ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Re: Re: Membership fee
Not a bad one I thought...
marc
> BEST IDEA I'VE SEEN SO FAR.. LET'S DO THIS ONE!
>
> > "furtherfield" <info@furtherfield.org> "Mark Tribe" <mt@rhizome.org>,
<list@rhizome.org> Re: RHIZOME_RAW: Re: Membership feeDate: Tue, 29 Oct 2002
23:47:44 -0000
> >Reply-To: "furtherfield" <info@furtherfield.org>
> >
> >Ok Mark,
> >
> >How about skill swaping - this is also a thing we do. Yep, I know that
> >you've done a bit in the past. But this is an emergency. Offer certain
> >privelages from rhizome like extra publicity/ promotion of art etc in
return
> >for doing ceratin jobs. Make it all open and official so anyone who has a
> >computer skill, no matter how big or small can help in some way.
> >
> >marc
> >
> >
> >> At 08:05 AM 10/29/2002 +0000, Ivan Pope wrote:
> >>
> >> >Funny thing is, possibly the most interesting thing Rhizome does is
> >> >Commissions. But can I find anything about them on the Rhizome site?
> >>
> >> The link is under Art + Text. Or go directly to
> >http://rhizome.org/commissions.
> >>
> >> We are currently waiting for funding to get the next cycle going.
> >>
> >> Best,
> >>
> >> Mark
> >>
> >> + new media rugby
> >> -> post: list@rhizome.org
> >> -> questions: info@rhizome.org
> >> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >> -> give: http://rhizome.org/support
> >> +
> >> Subscribers to Rhizome are subject to the terms set out in the
> >> Membership Agreement available online at http://rhizome.org/info/29.php
> >>
> >>
> >
> >
> >+ new media rugby
> >-> post: list@rhizome.org
> >-> questions: info@rhizome.org
> >-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >-> give: http://rhizome.org/support
> >+
> >Subscribers to Rhizome are subject to the terms set out in the
> >Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
> ------------------------------------------------------------
> Get Your Free and Private Junglist E-mail from Junglist.com
> Register Online Here -> http://www.junglist.com
>
>
> ---------------------------------------------------------------------
> Express yourself with a super cool email address from BigMailBox.com.
> Hundreds of choices. It's free!
> http://www.bigmailbox.com
> ---------------------------------------------------------------------
>
marc
> BEST IDEA I'VE SEEN SO FAR.. LET'S DO THIS ONE!
>
> > "furtherfield" <info@furtherfield.org> "Mark Tribe" <mt@rhizome.org>,
<list@rhizome.org> Re: RHIZOME_RAW: Re: Membership feeDate: Tue, 29 Oct 2002
23:47:44 -0000
> >Reply-To: "furtherfield" <info@furtherfield.org>
> >
> >Ok Mark,
> >
> >How about skill swaping - this is also a thing we do. Yep, I know that
> >you've done a bit in the past. But this is an emergency. Offer certain
> >privelages from rhizome like extra publicity/ promotion of art etc in
return
> >for doing ceratin jobs. Make it all open and official so anyone who has a
> >computer skill, no matter how big or small can help in some way.
> >
> >marc
> >
> >
> >> At 08:05 AM 10/29/2002 +0000, Ivan Pope wrote:
> >>
> >> >Funny thing is, possibly the most interesting thing Rhizome does is
> >> >Commissions. But can I find anything about them on the Rhizome site?
> >>
> >> The link is under Art + Text. Or go directly to
> >http://rhizome.org/commissions.
> >>
> >> We are currently waiting for funding to get the next cycle going.
> >>
> >> Best,
> >>
> >> Mark
> >>
> >> + new media rugby
> >> -> post: list@rhizome.org
> >> -> questions: info@rhizome.org
> >> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >> -> give: http://rhizome.org/support
> >> +
> >> Subscribers to Rhizome are subject to the terms set out in the
> >> Membership Agreement available online at http://rhizome.org/info/29.php
> >>
> >>
> >
> >
> >+ new media rugby
> >-> post: list@rhizome.org
> >-> questions: info@rhizome.org
> >-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >-> give: http://rhizome.org/support
> >+
> >Subscribers to Rhizome are subject to the terms set out in the
> >Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
> ------------------------------------------------------------
> Get Your Free and Private Junglist E-mail from Junglist.com
> Register Online Here -> http://www.junglist.com
>
>
> ---------------------------------------------------------------------
> Express yourself with a super cool email address from BigMailBox.com.
