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Supporter
Mark Tribe
Since 2004
Works in New York, New York United States of America

- http://marktribe.net/
- https://www.facebook.com/marktribe
- marktribe

ARTBASE (1)

Revelation 1.0
BIO

Mark Tribe is an artist whose work explores the intersection of media technology and politics. His photographs, installations, videos, and performances are exhibited widely, including recent solo projects at Momenta Art in New York, the San Diego Museum of Art, G-MK in Zagreb, and Los Angeles Contemporary Exhibitions. Tribe is the author of two books, The Port Huron Project: Reenactments of New Left Protest Speeches (Charta, 2010) and New Media Art (Taschen, 2006), and numerous articles. He is Chair of the MFA Fine Arts Department at School of Visual Arts in New York City. In 1996, Tribe founded Rhizome, an organization that supports the creation, presentation, preservation, and critique of emerging artistic practices that engage technology.
RHIZOME ACTIVITIES

Discussions (109) Opportunities (17) Events (22) Jobs (0)
DISCUSSION
Posted on Wed Jan 15, 2003

## Re: Words on the Rhizome Artbase

At 11:14 AM 1/14/2003 -0500, Eryk Salvaggio wrote:
>This is why I said that there are too many works in the art base. 415
>pieces added, was it? That means that at least once a day, and sometimes=
>twice, a piece of net.art with "historical significance" was created, many=
>of which I have never heard of or had seen discussed.
hey eryk:
the artbase selection criteria start off like this: " The Rhizome ArtBase=
includes works of new media art

DISCUSSION
Posted on Sat Jan 04, 2003

## Re: Expectations

hi eryk:
actually, we do plan to make substantial improvements and expansions in the
coming year. we realize that the site could be a lot better, and have a
long to-do list. its not so much a matter of doing more than we otherwise
would have done, but rather keeping rhizome going so we can do what we
would have done anyway--things like implementing a decent search function,
improving the way threaded discussion works on the fresh texts page, and
adding more features to the calendar and opportunities pages. our
priorities will as always be driven by member feedback.
we should be posting a list of planned improvements and fixes in the near
future.
in the meantime, thanks for your patience and support!
best,
mark
At 09:29 PM 1/4/2003 -0500, Eryk Salvaggio wrote:
>I've noticed a lot of people lately talking about how "now that Rhizome is
>a pay service...."
>
>The thing is, as far as I understand it, Rhizome is asking us to
>contribute to make up for lost grants- meaning we are paying to maintain
>the status quo. I don't expect any changes to Rhizome whatsoever,
>regardless of the fact that some people are now paying for it, and I
>certainly would not count on expansions.
>
>Of course, maybe Mark and Rachel would like to clarify this before we go
>to pay service mode.
>
>-e.
>
>
>
>
>
>
>Christopher Fahey [askrom] wrote:
>>
>>Ivan Pope wrote:
>>>
>>>After all, 415 artworks submitted,
>>>more than one a day. That must represent a huge investment of
>>>effort by a community of artists, technicians, researchers, teachers,
>>>students and the general public.
>>
>>
>>And by Rhizome's own staff and volunteers!
>>
>>
>>>
>>>But there is no context. There is no critical discourse
>>
>>
>>There is some. First, there is the (daily?) NetArtNews. This is great -
>>I require my students to subscribe to it. Okay, it's not very 'critical'
>>I guess.
>>
>>The Rhizome front page (in the Art+Text column) features a whole bunch
>>of blog-like entries about Artbase items, news, events, etc. These are
>>contributed by Rhizome authors who put a lot of work into them.
>>
>>
>>>
>>>and almost no online discussion.
>>
>>
>>True, it is hard to call what goes on on RAW a "discussion". But as they
>>say in vaudeville: these are the jokes, folks.
>>
>>
>>>
>>>Works are added to Rhizome, but there are no tools to analyse what is
>>
>>added.
>>>
>>>No way to take the pulse of production. There is not even a way to
>>
>>explore
>>>
>>>the store of works. You can't search by genre or keyword.
>>
>>
>>Well, using my ArtBase piece (ada1852) you can (sorta) do both :). But I
>>see your point - I seem to remember a keyword or genre search on Rhizome
>>once, but maybe I'm mixed up.
>>
>>
>>>
>>>There is no linkage between works and discussion.
>>
>>
>>That's very true. I like the way lots of blog and community sites let
>>you comment on entries and view all the other users' comments. Many
>>sites, like Slashdot, allow certain comments to become more important
>>than others (for example, if the author is a frequent poster or one that
>>other posters rate highly). This would be an excellent feature addition
>>to the Rhizome community. Rhizome would become a great forum for people
>>who really do want to talk about specific works of online artwork.
>>
>>Imagine the NetArtNews entries and Art+Text entries, not to mention RAW
>>community commentary, actually associated with ArtBase artworks. First,
>>visitors to ArtBase works could get an idea of what people are saying
>>about their work. Artworks that were discussed a lot, or reviewed
>>(positively or negatively, doesn't matter) by highly-rated reviewers,
>>would stick out from the bunch quite clearly. Etc.
>>
>>Your comm
>>ents in general point to a lot of possibilities that Rhizome
>>should look into, and I agree that the fee service ought to enable such
>>things.
>>
>>-Cf
>>
>>[christopher eli fahey]
>>art: <http://www.graphpaper.com>http://www.graphpaper.com
>>sci: <http://www.askrom.com>http://www.askrom.com
>>biz: <http://www.behaviordesign.com>http://www.behaviordesign.com
>>
>>
>>
>>
>>+ ti esrever dna ti pilf nwod gniht ym tup
>>-> post: <mailto:list@rhizome.org>list@rhizome.org
>>-> questions: <mailto:info@rhizome.org>info@rhizome.org
>>-> subscribe/unsubscribe:
>><http://rhizome.org/preferences/subscribe.rhiz>http://rhizome.org/preferences/subscribe.rhiz
>>-> give: <http://rhizome.org/support>http://rhizome.org/support
>>+
>>Subscribers to Rhizome are subject to the terms set out in the
>>Membership Agreement available online at
>><http://rhizome.org/info/29.php>http://rhizome.org/info/29.php
>>

