ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Furthernoise issue September 2009
Dates:
Sat Sep 12, 2009 00:00 - Sat Sep 12, 2009
For your reading listening pleasure there is a new issue of furthernoise.org online, sister sister site of furtherfield.org
"Audiobulb profile" (review)
Audiobulb is a Sheffield-based exploratory music label promoting the cause of innovative electronica. Label curator, David Newman, has overseen a flurry of activity over the past couple of years, and this profile features four of Audiobulb's most recent releases, from a location-inspired compilation to a work driven by an experimental sound generator.
http://www.furthernoise.org/page.php?ID=305
review by Alan Lockett
"Christian Vasseur - Poèmes Saturniens and Alam" (review)
Christian Vasseur is a French guitarist who works with a range of instruments. His work is inspired by impressionist composers like Debussy, as well as more contemporary musicians and progressive rock bands.Poèmes Saturniens (Conch 002) and Alam (Conch 003) are two of his releases on Humming Conch.
http://www.furthernoise.org/page.php?ID=307
review by Alex Young
"Essay: Capitatio Benevolentiae - Piracy, Capital, and the Culture of Digital Sound - Frank Rothkamm" (review)
The piracy of digital sound content is an act of trade, an exchange between the creator of sound recordings and the listener thus defined: The creator gets nothing and the listener gets everything. But the accumulation of digital capital is different from that of its material counterpart; there is no intrinsic value in digital capital.
Photograph - Glenn Wolsey
http://www.furthernoise.org/page.php?ID=303
review by Frank Rothkamm
"Fast Falls the Eventide by Dead Voices on Air" (review)
Dead Voices on Air, was originally a trio consisting of Scott Harker, Clancy Dennehey, and ex-Zoviet France’s Mark Spybey. Fast Falls the Eventide marks DVOA’s 11th album where now we find Spybey solely at the helm. This ship sails the waters off a strange musical continent, a land where world music fuses disembodied, electronic-rumbling drones inside vast reverberant architectures.
http://www.furthernoise.org/page.php?ID=304
review by Derek Morton
"Luminous Air and Delicate Accidents" (review)
A delicate rice-paper cover for a clear vinyl release is the maiden release for Tobira Records. New Works for Processed Electric Guitar presents a shimmering soundscape with elusive harmonies from Richard Lainhart and a warm, prickly cloud of gently swirling melodic lines from Japanese guitarist Hakobune.
http://www.furthernoise.org/page.php?ID=302
review by Caleb Deupree
"noise=noise - The Basement Series" (review)
Submerged in the basement vault of a pub in central London every Wednesday night in August, noises began to crackle, and light began to spark for noise=noise's The Basement Series. Featuring over forty international and UK artists from a wide range of practices and backgrounds, it was set up and run with absolutely no funding or money involved what so ever.
http://www.furthernoise.org/page.php?ID=308
review by Ryan Jordan
"XVI Reflections on Classical Music - Various" (review)
Musical genres as any aficionado will tell you have historically grown out of a reaction to the fetishism of the previous era. Whether it be the quest for balance and harmony emanating from the disjointed ashes of Baroque or Debussy's longing for dissonance from the melodic sentimentalism of Bedřich Smetana, they all tend to be motivated by periodical ennui of what has gone before.
http://www.furthernoise.org/page.php?ID=306
review by Roger Mills
"Audiobulb profile" (review)
Audiobulb is a Sheffield-based exploratory music label promoting the cause of innovative electronica. Label curator, David Newman, has overseen a flurry of activity over the past couple of years, and this profile features four of Audiobulb's most recent releases, from a location-inspired compilation to a work driven by an experimental sound generator.
http://www.furthernoise.org/page.php?ID=305
review by Alan Lockett
"Christian Vasseur - Poèmes Saturniens and Alam" (review)
Christian Vasseur is a French guitarist who works with a range of instruments. His work is inspired by impressionist composers like Debussy, as well as more contemporary musicians and progressive rock bands.Poèmes Saturniens (Conch 002) and Alam (Conch 003) are two of his releases on Humming Conch.
http://www.furthernoise.org/page.php?ID=307
review by Alex Young
"Essay: Capitatio Benevolentiae - Piracy, Capital, and the Culture of Digital Sound - Frank Rothkamm" (review)
The piracy of digital sound content is an act of trade, an exchange between the creator of sound recordings and the listener thus defined: The creator gets nothing and the listener gets everything. But the accumulation of digital capital is different from that of its material counterpart; there is no intrinsic value in digital capital.
