ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
New reviews on Furtherfield - October 2004.
*New reviews on Furtherfield - October 2004.*
You can access reviews from our homepage http://www.furtherfield.org or
access them separately via introductory paragraphs below...
*Amorphoscapes - Stanza.
Review by David Jennings.*
Stanza's Amorphoscapes contains twenty audio-visual Shockwave pieces
built using generative principles, with varying degrees of
interactivity. The works currently on view were made between 1998 and
2003. While many may think of Stanza mainly in terms of the interactive
sound elements of his apparently prolific output in interactive sound
art (Stanza also curates the Soundtoys.net site and has many other
projects featured at www.stanza.co.uk), the visual element of the
amorphoscape pieces has a strong presence.
http://www.furtherfield.org/displayreview.php?From=Index&review_id3
*Places i have never been people i have never seen by Jess Loseby (2004).
Review by Katya Moorman.*
To take a snapshot is to capture a moment of time. A decision is made by
the photographer, the shutter is pressed and there you have it. What
Jess Loseby has done is to discover the photos of others by searching
for particular phrases via a search engine and seeing what images are
brought up by keywords like "at the shops" or "in the lane". It's a bit
like finding photos at a flea market that have been arranged by subject
matter. A remnant of the witness. In places I have never been, people I
have never seen Jess Loseby finds other people's moments and instills
new meaning by choice of focus.
http://www.furtherfield.org/displayreview.php?From=Index&review_id2
*'Being Boring' an evolutive net.film by Fran Illitch (2004).
Review by Joachim Desarmenien.*
No Playstation. No TV. Real Life. For a week - The story is quite
simple: 2 girls lose their TV so they have to find a life of their own
until the TV is repaired, which will take at least a week. A week
without Telenovelas, without MTV, without the Discovery Channel, without
Big Brother, without TV ads, without talk shows, without Coca-Cola ads,
no world news updates, no dream cars to win, no money to cash in, and
worse, all those full days with nothing to do.
http://www.furtherfield.org/displayreview.php?From=Index&review_id4
*Review of "Hlemmur in C" Pall Thayer (2004).
Review by Patrick Simons.*
In 1964 Terry Riley first performed "In C " in San Francisco, a piece of
music which is determined by the interrelationship between the
instructions set by the composer and the musicians who work their way
through the patterns of notes or data as they will. Thayer's "Hlemmur
in C" is similarly conceived, a project which contrives to produce an
audio/visual work from a set of human actions (G.P.S. tracked taxi
journeys) which are used to produce a set a data (tones and pin pricks).
http://www.furtherfield.org/displayreview.php?From=Index&review_id5
______________________________
Main portals...
http://www.furtherfield.org
http://www.http.uk.net/
http://www.furtherstudio.org/live/
http://www.furthertxt.org/
http://www.furtherfield.org/furthernoise/
You can access reviews from our homepage http://www.furtherfield.org or
access them separately via introductory paragraphs below...
*Amorphoscapes - Stanza.
Review by David Jennings.*
Stanza's Amorphoscapes contains twenty audio-visual Shockwave pieces
built using generative principles, with varying degrees of
interactivity. The works currently on view were made between 1998 and
2003. While many may think of Stanza mainly in terms of the interactive
sound elements of his apparently prolific output in interactive sound
art (Stanza also curates the Soundtoys.net site and has many other
projects featured at www.stanza.co.uk), the visual element of the
amorphoscape pieces has a strong presence.
http://www.furtherfield.org/displayreview.php?From=Index&review_id3
*Places i have never been people i have never seen by Jess Loseby (2004).
Review by Katya Moorman.*
To take a snapshot is to capture a moment of time. A decision is made by
the photographer, the shutter is pressed and there you have it. What
Jess Loseby has done is to discover the photos of others by searching
for particular phrases via a search engine and seeing what images are
brought up by keywords like "at the shops" or "in the lane". It's a bit
like finding photos at a flea market that have been arranged by subject
matter. A remnant of the witness. In places I have never been, people I
have never seen Jess Loseby finds other people's moments and instills
new meaning by choice of focus.
http://www.furtherfield.org/displayreview.php?From=Index&review_id2
*'Being Boring' an evolutive net.film by Fran Illitch (2004).
