ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Re: >wartime< project events + soundtoys +
Why are you angry with Atty?
Marc
> I don't want to insult Aty's family.So...Parrot.It's not so bad solution.
> ----- Original Message -----
> From: "marc.garrett" <marc.garrett@furtherfield.org>
> To: <list@rhizome.org>
> Sent: Sunday, February 16, 2003 4:38 PM
> Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
>
>
> > Hi Manik,
> >
> > >fuck your parrot
> >
> > I would like to see this parrot that Atty fucks. Is it male or female?
> Does
> > it have a beautiful plumage?
> >
> > marc
> >
> >
> > > Fuck you,fuck your parrot,and don't write me again.Stupid
motherfucker!
> > > MANIK
> > > ----- Original Message -----
> > > From: "atty" <atty@no-such.com>
> > > To: "manik" <manik@ptt.yu>
> > > Cc: <list@rhizome.org>
> > > Sent: Sunday, February 16, 2003 2:27 PM
> > > Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
> > >
> > >
> > > > I am sorry I wouldn't put your photos in >wartime< project before
> > > >
> > > > as I explained before
> > > >
> > > > a) the >wartime< project is not a photo gallery, its a project by
> > > > digital and network artists showing their work in these medium
> relating
> > > > to the theme of the project
> > > >
> > > > b) I don't know whether it is just my lack of being able to read
serb,
> > > > but examples of photo work you sent me when you wanted to join (the
> > > > second time) where unintelligble in relation to the theme of the
> > > > project. An example attached
> > > >
> > > > it seems that having tried to join the project twice, now you
condemn,
> > > > why?
> > > >
> > > > you are removed from open_digi mailing list, with pleasure
> > > >
> > > > yours
> > > > atty
> > > >
> > > >
> > > > manik wrote:
> > > > >
> > > > > What's that?War is goood opportunity for you?People without ethic
> are
> > > > > things.You are less than thing for me.
> > > > > Unsubscribe me.A don't speak your language,also I feel that your
> > PAROLE
> > > > > sting on you.On your stupidity.
> > > > > MANIK
> > > > > .----- Original Message -----
> > > > > From: "atty" <atty@no-such.com>
> > > > > To: <list@rhizome.org>
> > > > > Sent: Tuesday, February 11, 2003 11:31 PM
> > > > > Subject: RHIZOME_RAW: >wartime< project events + soundtoys +
> > > > >
> > > > > > hi Rhizome_Raw people
> > > > > >
> > > > > > contents of mail
> > > > > > a) the >wartime< project events upcoming
> > > > > > b) www.soundtoys.net 2003
> > > > > > c) net-art02? open_digi events news
> > > > > >
> > > > > > a) the >wartime< project events and news
> > > > > >
> > > > > > the >wartime< project at http://offline.area3.net/wartime that
was
> > > > > initiated by
> > > > > > open_digi http://club.net-art.ws and OFFLINE
> > http://offline.area3.net
> > > now
> > > > > has 113
> > > > > > artists participating coming from all continents, with 88
> > contributed
> > > > > pieces listed so
> > > > > > far. The theme of the project is reflections on and reactions
> > against
> > > > > wars, past,
> > > > > > present and future. The project is now reaching out with public
> > > showings
> > > > > and
> > > > > > events plus good international press coverage to get its
> collective
> > > work,
> > > > > ideas and
> > > > > > message out to a bigger and bigger audience, both online and
> > offline.
> > > > > >
> > > > > > LONDON
> > > > > > 6pm-7.30pm 12th Feb
> > > > > > THE OTHER CINEMA
> > > > > > 11 Rupert Street
> > > > > > London W1V 7FS
> > > > > > Box Office : 0207 734 1506
> > > > > > Project participants Ruth Catlow, Andrew Forbes and Elkin Atwell
> > will
> > > be
> > > > > answering
> > > > > > any questions from the audience after the 25 minute selection of
> > > >wartime<
> > > > > project
> > > > > > pieces. The prgramme will conclude with showing of the video
'NOT
> IN
> > > MY
> > > > > NAME'.
> > > > > >
> > > > > > 'peace lovers ball'
> > > > > > Saturday 15th Feb, London UK post the 'Stop the War' march and
> rally
> > > > > > This is a seriously underground squat party for 5000 +, all
night
> > > after
> > > > > the demo.
> > > > > > The venue will be kept secret till 9pm the 15th, ring after this
> > time
> > > 0207
> > > > > 644 5170
> > > > > > or 07971 273 481 to get venue location details. The >wartime<
> > project
> > > will
> > > > > be
> > > > > > shown in a cinema type space of the party in between relevant
> video
> > > > > > documentaries.
> > > > > >
> > > > > > LOS ANGELES
> > > > > > \"Mario's night for peace\"
> > > > > > from 8pm, Saturday 15th, LA, US
> > > > > > with projections of >wartime< project and music from mr tamale
and
> > > video
> > > > > from the
> > > > > > local anti-war rallies
> > > > > > http://www.mariosfurniture.info/
> > > > > > http://offline.area3.net/wartime/press/invite.gif
> > > > > >
> > > > > > Mario's
> > > > > > 3436 1/2 N. Figueroa Street
> > > > > > Los Angeles, CA 90065
> > > > > > ph: 323 / 221-4020
> > > > > >
> > > > > > future shows in the next few months are in planning for Mexico
> City,
> > > > > Bristol UK,
> > > > > > Amsterdam, Madrid, Rome and Barcelona to name a few ...
> > > > > >
> > > > > > >wartime< project press release and invite to pariticipate are
> > > available
> > > > > in english,
> > > > > > french, italian, german, spanish, portugese and finnish at
> > > > > > http://offline.area3.net/wartime/eng2.html
> > > > > >
> > > > > > b) www.soundtoys.net
> > > > > >
> > > > > > NEW work 2003
> > > > > >
> > > > > > We are looking for contributions of audio visual interactive
> works,
> > > net
> > > > > art, web
> > > > > > design, application software, multimedia, generative music,
> > > interactive
> > > > > > environments,essays. Works may take the form of art, generative
> > music,
> > > > > interactive
> > > > > > environments. They could be described as \"new audio visual
> > > experiences\",
> > > > > or
> > > > > > multimedia experiments which explore the parameters of our new
> media
> > > > > world. This
> > > > > > work is for a new website update and for selected exhibitions.
The
> > > > > Soundtoys site
> > > > > > aims to provide a platform for the very best in audiovisual net
> > > artworks
> > > > > to be
> > > > > > presented and debated and if your work will make a valuable
> > > contribution
> > > > > to this
> > > > > > then please send it in. Soundtoys has been featured at Sonar, on
> > > Sonify,
> > > > > in the
> > > > > > Independent, and on English TV. Soundtoys has also been
exhibited
> at
> > > > > > international festivals including den Hague film festival
Holland,
> > and
> > > > > Zeppelin in
> > > > > > Barcelona. It was also be featured at Garage in Germany.