Photograph - Glenn Wolsey
http://www.furthernoise.org/page.php?ID=303
review by Frank Rothkamm
"Fast Falls the Eventide by Dead Voices on Air" (review)
Dead Voices on Air, was originally a trio consisting of Scott Harker, Clancy Dennehey, and ex-Zoviet France’s Mark Spybey. Fast Falls the Eventide marks DVOA’s 11th album where now we find Spybey solely at the helm. This ship sails the waters off a strange musical continent, a land where world music fuses disembodied, electronic-rumbling drones inside vast reverberant architectures.
http://www.furthernoise.org/page.php?ID=304
review by Derek Morton
"Luminous Air and Delicate Accidents" (review)
A delicate rice-paper cover for a clear vinyl release is the maiden release for Tobira Records. New Works for Processed Electric Guitar presents a shimmering soundscape with elusive harmonies from Richard Lainhart and a warm, prickly cloud of gently swirling melodic lines from Japanese guitarist Hakobune.
http://www.furthernoise.org/page.php?ID=302
review by Caleb Deupree
"noise=noise - The Basement Series" (review)
Submerged in the basement vault of a pub in central London every Wednesday night in August, noises began to crackle, and light began to spark for noise=noise's The Basement Series. Featuring over forty international and UK artists from a wide range of practices and backgrounds, it was set up and run with absolutely no funding or money involved what so ever.
http://www.furthernoise.org/page.php?ID=308
review by Ryan Jordan
"XVI Reflections on Classical Music - Various" (review)
Musical genres as any aficionado will tell you have historically grown out of a reaction to the fetishism of the previous era. Whether it be the quest for balance and harmony emanating from the disjointed ashes of Baroque or Debussy's longing for dissonance from the melodic sentimentalism of Bedřich Smetana, they all tend to be motivated by periodical ennui of what has gone before.
http://www.furthernoise.org/page.php?ID=306
review by Roger Mills
RSA Arts and Ecology Centre: Ecological Innovation.
Dates:
Wed Sep 09, 2009 00:00 - Wed Sep 09, 2009
Can the cultural sector step up to show it has something uniquely powerful to offer an ecological age? An examination of practice, partnership and policy
The need for more sustainable practice is accepted within business; in the arts, the transfer of models from other industries is underway. An increasing number of individuals and organisations are decreasing energy consumption through measurement, standards, targets and disclosure. But is this enough? Does the cultural sector have more to offer in times of wholesale change?
As part of Culture|Futures - a series of events that spans discussions at COP 15 - RSA Arts and Ecology is inviting international partners from the arts and beyond to describe a ‘cultural offer for an ecological age’. To inform that enquiry, we will discuss case studies that offer cultural value within a wider sustainability agenda, and seek to identify key policy areas and lines of collaboration.
The outputs from this day will be organisational comparison across policy, identification of case studies and input to a peer-reviewed paper, together with identifying key messages from the cultural sector to policy makers attending COP 15.
Chair: Sally Taylor, Director LCACE
With participation from: Arup, MLA, CABE, Art s Council England, University of the Art s, UK Film Council, Tate, RSA, Danish Cultural Institute
PROGRAMME:
Thursday 24 September, 9.30-4.00pm
Front Gallery, Central St Martins College of Art & Design, University of Arts London, Southampton Row, London WC1B 4AP
09:30 Arrival and coffee
10:00 Chair’s welcome
10:15 Context: The Engineer’s Role in the Ecological Age - Peter Head, Arup
11:15 Art s Examples with questions
- Cultural organisations as infrastructure catalysts - Alan Boldon, Arnolfini
- Cultural participation and ecological citizenship - DOTT Cornwall
- Ecological technology, are we there yet? - Ruth Catlow and Marc Garrett , Furtherfield
13:15 Lunch
14:00 Policy Implications
- European comparison - Olaf Gerlach-Hansen, Danish Cultural Institute
- Shared action
- A sector perspective?
15:00 Discussion/Plenary
16:00 Ends
The RSA combines thought leadership with social innovation to further human progress. Building on our 250 year history as a beacon for enlightenment values, we undertake influential and varied research projects and host the UK’s most ambitious free lecture series. Our work is supported by 27,000 Fellows, an international network of influencers and innovators from every field and background.
To find out more visit our website here - http://www.theRSA.org
Registered as a charity in England and Wales no. 212424 and in Scotland no. SC037784
To see our standard legal disclaimer click here - http://www.thersa.org/email-disclaimer
Please consider the environment before printing this email.
The need for more sustainable practice is accepted within business; in the arts, the transfer of models from other industries is underway. An increasing number of individuals and organisations are decreasing energy consumption through measurement, standards, targets and disclosure. But is this enough? Does the cultural sector have more to offer in times of wholesale change?
