ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Trajectories: How to Reconcile the Careerist Mentality with Our Impending Doom. Alternative Knowledge Part 4.
Dates:
Tue Jul 27, 2010 00:00 - Tue Jul 27, 2010

Articles by Ellie Harrison
From September 2008 - June 2010, Ellie Harrison undertook a Leverhulme Scholarship on the Master of Fine Art programme at Glasgow School of Art. The thesis published forms one of the major outcomes of her research during this period. This is part one of four weekly articles to be published on Furtherfield.
How Can We Continue Making Art? - which questions whether there is a place for art in a world which is fast approaching environmental catastrophe, and Altermoderism: The Age of Stupid (http://tinyurl.com/32a3wr7) published on Furtherfield (26/8/09) - which uses Nicolas Bourriaud's Altermodern exhibition at Tate Britain in 2009 as a paradigm for exploring the art world institution's lack of acknowledgement and action over climate change.
Trajectories: How to Reconcile the Careerist Mentality with Our Impending Doom, addresses the ethical implications of continuing to choose the career of artist in the twenty-first century. It is a manifesto of sorts, written from the personal perspective of a young UK-based artist looking to identify worthwhile reasons for continuing down this 'self-interested' path, given that the future we are likely to face as a result of climate change, is so different from how we dreamt our careers might pan out whilst growing up under Thatcher and New Labour. It explores how we should aim to evolve our roles as artists, in light of this, and what form a new 'reconciled practice' might take.
Part 1. Setting the Scene.
http://www.furtherfield.org/displayreview.php?review\_id=393
Part 2. A Rude Awakening.
http://www.furtherfield.org/displayreview.php?review\_id=394
Part 3. Plan of Action.
http://www.furtherfield.org/displayreview.php?review\_id=395
————>
Other Info:
A living, breathing, thriving networked neighbourhood...
We are on identi.ca & Twitter
http://identi.ca/furtherfield
http://twitter.com/furtherfield
Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php
Furtherfield - online media arts community, platforms for creating,
viewing, discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org
HTTP Gallery - physical media arts Gallery (London).
http://www.http.uk.net
Cyber Sex Sensation
Hi Diletta,
The approach of the song is kind of a Ballardian perspective. Because, most of humanity feels the need to hand over self-control to others, feeling more emotionally secure in regard to technology, religion and state-politics, especially neoliberalism now - I chose technology as an ideology, a subject of inner impulses and universal desires. Whether they concern people in respect of conforming to corporate desire through being a product themselves, such as being part of the new 'consumer class', or with older forms of cultural dominance. But there is also s play on the trad-freud thang, of sexual desire underpinning the psychological relationship 'as' mother and father, which is the INTERNET.
thanks for your question :-)
marc
----here are the original words.
I will no longer have to touch the key board to tap out my agendas and personal vendettas
and what's more I will no longer need a screen to dream
I will no longer need physical space once I have jumped into the immaterial once I have emerged
into that transcendental mental state of dreamlike synthesis of
sub
sub
sub.............conscious desire
digital desire will supersede visceral need flesh will be obsolete and without a comp I will feel incomplete
sex games via Microsoft sega and the rest designed scenarios made for my pleasure with luscious effects
to astound
tap
tap
tapping into the profound with sense surround
new toys for us little boys & girls to act out our lack will flood the market
companies will dictate our actions via interactive means - schemes
to cum
into the
sublime
engulfed
by the other
which is
seemingly
universal
blinded by
the compliance
that science gives
complicity
will be...
...second nature
displaced bodies will become
antibodies
anti visceral
anti physical
afraid of emotional
truth's within
clouding the membrane
with non-brain solutions
with the appliance of science
and all what it feeds and
when I lie back
after the experience
of digital sensation
contemplation of the orgasm
the word love
would of somehow
of escaped my thought's stream....
The approach of the song is kind of a Ballardian perspective. Because, most of humanity feels the need to hand over self-control to others, feeling more emotionally secure in regard to technology, religion and state-politics, especially neoliberalism now - I chose technology as an ideology, a subject of inner impulses and universal desires. Whether they concern people in respect of conforming to corporate desire through being a product themselves, such as being part of the new 'consumer class', or with older forms of cultural dominance. But there is also s play on the trad-freud thang, of sexual desire underpinning the psychological relationship 'as' mother and father, which is the INTERNET.
thanks for your question :-)
marc
----here are the original words.
I will no longer have to touch the key board to tap out my agendas and personal vendettas
and what's more I will no longer need a screen to dream
I will no longer need physical space once I have jumped into the immaterial once I have emerged
into that transcendental mental state of dreamlike synthesis of
sub
sub
sub.............conscious desire
digital desire will supersede visceral need flesh will be obsolete and without a comp I will feel incomplete
sex games via Microsoft sega and the rest designed scenarios made for my pleasure with luscious effects
to astound
tap
tap
tapping into the profound with sense surround
new toys for us little boys & girls to act out our lack will flood the market
companies will dictate our actions via interactive means - schemes
to cum
into the
sublime
engulfed
by the other
which is
seemingly
universal
blinded by
the compliance
that science gives
complicity
will be...
...second nature
displaced bodies will become
antibodies
anti visceral
anti physical
afraid of emotional
truth's within
clouding the membrane
with non-brain solutions
with the appliance of science
and all what it feeds and
when I lie back
after the experience
of digital sensation
contemplation of the orgasm
the word love
would of somehow
of escaped my thought's stream....
Cyber Sex Sensation
Cyber Sex Sensation

