ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Re: Artists Lick Curators Ass at Higher Institute For Fine Arts!
i was wondering if there was a way getting myself signed up as one of
these curators...
marc
>fun, this field has probably a rich spectrum of professional perspectives like
>sucking off, masturbating, etc.
>
>--
>Roman
>
>Quoting Kristofer Paetau <kristoferpaetau@GMAIL.COM>:
>
>
>
>>SURPRISE PERFORMANCE: LICKING CURATORS ASS by Ondrej Brody & Kristofer
>>Paetau within the experimental exhibition format "ExtraFeatures Series (1)",
>>curated by Jan Van Woensel who invited us to do a surprise intervention in
>>this exhibition / decor / documentary project at the Higher Institute for
>>Fine Arts, Antwerp, Belgium.
>>
>>A web documentation to view & read:
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.html
>>
>>A PDF documentation (0,3 MB) to download at:
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.pdf
>>
>>View the "Licking Curators Ass" Quicktime Video (2min.52sec. DSL required):
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.mov
>>
>>
>>Best wishes, Kristofer Paetau
>>
>>--
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these curators...
marc
>fun, this field has probably a rich spectrum of professional perspectives like
>sucking off, masturbating, etc.
>
>--
>Roman
>
>Quoting Kristofer Paetau <kristoferpaetau@GMAIL.COM>:
>
>
>
>>SURPRISE PERFORMANCE: LICKING CURATORS ASS by Ondrej Brody & Kristofer
>>Paetau within the experimental exhibition format "ExtraFeatures Series (1)",
>>curated by Jan Van Woensel who invited us to do a surprise intervention in
>>this exhibition / decor / documentary project at the Higher Institute for
>>Fine Arts, Antwerp, Belgium.
>>
>>A web documentation to view & read:
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.html
>>
>>A PDF documentation (0,3 MB) to download at:
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.pdf
>>
>>View the "Licking Curators Ass" Quicktime Video (2min.52sec. DSL required):
>>http://www.paetau.com/downloads/LickingCuratorsAss/LickingCuratorsAss.mov
>>
>>
>>Best wishes, Kristofer Paetau
>>
>>--
>>If you do not want mails anymore, you can unsubscribe automatically bysending
>>an empty e-mail from your e-mail account to:
>>ARTINFO-L-unsubscribe-request@listserv.dfn.de
>>
>>If this doesn't work, you probably got this e-mail re-routed through another
>>address: Please reply to this mail and write UNSUBSCRIBE in the mail subject
>>and please indicate some old or alternative e-mail addresses in order to help
>>us unsubscribe you. Thank you and apologizes for the trouble!
>>
>>--
>>+
>>-> post: list@rhizome.org
>>-> questions: info@rhizome.org
>>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>>-> give: http://rhizome.org/support
>>+
>>Subscribers to Rhizome are subject to the terms set out in the
>>Membership Agreement available online at http://rhizome.org/info/29.php
>>
>>
>>
>
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>
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>-> post: list@rhizome.org
>-> questions: info@rhizome.org
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Tonight! Sites and Para-Sites: Networking Art.
Tickets still available from the ICA box office (020 7930 3647),
tickets@ica.org.uk <mailto:tickets@ica.org.uk>, or on the door.
Sites and Para-sites: Networking Art
7:30 pm, Monday, March 20
ICA, Brandon Room
The Mall, SW1Y 5AH
tickets@ica.org.uk <mailto:tickets@ica.org.uk>, or on the door.
Sites and Para-sites: Networking Art
7:30 pm, Monday, March 20
ICA, Brandon Room
The Mall, SW1Y 5AH
Browse my text-cloud.
Browse my text-cloud.
extisp.icio.us text gives you a random textual scattering of a user's
tags, sized according to the number of times that they've used each of
them, and leaves you to draw your own insights from the overlapping
entrails.
http://kevan.org/extispicious.cgi?name=m_garrett
marc garrett
extisp.icio.us text gives you a random textual scattering of a user's
tags, sized according to the number of times that they've used each of
them, and leaves you to draw your own insights from the overlapping
entrails.
http://kevan.org/extispicious.cgi?name=m_garrett
marc garrett
Lewis LaCook and Ouch Those Monkeys.
Lewis LaCook and Ouch Those Monkeys.
Lewis LaCook and Ouch
Those Monkeys
QuickTime video, 2006
11.5 mb
A music video for Marc Garrett's
Ouch Those Monkeys project.
The footage was shot in and around the East side of Lorain, Ohio--basically
by walking the streets swinging a camera. There's also the remnants of a
dinner
passed here.
http://www.lewislacook.org/netcinema/notes_on_skin.mov
Lewis LaCook and Ouch
Those Monkeys
QuickTime video, 2006
11.5 mb
A music video for Marc Garrett's
Ouch Those Monkeys project.
The footage was shot in and around the East side of Lorain, Ohio--basically
by walking the streets swinging a camera. There's also the remnants of a
dinner
passed here.
http://www.lewislacook.org/netcinema/notes_on_skin.mov
Re: SNAD readme March 2006
>that you could, at this very moment, download the SNAD digital graphic file from this site, blow it up into a 16" x
20" graphics file using any number of popular graphics editing programs,
done that already ;-)
marc
>In March you will be able to go the Scope Art Fair in NYC and buy a
>16" x 20" framed print of MTAA's Simple Net Art Diagram (SNAD) for 625
>USD. The weird part is that you could, at this very moment, download
>the SNAD digital graphic file from this site, blow it up into a 16" x
>20" graphics file using any number of popular graphics editing
>programs, take it to a printer and then to a frame shop and have the
>exact same thing that we're selling. This process will cost you less
>than 625 USD (it would run you under $250, depending on your choice of
>frame of course, we suggest something heavily and deeply carved with
>lots of gold leaf).
>
>Actually, that's exactly how we created the print we're selling.
>M.River downloaded the Illustrator version from the web, imported it
>into a 16" x 20" Photoshop document, scaled it to fit comfortably in
>the frame of reference and then sent it off to a digital output joint.
>
>So. What's the deal?
>
>more at:
>http://www.mtaa.net/mtaaRR/news/mriver/snad_readme_for_march_2006.html
>
>--
><twhid>www.mteww.com</twhid>
>
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
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>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>
20" graphics file using any number of popular graphics editing programs,
done that already ;-)
marc
>In March you will be able to go the Scope Art Fair in NYC and buy a
>16" x 20" framed print of MTAA's Simple Net Art Diagram (SNAD) for 625
>USD. The weird part is that you could, at this very moment, download
>the SNAD digital graphic file from this site, blow it up into a 16" x
>20" graphics file using any number of popular graphics editing
>programs, take it to a printer and then to a frame shop and have the
>exact same thing that we're selling. This process will cost you less
>than 625 USD (it would run you under $250, depending on your choice of
>frame of course, we suggest something heavily and deeply carved with
>lots of gold leaf).
>
>Actually, that's exactly how we created the print we're selling.
>M.River downloaded the Illustrator version from the web, imported it
>into a 16" x 20" Photoshop document, scaled it to fit comfortably in
>the frame of reference and then sent it off to a digital output joint.
>
>So. What's the deal?
>
>more at:
>http://www.mtaa.net/mtaaRR/news/mriver/snad_readme_for_march_2006.html
>
>--
><twhid>www.mteww.com</twhid>
>
>+
>-> post: list@rhizome.org
>-> questions: info@rhizome.org
>-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>-> give: http://rhizome.org/support
>+
>Subscribers to Rhizome are subject to the terms set out in the
>Membership Agreement available online at http://rhizome.org/info/29.php
>
>
>
>