Review by Joachim Desarmenien.*
No Playstation. No TV. Real Life. For a week - The story is quite
simple: 2 girls lose their TV so they have to find a life of their own
until the TV is repaired, which will take at least a week. A week
without Telenovelas, without MTV, without the Discovery Channel, without
Big Brother, without TV ads, without talk shows, without Coca-Cola ads,
no world news updates, no dream cars to win, no money to cash in, and
worse, all those full days with nothing to do.
http://www.furtherfield.org/displayreview.php?From=Index&review_id4
*Review of "Hlemmur in C" Pall Thayer (2004).
Review by Patrick Simons.*
In 1964 Terry Riley first performed "In C " in San Francisco, a piece of
music which is determined by the interrelationship between the
instructions set by the composer and the musicians who work their way
through the patterns of notes or data as they will. Thayer's "Hlemmur
in C" is similarly conceived, a project which contrives to produce an
audio/visual work from a set of human actions (G.P.S. tracked taxi
journeys) which are used to produce a set a data (tones and pin pricks).
http://www.furtherfield.org/displayreview.php?From=Index&review_id5
______________________________
Main portals...
http://www.furtherfield.org
http://www.http.uk.net/
http://www.furtherstudio.org/live/
http://www.furthertxt.org/
http://www.furtherfield.org/furthernoise/
Rosalind is Born.
*Rosalind is Born.*
*Rosalind,* an upstart new media art lexicon, has just been born
following a sheltered 9 month gestation.
http://www.furtherfield.org/gestation/
Feed Rosalind with your own words and definitions to express and declare
what you are, what you do and the worlds you create, on your own terms.
*Influence and mutate her, help her to maturity.*
*Your words may:-*
- describe something very particular to your life/experience/work &
net-based behaviour.
- be invented in a moment of desperation.
- arise in conversation or dialogue with others.
- already be in circulation yet not officially seen or accepted by new
media academics.
*What definitions will related to:*
Net art, new media, psychogeography, online performance, real-time
creativity, soft groups, new media writers, code geeks, net curators,
new media curators, relationalists, activists, networkers, networked
collecitves, net activism, social networks, net mutualists, net sufi's...
*Information about Rosalind's Gestation period
==================================*
*Rosalind began as GEST@TION*, a hidden project. This ensured that the
vocabulary was able to develop in a nurturing space unmediated and
consumed by outside sources and without interference or exploitation by
ruthless individuals or term-hungry institutions;-)
This project was concieved in January 2004 For 9 months the nascent
lexicon was fed with words and their definitions.
In early September 2004 we agreed a name for the lexicon- Rosalind-
after Rosalind Franklin
(http://www.accessexcellence.org/RC/AB/BC/Rosalind_Franklin.html) and
launched it to the world to be influenced, mutated and helped to
maturity by all who interact with it.
*The Gest@tors were:*
marc garrett, neil jenkins, ruth catlow, helen varley jamieson, karla
ptacek, andy deck, joseph & donna mcelroy, alan sondheim, ryan griffis,
michael szpakowski, patrick lichty, maya kalogera and alexandra reill.
Participants may wish to adopt new terms as they are added to the
lexicon. If so, the person who submits the term in question should embed
the definition that links to a web page on their own site, or a project
that they were involved with. The term can then be referenced in the
public location.
*GEST@TION is a Furtherfield project.*
http://www.furtherfield.org
*Rosalind,* an upstart new media art lexicon, has just been born
following a sheltered 9 month gestation.
http://www.furtherfield.org/gestation/
Feed Rosalind with your own words and definitions to express and declare
what you are, what you do and the worlds you create, on your own terms.
*Influence and mutate her, help her to maturity.*
*Your words may:-*
- describe something very particular to your life/experience/work &
net-based behaviour.
- be invented in a moment of desperation.
- arise in conversation or dialogue with others.
