ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Mesopotamia. Babylon. The Tigris and Euphrates
Mesopotamia. Babylon. The Tigris and Euphrates
How many children, in how many classrooms, over how many centuries, have ha=
ng-glided through the past, transported on the wings of these words? And no=
w the bombs are falling, incinerating and humiliating that ancient civilisa=
tion
Arundhati Roy
Wednesday April 2, 2003
The Guardian
On the steel torsos of their missiles, adolescent American soldiers scrawl =
colourful messages in childish handwriting: For Saddam, from the Fat Boy Po=
sse. A building goes down. A marketplace. A home. A girl who loves a boy. A=
child who only ever wanted to play with his older brother's marbles.
On March 21, the day after American and British troops began their illegal =
invasion and occupation of Iraq, an "embedded" CNN correspondent interviewe=
d an American soldier. "I wanna get in there and get my nose dirty," Privat=
e AJ said. "I wanna take revenge for 9/11."
To be fair to the correspondent, even though he was "embedded" he did sort =
of weakly suggest that so far there was no real evidence that linked the Ir=
aqi government to the September 11 attacks. Private AJ stuck his teenage to=
ngue out all the way down to the end of his chin. "Yeah, well that stuff's =
way over my head," he said.
According to a New York Times/CBS News survey, 42 per cent of the American =
public believes that Saddam Hussein is directly responsible for the Septemb=
er 11 attacks on the World Trade Centre and the Pentagon. And an ABC news p=
oll says that 55 per cent of Americans believe that Saddam Hussein directly=
supports al-Qaida. What percentage of America's armed forces believe these=
fabrications is anybody's guess.
http://www.guardian.co.uk/Print/0,3858,4638796,00.html
How many children, in how many classrooms, over how many centuries, have ha=
ng-glided through the past, transported on the wings of these words? And no=
w the bombs are falling, incinerating and humiliating that ancient civilisa=
tion
Arundhati Roy
Wednesday April 2, 2003
The Guardian
On the steel torsos of their missiles, adolescent American soldiers scrawl =
colourful messages in childish handwriting: For Saddam, from the Fat Boy Po=
sse. A building goes down. A marketplace. A home. A girl who loves a boy. A=
child who only ever wanted to play with his older brother's marbles.
On March 21, the day after American and British troops began their illegal =
invasion and occupation of Iraq, an "embedded" CNN correspondent interviewe=
d an American soldier. "I wanna get in there and get my nose dirty," Privat=
e AJ said. "I wanna take revenge for 9/11."
To be fair to the correspondent, even though he was "embedded" he did sort =
of weakly suggest that so far there was no real evidence that linked the Ir=
aqi government to the September 11 attacks. Private AJ stuck his teenage to=
ngue out all the way down to the end of his chin. "Yeah, well that stuff's =
way over my head," he said.
According to a New York Times/CBS News survey, 42 per cent of the American =
public believes that Saddam Hussein is directly responsible for the Septemb=
er 11 attacks on the World Trade Centre and the Pentagon. And an ABC news p=
oll says that 55 per cent of Americans believe that Saddam Hussein directly=
supports al-Qaida. What percentage of America's armed forces believe these=
fabrications is anybody's guess.
http://www.guardian.co.uk/Print/0,3858,4638796,00.html
'THIEF' CAUGHT ONLINE!
'THIEF' CAUGHT ONLINE!
RADIOHEAD's new album 'HAIL TO THE THIEF' has appeared online - and JONNY
GREENWOOD has played down suggestions the album title is a direct attack on
GEORGE W BUSH.
http://www.nme.com/news/104639.htm
RADIOHEAD's new album 'HAIL TO THE THIEF' has appeared online - and JONNY
GREENWOOD has played down suggestions the album title is a direct attack on
GEORGE W BUSH.
http://www.nme.com/news/104639.htm
~TURMOIL~
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charset="iso-8859-1"
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TURMOIL
faces are voices
bomb
sometimes
camouflage
fear of beauty
loopy planet
threat
darkness
beautiful lie
killing by numbers
http://www.furtherfield.org/mgarrett/turmoil/
Viewing Marc Garrett's TuRmOil is hardly anguish. Instead, expect a menu mi=
ming a file tree, reminiscent of some of Alexi Shulgin's early work, provid=
ing iconic links to popup DHTML animations.
My favorite of the ten offered works is Darkness, in which an SOS icon is s=
uperimposed over a grayscale mirrored mushroom cloud. Clicking on the surfa=
ce of the cloud moves the SOS to your mouse position; the mouse down event =
drops the icon to the bottom of the frame, where it bounces. Other pages ma=
ke liberal use of barcodes and faces, interspersing these loaded images wit=
h Dubuffet-inspired graphics.