Soundtoys
> > > also
> > > > > > organised it own exhibitions which the last was at the ICA in
> London
> > > from
> > > > > June to
> > > > > > July 2002. The
> > > > > > exhibition called Convergence featured over 100 artists from the
> > audio
> > > > > visuals arts.
> > > > > >
> > > > > > We are seeking new work for the 2003 series of events and for
the
> > > website.
> > > > > >
> > > > > > 1. New online audio visual experiences. Works for the website
send
> > in
> > > your
> > > > > > latest \"new audio visual experience\". We are interested in the
> use
> > > of
> > > > > all internet
> > > > > > friendly programming technologies eg shockwave, flash, vrml,
java
> > etc.
> > > so
> > > > > send in
> > > > > > via email..
> > > > > >
> > > > > > 2. Installations. If you make interactive installations send in
> 400
> > > words
> > > > > about the
> > > > > > work and four images of the work. We are interested in
responsive
> > > > > environments,
> > > > > > soundspaces , the city as sound.
> > > > > >
> > > > > > 3. Software. Artists and musicians software. This year we are
> > > particularly
> > > > > interested
> > > > > > in applications created by artists for a new area. If you make
> > patches
> > > or
> > > > > > applications tell us about it.
> > > > > >
> > > > > > 4. Journal. If you write about new media, interactive arts , and
> > would
> > > > > like to be in
> > > > > > the journal send us a finished text. We welcome texts, essays,
> > papers
> > > or
> > > > > articles
> > > > > > relating to this medium.
> > > > > >
> > > > > > 5. Offline. Soundtoys are being asked to present the works
offline
> > at
> > > > > festivals. If
> > > > > > you want to take part send in audio visual works and interactive
> art
> > > > > pieces. These
> > > > > > must be finished projects. Send larger works and information in
by
> > > cd-rom
> > > > > only via
> > > > > > post.
> > > > > >
> > > > > > If you work in any of the areas above we would like to hear from
> > you.
> > > > > >
> > > > > > Zip up your work and send all info about it. Don't forget to
> include
> > > > > relevant
> > > > > > details.ie your name, project title, year created, brief bio,
text
> > > info
> > > > > about the work,
> > > > > > and also send the work. Please send all of the work including
the
> > html
> > > > > files. If you
> > > > > > files are too big but you would like it presented at festival
send
> > in
> > > a
> > > > > cd-rom version.
> > > > > > DO not just send us a link and say check it out.
> > > > > >
> > > > > > Application form online.
> > > > > >
> > > > > > DEADLINE MARCH 15 2003
> > > > > >
> > > > > > SOUNDTOYS.NET
> > > > > > web and info... .... http://www.soundtoys.net
> > > > > > email .......... ..... info@soundtoys.net
> > > > > >
> > > > > > ===============================
> > > > > >
> > > > > >
> > > > > > c) net-art02/03? open_digi
> > > > > >
> > > > > > as some of you may have noticed there has been no 2002 edition
of
> > the
> > > > > 'net-art'
> > > > > > open arena at www.net-art.ws organised or announced. As you can
> see
> > > from
> > > > > the
> > > > > > list of >wartime< project events and hapenings at top of this
> mail,
> > > for
> > > > > the duration
> > > > > > this is taking up the majority of available time of people
> > previously
> > > > > involved in
> > > > > > running the annual 'net-art' event. So I am afraid this edition
of
> > > > > 'net-art' will not
> > > > > > happen. Hopefully things will be more peaceful by the
appropriate
> > time
> > > for
> > > > > a net-
> > > > > > art03.
> > > > > >
> > > > > > Similarly with so many shows and events of >wartime< planned or
in
> > > > > planning
> > > > > > around the world, its really not possible to continue the
monthly
> > > local
> > > > > open_digi
> > > > > > events in Brixton, South London for the time being.
> > > > > >
> > > > > > thanks for your support
> > > > > >
> > > > > > yours sincerely
> > > > > > atty
> > > > > >
> > > > > > + ti esrever dna ti pilf nwod gniht ym tup
> > > > > > -> post: list@rhizome.org
> > > > > > -> questions: info@rhizome.org
> > > > > > -> subscribe/unsubscribe:
> > > http://rhizome.org/preferences/subscribe.rhiz
> > > > > > -> give: http://rhizome.org/support
> > > > > > +
> > > > > > Subscribers to Rhizome are subject to the terms set out in the
> > > > > > Membership Agreement available online at
> > > http://rhizome.org/info/29.php
> > > > > >
> > > > > >
> > >
> > >
> >
>
> --------------------------------------------------------------------------
> > --
> > > ----
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > + ti esrever dna ti pilf nwod gniht ym tup
> > > -> post: list@rhizome.org
> > > -> questions: info@rhizome.org
> > > -> subscribe/unsubscribe:
http://rhizome.org/preferences/subscribe.rhiz
> > > -> give: http://rhizome.org/support
> > > +
> > > Subscribers to Rhizome are subject to the terms set out in the
> > > Membership Agreement available online at
http://rhizome.org/info/29.php
> > >
> >
> >
> >
> > + ti esrever dna ti pilf nwod gniht ym tup
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
>
>
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
Marc
> I don't want to insult Aty's family.So...Parrot.It's not so bad solution.
> ----- Original Message -----
> From: "marc.garrett" <marc.garrett@furtherfield.org>
> To: <list@rhizome.org>
> Sent: Sunday, February 16, 2003 4:38 PM
> Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
>
>
> > Hi Manik,
> >
> > >fuck your parrot
> >
> > I would like to see this parrot that Atty fucks. Is it male or female?
> Does
> > it have a beautiful plumage?
> >
> > marc
> >
> >
> > > Fuck you,fuck your parrot,and don't write me again.Stupid
motherfucker!
> > > MANIK
> > > ----- Original Message -----
> > > From: "atty" <atty@no-such.com>
> > > To: "manik" <manik@ptt.yu>
> > > Cc: <list@rhizome.org>
> > > Sent: Sunday, February 16, 2003 2:27 PM
> > > Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
> > >
> > >
> > > > I am sorry I wouldn't put your photos in >wartime< project before
> > > >
> > > > as I explained before
> > > >
> > > > a) the >wartime< project is not a photo gallery, its a project by
> > > > digital and network artists showing their work in these medium
> relating
> > > > to the theme of the project
> > > >
> > > > b) I don't know whether it is just my lack of being able to read
serb,
> > > > but examples of photo work you sent me when you wanted to join (the
> > > > second time) where unintelligble in relation to the theme of the
> > > > project. An example attached
> > > >
> > > > it seems that having tried to join the project twice, now you
condemn,
> > > > why?