> Hundreds of choices. It's free!
> http://www.bigmailbox.com
> ---------------------------------------------------------------------
>
Re: collateral damage
I agree & I have been and I am, all the time...
marc
>
>
> Marc, my only problem here is that it seems to be a blaming behavior. Of
> course people are going to say that. At the big billions-dollar
investment
> office I was temping in that morning, where I saw the tv image first-time,
> where I opened and distributed prospectuses for Tyco and AOL and
innumerable
> other special offerings, one man--the tech-stock expert--said "kill 'em
all,
> let God sort 'em out." So this isn't new to me. It's painfully clear in
> fact.
>
> A US Senator recently gave a speech that started with "The
Oklahoma-Nebraska
> game is more important than whether or not we go to war in Iraq." He
> continued on to discuss the Eisenhowerian legacy of US leadership in the
> world. The key for us artists is to take an artistic-cognitive view of
> these things; crudely put, we must make artistic sense out of Eisenhower's
> fears about the military-industrial complex dominating human destiny. And
> we must do so fast. Like yesterday.
>
> Full respect as well. The place where God resides in me honors the place
> where God resides in you.
>
> Max
>
> ++
>
>
>
>
> >From: "furtherfield" <info@furtherfield.org>
> >Reply-To: "furtherfield" <info@furtherfield.org>
> >To: <list@rhizome.org>
> >Subject: RHIZOME_RAW: collateral damage
> >Date: Wed, 30 Oct 2002 00:04:01 -0000
> >
> >BlankSenator Zell Miller: "I say bomb the hell out of them. If there's
> >collateral damage, so be it. They certainly found our American civilians
to
> >be expendable." (Sept 12, 2001)
> >
> >
> >
>
>
> _________________________________________________________________
> Choose an Internet access plan right for you -- try MSN!
> http://resourcecenter.msn.com/access/plans/default.asp
>
> + new media rugby
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
marc
>
>
> Marc, my only problem here is that it seems to be a blaming behavior. Of
> course people are going to say that. At the big billions-dollar
investment
> office I was temping in that morning, where I saw the tv image first-time,
> where I opened and distributed prospectuses for Tyco and AOL and
innumerable
> other special offerings, one man--the tech-stock expert--said "kill 'em
all,
> let God sort 'em out." So this isn't new to me. It's painfully clear in
> fact.
>
> A US Senator recently gave a speech that started with "The
Oklahoma-Nebraska
> game is more important than whether or not we go to war in Iraq." He
> continued on to discuss the Eisenhowerian legacy of US leadership in the
> world. The key for us artists is to take an artistic-cognitive view of
> these things; crudely put, we must make artistic sense out of Eisenhower's
> fears about the military-industrial complex dominating human destiny. And
> we must do so fast. Like yesterday.
>
> Full respect as well. The place where God resides in me honors the place
> where God resides in you.
>
> Max
>
> ++
>
>
>
>
> >From: "furtherfield" <info@furtherfield.org>
> >Reply-To: "furtherfield" <info@furtherfield.org>
> >To: <list@rhizome.org>
> >Subject: RHIZOME_RAW: collateral damage
> >Date: Wed, 30 Oct 2002 00:04:01 -0000
> >
> >BlankSenator Zell Miller: "I say bomb the hell out of them. If there's
> >collateral damage, so be it. They certainly found our American civilians
to
> >be expendable." (Sept 12, 2001)
> >
> >
> >
>
>
> _________________________________________________________________
> Choose an Internet access plan right for you -- try MSN!
> http://resourcecenter.msn.com/access/plans/default.asp
>
> + new media rugby
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
Genius 2000 issue
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charset="Windows-1252"
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BlankSo Max,
Why do you think that the people below are not accepting or supporting
Genius 2000? Is this true? Or are they just going through the protocol of
not helping other net groups outside their own circle?
marc
>
>
>
> http://www.nytimes.com/2002/10/28/arts/design/28ARTS.html
>
> This one makes me think that Anderson and Ippolito want to keep a
> stranglehold on digital art. Plus they are both weak fuckfaces who know
> about Genius 2000 but won't comment on it, and time is still up.