to cum into the sublime
engulfed by the other
which is seemingly universal
blinded by the compliance
displaced bodies will
become anti-bodies
anti-physical and
anti-visceral
http://www.furtherfield.org/otmonkeys/docs/cyber_sex_sensation.htm
or download track from here...
http://www.furtherfield.org/otmonkeys/musik/cyber_sex_sensation.mp3

to cum into the sublime
engulfed by the other
which is seemingly universal
blinded by the compliance
displaced bodies will
become anti-bodies
anti-physical and
anti-visceral
http://www.furtherfield.org/otmonkeys/docs/cyber_sex_sensation.htm
or download track from here...
http://www.furtherfield.org/otmonkeys/musik/cyber_sex_sensation.mp3
The Status Project: Data-Mining Our Identities.
Dates:
Thu Jul 22, 2010 00:00 - Thu Jul 22, 2010
The Status Project: Data-Mining Our Identities.

An Interview with Heath Bunting - Part 1.
In this two part interview, Marc Garrett discusses with Heath Bunting his current work within two distinctive areas of digital culture and sport-art starting with The Status Project, which studies the construction of our 'official identities' and creates what Bunting describes as "...an expert system for identity mutation".
His research explores how information supplied by the public in their interaction with organisations and institutions is logged. The project draws on his direct encounters with specific database collection processes and the information he was obliged to supply in his life as a public citizen, in order to access specific services; also on data collected from the Internet and from information found on governmental databases. This data is then used to map and illustrate how we behave, relate, choose things, travel and move around in social spaces. The project surveys individuals on a local, national and international level producing maps of influence and personal portraits for both comprehension and social mobility.
————>
Other Info:
A living, breathing, thriving networked neighbourhood...
We are on identi.ca & Twitter
http://identi.ca/furtherfield
http://twitter.com/furtherfield
Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php
Furtherfield - online media arts community, platforms for creating,
viewing, discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org
HTTP Gallery - physical media arts Gallery (London).
http://www.http.uk.net
Netbehaviour - an open email list community engaged in the process of
sharing and actively evolving critical approaches, methods and ideas
focused around contemporary networked media arts practice.
http://www.netbehaviour.org
Join Furtherfield.org on Resonance 104.4FM - weekly Broadcasts
http://www.furtherfield.org/resonancefm.php
Furtherfield Blog - shared space for personal reflections on media art
practice. http://blog.furtherfield.org
VisitorsStudio - real-time, multi-user, online arena for creative ‘many
to many’ dialogue, networked performance and collaborative polemic.
http://www.visitorsstudio.org/x.html
Furthernoise - an online platform for the creation, promotion,
criticism and archiving of innovative cross genre music and sound art
for the information & interaction of the public and artists alike.
http://www.furthernoise.org

An Interview with Heath Bunting - Part 1.
In this two part interview, Marc Garrett discusses with Heath Bunting his current work within two distinctive areas of digital culture and sport-art starting with The Status Project, which studies the construction of our 'official identities' and creates what Bunting describes as "...an expert system for identity mutation".
His research explores how information supplied by the public in their interaction with organisations and institutions is logged. The project draws on his direct encounters with specific database collection processes and the information he was obliged to supply in his life as a public citizen, in order to access specific services; also on data collected from the Internet and from information found on governmental databases. This data is then used to map and illustrate how we behave, relate, choose things, travel and move around in social spaces. The project surveys individuals on a local, national and international level producing maps of influence and personal portraits for both comprehension and social mobility.
————>
Other Info:
A living, breathing, thriving networked neighbourhood...
We are on identi.ca & Twitter
http://identi.ca/furtherfield
http://twitter.com/furtherfield
Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php
Furtherfield - online media arts community, platforms for creating,
viewing, discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org
HTTP Gallery - physical media arts Gallery (London).
http://www.http.uk.net
Netbehaviour - an open email list community engaged in the process of
sharing and actively evolving critical approaches, methods and ideas
focused around contemporary networked media arts practice.
http://www.netbehaviour.org
Join Furtherfield.org on Resonance 104.4FM - weekly Broadcasts
http://www.furtherfield.org/resonancefm.php
Furtherfield Blog - shared space for personal reflections on media art
practice. http://blog.furtherfield.org
VisitorsStudio - real-time, multi-user, online arena for creative ‘many
to many’ dialogue, networked performance and collaborative polemic.
http://www.visitorsstudio.org/x.html
Furthernoise - an online platform for the creation, promotion,
criticism and archiving of innovative cross genre music and sound art
for the information & interaction of the public and artists alike.
http://www.furthernoise.org
Stop the Victimisation of Ricardo Dominguez
I want Rhizome, which I love dearly & perhaps too sentimentally, to do the right thing... "
Too late...
Too late...