ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Re: Re: Commission Voting: Finalist Ranking
why vote at all?
marc
>As a finalist, I have to say I am kind of concerned as to why it was narrowed down to 27 if only 1 can get it- why not narrow it down to one, and give it? I ask in earnestness. A two step process seems to burden artists (the anticipation!) and
>viewers alike (why vote twice for the same piece?)
>
>Just my two cents. Still, it is pretty sweet to get into the finals.
>
>-er.
>
>
>Eric Dymond <dymond@idirect.ca> on Friday, May 05, 2006 at 10:10 PM -0500 wrote:
>
>
>>This is kind of like a protracted pregnancy, and I've been through 3.
>>Maybe next year the poor applicants will be subjected to less abuse.
>>Sorry, but this process has the hallmarks of reality TV, and it leaves me feeling pretty cold and worried.
>>
>>
>>Eric
>>+
>>-> post: list@rhizome.org
>>-> questions: info@rhizome.org
>>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>>-> give: http://rhizome.org/support
>>+
>>Subscribers to Rhizome are subject to the terms set out in the
>>Membership Agreement available online at http://rhizome.org/info/29.php
>>
>>
>
>
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
marc
>As a finalist, I have to say I am kind of concerned as to why it was narrowed down to 27 if only 1 can get it- why not narrow it down to one, and give it? I ask in earnestness. A two step process seems to burden artists (the anticipation!) and
>viewers alike (why vote twice for the same piece?)
>
>Just my two cents. Still, it is pretty sweet to get into the finals.
>
>-er.
>
>
>Eric Dymond <dymond@idirect.ca> on Friday, May 05, 2006 at 10:10 PM -0500 wrote:
>
>
>>This is kind of like a protracted pregnancy, and I've been through 3.
>>Maybe next year the poor applicants will be subjected to less abuse.
>>Sorry, but this process has the hallmarks of reality TV, and it leaves me feeling pretty cold and worried.
>>
>>
>>Eric
>>+
>>-> post: list@rhizome.org
>>-> questions: info@rhizome.org
>>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>>-> give: http://rhizome.org/support
>>+
>>Subscribers to Rhizome are subject to the terms set out in the
>>Membership Agreement available online at http://rhizome.org/info/29.php
>>
>>
>
>
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
last chance to see Andy Deck at HTTP.
Dates:
Thu Mar 09, 2006 00:00 - Thu Apr 20, 2006
This weekend is your last chance to see...
Open Vice/Virtue: The Online Art Context by Andy Deck at HTTP.
We thought that we'd put together some images from the opening night &
of the overall installation, so those who have not been able to visit
the exhibition can at least get a taste of what was on show.
The opening night - photographs by Neil Jenkins:
http://www.http.uk.net/docs/exhib9/andy_deck_exhibit.htm
Images of the exhibition installation - photographs by Neil Jenkins &
Pau Ros:
http://www.http.uk.net/docs/exhib9/andy_deck_installation_exhibit.htm
-------------------->
Summary
‘Open Vice/Virtue: The Online Art Context’ is an exhibition and public
production space featuring real-time, online collaboration and
interventions in public and private spaces by software artist Andy Deck.
Exhibition: 9th March - 22nd April 2006.
Friday- Sunday: 12noon-5pm.
For more detailed information about the exhibition:
http://www.http.uk.net/docs/exhib9/exhibitions9.htm
Supported by NODE.London
Season of media arts, March 2006.
http://nodel.org/
HTTP was set up in October 2004 by artists and curators of Furtherfield
and Tobi Maier of Dosensos (who was on the board from OCT 04 - JUN05).
Furtherfield is an online platform for the creation, promotion and
criticism of adventurous digital/net art work for public viewing,
experience and participation. www.furtherfield.org
Furtherfield's behaviour statement:
http://www.furtherfield.org/about.php
Gallery details:
Unit A2,
Arena Business Centre,
71 Ashfield Rd,
London N4 1NY.