> > > >
> > > > you are removed from open_digi mailing list, with pleasure
> > > >
> > > > yours
> > > > atty
> > > >
> > > >
> > > > manik wrote:
> > > > >
> > > > > What's that?War is goood opportunity for you?People without ethic
> are
> > > > > things.You are less than thing for me.
> > > > > Unsubscribe me.A don't speak your language,also I feel that your
> > PAROLE
> > > > > sting on you.On your stupidity.
> > > > > MANIK
> > > > > .----- Original Message -----
> > > > > From: "atty" <atty@no-such.com>
> > > > > To: <list@rhizome.org>
> > > > > Sent: Tuesday, February 11, 2003 11:31 PM
> > > > > Subject: RHIZOME_RAW: >wartime< project events + soundtoys +
> > > > >
> > > > > > hi Rhizome_Raw people
> > > > > >
> > > > > > contents of mail
> > > > > > a) the >wartime< project events upcoming
> > > > > > b) www.soundtoys.net 2003
> > > > > > c) net-art02? open_digi events news
> > > > > >
> > > > > > a) the >wartime< project events and news
> > > > > >
> > > > > > the >wartime< project at http://offline.area3.net/wartime that
was
> > > > > initiated by
> > > > > > open_digi http://club.net-art.ws and OFFLINE
> > http://offline.area3.net
> > > now
> > > > > has 113
> > > > > > artists participating coming from all continents, with 88
> > contributed
> > > > > pieces listed so
> > > > > > far. The theme of the project is reflections on and reactions
> > against
> > > > > wars, past,
> > > > > > present and future. The project is now reaching out with public
> > > showings
> > > > > and
> > > > > > events plus good international press coverage to get its
> collective
> > > work,
> > > > > ideas and
> > > > > > message out to a bigger and bigger audience, both online and
> > offline.
> > > > > >
> > > > > > LONDON
> > > > > > 6pm-7.30pm 12th Feb
> > > > > > THE OTHER CINEMA
> > > > > > 11 Rupert Street
> > > > > > London W1V 7FS
> > > > > > Box Office : 0207 734 1506
> > > > > > Project participants Ruth Catlow, Andrew Forbes and Elkin Atwell
> > will
> > > be
> > > > > answering
> > > > > > any questions from the audience after the 25 minute selection of
> > > >wartime<
> > > > > project
> > > > > > pieces. The prgramme will conclude with showing of the video
'NOT
> IN
> > > MY
> > > > > NAME'.
> > > > > >
> > > > > > 'peace lovers ball'
> > > > > > Saturday 15th Feb, London UK post the 'Stop the War' march and
> rally
> > > > > > This is a seriously underground squat party for 5000 +, all
night
> > > after
> > > > > the demo.
> > > > > > The venue will be kept secret till 9pm the 15th, ring after this
> > time
> > > 0207
> > > > > 644 5170
> > > > > > or 07971 273 481 to get venue location details. The >wartime<
> > project
> > > will
> > > > > be
> > > > > > shown in a cinema type space of the party in between relevant
> video
> > > > > > documentaries.
> > > > > >
> > > > > > LOS ANGELES
> > > > > > \"Mario's night for peace\"
> > > > > > from 8pm, Saturday 15th, LA, US
> > > > > > with projections of >wartime< project and music from mr tamale
and
> > > video
> > > > > from the
> > > > > > local anti-war rallies
> > > > > > http://www.mariosfurniture.info/
> > > > > > http://offline.area3.net/wartime/press/invite.gif
> > > > > >
> > > > > > Mario's
> > > > > > 3436 1/2 N. Figueroa Street
> > > > > > Los Angeles, CA 90065
> > > > > > ph: 323 / 221-4020
> > > > > >
> > > > > > future shows in the next few months are in planning for Mexico
> City,
> > > > > Bristol UK,
> > > > > > Amsterdam, Madrid, Rome and Barcelona to name a few ...
> > > > > >
> > > > > > >wartime< project press release and invite to pariticipate are
> > > available
> > > > > in english,
> > > > > > french, italian, german, spanish, portugese and finnish at
> > > > > > http://offline.area3.net/wartime/eng2.html
> > > > > >
> > > > > > b) www.soundtoys.net
> > > > > >
> > > > > > NEW work 2003
> > > > > >
> > > > > > We are looking for contributions of audio visual interactive
> works,
> > > net
> > > > > art, web
> > > > > > design, application software, multimedia, generative music,
> > > interactive
> > > > > > environments,essays. Works may take the form of art, generative
> > music,
> > > > > interactive
> > > > > > environments. They could be described as \"new audio visual
> > > experiences\",
> > > > > or
> > > > > > multimedia experiments which explore the parameters of our new
> media
> > > > > world. This
> > > > > > work is for a new website update and for selected exhibitions.
The
> > > > > Soundtoys site
> > > > > > aims to provide a platform for the very best in audiovisual net
> > > artworks
> > > > > to be
> > > > > > presented and debated and if your work will make a valuable
> > > contribution
> > > > > to this
> > > > > > then please send it in. Soundtoys has been featured at Sonar, on
> > > Sonify,
> > > > > in the
> > > > > > Independent, and on English TV. Soundtoys has also been
exhibited
> at
> > > > > > international festivals including den Hague film festival
Holland,
> > and
> > > > > Zeppelin in
> > > > > > Barcelona. It was also be featured at Garage in Germany.
Soundtoys
> > > also
> > > > > > organised it own exhibitions which the last was at the ICA in
> London
> > > from
> > > > > June to
> > > > > > July 2002. The
> > > > > > exhibition called Convergence featured over 100 artists from the
> > audio
> > > > > visuals arts.
> > > > > >
> > > > > > We are seeking new work for the 2003 series of events and for
the
> > > website.
> > > > > >
> > > > > > 1. New online audio visual experiences. Works for the website
send
> > in
> > > your
> > > > > > latest \"new audio visual experience\". We are interested in the
> use
> > > of
> > > > > all internet
> > > > > > friendly programming technologies eg shockwave, flash, vrml,
java
> > etc.
> > > so
> > > > > send in
> > > > > > via email..
> > > > > >
> > > > > > 2. Installations. If you make interactive installations send in
> 400
> > > words
> > > > > about the
> > > > > > work and four images of the work. We are interested in
responsive
> > > > > environments,
> > > > > > soundspaces , the city as sound.
> > > > > >
> > > > > > 3. Software. Artists and musicians software. This year we are
> > > particularly
> > > > > interested
> > > > > > in applications created by artists for a new area. If you make
> > patches
> > > or
> > > > > > applications tell us about it.
> > > > > >
> > > > > > 4. Journal. If you write about new media, interactive arts , and
> > would
> > > > > like to be in
> > > > > > the journal send us a finished text. We welcome texts, essays,
> > papers
> > > or
> > > > > articles
> > > > > > relating to this medium.