As part of Culture|Futures - a series of events that spans discussions at COP 15 - RSA Arts and Ecology is inviting international partners from the arts and beyond to describe a ‘cultural offer for an ecological age’. To inform that enquiry, we will discuss case studies that offer cultural value within a wider sustainability agenda, and seek to identify key policy areas and lines of collaboration.
The outputs from this day will be organisational comparison across policy, identification of case studies and input to a peer-reviewed paper, together with identifying key messages from the cultural sector to policy makers attending COP 15.
Chair: Sally Taylor, Director LCACE
With participation from: Arup, MLA, CABE, Art s Council England, University of the Art s, UK Film Council, Tate, RSA, Danish Cultural Institute
PROGRAMME:
Thursday 24 September, 9.30-4.00pm
Front Gallery, Central St Martins College of Art & Design, University of Arts London, Southampton Row, London WC1B 4AP
09:30 Arrival and coffee
10:00 Chair’s welcome
10:15 Context: The Engineer’s Role in the Ecological Age - Peter Head, Arup
11:15 Art s Examples with questions
- Cultural organisations as infrastructure catalysts - Alan Boldon, Arnolfini
- Cultural participation and ecological citizenship - DOTT Cornwall
- Ecological technology, are we there yet? - Ruth Catlow and Marc Garrett , Furtherfield
13:15 Lunch
14:00 Policy Implications
- European comparison - Olaf Gerlach-Hansen, Danish Cultural Institute
- Shared action
- A sector perspective?
15:00 Discussion/Plenary
16:00 Ends
The RSA combines thought leadership with social innovation to further human progress. Building on our 250 year history as a beacon for enlightenment values, we undertake influential and varied research projects and host the UK’s most ambitious free lecture series. Our work is supported by 27,000 Fellows, an international network of influencers and innovators from every field and background.
To find out more visit our website here - http://www.theRSA.org
Registered as a charity in England and Wales no. 212424 and in Scotland no. SC037784
To see our standard legal disclaimer click here - http://www.thersa.org/email-disclaimer
Please consider the environment before printing this email.
Furtherfield Blog - Recent Posts of Interest on Media Art Practice and Culture.
Dates:
Wed Sep 09, 2009 00:00 - Wed Sep 09, 2009
A shared space for personal reflections on contemporary art practice as part of life:
living it, breathing it, making it, curating it, translating it.
A selection of recent Blog entries below,
to read more visit - http://blog.furtherfield.org
Ruth Catlow.
Overland: the first leg to Human Nature.
As part of honouring a pledge made with Marc Garrett 'We Won't Fly For Art', http://www.pledgebank.com/wewontflyforart/ - Ruth has actively taken on the difficult task of choosing alternative ways of getting to Ars Electronica's 30 year celebration festival in Linz, Austria and The Eclectic Tech Carnival in Istanbul, Turkey. Overland: the first leg to Human Nature, is her 1st written account of this 10 day journey from London and back which also includes video entries uploaded from her mobile phone.
http://blog.furtherfield.org/?q=blog/3
Helen Varley Jamieson.
Outside ISEA.
Helen, visiting the UK, Island, Austria and Turkey has undergone a long period of travel from New Zealand. On her blog you can read various journals about her visit to ISEA 2009 (Inter-Society for the Electronic Arts). Return again to catch up with her soon to be uploaded experiences of her visit to Ars Electronica and The Eclectic Tech Carnival.
http://blog.furtherfield.org/?q=blog/28
jonCates
lists, boards, friends + feeds (PART IV).
Jon continues to enthrall us with intellegent and imaginative blog contributions which not only contain detailed studies on the history of media art and net art and Internet mailing list culture, but also thrown into the heady mix, are some beautiful visuals worth hanging on any wall. Visit and explore his series' of 'lists, boards, friends + feeds'.
http://blog.furtherfield.org/?q=blog/5
--------------------------------->
More about The Furtherfield Blog:
This multi-blog is a place to intuitively explore media arts and related practices, together, as it occurs, to develop understanding and to learn, without any pressure to formulate conclusions, it is about experience and process, the bits in between. Set up in Autumn 2006, initially as a place for informal, day to day exchange between members of the Furtherfield.org team, including editors/reviewers. We soon discovered this format suited some people more than others and are now open to new contributors. The blog is not intended as a platform to promote particular projects. Instead it invites individuals to explore their own perspectives on their own terms; personal thoughts, emotional responses and critical intentions rarely publicly discussed elsewhere.