- already be in circulation yet not officially seen or accepted by new
media academics.
*What definitions will related to:*
Net art, new media, psychogeography, online performance, real-time
creativity, soft groups, new media writers, code geeks, net curators,
new media curators, relationalists, activists, networkers, networked
collecitves, net activism, social networks, net mutualists, net sufi's...
*Information about Rosalind's Gestation period
==================================*
*Rosalind began as GEST@TION*, a hidden project. This ensured that the
vocabulary was able to develop in a nurturing space unmediated and
consumed by outside sources and without interference or exploitation by
ruthless individuals or term-hungry institutions;-)
This project was concieved in January 2004 For 9 months the nascent
lexicon was fed with words and their definitions.
In early September 2004 we agreed a name for the lexicon- Rosalind-
after Rosalind Franklin
(http://www.accessexcellence.org/RC/AB/BC/Rosalind_Franklin.html) and
launched it to the world to be influenced, mutated and helped to
maturity by all who interact with it.
*The Gest@tors were:*
marc garrett, neil jenkins, ruth catlow, helen varley jamieson, karla
ptacek, andy deck, joseph & donna mcelroy, alan sondheim, ryan griffis,
michael szpakowski, patrick lichty, maya kalogera and alexandra reill.
Participants may wish to adopt new terms as they are added to the
lexicon. If so, the person who submits the term in question should embed
the definition that links to a web page on their own site, or a project
that they were involved with. The term can then be referenced in the
public location.
*GEST@TION is a Furtherfield project.*
http://www.furtherfield.org
New reviews & articles on Furtherfield - September 2004.
*New reviews & articles on Furtherfield - September 2004.*
You can access reviews & articles from our homepage
http://www.furtherfield.org or access them separately via introductory
paragraphs below...
*Eclectic Tech Carnival (/etc) 2004
By Helen Varley Jamieson.
*Second of a series of articles by Helen for Furtherfield.org
documenting her participation with commentary of her experiences at
networked media festivals.
"The first Eclectic Tech Carnival took place in Pula, Croatia in 2002,
last year it happened in Athens, Greece, and already plans are afoot
for /etc 2005 in a location to be announced. Each event has been
organised by local women inspired by the previous /etc, and by the
desire to create a positive space for women to learn about and play with
computers. As long as this grass-roots desire exists, there will be an
/etc. What drives /etc, and what brought the internet back from the dead
for our performance of "swim", is this spirit of co-operation, sharing
and of getting on and doing what needs to be done."
http://www.furtherfield.org/displayreview.php?From=Index&review_id9
*Revisiting Collateral Assets by Deb King
Review by Molly Hankwitz*
"Deb King is a dedicated online artist and publisher, with a background
in dance and performance art, that works out of Detroit, Michigan. She
is one of the few who successfully develops online publishing as a
community-building practice, and not just as an attribute of new
technologies. "Collateral Assets" started in the wake of the World Trade
Centre disaster and bespeaks the possible effectiveness of internet art
to communicate where other forms cannot. This work is high-concept and
low-tech, utilizing email, digital photography, audio, and text to
speak volumes about the political makeup of political identity.
Moreover, it is a message about war, geography, and power." As part of
the Furtherfield and Net Art Review exchange.
http://www.furtherfield.org/displayreview.php?From=Index&review_id0
*The Furminator by //////////fur////
Review by Pau Waelder*
"Analogue is cool, too: Artists Roman Kirschner, Tilman Reiff and Volker
Morawe have sided with the analogue in their latest project: the
furminator. When most video games are developing realistic, immersive 3D
environments, the furminator invites the player to plunge his head
inside a classic pinball machine, his nose situated right behind the
flipper fingers, only a few centimeters away from the ball. From this
first person perspective, the player feels the same immersive experience
one would get with a VR helmet, but in a fully mechatronic environment."
http://www.furtherfield.org/displayreview.php?From=Index&review_id7
*Painsong by Annie Abrahams
Review by Joachim Desarmenien
*"Your mouse is hurt (not an expression but a proposition about pain).*
*Painsong opens with a simple interface, two images (red dots, freckles
?) on both sides of 15 embeded mp3 players. Below this, is a link to a
related artwork called pain. When the page loads an autostart trigger
plays all the 15 sounds at once, resulting with an incomprehensible
chaotic sound mix. The first sound heard is 'aie', as if someone was
hurt and the last sound is a voice singing "we are all alone with you".