Ten pieces speaking eloquently about the precarity of the individual and th=
e world around her, Garrett has here captured the dominant metaphors of our=
times and scripted them...with JavaScript. Lewis LaCook.
------=_NextPart_001_000D_01C2F952.F399C290
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2800.1141" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face="Courier New" size=2>TURMOIL<BR><BR></FONT>
<TABLE cellSpacing=0 cellPadding=0 width=222>
<TBODY>
<TR>
<TD vAlign=top align=left width=38><A
onmouseover="MM_swapImage('Image3','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/facesframe=
s.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/facesframes.htm','','width=760,hei=
ght=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image3
oSrc="http://www.furtherfield.org/mgarrett/turmoil/images/button.jp=
g"></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>faces are
voices</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image4','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/bomb.htm">=
<FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/bomb.htm','','width=760,height=4=
20')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image4></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>bomb</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image31','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/sometimesf=
rame.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/sometimesframe.htm','','width=760,=
height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image31></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>sometimes</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image32','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/camouflage=
.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/camouflage.htm','','width=760,heig=
ht=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image32></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>camouflage</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image33','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/fearofbeautyframe.htm','','width=7=
60,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image33></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>fear of
beauty</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image34','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/planet_loo=
py.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/planet_loopy.htm','','width=760,he=
ight=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image34></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>loopy
planet</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image35','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/threat.htm=
"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/threat.htm','','width=760,height=
=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image35></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>threat</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image36','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/darkness.h=
tm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/darkness.htm','','width=760,height=
=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image36></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>darkness</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image37','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/beautiful_=
lie.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/beautiful_lie.htm','','resizable=y=
es,width=760,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image37></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>beautiful
lie</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image38','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/killing.ht=
m"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/killing.htm','','resizable=yes,wid=
th=760,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image38></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>killing
by numbers</FONT></DIV></TD></TR></TBODY></TABLE><FONT face="Courie=
r New"
size=2><BR><A
href="http://www.furtherfield.org/mgarrett/turmoil/">http://www.furtherfi=
eld.org/mgarrett/turmoil/</A></FONT><BR><BR>Viewing
Marc Garrett's <A href="http://www.furtherfield.org/mgarrett/turmoil/"
target=_blank><FONT color=#cc9933>TuRmOil </FONT></A>is hardly anguish.=
Instead,
expect a menu miming a file tree, reminiscent of some of Alexi Shulgin's ea=
rly
work, providing iconic links to popup DHTML animations. <BR><BR>My favorite=
of
the ten offered works is <I>Darkness</I>, in which an SOS icon is superimpo=
sed
over a grayscale mirrored mushroom cloud. Clicking on the surface of the cl=
oud
moves the SOS to your mouse position; the mouse down event drops the icon t=
o the
bottom of the frame, where it bounces. Other pages make liberal use of barc=
odes
and faces, interspersing these loaded images with Dubuffet-inspired
graphics.<BR><BR>Ten pieces speaking eloquently about the precarity of the=
individual and the world around her, Garrett has here captured the dominant=
metaphors of our times and scripted them...with JavaScript. Lewis
LaCook.<BR></DIV></BODY></HTML>
------=_NextPart_001_000D_01C2F952.F399C290--
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
TURMOIL
faces are voices
bomb
sometimes
camouflage
fear of beauty
loopy planet
threat
darkness
beautiful lie
killing by numbers
http://www.furtherfield.org/mgarrett/turmoil/
Viewing Marc Garrett's TuRmOil is hardly anguish. Instead, expect a menu mi=
ming a file tree, reminiscent of some of Alexi Shulgin's early work, provid=
ing iconic links to popup DHTML animations.
My favorite of the ten offered works is Darkness, in which an SOS icon is s=
uperimposed over a grayscale mirrored mushroom cloud. Clicking on the surfa=
ce of the cloud moves the SOS to your mouse position; the mouse down event =
drops the icon to the bottom of the frame, where it bounces. Other pages ma=
ke liberal use of barcodes and faces, interspersing these loaded images wit=
h Dubuffet-inspired graphics.
Ten pieces speaking eloquently about the precarity of the individual and th=
e world around her, Garrett has here captured the dominant metaphors of our=
times and scripted them...with JavaScript. Lewis LaCook.
