marc garrett
Since the beginning
Works in London United Kingdom of Great Britain and Northern Ireland

ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.

Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.

Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Discussions (1712) Opportunities (15) Events (175) Jobs (2)
DISCUSSION

Furtherfield on the move...


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BlankFurtherfield Update (28/8/02)

Furtherfield has been going through various shifts and changes. We are sure=
many of you know about some of these already. Those who have missed their =
last emails and those who are new members of Furtherfield. Whether you are =
an artist or someone who is intuitive emotionally and conceptually, enjoyin=
g being a part of this ever growing net community; we have a lot to inform =
you about. So rub your eyes, make yourself a strong cup of coffee and let a=
ll the information flood into your pliable craniums.

The Furtherfield office is moving to Finsbury Park - Manor house (London) i=
nto a 1600 sq ft warehouse. The address is at the bottom of this email. All=
the Networking parties will in future be held in this new space. We are go=
ing to use the space to maintain furtherfield's independence by using it as=
an 'on and off' exhibiting space for the support and promotion of up and c=
oming digital, activist, explorative artists. And of course will continue c=
ollaborative projects with other net based groups locally and globally.

All those who are waiting for their work to be featured or hosted on furthe=
rfield, please be patient for currently we are building and decorating in t=
he new space, give us a couple of weeks to get your work online. All those =
who wish to send submissions to furtherfield for consideration can still se=
nd them, give us about a week for response. And if anyone who is living in =
London suddenly gets the urge to help us get the space up and running, don'=
t be shy, an extra pair of hands can always come in handy (scuze slack the =
pun).

We will continue to:
a.. Place net art and agit-prop art-work up in the streets with submissio=
ns sent via email globally.
b.. Hold Networking Parties 'where anyone can turn up and discuss their i=
deas, promote projects and show their work'.
c.. Host and support independent artists via the Furtherfield web site.
d.. Host musicians, aural soundscape artists and noisemakers on our siste=
r site Furthernoise.org
e.. Not ask for any money from artists for designing their sites.
f.. Collect diary entries for our perpetual project DIDO - [http://www.di=
do.uk.net]
g.. Train people to use various web design programs in return for helping=
us with furtherfield upkeep.
h.. Share skills and ideas with people from all walks of life, judging by=
their quality and not by their background.
i.. Exhibit artists work whether they have been to college or not, it's t=
he context not the lineage we are into.

We would also like to thank AKAART, for generously hosting furtherfield a=
nd its various projects.

http://www.furtherfield.org/skinstrip/ 'Skin/Strip Online' invites the gl=
obal digital community to anonymously express their physical identity using=
visual images of their bodies. Individual net users participate in a colle=
ctive, live event, confronting social and cultural representations of the b=
ody within the net community, by revealing and viewing their previously unk=
nown, corporeality via net-based technology. Including two introductory ess=
ays by Alan Sondheim and Lewis LaCooke.

http://www.furtherfield.org/crit/index.htm Lewis LaCooke is our first cri=
tic in residence on Furtherfield. Offering regular and informative reviews =
of varied explorative projects & artworks featured on furtherfield, plus ot=
her works by artists who are currently exhibiting on the Internet.

http://www.furtherfield.org/ffield/index2.htm Furtherprojects, a page tha=
t shows all our current projects and what we are up to, still to be updated=
(of course).

New Work on Furtherfield.org
Fascinum - Christophe Bruno
The Bomb Project - Joy Garnett
AirStream - John Blanchard
Short Films - Ruth Catlow
Marc Garrett's Writings - Marc Garrett
A Population in Peril - Cor[porat]e [Per]form[ance] Art[ists] Joseph Frankl=
yn McElroy & Donna McElroy
Flash Poetry Generator 3.0 - Lewis LaCook
Taxidermy - New Micki Tshcur
Goatboy - New Micki Tshcur

Furtherfield wishes to thank all those who have submitted their new work an=
d for their patience in waiting for it to happen. [We still have more new s=
ubmissions to add to furtherfield, due to being over-run and over-worked we=
will put the rest up in a few weeks - Phew!]

Furtherfield is an non profit independent online platform for the creation,=
promotion, and archiving of new work for public viewing and interaction. F=
urtherfield collaborates with independent visual artists, digital/net artis=
ts, writers, critical thinkers, musicians and noisemakers with a special fo=
cus on work developed and produced outside the recognised institutional sup=
port structures (colleges, galleries, corporate and public funding). We exp=
lore new and imaginative strategies for communicating ideas and issues in a=
range of digital & terrestrial media contexts.
Furtherfield's activities focus on presenting works online and organising g=
lobal, contributory projects, which exist simultaneously on the Internet, t=
he streets and public venues.