The whole soundwork is composed of sentences, onomatopoeias, and little
songs, pronounced in french, english and dutch."
http://www.furtherfield.org/displayreview.php?From=Index&review_id8
*Jules et Jim by ctgr, Jimpunk and Maya Kalogera
Review by Kate Southworth*
"This is a soft bitter work that starts off as a quirky flow of red,
green and white little pop up windows hopping about the desktop, and
ends brimming with intensity and sadness. It is a re-make of
Henri-Pierre Roche's novel Jules et Jim: an obscure story made famous
by Francois Truffaut's 1962 film adaptation. Like Truffaut's film, this
piece is tightly edited to that the first part (perhaps up to the
Script Alert) giving us a sense of the lively frivoloties of sexual and
emotional goodtimes. As the relationships between the fictional
threesome get kinda complex, Maya, Jimpunk and ctgr treat us to an
onslaught of freeze-frames, jump-cuts and terrifyingly dizzying movement."
http://www.furtherfield.org/displayreview.php?review_id6
_________________________________________
Main portals...
http://www.furtherfield.org
http://www.http.uk.net/
http://www.furtherstudio.org/live/
http://www.furthertxt.org/
http://www.furtherfield.org/furthernoise/
You can access reviews & articles from our homepage
http://www.furtherfield.org or access them separately via introductory
paragraphs below...
*Eclectic Tech Carnival (/etc) 2004
By Helen Varley Jamieson.
*Second of a series of articles by Helen for Furtherfield.org
documenting her participation with commentary of her experiences at
networked media festivals.
"The first Eclectic Tech Carnival took place in Pula, Croatia in 2002,
last year it happened in Athens, Greece, and already plans are afoot
for /etc 2005 in a location to be announced. Each event has been
organised by local women inspired by the previous /etc, and by the
desire to create a positive space for women to learn about and play with
computers. As long as this grass-roots desire exists, there will be an
/etc. What drives /etc, and what brought the internet back from the dead
for our performance of "swim", is this spirit of co-operation, sharing
and of getting on and doing what needs to be done."
http://www.furtherfield.org/displayreview.php?From=Index&review_id9
*Revisiting Collateral Assets by Deb King
Review by Molly Hankwitz*
"Deb King is a dedicated online artist and publisher, with a background
in dance and performance art, that works out of Detroit, Michigan. She
is one of the few who successfully develops online publishing as a
community-building practice, and not just as an attribute of new
technologies. "Collateral Assets" started in the wake of the World Trade
Centre disaster and bespeaks the possible effectiveness of internet art
to communicate where other forms cannot. This work is high-concept and
low-tech, utilizing email, digital photography, audio, and text to
speak volumes about the political makeup of political identity.
Moreover, it is a message about war, geography, and power." As part of
the Furtherfield and Net Art Review exchange.
http://www.furtherfield.org/displayreview.php?From=Index&review_id0
*The Furminator by //////////fur////
Review by Pau Waelder*
"Analogue is cool, too: Artists Roman Kirschner, Tilman Reiff and Volker
Morawe have sided with the analogue in their latest project: the
furminator. When most video games are developing realistic, immersive 3D
environments, the furminator invites the player to plunge his head
inside a classic pinball machine, his nose situated right behind the
flipper fingers, only a few centimeters away from the ball. From this
first person perspective, the player feels the same immersive experience
one would get with a VR helmet, but in a fully mechatronic environment."
http://www.furtherfield.org/displayreview.php?From=Index&review_id7
*Painsong by Annie Abrahams
Review by Joachim Desarmenien
*"Your mouse is hurt (not an expression but a proposition about pain).*
*Painsong opens with a simple interface, two images (red dots, freckles
?) on both sides of 15 embeded mp3 players. Below this, is a link to a
related artwork called pain. When the page loads an autostart trigger
plays all the 15 sounds at once, resulting with an incomprehensible
chaotic sound mix. The first sound heard is 'aie', as if someone was
hurt and the last sound is a voice singing "we are all alone with you".