Tel: + 44 (0)20 8802 2827
e-mail: info@http.uk.net
Web: www.http.uk.net
Tube: Manor House Buses: 341, 141 Train: Haringey Green Lanes.
Open Vice/Virtue: The Online Art Context by Andy Deck at HTTP.
We thought that we'd put together some images from the opening night &
of the overall installation, so those who have not been able to visit
the exhibition can at least get a taste of what was on show.
The opening night - photographs by Neil Jenkins:
http://www.http.uk.net/docs/exhib9/andy_deck_exhibit.htm
Images of the exhibition installation - photographs by Neil Jenkins &
Pau Ros:
http://www.http.uk.net/docs/exhib9/andy_deck_installation_exhibit.htm
-------------------->
Summary
‘Open Vice/Virtue: The Online Art Context’ is an exhibition and public
production space featuring real-time, online collaboration and
interventions in public and private spaces by software artist Andy Deck.
Exhibition: 9th March - 22nd April 2006.
Friday- Sunday: 12noon-5pm.
For more detailed information about the exhibition:
http://www.http.uk.net/docs/exhib9/exhibitions9.htm
Supported by NODE.London
Season of media arts, March 2006.
http://nodel.org/
HTTP was set up in October 2004 by artists and curators of Furtherfield
and Tobi Maier of Dosensos (who was on the board from OCT 04 - JUN05).
Furtherfield is an online platform for the creation, promotion and
criticism of adventurous digital/net art work for public viewing,
experience and participation. www.furtherfield.org
Furtherfield's behaviour statement:
http://www.furtherfield.org/about.php
Gallery details:
Unit A2,
Arena Business Centre,
71 Ashfield Rd,
London N4 1NY.
Tel: + 44 (0)20 8802 2827
e-mail: info@http.uk.net
Web: www.http.uk.net
Tube: Manor House Buses: 341, 141 Train: Haringey Green Lanes.
Re: Fwd: US Detains Al-Gebra Operative
Hi Ryan,
The sad thing is, one can imagine it happening these days...
marc
> more puns than you can count on your fingers and toes...
>
> Begin forwarded message:
>
>> | US Detains Al-Gebra Operative |
>> | from the dont-fear-the-pythagorean dept. |
>> | posted by stevphen on Tuesday April 18, @07:29 (news) |
>> | http://info.interactivist.net/article.pl?sid/04/18/1633231 |
>> +--------------------------------------------------------------------+
>>
>> Math teacher arrested
>> Associated Press
>>
>> At New York's Kennedy airport today, an individual later discovered
>> to be
>> a public school teacher was arrested trying to board a flight while in
>> possession of a ruler, a protractor, a setsquare, a slide rule, and a
>> calculator.
>>
>> At a morning press conference, US Attorney General Alberto Gonzales said
>> he believes the man is a member of the notorious al-gebra movement.
>> He is
>> being charged by the FBI with carrying weapons of math's instruction.
>>
>> 'Al-gebra is a fearsome cult,
The sad thing is, one can imagine it happening these days...
marc
> more puns than you can count on your fingers and toes...
>
> Begin forwarded message:
>
>> | US Detains Al-Gebra Operative |
>> | from the dont-fear-the-pythagorean dept. |
>> | posted by stevphen on Tuesday April 18, @07:29 (news) |
>> | http://info.interactivist.net/article.pl?sid/04/18/1633231 |
>> +--------------------------------------------------------------------+
>>
>> Math teacher arrested
>> Associated Press
>>
>> At New York's Kennedy airport today, an individual later discovered
>> to be
>> a public school teacher was arrested trying to board a flight while in
>> possession of a ruler, a protractor, a setsquare, a slide rule, and a
>> calculator.
>>
>> At a morning press conference, US Attorney General Alberto Gonzales said
>> he believes the man is a member of the notorious al-gebra movement.