>
> Right, Max and Jon? Right.
>
> Max Herman
> www.geocities.com/genius-2000/maxiumus.JPG
>
> ++
>
>
>
>
> _________________________________________________________________
> Broadband? Dial-up? Get reliable MSN Internet Access.
> http://resourcecenter.msn.com/access/plans/default.asp
>
> + new media rugby
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
------=_NextPart_001_002B_01C28005.C6E678E0
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charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
<META http-equiv=Content-Type content="text/html; charset=windows-125=
2"><BASE
href="file://C:Program FilesCommon FilesMicrosoft SharedStationery">
<STYLE>BODY {
MARGIN-TOP: 25px; FONT-SIZE: 10pt; MARGIN-LEFT: 25px; COLOR: #000000; FONT=
-FAMILY: Arial, Helvetica
}
P.msoNormal {
MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
AMILY: Helvetica, "Times New Roman"
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MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
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<META content="MSHTML 6.00.2719.2200" name=GENERATOR></HEAD>
<BODY id=ridBody bgColor=#ffffff
background=cid:002901c28005$c6e42ef0$0600a8c0@FURTHERFIELD>
<DIV>So Max,<BR><BR>Why do you think that the people below are not acceptin=
g or
supporting<BR>Genius 2000? Is this true? Or are they just going through the=
protocol of<BR>not helping other net groups outside their own
circle?<BR><BR>marc<BR><BR><BR>><BR>><BR>><BR>> <A
href="http://www.nytimes.com/2002/10/28/arts/design/28ARTS.html">http://w=
ww.nytimes.com/2002/10/28/arts/design/28ARTS.html</A><BR>><BR>>
This one makes me think that Anderson and Ippolito want to keep a<BR>>=
stranglehold on digital art. Plus they are both weak fuckfaces who
know<BR>> about Genius 2000 but won't comment on it, and time is still=
up.<BR>><BR>> Right, Max and Jon? Right.<BR>><BR>> Max
Herman<BR>> <A
href="http://www.geocities.com/genius-2000/maxiumus.JPG">www.geocities.co=
m/genius-2000/maxiumus.JPG</A><BR>><BR>>
++<BR>><BR>><BR>><BR>><BR>>
_________________________________________________________________<BR>>=
Broadband? Dial-up? Get reliable MSN Internet Access.<BR>> <A
href="http://resourcecenter.msn.com/access/plans/default.asp">http://reso=
urcecenter.msn.com/access/plans/default.asp</A><BR>><BR>>
+ new media rugby<BR>> -> post: <A
href="mailto:list@rhizome.org">list@rhizome.org</A><BR>> -> questio=
ns: <A
href="mailto:info@rhizome.org">info@rhizome.org</A><BR>> ->
subscribe/unsubscribe: <A
href="http://rhizome.org/preferences/subscribe.rhiz">http://rhizome.org/p=
references/subscribe.rhiz</A><BR>>
-> give: <A
href="http://rhizome.org/support">http://rhizome.org/support</A><BR>>=
+<BR>> Subscribers to Rhizome are subject to the terms set out in the<BR=
>>
Membership Agreement available online at <A
href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</A><=
BR>><BR>><BR></DIV>
<P> </P></BODY></HTML>
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Content-Type: text/plain;
charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
BlankSo Max,
Why do you think that the people below are not accepting or supporting
Genius 2000? Is this true? Or are they just going through the protocol of
not helping other net groups outside their own circle?
marc
>
>
>
> http://www.nytimes.com/2002/10/28/arts/design/28ARTS.html
>
> This one makes me think that Anderson and Ippolito want to keep a
> stranglehold on digital art. Plus they are both weak fuckfaces who know
> about Genius 2000 but won't comment on it, and time is still up.
>
> Right, Max and Jon? Right.
>
> Max Herman
> www.geocities.com/genius-2000/maxiumus.JPG
>
> ++
>
>
>
>
> _________________________________________________________________
> Broadband? Dial-up? Get reliable MSN Internet Access.