> > > > > >
> > > > > > 5. Offline. Soundtoys are being asked to present the works
offline
> > at
> > > > > festivals. If
> > > > > > you want to take part send in audio visual works and interactive
> art
> > > > > pieces. These
> > > > > > must be finished projects. Send larger works and information in
by
> > > cd-rom
> > > > > only via
> > > > > > post.
> > > > > >
> > > > > > If you work in any of the areas above we would like to hear from
> > you.
> > > > > >
> > > > > > Zip up your work and send all info about it. Don't forget to
> include
> > > > > relevant
> > > > > > details.ie your name, project title, year created, brief bio,
text
> > > info
> > > > > about the work,
> > > > > > and also send the work. Please send all of the work including
the
> > html
> > > > > files. If you
> > > > > > files are too big but you would like it presented at festival
send
> > in
> > > a
> > > > > cd-rom version.
> > > > > > DO not just send us a link and say check it out.
> > > > > >
> > > > > > Application form online.
> > > > > >
> > > > > > DEADLINE MARCH 15 2003
> > > > > >
> > > > > > SOUNDTOYS.NET
> > > > > > web and info... .... http://www.soundtoys.net
> > > > > > email .......... ..... info@soundtoys.net
> > > > > >
> > > > > > ===============================
> > > > > >
> > > > > >
> > > > > > c) net-art02/03? open_digi
> > > > > >
> > > > > > as some of you may have noticed there has been no 2002 edition
of
> > the
> > > > > 'net-art'
> > > > > > open arena at www.net-art.ws organised or announced. As you can
> see
> > > from
> > > > > the
> > > > > > list of >wartime< project events and hapenings at top of this
> mail,
> > > for
> > > > > the duration
> > > > > > this is taking up the majority of available time of people
> > previously
> > > > > involved in
> > > > > > running the annual 'net-art' event. So I am afraid this edition
of
> > > > > 'net-art' will not
> > > > > > happen. Hopefully things will be more peaceful by the
appropriate
> > time
> > > for
> > > > > a net-
> > > > > > art03.
> > > > > >
> > > > > > Similarly with so many shows and events of >wartime< planned or
in
> > > > > planning
> > > > > > around the world, its really not possible to continue the
monthly
> > > local
> > > > > open_digi
> > > > > > events in Brixton, South London for the time being.
> > > > > >
> > > > > > thanks for your support
> > > > > >
> > > > > > yours sincerely
> > > > > > atty
> > > > > >
> > > > > > + ti esrever dna ti pilf nwod gniht ym tup
> > > > > > -> post: list@rhizome.org
> > > > > > -> questions: info@rhizome.org
> > > > > > -> subscribe/unsubscribe:
> > > http://rhizome.org/preferences/subscribe.rhiz
> > > > > > -> give: http://rhizome.org/support
> > > > > > +
> > > > > > Subscribers to Rhizome are subject to the terms set out in the
> > > > > > Membership Agreement available online at
> > > http://rhizome.org/info/29.php
> > > > > >
> > > > > >
> > >
> > >
> >
>
> --------------------------------------------------------------------------
> > --
> > > ----
> > >
> > >
> > >
> > >
> > >
> > >
> > >
> > > + ti esrever dna ti pilf nwod gniht ym tup
> > > -> post: list@rhizome.org
> > > -> questions: info@rhizome.org
> > > -> subscribe/unsubscribe:
http://rhizome.org/preferences/subscribe.rhiz
> > > -> give: http://rhizome.org/support
> > > +
> > > Subscribers to Rhizome are subject to the terms set out in the
> > > Membership Agreement available online at
http://rhizome.org/info/29.php
> > >
> >
> >
> >
> > + ti esrever dna ti pilf nwod gniht ym tup
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
>
>
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
'Ouch Those Monkeys' tunes/noise/soundscapes...
'Ouch Those Monkeys' have 6 new songs/tunes/noise/soundscapes.
Declarations for the Internet world to muse upon.
[Killing by Numbers]
As the wind stretches it yawns across broken lands it brushes
over lost bodies disparate and battered blown, scattered into
a state of timeless disposability. An electro Darkwave-Ballad,
about a woman who has just been shot, lying in rubble asking
questions to a soldier before she dies of 'why are so many men
this in world, so addicted to killing'?
[Quirksome Life]
A soundscape collage mixed with various voices, sounds, shaped
noises, intertwined with rhythms and poetic zest.'
'Connections pass through me, voices are gesticulating a verbal
maze. Bodies bumping into each...other. Out here I am part of
many things part of a larger thing. Different faces, leaving
traces, arriving then departing, disappearing as I one day will
do, we do, become part of a sum. A dispersion melting into the
larger frame - we are one and the same'.
[Valentines Day]
A punchy energetic, rhythmic and poetic story about Marc
Garrett's Valentines Day experience. On making his first card
to whom he thought at the time would be his everlasting love,
how wrong he was.'The image was of me as a robot pulling my
heart out, offering her my heart as an ultimate gesture of love.
She said it was sick and then threw it in the bin and never
talked to me again....'
[Prophet For Profit]
KKK for Oil is the undertow, as this soundscape chugs its noise
with chants & screams of a black generation exploited by the white
supremacist, corporate elite. There is a battle going on in this
score, illustrating a war between black musicians trying to
squeeze out their creative identities, whilst classical music
cuts inbetween.
[Safehouse]
A mixture of spliced rhythms, cut up voices, sounds, an audioscape
that (towards the end) uses news reels regarding America's attacks
on many unwhite cultures. Some of background vocals are from 'Ruth
Catlow', distorted into the groove. An 'SOS' morse code was changed
and turned into a tune for the piece.'I am signing up for the Jihad
says seventeen year old Bakra, America is attackiing Islam he says,
so I must fight. I want to be Martyr'.
[Jello Ain't Yello]
A dedication to Jello Biafra, including snippets of his voice one of
his straight talking performance monologues with his voice mixed
rhythm-scape, with frantic cut up progressive tunes, also including
an Elvis groove for extra comfort. 'All this power, all this power
to ban everything, it felt real good. And it made me feel high.
heavenly. Yes - I am a Godaholic'.
Straight to the page>
http://www.furtherfield.org/otmonkeys/docs/section3.htm
The site>
http://www.furtherfield.org/otmonkeys/index.htm
Anti War Song>
http://www.furtherfield.org/otmwar/
Also visit http://www.furthernoise.org
Declarations for the Internet world to muse upon.
[Killing by Numbers]
As the wind stretches it yawns across broken lands it brushes
over lost bodies disparate and battered blown, scattered into
a state of timeless disposability. An electro Darkwave-Ballad,
about a woman who has just been shot, lying in rubble asking
questions to a soldier before she dies of 'why are so many men
this in world, so addicted to killing'?