>> He is
>> being charged by the FBI with carrying weapons of math's instruction.
>>
>> 'Al-gebra is a fearsome cult,
New Reviews, interviews & Articles on Furtherfield.org April 06.
New Reviews, interviews & Articles on Furtherfield.org April 06.
http://www.furtherfield.org
-Mary Flanagan: Interviewed by Jess Laccetti.
-Free103point9 and Transmission Arts: Reviewed by Maria Victoria Guglietti.
-Chris Ashley - Look, See: Reviewed by Rob Myers.
-Flick Harrison's Interactive Cinema: Marie Tyrell - Article by Camille
Baker.
-FurtherCritic Article by [[Mez]]:
Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].
On Abe Linkoln's video on 'isabelle-dinoire'.
Mary Flanagan - Interviewed by Jess Laccetti.
-------------------------------------------------->
An interview with Mary Flanagan by Jess Laccetti about the idea of
works-in-progress and issues around exploration. Flanagan's artwork has
been shown internationally at venues including the the Whitney Museum of
American Art 2002 Biennial, SIGGRAPH, Ars Electronica, Whitney Museum of
American Art's Artport, the Moving Image Centre in Auckland, Central
Fine Arts Gallery, New York, the Guggenheim, University of Arizona,
University of Colorado Boulder, New York Hall of Science, and
galleries/events in Spain, the UK, Norway, Japan, Denmark, Canada,
Australia, Hong Kong, France, Italy, Slovenia, and the US.
Interviewed by Jess Laccetti.
http://www.furtherfield.org/displayreview.php?From=Index&review\_id9
Free103point9 and Transmission Arts.
-------------------------------------------------->
Since its emergence as a microcasting artist collective in 1997,
free103point9 has consistently pursued the legitimization and promotion
of transmission arts. Today, the clandestine collective is a non-profit
arts organization whose many ventures are: Project space -a gallery in
Brooklyn, New York-, Wavefarm -a research centre currently under
construction-, a radio lab, an on-line radio and a distribution label.
Aware of the need of defining transmission arts, free103point9 has
painstakingly theorized and documented the history and forms of
transmission art: radio and video art, performance, installation, light
sculptures. Textbooks and a growing on-line archive of transmission
artworks are two ways in which free103point9 consolidates the notion of
transmission arts.
Reviewer: Maria Victoria Guglietti.
http://www.furtherfield.org/displayreview.php?From=Index&review\_id8
Chris Ashley - Look, See.
-------------------------------------------------->
Every day since 2002 Chris Ashley has created an abstract coloured
drawing in hand-coded HTML tables and posted it to his weblog 'Look,
See
http://www.furtherfield.org
-Mary Flanagan: Interviewed by Jess Laccetti.
-Free103point9 and Transmission Arts: Reviewed by Maria Victoria Guglietti.
-Chris Ashley - Look, See: Reviewed by Rob Myers.
-Flick Harrison's Interactive Cinema: Marie Tyrell - Article by Camille
Baker.
-FurtherCritic Article by [[Mez]]:
Unlearning Paris Hilton [vs: Reconstructing (Gender) Isabella].
On Abe Linkoln's video on 'isabelle-dinoire'.
Mary Flanagan - Interviewed by Jess Laccetti.
-------------------------------------------------->
An interview with Mary Flanagan by Jess Laccetti about the idea of
works-in-progress and issues around exploration. Flanagan's artwork has
been shown internationally at venues including the the Whitney Museum of
American Art 2002 Biennial, SIGGRAPH, Ars Electronica, Whitney Museum of
American Art's Artport, the Moving Image Centre in Auckland, Central
Fine Arts Gallery, New York, the Guggenheim, University of Arizona,
University of Colorado Boulder, New York Hall of Science, and
galleries/events in Spain, the UK, Norway, Japan, Denmark, Canada,
Australia, Hong Kong, France, Italy, Slovenia, and the US.