The whole soundwork is composed of sentences, onomatopoeias, and little
songs, pronounced in french, english and dutch."
http://www.furtherfield.org/displayreview.php?From=Index&review_id8
*Jules et Jim by ctgr, Jimpunk and Maya Kalogera
Review by Kate Southworth*
"This is a soft bitter work that starts off as a quirky flow of red,
green and white little pop up windows hopping about the desktop, and
ends brimming with intensity and sadness. It is a re-make of
Henri-Pierre Roche's novel Jules et Jim: an obscure story made famous
by Francois Truffaut's 1962 film adaptation. Like Truffaut's film, this
piece is tightly edited to that the first part (perhaps up to the
Script Alert) giving us a sense of the lively frivoloties of sexual and
emotional goodtimes. As the relationships between the fictional
threesome get kinda complex, Maya, Jimpunk and ctgr treat us to an
onslaught of freeze-frames, jump-cuts and terrifyingly dizzying movement."
http://www.furtherfield.org/displayreview.php?review_id6
_________________________________________
Main portals...
http://www.furtherfield.org
http://www.http.uk.net/
http://www.furtherstudio.org/live/
http://www.furthertxt.org/
http://www.furtherfield.org/furthernoise/
Re: ICE Conference 23-25th September 2004 Edinburgh
Yep!
I think i got it now...9 times is definately going to get it seen.
marc
>Show! Hide! Show!
>Collections and Critiques
>An Autumn Conference hosted by the Institute for Curatorship and Education (ICE)
>23-25th September 2004
>
>Venue: Hawthornden Lecture Theatre, Weston Link at the National Gallery of Scotland, The Mound, Edinburgh
>
>Speakers:
>Osvaldas Daugelis, MKCiurlionis State Museum of Art, Kaunas, Lithuania
>
>Thomas Deecke - Neues Museum Weserburg Bremen
>
>Marianne Eigenheer - ICE, Edinburgh
>
>Matthew Gale - Tate Modern, London
>
>Walter Grasskamp - Academy of Fine Arts, Munich
>
>Steven Hooper - Sainsbury Centre for the Visual Arts, Norwich
>
>Jean-Hubert Martin - Museum Kunstpalast, Dusseldorf
>
>Hans Ulrich Obrist - Musee d’Art Moderne de la Ville de Paris
>
>Tilman Osterwold - The Paul Klee Centre, Bern
>
>There is an on-going international debate about the role of collections, their display and their uses as the basis for research. Many of the prominent scholars and curators involved are working within specific institutions or at special locations; speakers at this event in Edinburgh are among the most distinguished international professionals.
>
>The purpose of ‘Show! Hide! Show!’ is to bring together museum and gallery professionals to hear and discuss how particular institutions are developing models of curatorship and education with regard to their collections. We are seeking to encourage dialogue between those working in diverse areas of cultural practice, and a broader public for art. The exchange of ideas and methods concerned with the future of collections at this conference will initiate the discussion of these issues as a key focus of attention for ICE.
>
>For more information and the aims of ICE see: www.eca.ac.uk/ice,
>to register for the Conference go to “events”.
>
>The proceedings of the conference will be included in the ICE Yearbook 04 to be published in Spring 2005.
>
>
>The Conference is organised in partnership with the National Galleries of Scotland, with support from the Scottish Arts Council, Goethe Institut Glasgow, ,Prasenz Schweiz, The Swiss General Consulate Manchester,Pro Helvetia and ECA.
>
>Prof Marianne Eigenheer, Director, ICE
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>-> visit: on Fridays the Rhizome.org web site is open to non-members
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
I think i got it now...9 times is definately going to get it seen.
marc
>Show! Hide! Show!