[Quirksome Life]
A soundscape collage mixed with various voices, sounds, shaped
noises, intertwined with rhythms and poetic zest.'
'Connections pass through me, voices are gesticulating a verbal
maze. Bodies bumping into each...other. Out here I am part of
many things part of a larger thing. Different faces, leaving
traces, arriving then departing, disappearing as I one day will
do, we do, become part of a sum. A dispersion melting into the
larger frame - we are one and the same'.
[Valentines Day]
A punchy energetic, rhythmic and poetic story about Marc
Garrett's Valentines Day experience. On making his first card
to whom he thought at the time would be his everlasting love,
how wrong he was.'The image was of me as a robot pulling my
heart out, offering her my heart as an ultimate gesture of love.
She said it was sick and then threw it in the bin and never
talked to me again....'
[Prophet For Profit]
KKK for Oil is the undertow, as this soundscape chugs its noise
with chants & screams of a black generation exploited by the white
supremacist, corporate elite. There is a battle going on in this
score, illustrating a war between black musicians trying to
squeeze out their creative identities, whilst classical music
cuts inbetween.
[Safehouse]
A mixture of spliced rhythms, cut up voices, sounds, an audioscape
that (towards the end) uses news reels regarding America's attacks
on many unwhite cultures. Some of background vocals are from 'Ruth
Catlow', distorted into the groove. An 'SOS' morse code was changed
and turned into a tune for the piece.'I am signing up for the Jihad
says seventeen year old Bakra, America is attackiing Islam he says,
so I must fight. I want to be Martyr'.
[Jello Ain't Yello]
A dedication to Jello Biafra, including snippets of his voice one of
his straight talking performance monologues with his voice mixed
rhythm-scape, with frantic cut up progressive tunes, also including
an Elvis groove for extra comfort. 'All this power, all this power
to ban everything, it felt real good. And it made me feel high.
heavenly. Yes - I am a Godaholic'.
Straight to the page>
http://www.furtherfield.org/otmonkeys/docs/section3.htm
The site>
http://www.furtherfield.org/otmonkeys/index.htm
Anti War Song>
http://www.furtherfield.org/otmwar/
Also visit http://www.furthernoise.org
anti_net_art_society
Anti-Net Art Society
The Following information was taken from a cynical trial conducted by=
the
Anti-Net Art Society. Click Here for Entire Study.
Hello, My name is Dr. Yes Sir I will do as you wish - Johnson, =
President of the Anti-Net Art Society.
Our well known and established organization is constantly resea=
rching and developing methods and products to slow down and even reverse th=
e independent and ever creative effects of Net Art and its recent achieveme=
nts. I'm writing to share with you an important strategic breakthrough in t=
he treatment of Net Art.
Very recently, a product was released by the name of Dehumanizi=
ng the Internet.
This non revolutionary product is institutionally proven to rev=
erse the independent Net Art process.
Our aim is to promote only those that we have supported or have=
close connections to, or allegiances to, during the so called 'heroic age'=
, thus actively leaving out those who were not supported and are still not =
affiliate to many of our established structures; thus leaving them out of t=
he picture of accepted history. Our tactic is a breakthrough, we create a c=
onference or exhibition and many apply from all over the world, then we tur=
n down those who are not connected to or supported by affilaited institutio=
ns; using this disclaimer: 'We received proposals from hundreds of artists,=
theorists, researchers, scientists and performers in over 25 countries. Th=
e overall standard of proposals was extremely high, and unfortunately we ha=
d to make some very tough decisions to arrive at a program which we feel fi=
tted the thematic and topical focus we were trying to achieve'. Of course, =
we knew that many of the more underground Net Artists would apply but if yo=
u want the best, meaning those of whom who are already accepted, we highly =
recommend that you use this very effective method of objective deduction.
So use this incredible disclaimer yourselves, completely unpara=
lleled by any method of isolation on the market today, a perfect divide and=
rule tactic. This is an ideal way for us to get rid of those upstarts who =
question our ethics, leaving them to rot with those 'normal' people who are=
not institutionally proven:
The Following information was taken from a cynical trial conducted by=
the
Anti-Net Art Society. Click Here for Entire Study.
Hello, My name is Dr. Yes Sir I will do as you wish - Johnson, =
President of the Anti-Net Art Society.
Our well known and established organization is constantly resea=
rching and developing methods and products to slow down and even reverse th=
e independent and ever creative effects of Net Art and its recent achieveme=
nts. I'm writing to share with you an important strategic breakthrough in t=
he treatment of Net Art.
Very recently, a product was released by the name of Dehumanizi=
ng the Internet.
This non revolutionary product is institutionally proven to rev=
erse the independent Net Art process.
Our aim is to promote only those that we have supported or have=
close connections to, or allegiances to, during the so called 'heroic age'=
, thus actively leaving out those who were not supported and are still not =
affiliate to many of our established structures; thus leaving them out of t=
he picture of accepted history. Our tactic is a breakthrough, we create a c=
onference or exhibition and many apply from all over the world, then we tur=
n down those who are not connected to or supported by affilaited institutio=
ns; using this disclaimer: 'We received proposals from hundreds of artists,=
theorists, researchers, scientists and performers in over 25 countries. Th=
e overall standard of proposals was extremely high, and unfortunately we ha=
d to make some very tough decisions to arrive at a program which we feel fi=
tted the thematic and topical focus we were trying to achieve'. Of course, =
we knew that many of the more underground Net Artists would apply but if yo=
u want the best, meaning those of whom who are already accepted, we highly =
recommend that you use this very effective method of objective deduction.
So use this incredible disclaimer yourselves, completely unpara=
lleled by any method of isolation on the market today, a perfect divide and=
rule tactic. This is an ideal way for us to get rid of those upstarts who =
question our ethics, leaving them to rot with those 'normal' people who are=
not institutionally proven:
From New York to Melbourne
Published on Saturday, February 15, 2003 by the New York Times
Sea fo Faces Extended for More Than Mile up First Avenue
From New York to Melbourne, Cries for Peace
by Robert D. McFadden
Confronting America's countdown to war, throngs of chanting, placard-waving=
demonstrators converged on New York and scores of cities across the United=
States, Europe and Asia today in a global daisy chain of largely peaceful =
protests against the Bush administration's threatened invasion of Iraq.
Three years after vast crowds turned out around the world to celebrate the =
new millennium, millions gathered again today in a darker mood of impending=
conflict, forming a patchwork of demonstrations that together, organizers =
said, made up the largest, most diverse peace protest since the Vietnam War.