> http://resourcecenter.msn.com/access/plans/default.asp
>
> + new media rugby
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
------=_NextPart_001_002B_01C28005.C6E678E0
Content-Type: text/html;
charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
<META http-equiv=Content-Type content="text/html; charset=windows-125=
2"><BASE
href="file://C:Program FilesCommon FilesMicrosoft SharedStationery">
<STYLE>BODY {
MARGIN-TOP: 25px; FONT-SIZE: 10pt; MARGIN-LEFT: 25px; COLOR: #000000; FONT=
-FAMILY: Arial, Helvetica
}
P.msoNormal {
MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
AMILY: Helvetica, "Times New Roman"
}
LI.msoNormal {
MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
AMILY: Helvetica, "Times New Roman"
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</STYLE>
<META content="MSHTML 6.00.2719.2200" name=GENERATOR></HEAD>
<BODY id=ridBody bgColor=#ffffff
background=cid:002901c28005$c6e42ef0$0600a8c0@FURTHERFIELD>
<DIV>So Max,<BR><BR>Why do you think that the people below are not acceptin=
g or
supporting<BR>Genius 2000? Is this true? Or are they just going through the=
protocol of<BR>not helping other net groups outside their own
circle?<BR><BR>marc<BR><BR><BR>><BR>><BR>><BR>> <A
href="http://www.nytimes.com/2002/10/28/arts/design/28ARTS.html">http://w=
ww.nytimes.com/2002/10/28/arts/design/28ARTS.html</A><BR>><BR>>
This one makes me think that Anderson and Ippolito want to keep a<BR>>=
stranglehold on digital art. Plus they are both weak fuckfaces who
know<BR>> about Genius 2000 but won't comment on it, and time is still=
up.<BR>><BR>> Right, Max and Jon? Right.<BR>><BR>> Max
Herman<BR>> <A
href="http://www.geocities.com/genius-2000/maxiumus.JPG">www.geocities.co=
m/genius-2000/maxiumus.JPG</A><BR>><BR>>
++<BR>><BR>><BR>><BR>><BR>>
_________________________________________________________________<BR>>=
Broadband? Dial-up? Get reliable MSN Internet Access.<BR>> <A
href="http://resourcecenter.msn.com/access/plans/default.asp">http://reso=
urcecenter.msn.com/access/plans/default.asp</A><BR>><BR>>
+ new media rugby<BR>> -> post: <A
href="mailto:list@rhizome.org">list@rhizome.org</A><BR>> -> questio=
ns: <A
href="mailto:info@rhizome.org">info@rhizome.org</A><BR>> ->
subscribe/unsubscribe: <A
href="http://rhizome.org/preferences/subscribe.rhiz">http://rhizome.org/p=
references/subscribe.rhiz</A><BR>>
-> give: <A
href="http://rhizome.org/support">http://rhizome.org/support</A><BR>>=
+<BR>> Subscribers to Rhizome are subject to the terms set out in the<BR=
>>
Membership Agreement available online at <A
href="http://rhizome.org/info/29.php">http://rhizome.org/info/29.php</A><=
BR>><BR>><BR></DIV>
<P> </P></BODY></HTML>
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OH, AMERICA
Blank
- OH, AMERICA -
Not like the brazen giant of Greek fame,
with conquering limbs astride from land to land;
there at those sea-washed sunset gates, stands
a mighty woman with a torch, whose flame
is imprisoned lightning,
and her name, Liberty, Mother of Exiles.
Penny Rimbaud...
http://www.fuzzynet.co.uk/america.shtml
- OH, AMERICA -
Not like the brazen giant of Greek fame,
with conquering limbs astride from land to land;
there at those sea-washed sunset gates, stands
a mighty woman with a torch, whose flame
is imprisoned lightning,
and her name, Liberty, Mother of Exiles.