Interviewed by Jess Laccetti.
http://www.furtherfield.org/displayreview.php?From=Index&review\_id9
Free103point9 and Transmission Arts.
-------------------------------------------------->
Since its emergence as a microcasting artist collective in 1997,
free103point9 has consistently pursued the legitimization and promotion
of transmission arts. Today, the clandestine collective is a non-profit
arts organization whose many ventures are: Project space -a gallery in
Brooklyn, New York-, Wavefarm -a research centre currently under
construction-, a radio lab, an on-line radio and a distribution label.
Aware of the need of defining transmission arts, free103point9 has
painstakingly theorized and documented the history and forms of
transmission art: radio and video art, performance, installation, light
sculptures. Textbooks and a growing on-line archive of transmission
artworks are two ways in which free103point9 consolidates the notion of
transmission arts.
Reviewer: Maria Victoria Guglietti.
http://www.furtherfield.org/displayreview.php?From=Index&review\_id8
Chris Ashley - Look, See.
-------------------------------------------------->
Every day since 2002 Chris Ashley has created an abstract coloured
drawing in hand-coded HTML tables and posted it to his weblog 'Look,
See
As seen on N B C, C B S, C N N, and even Oprah.
As seen on N B C, C B S, C N N, and even O p rah.
I was listening to the radio today
As reported on in the New En gland Jou rnal of Medi cine.
music was blaring its independence
Reverses ag ing while bur ning f at,
I had finished having a bath and felt fresher
without dieting or exercise.
less tired and eager to listen
Forget aging and die ting forever And it's Gu arant eed!
I put the kettle on and turned the sound up
1.Body F at Lo ss
it had escaped me, what the day was today
2.Wr inkle Reduc tion
it might of escaped you as you yourselves
3.Increased Ene rgy Levels
went on your merry ways to pursuing yourselves
4.Mus cle Stre ngth impro vement
and all ourselves do collectively pursue the selves
5.Incr eased Se xual Pot ency
you see I enjoy noise, the sound of energy crashing
6.Imp roved Emoti onal Stab ility
thrashing out intensity with a liberated obnoxiousness
7.B et ter Me mory
and Drum and
Bass........................................................ well I'm
addicted to it
Lo se wei ght while bui lding le an mus cle ma ss
and reve rsing the rav ages of aging all at once.
the music had finished ended
and then
the news began
Please <http://www.coolfreecard.com/>vis it our web si te to le arn the
<http://www.coolfreecard.com/>
the voice on the radio mentioned the date and then...
a silence
fa cts about this qua lity hea lth pro duct and
followed.....
vi ew our abs olute satis faction gua rantee click here
To un sub sc ribe from fut ure of fers,
I turned the silence up
and listened
to the crackles on the radio
re ply with of f
for some reason I am open to really listening these days *
Hello, info@furtherfield.org
As seen on N B C, C B S, C N N,*
I listened to that sound called two minutes of silence
*and even O p rah.*
to me, it was not silence what I had just heard *
As reported on in the New En gland*
it was a different kind of noise, a noise we all prefer to ignore
*Jou rnal of Medi cine.*
I started to think about the one I love *
Reverses ag ing while bur ning f at,*
and the pain of others who had lost their loves *
without dieting or exercise. Forget aging and die ting forever *
and the reality of pain
that history has tirelessly*
And it's Gu arant eed! 1.Body F at Lo ss*
has catalogued for us all *
2.Wr inkle Reduc tion 3.Increased Ene rgy*
I thought of my father and the violence he possessed
*Levels 4.Mus cle Stre ngth impro vement 5.Incr eased Se xual Pot ency*
and his relentless one dimensional onslaught *
6.Imp roved Emoti onal Stab ility 7.B et ter Me mory*
onslaught on all our family