On a freezing winter day in New York, a huge crowd, prohibited by a court o=
rder from marching, rallied within sight of the United Nations amid heavy s=
ecurity. They raised banners of patriotism and dissent, sounded the hymns o=
f a broad new antiwar movement and heard speakers denounce what they called=
President Bush's rush to war, while offering no sympathy for Iraq's dictat=
or, Saddam Hussein.
http://www.commondreams.org/headlines03/0215-12.htm
Sea fo Faces Extended for More Than Mile up First Avenue
From New York to Melbourne, Cries for Peace
by Robert D. McFadden
Confronting America's countdown to war, throngs of chanting, placard-waving=
demonstrators converged on New York and scores of cities across the United=
States, Europe and Asia today in a global daisy chain of largely peaceful =
protests against the Bush administration's threatened invasion of Iraq.
Three years after vast crowds turned out around the world to celebrate the =
new millennium, millions gathered again today in a darker mood of impending=
conflict, forming a patchwork of demonstrations that together, organizers =
said, made up the largest, most diverse peace protest since the Vietnam War.
On a freezing winter day in New York, a huge crowd, prohibited by a court o=
rder from marching, rallied within sight of the United Nations amid heavy s=
ecurity. They raised banners of patriotism and dissent, sounded the hymns o=
f a broad new antiwar movement and heard speakers denounce what they called=
President Bush's rush to war, while offering no sympathy for Iraq's dictat=
or, Saddam Hussein.
http://www.commondreams.org/headlines03/0215-12.htm
Re: >wartime< project events + soundtoys +
Hi Manik,
>fuck your parrot
I would like to see this parrot that Atty fucks. Is it male or female? Does
it have a beautiful plumage?
marc
> Fuck you,fuck your parrot,and don't write me again.Stupid motherfucker!
> MANIK
> ----- Original Message -----
> From: "atty" <atty@no-such.com>
> To: "manik" <manik@ptt.yu>
> Cc: <list@rhizome.org>
> Sent: Sunday, February 16, 2003 2:27 PM
> Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
>
>
> > I am sorry I wouldn't put your photos in >wartime< project before
> >
> > as I explained before
> >
> > a) the >wartime< project is not a photo gallery, its a project by
> > digital and network artists showing their work in these medium relating
> > to the theme of the project
> >
> > b) I don't know whether it is just my lack of being able to read serb,
> > but examples of photo work you sent me when you wanted to join (the
> > second time) where unintelligble in relation to the theme of the
> > project. An example attached
> >
> > it seems that having tried to join the project twice, now you condemn,
> > why?
> >
> > you are removed from open_digi mailing list, with pleasure
> >
> > yours
> > atty
> >
> >
> > manik wrote:
> > >
> > > What's that?War is goood opportunity for you?People without ethic are
> > > things.You are less than thing for me.
> > > Unsubscribe me.A don't speak your language,also I feel that your
PAROLE
> > > sting on you.On your stupidity.
> > > MANIK
> > > .----- Original Message -----
> > > From: "atty" <atty@no-such.com>
> > > To: <list@rhizome.org>
> > > Sent: Tuesday, February 11, 2003 11:31 PM
> > > Subject: RHIZOME_RAW: >wartime< project events + soundtoys +
> > >
> > > > hi Rhizome_Raw people
> > > >
> > > > contents of mail
> > > > a) the >wartime< project events upcoming
> > > > b) www.soundtoys.net 2003
> > > > c) net-art02? open_digi events news
> > > >
> > > > a) the >wartime< project events and news
> > > >
> > > > the >wartime< project at http://offline.area3.net/wartime that was
> > > initiated by
> > > > open_digi http://club.net-art.ws and OFFLINE
http://offline.area3.net
> now
> > > has 113
> > > > artists participating coming from all continents, with 88
contributed
> > > pieces listed so
> > > > far. The theme of the project is reflections on and reactions
against
> > > wars, past,
> > > > present and future. The project is now reaching out with public
> showings
> > > and
> > > > events plus good international press coverage to get its collective
> work,
> > > ideas and
> > > > message out to a bigger and bigger audience, both online and
offline.
> > > >
> > > > LONDON
> > > > 6pm-7.30pm 12th Feb
> > > > THE OTHER CINEMA
> > > > 11 Rupert Street
> > > > London W1V 7FS
> > > > Box Office : 0207 734 1506
> > > > Project participants Ruth Catlow, Andrew Forbes and Elkin Atwell
will
> be
> > > answering
> > > > any questions from the audience after the 25 minute selection of
> >wartime<
> > > project
> > > > pieces. The prgramme will conclude with showing of the video 'NOT IN
> MY
> > > NAME'.
> > > >
> > > > 'peace lovers ball'
> > > > Saturday 15th Feb, London UK post the 'Stop the War' march and rally
> > > > This is a seriously underground squat party for 5000 +, all night
> after
> > > the demo.
> > > > The venue will be kept secret till 9pm the 15th, ring after this
time
> 0207
> > > 644 5170
> > > > or 07971 273 481 to get venue location details. The >wartime<
project
> will
> > > be
> > > > shown in a cinema type space of the party in between relevant video
> > > > documentaries.
> > > >
> > > > LOS ANGELES
> > > > \"Mario's night for peace\"
> > > > from 8pm, Saturday 15th, LA, US
> > > > with projections of >wartime< project and music from mr tamale and
> video
> > > from the
> > > > local anti-war rallies
> > > > http://www.mariosfurniture.info/
> > > > http://offline.area3.net/wartime/press/invite.gif
> > > >
> > > > Mario's
> > > > 3436 1/2 N. Figueroa Street
> > > > Los Angeles, CA 90065
> > > > ph: 323 / 221-4020
> > > >
> > > > future shows in the next few months are in planning for Mexico City,
> > > Bristol UK,
> > > > Amsterdam, Madrid, Rome and Barcelona to name a few ...
> > > >
> > > > >wartime< project press release and invite to pariticipate are
> available
> > > in english,
> > > > french, italian, german, spanish, portugese and finnish at
> > > > http://offline.area3.net/wartime/eng2.html
> > > >
> > > > b) www.soundtoys.net
> > > >
> > > > NEW work 2003
> > > >
> > > > We are looking for contributions of audio visual interactive works,
> net
> > > art, web
> > > > design, application software, multimedia, generative music,
> interactive
> > > > environments,essays. Works may take the form of art, generative
music,
> > > interactive
> > > > environments. They could be described as \"new audio visual
> experiences\",
> > > or
> > > > multimedia experiments which explore the parameters of our new media
> > > world. This
> > > > work is for a new website update and for selected exhibitions. The
> > > Soundtoys site
> > > > aims to provide a platform for the very best in audiovisual net
> artworks
> > > to be
> > > > presented and debated and if your work will make a valuable
> contribution
> > > to this
> > > > then please send it in. Soundtoys has been featured at Sonar, on
> Sonify,
> > > in the
> > > > Independent, and on English TV. Soundtoys has also been exhibited at
> > > > international festivals including den Hague film festival Holland,
and
> > > Zeppelin in
> > > > Barcelona. It was also be featured at Garage in Germany. Soundtoys
> also
> > > > organised it own exhibitions which the last was at the ICA in London
> from
> > > June to
> > > > July 2002. The
> > > > exhibition called Convergence featured over 100 artists from the
audio
> > > visuals arts.