Penny Rimbaud...
http://www.fuzzynet.co.uk/america.shtml
Re: collateral damage
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Blank
Naissance d'une rumeur : qui a relie le detournement du vol 77 d'Americ=
an Airlines et l'attentat contre le Pentagone ? La source des informations =
diffusees par la presse n'est pas civile... Dans les premieres heures, =
certains temoins parlent d'un "avion de huit a douze personnes" ou util=
isent le mot de "missile". Mais des temoignages qui ne vont pas dans le s=
ens de la version officielle ont ete tronques par des journaux. Un ca=
hier photos couleurs de 16 pages permet de revenir au faits et de constater=
directement les degats : l'engin qui a percute le Pentagone a perc=
e un tunnel d'environ deux metres de diametre a travers trois bat=
iments. Il serait peut-etre temps de regarder les faits en face. Cette fo=
is sans passion. Car la convergence des temoignages, des photographies et=
des expertises vers la solution d'un missile a des implications incalculab=
les.
Very Rough Translation.
Birth of a rumour: who connected the diversion of flight 77 of American Ai=
rlines and the attack against the Pentagon? The source of the information =
disseminated by the press is not civil... In the first hours, certain pilo=
ts speak about a "plane from eight to twelve people" who use the word "miss=
ile". But of testimonys which do not go in the direction of the official v=
ersion were truncated by newspapers. A book of photographs colors of 16 pa=
ges makes it possible to return to the facts and to note the damage directl=
y: the machine which struck the Pentagon bored a tunnel approximately two =
meters in diameter through three buildings. It would be perhaps time to lo=
ok at the facts opposite. This time without passion. Because the converge=
nce of testimonys, the photographs and the expertises towards the solution =
of a missile has incalculable implications.
----- Original Message -----
From: Joao Pedro
To: furtherfield
Cc: Oliveira Pereira
Sent: Wednesday, October 30, 2002 12:41 PM
Subject: Re: RHIZOME_RAW: collateral damage
... and America civilians they always been dispensables, for certains se=
ctors of America power!
By do way, try this link:
http://www.effroyable-imposture.net
----- Original Message -----
From: furtherfield
To: list@rhizome.org
Sent: Wednesday, October 30, 2002 12:04 AM
Subject: RHIZOME_RAW: collateral damage
Senator Zell Miller: "I say bomb the hell out of them. If there's colla=
teral damage, so be it. They certainly found our American civilians to be e=
xpendable." (Sept 12, 2001)
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charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
<META http-equiv=Content-Type content="text/html; charset=windows-125=
2"><BASE
href="file://C:Program FilesCommon FilesMicrosoft SharedStationery">
<STYLE>BODY {
MARGIN-TOP: 25px; FONT-SIZE: 10pt; MARGIN-LEFT: 25px; COLOR: #000000; FONT=
-FAMILY: Arial, Helvetica
}
P.msoNormal {
MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
AMILY: Helvetica, "Times New Roman"
}
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MARGIN-TOP: 0px; FONT-SIZE: 10pt; MARGIN-LEFT: 0px; COLOR: #ffffcc; FONT-F=
AMILY: Helvetica, "Times New Roman"
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<META content="MSHTML 6.00.2719.2200" name=GENERATOR></HEAD>
<BODY id=ridBody bgColor=#ffffff
background=cid:001601c28013$d67fd130$0600a8c0@FURTHERFIELD>
<DIV> </DIV>
<DIV>Naissance d'une rumeur : qui a relie le detournement du vol 77 d'A=
merican
Airlines et l'attentat contre le Pentagone ? La source des informations
diffusees par la presse n'est pas civile... Dans les premieres heures, =
certains
temoins parlent d'un "avion de huit a douze personnes" ou utilisent le =
mot de
"missile". Mais des temoignages qui ne vont pas dans le sens de la versio=
n
officielle ont ete tronques par des journaux. Un cahier photos couleu=
rs de 16
pages permet de revenir au faits et de constater directement les degats=
:
l'engin qui a percute le Pentagone a perce un tunnel d'environ deux m=
etres de
diametre a travers trois batiments. Il serait peut-etre temps de re=
garder les
faits en face. Cette fois sans passion. Car la convergence des temoignage=
s, des
photographies et des expertises vers la solution d'un missile a des implica=
tions
incalculables.</DIV>
<DIV> </DIV>
<DIV>Very Rough Translation.</DIV>
<DIV> </DIV>
<DIV>Birth of a rumour: who connected the diversion of flight 77 of=
American Airlines and the attack against the Pentagon? The source of =
the
information disseminated by the press is not civil... In the first ho=
urs,
certain pilots speak about a "plane from eight to twelve people" who u=