------=_NextPart_001_000D_01C2F952.F399C290
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=Content-Type content="text/html; charset=iso-8859-1">
<META content="MSHTML 6.00.2800.1141" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY>
<DIV><FONT face="Courier New" size=2>TURMOIL<BR><BR></FONT>
<TABLE cellSpacing=0 cellPadding=0 width=222>
<TBODY>
<TR>
<TD vAlign=top align=left width=38><A
onmouseover="MM_swapImage('Image3','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/facesframe=
s.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/facesframes.htm','','width=760,hei=
ght=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image3
oSrc="http://www.furtherfield.org/mgarrett/turmoil/images/button.jp=
g"></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>faces are
voices</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image4','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/bomb.htm">=
<FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/bomb.htm','','width=760,height=4=
20')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image4></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>bomb</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image31','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/sometimesf=
rame.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/sometimesframe.htm','','width=760,=
height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image31></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>sometimes</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image32','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/camouflage=
.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/camouflage.htm','','width=760,heig=
ht=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image32></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>camouflage</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image33','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/fearofbeautyframe.htm','','width=7=
60,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image33></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>fear of
beauty</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image34','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/planet_loo=
py.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/planet_loopy.htm','','width=760,he=
ight=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image34></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>loopy
planet</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image35','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/threat.htm=
"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/threat.htm','','width=760,height=
=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image35></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>threat</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image36','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/darkness.h=
tm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/darkness.htm','','width=760,height=
=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image36></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New"
size=2>darkness</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image37','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/beautiful_=
lie.htm"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/beautiful_lie.htm','','resizable=y=
es,width=760,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image37></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>beautiful
lie</FONT></DIV></TD></TR>
<TR>
<TD width=38><A
onmouseover="MM_swapImage('Image38','','images/button2.jpg',1)"
onmouseout=MM_swapImgRestore()
href="http://www.furtherfield.org/mgarrett/turmoil/#docs/killing.ht=
m"><FONT
face="Courier New" size=2><IMG
onclick="MM_openBrWindow('docs/killing.htm','','resizable=yes,wid=
th=760,height=420')"
height=28
src="http://www.furtherfield.org/mgarrett/turmoil/images/button.jpg=
"
width=24 border=0 name=Image38></FONT></A></TD>
<TD width=182>
<DIV class=mainlink align=center><FONT face="Courier New" size=
=2>killing
by numbers</FONT></DIV></TD></TR></TBODY></TABLE><FONT face="Courie=
r New"
size=2><BR><A
href="http://www.furtherfield.org/mgarrett/turmoil/">http://www.furtherfi=
eld.org/mgarrett/turmoil/</A></FONT><BR><BR>Viewing
Marc Garrett's <A href="http://www.furtherfield.org/mgarrett/turmoil/"
target=_blank><FONT color=#cc9933>TuRmOil </FONT></A>is hardly anguish.=
Instead,
expect a menu miming a file tree, reminiscent of some of Alexi Shulgin's ea=
rly
work, providing iconic links to popup DHTML animations. <BR><BR>My favorite=
of
the ten offered works is <I>Darkness</I>, in which an SOS icon is superimpo=
sed
over a grayscale mirrored mushroom cloud. Clicking on the surface of the cl=
oud
moves the SOS to your mouse position; the mouse down event drops the icon t=
o the
bottom of the frame, where it bounces. Other pages make liberal use of barc=
odes
and faces, interspersing these loaded images with Dubuffet-inspired
graphics.<BR><BR>Ten pieces speaking eloquently about the precarity of the=
individual and the world around her, Garrett has here captured the dominant=
metaphors of our times and scripted them...with JavaScript. Lewis
LaCook.<BR></DIV></BODY></HTML>
------=_NextPart_001_000D_01C2F952.F399C290--
Re: contextin' correction
I was just wondering if artofficial meant that work that was not seen on the
site, or featured was unofficial?
marc
> the correct address for contextin' art is
> http://www.artofficial-online.com/contextin/spring_03
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
site, or featured was unofficial?
marc
> the correct address for contextin' art is
> http://www.artofficial-online.com/contextin/spring_03
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>
Re: Re: furtherfield - cruizing the streetz...of NY...
I'm there dude!
marc :-0
> Don't forget to look us up!!!
>
> joseph & donna
> www.electrichands.com
> joseph franklyn mcelroy
> corporate performance artist www.corporatepa.com
>
> go shopping -> http://www.electrichands.com/shopindex.htm
> call me 646 279 2309
>
> SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
> CupcakeKleidoscope-subscribe@yahoogroups.com
>
>
marc :-0
> Don't forget to look us up!!!
>
> joseph & donna
> www.electrichands.com
> joseph franklyn mcelroy
> corporate performance artist www.corporatepa.com
>
> go shopping -> http://www.electrichands.com/shopindex.htm
> call me 646 279 2309
>
> SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
> CupcakeKleidoscope-subscribe@yahoogroups.com
>
>