of creative
> resistance and strategies which undermine and refute
> late capitalism's systems of controls, glorious
> ninth's next work will attempt to make that which is
> visible invisible, and that which is invisible
> visible.
>
> Through a ritualised preparation, containing chicory
> root, collected on 25 th July, St. James's Day, we
> will begin the process of dematerialising the
> material and materialising the dematerialised, in an
> attempt to turn this world upside down or inside
> out.
>
> Our experiments, carried out over the next two
> months will be documented and updates posted on our
> site at the end of this period.
>
> http://www.gloriousninth.net/invisibility_phial
>
> ------
> kate southworth
> http://www.gloriousninth.net
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe:
> http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set
> out in the
> Membership Agreement available online at
> http://rhizome.org/info/29.php
>
quite hard to rationally articulate, filled me with
happiness.
I look forward to seeing, or perhaps not seeing,
further developments.
michael
--- "Southworth, Kate"
<Kate.Southworth@falmouth.ac.uk> wrote:
>
> glorious ninth begin work on an invisiblity potion.
>
> If anyone is interested in developing their own
> invisibility potion, we advise caution and
> familiarity with the rituals involved. For its
> potency to be maximised, the root should be dug and
> prepared on the 25th July.
>
> Continuing our search for forms of creative
> resistance and strategies which undermine and refute
> late capitalism's systems of controls, glorious
> ninth's next work will attempt to make that which is
> visible invisible, and that which is invisible
> visible.
>
> Through a ritualised preparation, containing chicory
> root, collected on 25 th July, St. James's Day, we
> will begin the process of dematerialising the
> material and materialising the dematerialised, in an
> attempt to turn this world upside down or inside
> out.
>
> Our experiments, carried out over the next two
> months will be documented and updates posted on our
> site at the end of this period.
>
> http://www.gloriousninth.net/invisibility_phial
>
> ------
> kate southworth
> http://www.gloriousninth.net
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe:
> http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set
> out in the
> Membership Agreement available online at
> http://rhizome.org/info/29.php
>
small competition, final call
http://www.somedancersandmusicians.com/karaoke.cgi
this closes tomorrow. There's some nice things there,
worth more than a passing look/listen.
If you want to make something for it mail me before
tomorrow & I'll include you, since the judging
machinery will take some time, no doubt, to creak into
action :)
best
michael
this closes tomorrow. There's some nice things there,
worth more than a passing look/listen.
If you want to make something for it mail me before
tomorrow & I'll include you, since the judging
machinery will take some time, no doubt, to creak into
action :)
best
michael
Re: RHIZOME_RAW: new works - the9th
Well, of course, I'm biased, Doron's a friend & we
work together on dvblog *and* I wrote the music for
one of these pieces, but I do urge people to explore
this work. I think it is quite extraordinary in its
breadth, its intelligence & a kind of transcendent
magic that I feel viscerally but I'm not really sure
how to begin to explain in words.
It's something to do with the disjunction between a
surface modesty (always) & austerity (often) & also
its having, in my view, the great merit of refusing to
ingratiate itself in any way but then richly rewarding
serious engagement. So much work becomes simpler on
repeated looking/listening - there's that sense of
seeing, grasping, the layout, the structure, of seeing
*how-it-was-done*,of assimilating -but this work
resists assimiliation, becomes richer, more
mysterious, the more one looks.
What a feat! Utterly great! More!
michael
--- doron <d@the9th.com> wrote:
> videos
> http://the9th.com/?cat=1
> movies
> http://the9th.com/?cat=2
>
>
> c,
> doron golan
> ---------------------------------------------
> http://the9th.com/
>
>
>
>
>
work together on dvblog *and* I wrote the music for
one of these pieces, but I do urge people to explore
this work. I think it is quite extraordinary in its
breadth, its intelligence & a kind of transcendent
magic that I feel viscerally but I'm not really sure
how to begin to explain in words.
It's something to do with the disjunction between a
surface modesty (always) & austerity (often) & also
its having, in my view, the great merit of refusing to
ingratiate itself in any way but then richly rewarding
serious engagement. So much work becomes simpler on
repeated looking/listening - there's that sense of
seeing, grasping, the layout, the structure, of seeing
*how-it-was-done*,of assimilating -but this work
resists assimiliation, becomes richer, more
mysterious, the more one looks.
What a feat! Utterly great! More!
michael
--- doron <d@the9th.com> wrote:
> videos
> http://the9th.com/?cat=1
> movies
> http://the9th.com/?cat=2
>
>
> c,
> doron golan
> ---------------------------------------------
> http://the9th.com/
>
>
>
>
>