se
the word "missile". But of testimonys which do not go in the directio=
n of
the official version were truncated by newspapers. A book of photogra=
phs
colors of 16 pages makes it possible to return to the facts and to note the=
damage directly: the machine which struck the Pentagon bored a tunnel=
approximately two meters in diameter through three buildings. It woul=
d be
perhaps time to look at the facts opposite. This time without
passion. Because the convergence of testimonys, the photographs and t=
he
expertises towards the solution of a missile has incalculable
implications.</DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LE=
FT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>Fro=
m:</B>
<A title=oliveirapereira1@sapo.pt href="mailto:oliveirapereira1@sapo.=
pt">Joao
Pedro</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=info@furtherfield.o=
rg
href="mailto:info@furtherfield.org">furtherfield</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Cc:</B> <A title=oliveirapereira1@sa=
po.pt
href="mailto:oliveirapereira1@sapo.pt">Oliveira Pereira</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, October 30, 2002 =
12:41
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: RHIZOME_RAW: collater=
al
damage</DIV>
<DIV><BR></DIV>
<DIV> ... and America civilians they always been dispensables, for=
certains sectors of America power!</DIV>
<DIV> </DIV>
<DIV> By do way, try this link:</DIV>
<DIV> </DIV>
<DIV> <A
href="http://www.effroyable-imposture.net">http://www.effroyable-impost=
ure.net</A></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-=
LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>F=
rom:</B>
<A title=info@furtherfield.org
href="mailto:info@furtherfield.org">furtherfield</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=list@rhizome.org=
href="mailto:list@rhizome.org">list@rhizome.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, October 30, 200=
2 12:04
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RHIZOME_RAW: collateral=
damage</DIV>
<DIV><BR></DIV>
<DIV>
<P
style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px; MARGIN-LEFT: 15px; TEXT-I=
NDENT: -15px"><FONT
face="Times New Roman" size=3>Senator Zell Miller: "I say bomb the =
hell out
of them. If there's collateral damage, so be it. They certainly found o=
ur
American civilians to be expendable." (Sept 12, 2001)</FONT></P><=
/DIV>
<P> </P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
------=_NextPart_001_0018_01C28013.D686FD20--
Content-Type: text/plain;
charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
Blank
Naissance d'une rumeur : qui a relie le detournement du vol 77 d'Americ=
an Airlines et l'attentat contre le Pentagone ? La source des informations =
diffusees par la presse n'est pas civile... Dans les premieres heures, =
certains temoins parlent d'un "avion de huit a douze personnes" ou util=
isent le mot de "missile". Mais des temoignages qui ne vont pas dans le s=
ens de la version officielle ont ete tronques par des journaux. Un ca=
hier photos couleurs de 16 pages permet de revenir au faits et de constater=
directement les degats : l'engin qui a percute le Pentagone a perc=
e un tunnel d'environ deux metres de diametre a travers trois bat=
iments. Il serait peut-etre temps de regarder les faits en face. Cette fo=
is sans passion. Car la convergence des temoignages, des photographies et=
des expertises vers la solution d'un missile a des implications incalculab=
les.
Very Rough Translation.
Birth of a rumour: who connected the diversion of flight 77 of American Ai=
rlines and the attack against the Pentagon? The source of the information =
disseminated by the press is not civil... In the first hours, certain pilo=
ts speak about a "plane from eight to twelve people" who use the word "miss=
ile". But of testimonys which do not go in the direction of the official v=
ersion were truncated by newspapers. A book of photographs colors of 16 pa=
ges makes it possible to return to the facts and to note the damage directl=
y: the machine which struck the Pentagon bored a tunnel approximately two =
meters in diameter through three buildings. It would be perhaps time to lo=
ok at the facts opposite. This time without passion. Because the converge=
nce of testimonys, the photographs and the expertises towards the solution =
of a missile has incalculable implications.
----- Original Message -----
From: Joao Pedro
To: furtherfield
Cc: Oliveira Pereira
Sent: Wednesday, October 30, 2002 12:41 PM
Subject: Re: RHIZOME_RAW: collateral damage
... and America civilians they always been dispensables, for certains se=
ctors of America power!