> > > >
> > > > We are seeking new work for the 2003 series of events and for the
> website.
> > > >
> > > > 1. New online audio visual experiences. Works for the website send
in
> your
> > > > latest \"new audio visual experience\". We are interested in the use
> of
> > > all internet
> > > > friendly programming technologies eg shockwave, flash, vrml, java
etc.
> so
> > > send in
> > > > via email..
> > > >
> > > > 2. Installations. If you make interactive installations send in 400
> words
> > > about the
> > > > work and four images of the work. We are interested in responsive
> > > environments,
> > > > soundspaces , the city as sound.
> > > >
> > > > 3. Software. Artists and musicians software. This year we are
> particularly
> > > interested
> > > > in applications created by artists for a new area. If you make
patches
> or
> > > > applications tell us about it.
> > > >
> > > > 4. Journal. If you write about new media, interactive arts , and
would
> > > like to be in
> > > > the journal send us a finished text. We welcome texts, essays,
papers
> or
> > > articles
> > > > relating to this medium.
> > > >
> > > > 5. Offline. Soundtoys are being asked to present the works offline
at
> > > festivals. If
> > > > you want to take part send in audio visual works and interactive art
> > > pieces. These
> > > > must be finished projects. Send larger works and information in by
> cd-rom
> > > only via
> > > > post.
> > > >
> > > > If you work in any of the areas above we would like to hear from
you.
> > > >
> > > > Zip up your work and send all info about it. Don't forget to include
> > > relevant
> > > > details.ie your name, project title, year created, brief bio, text
> info
> > > about the work,
> > > > and also send the work. Please send all of the work including the
html
> > > files. If you
> > > > files are too big but you would like it presented at festival send
in
> a
> > > cd-rom version.
> > > > DO not just send us a link and say check it out.
> > > >
> > > > Application form online.
> > > >
> > > > DEADLINE MARCH 15 2003
> > > >
> > > > SOUNDTOYS.NET
> > > > web and info... .... http://www.soundtoys.net
> > > > email .......... ..... info@soundtoys.net
> > > >
> > > > ===============================
> > > >
> > > >
> > > > c) net-art02/03? open_digi
> > > >
> > > > as some of you may have noticed there has been no 2002 edition of
the
> > > 'net-art'
> > > > open arena at www.net-art.ws organised or announced. As you can see
> from
> > > the
> > > > list of >wartime< project events and hapenings at top of this mail,
> for
> > > the duration
> > > > this is taking up the majority of available time of people
previously
> > > involved in
> > > > running the annual 'net-art' event. So I am afraid this edition of
> > > 'net-art' will not
> > > > happen. Hopefully things will be more peaceful by the appropriate
time
> for
> > > a net-
> > > > art03.
> > > >
> > > > Similarly with so many shows and events of >wartime< planned or in
> > > planning
> > > > around the world, its really not possible to continue the monthly
> local
> > > open_digi
> > > > events in Brixton, South London for the time being.
> > > >
> > > > thanks for your support
> > > >
> > > > yours sincerely
> > > > atty
> > > >
> > > > + ti esrever dna ti pilf nwod gniht ym tup
> > > > -> post: list@rhizome.org
> > > > -> questions: info@rhizome.org
> > > > -> subscribe/unsubscribe:
> http://rhizome.org/preferences/subscribe.rhiz
> > > > -> give: http://rhizome.org/support
> > > > +
> > > > Subscribers to Rhizome are subject to the terms set out in the
> > > > Membership Agreement available online at
> http://rhizome.org/info/29.php
> > > >
> > > >
>
>
> --------------------------------------------------------------------------
--
> ----
>
>
>
>
>
>
>
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>fuck your parrot
I would like to see this parrot that Atty fucks. Is it male or female? Does
it have a beautiful plumage?
marc
> Fuck you,fuck your parrot,and don't write me again.Stupid motherfucker!
> MANIK
> ----- Original Message -----
> From: "atty" <atty@no-such.com>
> To: "manik" <manik@ptt.yu>
> Cc: <list@rhizome.org>
> Sent: Sunday, February 16, 2003 2:27 PM
> Subject: Re: RHIZOME_RAW: >wartime< project events + soundtoys +
>
>
> > I am sorry I wouldn't put your photos in >wartime< project before
> >
> > as I explained before
> >
> > a) the >wartime< project is not a photo gallery, its a project by
> > digital and network artists showing their work in these medium relating
> > to the theme of the project
> >
> > b) I don't know whether it is just my lack of being able to read serb,
> > but examples of photo work you sent me when you wanted to join (the
> > second time) where unintelligble in relation to the theme of the
> > project. An example attached
> >
> > it seems that having tried to join the project twice, now you condemn,
> > why?
> >
> > you are removed from open_digi mailing list, with pleasure
> >
> > yours
> > atty
> >
> >
> > manik wrote:
> > >
> > > What's that?War is goood opportunity for you?People without ethic are
> > > things.You are less than thing for me.
> > > Unsubscribe me.A don't speak your language,also I feel that your
PAROLE
> > > sting on you.On your stupidity.
> > > MANIK
> > > .----- Original Message -----
> > > From: "atty" <atty@no-such.com>
> > > To: <list@rhizome.org>
> > > Sent: Tuesday, February 11, 2003 11:31 PM
> > > Subject: RHIZOME_RAW: >wartime< project events + soundtoys +
> > >
> > > > hi Rhizome_Raw people
> > > >
> > > > contents of mail
> > > > a) the >wartime< project events upcoming
> > > > b) www.soundtoys.net 2003
> > > > c) net-art02? open_digi events news
> > > >
> > > > a) the >wartime< project events and news
> > > >
> > > > the >wartime< project at http://offline.area3.net/wartime that was
> > > initiated by
> > > > open_digi http://club.net-art.ws and OFFLINE
http://offline.area3.net
> now
> > > has 113
> > > > artists participating coming from all continents, with 88
contributed
> > > pieces listed so
> > > > far. The theme of the project is reflections on and reactions
against
> > > wars, past,
> > > > present and future. The project is now reaching out with public
> showings
> > > and
> > > > events plus good international press coverage to get its collective
> work,
> > > ideas and
> > > > message out to a bigger and bigger audience, both online and
offline.