Other Info:
Furtherfield
http://www.furtherfield.org
We are on Twitter
http://twitter.com/furtherfield
Other reviews/articles/interviews
http://www.furtherfield.org/reviews.php
The Netbehaviour list
http://www.netbehaviour.org/
living it, breathing it, making it, curating it, translating it.
A selection of recent Blog entries below,
to read more visit - http://blog.furtherfield.org
Ruth Catlow.
Overland: the first leg to Human Nature.
As part of honouring a pledge made with Marc Garrett 'We Won't Fly For Art', http://www.pledgebank.com/wewontflyforart/ - Ruth has actively taken on the difficult task of choosing alternative ways of getting to Ars Electronica's 30 year celebration festival in Linz, Austria and The Eclectic Tech Carnival in Istanbul, Turkey. Overland: the first leg to Human Nature, is her 1st written account of this 10 day journey from London and back which also includes video entries uploaded from her mobile phone.
http://blog.furtherfield.org/?q=blog/3
Helen Varley Jamieson.
Outside ISEA.
Helen, visiting the UK, Island, Austria and Turkey has undergone a long period of travel from New Zealand. On her blog you can read various journals about her visit to ISEA 2009 (Inter-Society for the Electronic Arts). Return again to catch up with her soon to be uploaded experiences of her visit to Ars Electronica and The Eclectic Tech Carnival.
http://blog.furtherfield.org/?q=blog/28
jonCates
lists, boards, friends + feeds (PART IV).
Jon continues to enthrall us with intellegent and imaginative blog contributions which not only contain detailed studies on the history of media art and net art and Internet mailing list culture, but also thrown into the heady mix, are some beautiful visuals worth hanging on any wall. Visit and explore his series' of 'lists, boards, friends + feeds'.
http://blog.furtherfield.org/?q=blog/5
--------------------------------->
More about The Furtherfield Blog:
This multi-blog is a place to intuitively explore media arts and related practices, together, as it occurs, to develop understanding and to learn, without any pressure to formulate conclusions, it is about experience and process, the bits in between. Set up in Autumn 2006, initially as a place for informal, day to day exchange between members of the Furtherfield.org team, including editors/reviewers. We soon discovered this format suited some people more than others and are now open to new contributors. The blog is not intended as a platform to promote particular projects. Instead it invites individuals to explore their own perspectives on their own terms; personal thoughts, emotional responses and critical intentions rarely publicly discussed elsewhere.
Other Info:
Furtherfield
http://www.furtherfield.org
We are on Twitter
http://twitter.com/furtherfield
Other reviews/articles/interviews
http://www.furtherfield.org/reviews.php
The Netbehaviour list
http://www.netbehaviour.org/
Class Wargames presents The Game of War - HTTP Gallery
Dates:
Thu Sep 03, 2009 00:00 - Thu Sep 03, 2009
Class Wargames presents
The Game of War Weekend at the HTTP Gallery.
Sat 26th September:
Participatory demonstration - Marcel Duchamp meets Blue Peter.
Sun 27th September:
World Premier of Class Wargames film - The Game of War.
The Situationist Raoul Vaneigem famously wrote "There are no more artists since we've all become artists. Our next work of art is the construction of a full-blooded life." - The Revolution of Everyday Life.
Debord, strategist of the Situationist International, developed the game while in exile after the May '68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game - come and learn how to fight and win against the oppressors of the spectacular society! Join the Class Wargames crew, Richard Barbrook, Fabian Tompsett, Ilze Black and others, in redefining political and contextual territories.
On Saturday the 26th, Class Wargames presents 'Marcel Duchamp meets Blue Peter', a day of making and playing Guy Debord's The Game of War.
Sunday is the World Premier launch of the Class Wargames' film - The Game of War. Directed by Ilze Black; script writers Richard Barbrook and Fabian Tompsett; xenography by Alex Veness, voice over by Hayley Newman and Alex Veness.
For more information about Class Wargames and players:
http://www.classwargames.net
http://www.classwargames.net/pages/aboutus.html
Game of War Weekend Schedule:
Marcel Duchamp meets Blue Peter.
Day 1 - 12-5pm Saturday 26th September.
12.00 meet and greet
12.15 introduction by Class Wargames
12.30 building your own game, learning to play and participatory game playing
17.00 day is over
Film Launch of The Game of War by Class Wargames
Day 2 - Day 1 - 12-5pm Sunday 27th September.
12.00 meet and greet
12.15 View games exhibition and film
14.30 Talk by Class Wargames
15.00 Film launch of film & drinks
17.00 day is over
For more information about the event please visit HTTP Gallery website.