By do way, try this link:
http://www.effroyable-imposture.net
----- Original Message -----
From: furtherfield
To: list@rhizome.org
Sent: Wednesday, October 30, 2002 12:04 AM
Subject: RHIZOME_RAW: collateral damage
Senator Zell Miller: "I say bomb the hell out of them. If there's colla=
teral damage, so be it. They certainly found our American civilians to be e=
xpendable." (Sept 12, 2001)
------=_NextPart_001_0018_01C28013.D686FD20
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charset="Windows-1252"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
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<BODY id=ridBody bgColor=#ffffff
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<DIV> </DIV>
<DIV>Naissance d'une rumeur : qui a relie le detournement du vol 77 d'A=
merican
Airlines et l'attentat contre le Pentagone ? La source des informations
diffusees par la presse n'est pas civile... Dans les premieres heures, =
certains
temoins parlent d'un "avion de huit a douze personnes" ou utilisent le =
mot de
"missile". Mais des temoignages qui ne vont pas dans le sens de la versio=
n
officielle ont ete tronques par des journaux. Un cahier photos couleu=
rs de 16
pages permet de revenir au faits et de constater directement les degats=
:
l'engin qui a percute le Pentagone a perce un tunnel d'environ deux m=
etres de
diametre a travers trois batiments. Il serait peut-etre temps de re=
garder les
faits en face. Cette fois sans passion. Car la convergence des temoignage=
s, des
photographies et des expertises vers la solution d'un missile a des implica=
tions
incalculables.</DIV>
<DIV> </DIV>
<DIV>Very Rough Translation.</DIV>
<DIV> </DIV>
<DIV>Birth of a rumour: who connected the diversion of flight 77 of=
American Airlines and the attack against the Pentagon? The source of =
the
information disseminated by the press is not civil... In the first ho=
urs,
certain pilots speak about a "plane from eight to twelve people" who u=
se
the word "missile". But of testimonys which do not go in the directio=
n of
the official version were truncated by newspapers. A book of photogra=
phs
colors of 16 pages makes it possible to return to the facts and to note the=
damage directly: the machine which struck the Pentagon bored a tunnel=
approximately two meters in diameter through three buildings. It woul=
d be
perhaps time to look at the facts opposite. This time without
passion. Because the convergence of testimonys, the photographs and t=
he
expertises towards the solution of a missile has incalculable
implications.</DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LE=
FT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>Fro=
m:</B>
<A title=oliveirapereira1@sapo.pt href="mailto:oliveirapereira1@sapo.=
pt">Joao
Pedro</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=info@furtherfield.o=
rg
href="mailto:info@furtherfield.org">furtherfield</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Cc:</B> <A title=oliveirapereira1@sa=
po.pt
href="mailto:oliveirapereira1@sapo.pt">Oliveira Pereira</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, October 30, 2002 =
12:41
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: RHIZOME_RAW: collater=
al
damage</DIV>
<DIV><BR></DIV>
<DIV> ... and America civilians they always been dispensables, for=
certains sectors of America power!</DIV>
<DIV> </DIV>
<DIV> By do way, try this link:</DIV>
<DIV> </DIV>
<DIV> <A
href="http://www.effroyable-imposture.net">http://www.effroyable-impost=
ure.net</A></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-=
LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>F=
rom:</B>
<A title=info@furtherfield.org
href="mailto:info@furtherfield.org">furtherfield</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=list@rhizome.org=
href="mailto:list@rhizome.org">list@rhizome.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, October 30, 200=
2 12:04
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> RHIZOME_RAW: collateral=
damage</DIV>
<DIV><BR></DIV>
<DIV>
<P
style="MARGIN-TOP: 0px; MARGIN-BOTTOM: 0px; MARGIN-LEFT: 15px; TEXT-I=
NDENT: -15px"><FONT
face="Times New Roman" size=3>Senator Zell Miller: "I say bomb the =
hell out
of them. If there's collateral damage, so be it. They certainly found o=
ur
American civilians to be expendable." (Sept 12, 2001)</FONT></P><=
/DIV>
<P> </P></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
------=_NextPart_001_0018_01C28013.D686FD20--