*Lo se wei ght while bui lding le an mus cle ma ss*
perhaps you've had a father like that too
*and reve rsing the rav ages of aging all at once.*
I thought of Slaughterhouse 5, Nagasaki, Hiroshima
*Please vis it our web si te to le arn the fa cts about this qua lity
hea lth pro duct* <http://www.coolfreecard.com/>
and all the other killing fields
that many fathers and boys have played on <http://www.coolfreecard.com/>
*and vi ew our abs olute satis faction gua rantee click here*
<http://www.coolfreecard.com/>*
To un sub sc ribe from fut ure of fers, re ply with of f*
and as the silence reigned its awe and power
Hello, info@furtherfield.org <mailto:info@furtherfield.org> *
As seen on N B C, C B S, C N N, and even O p rah. As reported on in the
New En gland Jou rnal of Medi cine.*
I began to feel the sensation to cry *
Reverses ag ing while bur ning f at,*
In that moment of time,
my time which is also shared with
all those
*without dieting or exercise. Forget aging and die ting forever And *
who
have been senselessly
put to death *
it's Gu arant eed! 1.Body F at Lo ss
*by man's ever increasing lust for self-glory
via
insecure masculine means ='s, power over love *
2.Wr inkle Reduc tion 3.Increased Ene rgy Levels 4.Mus cle Stre ngth
impro vement
5.Incr eased Se xual Pot ency *
wanksome liberation
through violent means it seems
that mankind, is not kind***
6.Imp roved Emoti onal Stab ility 7.B et ter Me mory Lo se wei ght while *
far far behind of what I and hopefully many other others
*bui lding le an mus cle ma ss
and reve rsing the rav ages of aging all at once.*
consider worth being
so I ask you,
not just you,
me also
*Please vis it our web si te to le arn the fa cts about this qua lity
hea lth pro duct and vi ew * <http://www.coolfreecard.com/>
put down our self conscious fears
and feel the pain of others
feel our own pains <http://www.coolfreecard.com/>
*our abs olute satis faction gua rantee click here*
<http://www.coolfreecard.com/>*
To un sub sc ribe from fut ure of fers, re ply with of f*
put them to some use,
and not hide them,
forwe possess imaginations
Hello, info@furtherfield.org <mailto:info@furtherfield.org>
As seen on N B C, C B S, C N N, and even Oprah. As reported on in the
New En gland Jou rnal of Medi cine.
the desire for a better reality
Reverses ag ing while bur ning f at, without dieting or exercise.
Forget aging and die ting
the capacity to explore creativity,
to break away
.............And it's Gu arant eed!
1.Body F at Lo ss
2.Wr inkle Reduc tion
3.Increased Energy Levels......................
I was listening to the radio today
As reported on in the New En gland Jou rnal of Medi cine.
music was blaring its independence
Reverses ag ing while bur ning f at,
I had finished having a bath and felt fresher
without dieting or exercise.
less tired and eager to listen
Forget aging and die ting forever And it's Gu arant eed!
I put the kettle on and turned the sound up
1.Body F at Lo ss
it had escaped me, what the day was today
2.Wr inkle Reduc tion
it might of escaped you as you yourselves
3.Increased Ene rgy Levels
went on your merry ways to pursuing yourselves
4.Mus cle Stre ngth impro vement
and all ourselves do collectively pursue the selves
5.Incr eased Se xual Pot ency
you see I enjoy noise, the sound of energy crashing
6.Imp roved Emoti onal Stab ility
thrashing out intensity with a liberated obnoxiousness
7.B et ter Me mory
and Drum and
Bass........................................................ well I'm
addicted to it
Lo se wei ght while bui lding le an mus cle ma ss
and reve rsing the rav ages of aging all at once.
the music had finished ended
and then
the news began
Please <http://www.coolfreecard.com/>vis it our web si te to le arn the
<http://www.coolfreecard.com/>
the voice on the radio mentioned the date and then...
a silence
fa cts about this qua lity hea lth pro duct and
followed.....