To take part in the game please RSVP toale[AT]furtherfield[DOT]org
Booking Essential - Contact: ale[AT]furtherfield[DOT]org
Contact:
Ale, HTTP Gallery
email: ale[AT]furtherfield[DOT]org
HTTP Gallery
Unit A2, Arena Design Centre
71 Ashfield Road
London N4 1LD
+44(0)79 8129 2734
Click here for map and location details
http://www.http.uk.net/docs/gettingto.shtml
With thanks to the Arts Council of England for their support
The Game of War Weekend at the HTTP Gallery.
Sat 26th September:
Participatory demonstration - Marcel Duchamp meets Blue Peter.
Sun 27th September:
World Premier of Class Wargames film - The Game of War.
The Situationist Raoul Vaneigem famously wrote "There are no more artists since we've all become artists. Our next work of art is the construction of a full-blooded life." - The Revolution of Everyday Life.
Debord, strategist of the Situationist International, developed the game while in exile after the May '68 Revolution, and came to regard it as his most important project. For Debord, The Game of War wasn’t just a game - come and learn how to fight and win against the oppressors of the spectacular society! Join the Class Wargames crew, Richard Barbrook, Fabian Tompsett, Ilze Black and others, in redefining political and contextual territories.
On Saturday the 26th, Class Wargames presents 'Marcel Duchamp meets Blue Peter', a day of making and playing Guy Debord's The Game of War.
Sunday is the World Premier launch of the Class Wargames' film - The Game of War. Directed by Ilze Black; script writers Richard Barbrook and Fabian Tompsett; xenography by Alex Veness, voice over by Hayley Newman and Alex Veness.
For more information about Class Wargames and players:
http://www.classwargames.net
http://www.classwargames.net/pages/aboutus.html
Game of War Weekend Schedule:
Marcel Duchamp meets Blue Peter.
Day 1 - 12-5pm Saturday 26th September.
12.00 meet and greet
12.15 introduction by Class Wargames
12.30 building your own game, learning to play and participatory game playing
17.00 day is over
Film Launch of The Game of War by Class Wargames
Day 2 - Day 1 - 12-5pm Sunday 27th September.
12.00 meet and greet
12.15 View games exhibition and film
14.30 Talk by Class Wargames
15.00 Film launch of film & drinks
17.00 day is over
For more information about the event please visit HTTP Gallery website.
To take part in the game please RSVP toale[AT]furtherfield[DOT]org
Booking Essential - Contact: ale[AT]furtherfield[DOT]org
Contact:
Ale, HTTP Gallery
email: ale[AT]furtherfield[DOT]org
HTTP Gallery
Unit A2, Arena Design Centre
71 Ashfield Road
London N4 1LD
+44(0)79 8129 2734
Click here for map and location details
http://www.http.uk.net/docs/gettingto.shtml
With thanks to the Arts Council of England for their support
Review of The Freesound Project
Dates:
Wed Sep 02, 2009 00:00 - Wed Sep 02, 2009
Review of The Freesound Project by Rob Myers
The Freesound Project web site is a Free Culture sound repository similar to OpenClipArt for illustration, Project Gutenberg for text or the Prelinger Archive for film. Launched in May 2005 in Barcelona by the Music Technology Group of Pompeu Fabra University, it quickly attracted contributors and an audience from around the world.
Freesound is a sound repository rather than a music or audio repository. It contains samples of noises rather than of music or spoken word recordings. If you do want music there are several excellent music sites elsewhere on the Internet, from an artistic point of view notably Sal Randolph's OpSound. But these focus on completed tracks rather than raw sound materials, and are limited to music. Freesound has no such limitation.
Other Info:
We are on Twitter
http://twitter.com/furtherfield
Other reviews/articles/interviews
http://www.furtherfield.org/reviews.php
The Netbehaviour list
http://www.netbehaviour.org/
Furtherfield
http://www.furtherfield.org
The Freesound Project web site is a Free Culture sound repository similar to OpenClipArt for illustration, Project Gutenberg for text or the Prelinger Archive for film. Launched in May 2005 in Barcelona by the Music Technology Group of Pompeu Fabra University, it quickly attracted contributors and an audience from around the world.
Freesound is a sound repository rather than a music or audio repository. It contains samples of noises rather than of music or spoken word recordings. If you do want music there are several excellent music sites elsewhere on the Internet, from an artistic point of view notably Sal Randolph's OpSound. But these focus on completed tracks rather than raw sound materials, and are limited to music. Freesound has no such limitation.
Other Info:
We are on Twitter
http://twitter.com/furtherfield
Other reviews/articles/interviews
http://www.furtherfield.org/reviews.php
The Netbehaviour list
http://www.netbehaviour.org/
Furtherfield
http://www.furtherfield.org