We can make our own World . . .

Furtherfield.org
Arena Business Centre
17 Ashfield Road
London N4 1NY
t:+44 (0)208 802 2827
m:0773 633 4153
info@furtherfield.org
http://www.furtherfield.org

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<BODY id=ridBody bgColor=#ffffff
background=cid:031601c24e8e$16703490$0100a8c0@FURTHERFIELD>
<DIV>
<DIV>
<DIV align=center><STRONG><FONT face="Courier New" color=#000080
size=3>Furtherfield Update (28/8/02)</FONT></STRONG></DIV>
<DIV align=center><STRONG><FONT face="Courier New"
color=#000080></FONT></STRONG>&nbsp;</DIV>
<DIV align=left><FONT color=#000080 size=3><FONT size=2><FONT
face="Courier New"><FONT color=#000000 size=1>Furtherfield has been g=
oing
through&nbsp;various shifts and&nbsp;changes. We&nbsp;are sure many of you =
know
about some of these already. Those who have missed their last emails and th=
ose
who are new members of Furtherfield. Whether you are an artist or someone w=
ho is
intuitive emotionally and conceptually, enjoying being a part of this ever=

growing net community;&nbsp;we have a lot to inform you about. So rub your =
eyes,
make yourself a strong cup of coffee and let all the information flood into=
your
pliable craniums. <BR><BR>The Furtherfield office is moving to Finsbury Par=
k -
Manor house&nbsp;(London) into a 1600 sq ft warehouse. The address is at th=
e
bottom of this email. All the Networking parties will in future be held in =
this
new space. We are going to use the space to maintain furtherfield's
independence&nbsp;by using it as an 'on and off' exhibiting space for the=

support and promotion of up and coming digital, activist,
explorative&nbsp;artists. And of course&nbsp;will continue collaborative
projects with other net based groups locally and globally.<BR><BR>All those=
who
are waiting for their work to be featured or hosted on furtherfield, please=
be
patient for currently we are building and decorating in the new space, give=
us a
couple of weeks to get your work online. All those who wish to send
submissions<FONT color=#000080 size=2>&nbsp;</FONT>to furtherfield for=

consideration can still send them, give us about a week&nbsp;for response. =
And
if anyone who is living in London suddenly gets the urge to help us get the=

space up and running, don't be shy, an extra pair of hands can always come =
in
handy (scuze slack the pun).&nbsp;</FONT></FONT></FONT></FONT></DIV>
<DIV align=left>&nbsp;</DIV>
<DIV align=left><STRONG><FONT face="Courier New" color=#000080 size=
=1>We will
continue to:</FONT></STRONG></DIV>
<UL>
<LI>
<DIV align=left><FONT face="Courier New" size=1>Place&nbsp;net art =
and
agit-prop art-work up in the streets with submissions sent via email glob=
ally.
</FONT></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>Hold Networking Parties 'where anyone can turn up and discuss th=
eir
ideas, promote projects and show their work'.</FONT></FONT></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>Host and support independent artists via the Furtherfield web
site.</FONT></FONT></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>Host musicians, aural soundscape artists and noisemakers on our =
sister
site Furthernoise.org</FONT></FONT></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>Not ask for any money from artists for designing their
sites.</FONT></FONT></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>Collect diary entries for our perpetual project DIDO -&nbsp;[<A=