vi ew our abs olute satis faction gua rantee click here
To un sub sc ribe from fut ure of fers,
I turned the silence up
and listened
to the crackles on the radio
re ply with of f
for some reason I am open to really listening these days *
Hello, info@furtherfield.org
As seen on N B C, C B S, C N N,*
I listened to that sound called two minutes of silence
*and even O p rah.*
to me, it was not silence what I had just heard *
As reported on in the New En gland*
it was a different kind of noise, a noise we all prefer to ignore
*Jou rnal of Medi cine.*
I started to think about the one I love *
Reverses ag ing while bur ning f at,*
and the pain of others who had lost their loves *
without dieting or exercise. Forget aging and die ting forever *
and the reality of pain
that history has tirelessly*
And it's Gu arant eed! 1.Body F at Lo ss*
has catalogued for us all *
2.Wr inkle Reduc tion 3.Increased Ene rgy*
I thought of my father and the violence he possessed
*Levels 4.Mus cle Stre ngth impro vement 5.Incr eased Se xual Pot ency*
and his relentless one dimensional onslaught *
6.Imp roved Emoti onal Stab ility 7.B et ter Me mory*
onslaught on all our family
*Lo se wei ght while bui lding le an mus cle ma ss*
perhaps you've had a father like that too
*and reve rsing the rav ages of aging all at once.*
I thought of Slaughterhouse 5, Nagasaki, Hiroshima
*Please vis it our web si te to le arn the fa cts about this qua lity
hea lth pro duct* <http://www.coolfreecard.com/>
and all the other killing fields
that many fathers and boys have played on <http://www.coolfreecard.com/>
*and vi ew our abs olute satis faction gua rantee click here*
<http://www.coolfreecard.com/>*
To un sub sc ribe from fut ure of fers, re ply with of f*
and as the silence reigned its awe and power
Hello, info@furtherfield.org <mailto:info@furtherfield.org> *
As seen on N B C, C B S, C N N, and even O p rah. As reported on in the
New En gland Jou rnal of Medi cine.*
I began to feel the sensation to cry *
Reverses ag ing while bur ning f at,*
In that moment of time,
my time which is also shared with
all those
*without dieting or exercise. Forget aging and die ting forever And *
who
have been senselessly
put to death *
it's Gu arant eed! 1.Body F at Lo ss
*by man's ever increasing lust for self-glory
via
insecure masculine means ='s, power over love *
2.Wr inkle Reduc tion 3.Increased Ene rgy Levels 4.Mus cle Stre ngth
impro vement
5.Incr eased Se xual Pot ency *
wanksome liberation
through violent means it seems
that mankind, is not kind***
6.Imp roved Emoti onal Stab ility 7.B et ter Me mory Lo se wei ght while *
far far behind of what I and hopefully many other others
*bui lding le an mus cle ma ss
and reve rsing the rav ages of aging all at once.*
consider worth being
so I ask you,
not just you,
me also
*Please vis it our web si te to le arn the fa cts about this qua lity
hea lth pro duct and vi ew * <http://www.coolfreecard.com/>
put down our self conscious fears
and feel the pain of others
feel our own pains <http://www.coolfreecard.com/>
*our abs olute satis faction gua rantee click here*
<http://www.coolfreecard.com/>*
To un sub sc ribe from fut ure of fers, re ply with of f*
put them to some use,
and not hide them,
forwe possess imaginations
Hello, info@furtherfield.org <mailto:info@furtherfield.org>
As seen on N B C, C B S, C N N, and even Oprah. As reported on in the
New En gland Jou rnal of Medi cine.
the desire for a better reality
Reverses ag ing while bur ning f at, without dieting or exercise.
Forget aging and die ting
the capacity to explore creativity,
to break away
.............And it's Gu arant eed!
1.Body F at Lo ss
2.Wr inkle Reduc tion
3.Increased Energy Levels......................