> > > >
> > > > LONDON
> > > > 6pm-7.30pm 12th Feb
> > > > THE OTHER CINEMA
> > > > 11 Rupert Street
> > > > London W1V 7FS
> > > > Box Office : 0207 734 1506
> > > > Project participants Ruth Catlow, Andrew Forbes and Elkin Atwell
will
> be
> > > answering
> > > > any questions from the audience after the 25 minute selection of
> >wartime<
> > > project
> > > > pieces. The prgramme will conclude with showing of the video 'NOT IN
> MY
> > > NAME'.
> > > >
> > > > 'peace lovers ball'
> > > > Saturday 15th Feb, London UK post the 'Stop the War' march and rally
> > > > This is a seriously underground squat party for 5000 +, all night
> after
> > > the demo.
> > > > The venue will be kept secret till 9pm the 15th, ring after this
time
> 0207
> > > 644 5170
> > > > or 07971 273 481 to get venue location details. The >wartime<
project
> will
> > > be
> > > > shown in a cinema type space of the party in between relevant video
> > > > documentaries.
> > > >
> > > > LOS ANGELES
> > > > \"Mario's night for peace\"
> > > > from 8pm, Saturday 15th, LA, US
> > > > with projections of >wartime< project and music from mr tamale and
> video
> > > from the
> > > > local anti-war rallies
> > > > http://www.mariosfurniture.info/
> > > > http://offline.area3.net/wartime/press/invite.gif
> > > >
> > > > Mario's
> > > > 3436 1/2 N. Figueroa Street
> > > > Los Angeles, CA 90065
> > > > ph: 323 / 221-4020
> > > >
> > > > future shows in the next few months are in planning for Mexico City,
> > > Bristol UK,
> > > > Amsterdam, Madrid, Rome and Barcelona to name a few ...
> > > >
> > > > >wartime< project press release and invite to pariticipate are
> available
> > > in english,
> > > > french, italian, german, spanish, portugese and finnish at
> > > > http://offline.area3.net/wartime/eng2.html
> > > >
> > > > b) www.soundtoys.net
> > > >
> > > > NEW work 2003
> > > >
> > > > We are looking for contributions of audio visual interactive works,
> net
> > > art, web
> > > > design, application software, multimedia, generative music,
> interactive
> > > > environments,essays. Works may take the form of art, generative
music,
> > > interactive
> > > > environments. They could be described as \"new audio visual
> experiences\",
> > > or
> > > > multimedia experiments which explore the parameters of our new media
> > > world. This
> > > > work is for a new website update and for selected exhibitions. The
> > > Soundtoys site
> > > > aims to provide a platform for the very best in audiovisual net
> artworks
> > > to be
> > > > presented and debated and if your work will make a valuable
> contribution
> > > to this
> > > > then please send it in. Soundtoys has been featured at Sonar, on
> Sonify,
> > > in the
> > > > Independent, and on English TV. Soundtoys has also been exhibited at
> > > > international festivals including den Hague film festival Holland,
and
> > > Zeppelin in
> > > > Barcelona. It was also be featured at Garage in Germany. Soundtoys
> also
> > > > organised it own exhibitions which the last was at the ICA in London
> from
> > > June to
> > > > July 2002. The
> > > > exhibition called Convergence featured over 100 artists from the
audio
> > > visuals arts.
> > > >
> > > > We are seeking new work for the 2003 series of events and for the
> website.
> > > >
> > > > 1. New online audio visual experiences. Works for the website send
in
> your
> > > > latest \"new audio visual experience\". We are interested in the use
> of
> > > all internet
> > > > friendly programming technologies eg shockwave, flash, vrml, java
etc.
> so
> > > send in
> > > > via email..
> > > >
> > > > 2. Installations. If you make interactive installations send in 400
> words
> > > about the
> > > > work and four images of the work. We are interested in responsive
> > > environments,
> > > > soundspaces , the city as sound.
> > > >
> > > > 3. Software. Artists and musicians software. This year we are
> particularly
> > > interested
> > > > in applications created by artists for a new area. If you make
patches
> or
> > > > applications tell us about it.
> > > >
> > > > 4. Journal. If you write about new media, interactive arts , and
would
> > > like to be in
> > > > the journal send us a finished text. We welcome texts, essays,
papers
> or
> > > articles
> > > > relating to this medium.
> > > >
> > > > 5. Offline. Soundtoys are being asked to present the works offline
at
> > > festivals. If
> > > > you want to take part send in audio visual works and interactive art
> > > pieces. These
> > > > must be finished projects. Send larger works and information in by
> cd-rom
> > > only via
> > > > post.
> > > >
> > > > If you work in any of the areas above we would like to hear from
you.
> > > >
> > > > Zip up your work and send all info about it. Don't forget to include
> > > relevant
> > > > details.ie your name, project title, year created, brief bio, text
> info
> > > about the work,
> > > > and also send the work. Please send all of the work including the
html
> > > files. If you
> > > > files are too big but you would like it presented at festival send
in
> a
> > > cd-rom version.
> > > > DO not just send us a link and say check it out.
> > > >
> > > > Application form online.
> > > >
> > > > DEADLINE MARCH 15 2003
> > > >
> > > > SOUNDTOYS.NET
> > > > web and info... .... http://www.soundtoys.net
> > > > email .......... ..... info@soundtoys.net
> > > >
> > > > ===============================
> > > >
> > > >
> > > > c) net-art02/03? open_digi
> > > >
> > > > as some of you may have noticed there has been no 2002 edition of
the
> > > 'net-art'
> > > > open arena at www.net-art.ws organised or announced. As you can see
> from
> > > the
> > > > list of >wartime< project events and hapenings at top of this mail,
> for
> > > the duration
> > > > this is taking up the majority of available time of people
previously
> > > involved in
> > > > running the annual 'net-art' event. So I am afraid this edition of
> > > 'net-art' will not
> > > > happen. Hopefully things will be more peaceful by the appropriate
time
> for
> > > a net-
> > > > art03.
> > > >
> > > > Similarly with so many shows and events of >wartime< planned or in
> > > planning
> > > > around the world, its really not possible to continue the monthly
> local
> > > open_digi
> > > > events in Brixton, South London for the time being.
> > > >
> > > > thanks for your support
> > > >
> > > > yours sincerely
> > > > atty
> > > >
> > > > + ti esrever dna ti pilf nwod gniht ym tup
> > > > -> post: list@rhizome.org
> > > > -> questions: info@rhizome.org
> > > > -> subscribe/unsubscribe:
> http://rhizome.org/preferences/subscribe.rhiz
> > > > -> give: http://rhizome.org/support
> > > > +
> > > > Subscribers to Rhizome are subject to the terms set out in the
> > > > Membership Agreement available online at
> http://rhizome.org/info/29.php
> > > >
> > > >
>
>
> --------------------------------------------------------------------------
--
> ----
>
>
>
>
>
>
>
> + ti esrever dna ti pilf nwod gniht ym tup
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>