>Collections and Critiques
>An Autumn Conference hosted by the Institute for Curatorship and Education (ICE)
>23-25th September 2004
>
>Venue: Hawthornden Lecture Theatre, Weston Link at the National Gallery of Scotland, The Mound, Edinburgh
>
>Speakers:
>Osvaldas Daugelis, MKCiurlionis State Museum of Art, Kaunas, Lithuania
>
>Thomas Deecke - Neues Museum Weserburg Bremen
>
>Marianne Eigenheer - ICE, Edinburgh
>
>Matthew Gale - Tate Modern, London
>
>Walter Grasskamp - Academy of Fine Arts, Munich
>
>Steven Hooper - Sainsbury Centre for the Visual Arts, Norwich
>
>Jean-Hubert Martin - Museum Kunstpalast, Dusseldorf
>
>Hans Ulrich Obrist - Musee d’Art Moderne de la Ville de Paris
>
>Tilman Osterwold - The Paul Klee Centre, Bern
>
>There is an on-going international debate about the role of collections, their display and their uses as the basis for research. Many of the prominent scholars and curators involved are working within specific institutions or at special locations; speakers at this event in Edinburgh are among the most distinguished international professionals.
>
>The purpose of ‘Show! Hide! Show!’ is to bring together museum and gallery professionals to hear and discuss how particular institutions are developing models of curatorship and education with regard to their collections. We are seeking to encourage dialogue between those working in diverse areas of cultural practice, and a broader public for art. The exchange of ideas and methods concerned with the future of collections at this conference will initiate the discussion of these issues as a key focus of attention for ICE.
>
>For more information and the aims of ICE see: www.eca.ac.uk/ice,
>to register for the Conference go to “events”.
>
>The proceedings of the conference will be included in the ICE Yearbook 04 to be published in Spring 2005.
>
>
>The Conference is organised in partnership with the National Galleries of Scotland, with support from the Scottish Arts Council, Goethe Institut Glasgow, ,Prasenz Schweiz, The Swiss General Consulate Manchester,Pro Helvetia and ECA.
>
>Prof Marianne Eigenheer, Director, ICE
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>-> visit: on Fridays the Rhizome.org web site is open to non-members
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
Do you want to be a reviewer for Futherfield?
Do you want to be a reviewer for Futherfield?
++++++++++++++++++++++++++++++++
Furtherfield constantly receives submissions by excellent artists from
all over the world inviting us to feature their work. As a reviewer you
will be asked to select from these works and contribute to the context
of what is being created and write about why it is relevant. You will
also have the option of seeking out and writing about other works that
you think should be seen.
We are interested in people who understand and know net art, software
art, aspects of new media (if you have a better term please let us
know), social networks, live net art, live Internet tv, open source,
tactical media, art blogs, activist games, relational art & its variants...
If you possess knowledge and enthusiasm for any of these subjects, are
able to write;-) and are interested in being part of a group that is
growing daily as an adventurous community, join the reinvention of the
creative, digitally related vista as we know it.
Also, keen on having a co-editor to help with the editing, collecting and
with input of reviews on furtherfield site.
To find out more about becoming a Furtherfield reviewer please email :
info@furtherfield.org
web site : http://www.furtherfield.org
++++++++++++++++++++++++++++++++
Furtherfield constantly receives submissions by excellent artists from
all over the world inviting us to feature their work. As a reviewer you
will be asked to select from these works and contribute to the context
of what is being created and write about why it is relevant. You will
also have the option of seeking out and writing about other works that
you think should be seen.
We are interested in people who understand and know net art, software
art, aspects of new media (if you have a better term please let us
know), social networks, live net art, live Internet tv, open source,
tactical media, art blogs, activist games, relational art & its variants...
If you possess knowledge and enthusiasm for any of these subjects, are
able to write;-) and are interested in being part of a group that is
growing daily as an adventurous community, join the reinvention of the
creative, digitally related vista as we know it.
Also, keen on having a co-editor to help with the editing, collecting and
with input of reviews on furtherfield site.
To find out more about becoming a Furtherfield reviewer please email :
info@furtherfield.org
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