OPPORTUNITY
Posted on Mon Dec 30, 2002

## Development & Finance Internship at Rhizome.org

Deadline:
Mon Dec 30, 2002 01:00

Rhizome.org is seeking a responsible, professional and energetic individual to work with the Executive Director on institutional development and related financial planning. This internship will offer valuable hands-on experience and significant responsibility. The ideal candidate is highly organized and efficient, has experience with grants and budgets and is either a student at or recent graduate of an arts administration program or business school. Exceptional candidates with equivalent experience may also be considered.
Responsibilities:
* Collect and organize grant application and reporting materials based existing grant schedule
* Update grant schedule as needed
* Prepare grant budgets based on existing organizational budgets and discussion with program staff
* Coordinate writing of grants with program staff
* Assemble and post completed grant application and report materials
* Additional or alternative responsibilities, such as major donor campaigns, are also possible
Required Knowledge and Skills:
* Knowledge of grant application and reporting process
* Allocation of income and expenses in grant budgets
* High level of proficiency in Microsoft Excel and Word
Hours: 20+ hours per week
Dates: January 15 - April 15, 2003
How to apply: Please send a cover letter in the body of an email message with resume attached as MS Word or RTF document to Mark Tribe .
Note: This is an unpaid internship; if you plan to receive credit for this work, we will be happy complete any necessary forms.

DISCUSSION
Posted on Sun Dec 22, 2002

## Re: when Google has achieved the net art masterpiece, what are the artists to do?

apologies if someone already brought this up in connection with tim's
google post, but one net art installation that i find more successful and
interesting *as art* than google's live query is mark hansen and ben
rubin's listening post
<http://www.earstudio.com/projects/listeningPost.html>, currently on view
at the whitney museum (through march 8). like live query, this project taps
into the global zeitgeist. but it also transforms the captured data into a
profoundly moving visual and musical experience.
from the project web site:
What does the collective voice of the internet sound like? Countless others
are with you when you browse the web, some reading the same words at the
same time, and yet you have no way of sensing their presence. Listening
Post gives voice to this vast, silent world, transforming collective online
activity and communication into a multi-layered sound installation. This
uniquely designed space monitors thousands of online exchanges in real
time, revealing the patterns and rhythms of people communicating with each
other.
The visible and audible text in this installation is live, collected in
real-time from tens of thousands of chat rooms, forums, newsgroups,
bulletin boards, and other public online communication channels.
Statistical analysis organizes the messages into topic clusters based on
their content, tracking the ebb and flow of communication on the Web. A
tonal soundscape underlies the spoken text, its pitches and timbres
responding to changes in the flow and content of the messages.
At 02:09 PM 3/1/2003 -0500, Jim Andrews wrote:
>Part of the problem is in seeing such a thing as a masterpiece of net.art.
>
>We end up with 24/7 broadcasts of linux source code being perceived as
>interesting net.art via
>this aesthetic also, do we not?
>
>A data stream is not a work of art any more than the Mississipi is.
>
>Very interesting writing, though, t.whid.
>
>Arteroids and Nio etc cannot compete with 3D gamer stuff and so on as
>entertainment, but there
>are those (and I'm one of them) who are rarely entertained by
>entertainment. I find art more
>entertaining than entertainment, oddly enough. More 'fun'. We continue to
>think to continue.
>Teams of programmers don't scare me. Art operates on mojo. You can even
>give the code away.
>
>ja
>
>
>
>+ the internet is not your life.
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>+ the internet is not your life.
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php

DISCUSSION
Posted on Tue Nov 19, 2002

## A friend has a Quote for you, from BrainyQuote

A Friend Has Sent You a Quote from BrainyQuote
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Here's a message for you:
> I doubt Mark will appreciate this very much...
itz my ztichpost that do timeknot, never mind zimonz...
but pluz zome rampant xpost tentative vor chure i apreciate very much, but there is limite to my very much apreciate zimonz, and vor inztanz my not very much apreciate about erik zalvagio kritik ov mouchette..look i have time to make it long zimonz, hope you will apreciate
I az mark tribe i have zome inconteztable zuper expertiz in moroness & valuazion in idiocy, bezide i propoz a Mark Tribe zcale vor iso & ansi mezur, 10 on the MT zcale would be ze abzolute authenficated on artbase, i.e. ze unpassable, but ze world goes zis way already granchez is at 15 cause french grandeur et noblesse oblige etzeteraz & mouchette iz mezured at 25, zen i accuz her to be geneticaly modified imbezil, coz we know how much zienz zinz vuturizt could be kinda noizy & stinky harley davidzon vor global cretinerie around ze world
& zome could cruise vazterz zan me around it'z only coz they have lower & mucho more aerodynamic forehead.
so i propose a technological (handi) cap grancher must wear always, vor reducing his CX vactor (or reducing i forget, the objective iz to slow down zuch kamiakaz of the ztupidity) & a parachute alwez tight at mouchette's ass, in order they could both fly at Mark IX, maximum, when i i could fly at MARK X az it's usual vor our inzurpassable great nazion vor i can board them and inzpect d!p in their panz if they dont uz of vorbiden zubztanz
ps zimonz you dont want my good, all ze ozers continue to kick my ass it give me bezt impulz at the ztart
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