href="http://www.dido.uk.net/">http://www.dido.uk.net</A>]</FONT></FONT=
></DIV>
<LI>
<DIV align=left><FONT face="Courier New" color=#000080><FONT color=
=#000000
size=1>
<DIV>Train&nbsp;people&nbsp;to use&nbsp;various web design programs in
return&nbsp;for helping us with furtherfield upkeep.</DIV></FONT></FONT><=
/DIV>
<LI><FONT face="Courier New" color=#000080><FONT color=#000000 size=
=1>
<DIV align=left>Share skills and ideas with people from all walks of li=
fe,
judging by their quality and not by their background.</DIV></FONT></FONT>
<LI><FONT face="Courier New" color=#000080><FONT color=#000000 size=
=1>
<DIV align=left>Exhibit&nbsp;artists work whether they have been to col=
lege or
not, it's the context not the lineage we are into.</DIV>
<DIV align=left><BR></FONT></FONT><FONT face="Courier New"
size=1><BR></FONT><FONT face="Courier New" color=#000080><FONT colo=
r=#000000
size=1><STRONG>We would also like to thank </STRONG><A
href="http://www.akaart.net/"><FONT face="Courier New" color=#00000=
0
size=1><STRONG>AKAART</STRONG></FONT></A><FONT color=#000080><FONT
size=1><FONT face="Courier New"><STRONG><FONT color=#000000>, for g=
enerously
hosting furtherfield and its various
projects.</FONT><BR></STRONG><BR></FONT></FONT></FONT><A
href="http://www.furtherfield.org/skinstrip/"><STRONG>http://www.furthe=
rfield.org/skinstrip/</STRONG></A><FONT
face=Arial size=2>&nbsp;<FONT color=#ffffff>'</FONT><FONT face="C=
ourier New"
color=#000000 size=1>Skin/Strip Online' invites the global digital co=
mmunity
to anonymously express their physical identity using visual images of the=
ir
bodies. Individual net users participate in a collective, live event,
confronting social and cultural representations of the body within the ne=
t
community, by revealing and viewing their previously unknown, corporealit=
y via
net-based technology. Including&nbsp;two introductory essays by Alan Sond=
heim
and Lewis LaCooke.&nbsp;</FONT></FONT><BR><BR><A
href="http://www.furtherfield.org/crit/index.htm"><FONT
color=#000080>http://www.furtherfield.org/crit/index.htm</FONT></A><FON=
T
color=#000080>&nbsp;<B>Lewis LaCooke</B> <FONT color=#000000>is our f=
irst
critic in residence on Furtherfield. Offering regular and informative rev=
iews
of varied explorative projects &amp; artworks featured on furtherfield, p=
lus
other works by artists who are currently exhibiting on the
Internet.</FONT>&nbsp;<BR><BR></FONT><A
href="http://www.furtherfield.org/ffield/index2.htm"><FONT
color=#000080>http://www.furtherfield.org/ffield/index2.htm</FONT></A><=
FONT
color=#000080>&nbsp;</FONT><FONT
color=#000080><STRONG>Furtherprojects</STRONG>, <FONT color=#000000>a=
page
that shows all&nbsp;our current&nbsp;projects and what we are up to, stil=
l to
be updated (of course).<BR></FONT><BR></FONT></FONT></FONT><STRONG><FONT=

face="Courier New" color=#000080><A
href="http://www.furtherfield.org/home.html">New Work on
Furtherfield.org</A></FONT></STRONG><FONT color=#0000ff><STRONG><FONT=

face="Courier New"></DIV></LI></UL></FONT></STRONG></FONT>
<DIV><FONT color=#000080><FONT face="Courier New"><FONT size=1><FONT=

color=#0000ff><FONT color=#000080><STRONG>Fascinum -</STRONG></FONT>
</FONT><STRONG>Christophe Bruno</STRONG></FONT></FONT></FONT><FONT
color=#000000><FONT face="Courier New"><BR><FONT color=#000080
size=1><STRONG>The Bomb Project - Joy Garnett</STRONG></FONT></FONT></FON=
T><FONT
color=#000000><BR></FONT><FONT face="Courier New"><FONT color=#000080=

size=1><STRONG>AirStream - John Blanchard</STRONG></FONT></FONT><FONT
face="Courier New"><BR><FONT size=1><FONT color=#000080><STRONG>Short=

Films&nbsp;- Ruth Catlow</STRONG></FONT><BR></FONT></FONT><FONT
color=#000080><FONT face="Courier New" size=1><STRONG>Marc Garrett's =
Writings -
Marc Garrett</STRONG></FONT><FONT color=#000000><FONT
face="Courier New"><BR></FONT><FONT face="Courier New"><STRONG><FONT
color=#000080 size=1>A Population in Peril - Cor[porat]e [Per]form[ance=
]
Art[ists] Joseph Franklyn McElroy &amp; Donna
McElroy</FONT></STRONG></FONT></FONT></FONT><FONT
face="Courier New"></FONT></DIV>
<DIV><FONT color=#000080><FONT face="Courier New" size=1><STRONG>Flas=
h Poetry
Generator 3.0 - Lewis LaCook</STRONG></FONT></FONT><FONT
face="Courier New"></FONT></DIV>
<DIV><FONT face="Courier New"><FONT size=1><FONT color=#000080><STRON=
G>Taxidermy
-</STRONG></FONT>&nbsp;</FONT><FONT color=#000080><STRONG><FONT size=1>=
New Micki
Tshcur</FONT></STRONG><FONT color=#000000><BR></FONT></FONT></FONT><FONT=

size=1><FONT color=#000080 size=2><FONT face="Courier New"
size=1><STRONG>Goatboy - New Micki Tshcur</STRONG></FONT><FONT
color=#000000><FONT face="Courier New"
size=1><BR></FONT></FONT></FONT></FONT></DIV>
<DIV><FONT size=1><FONT color=#000080 size=2><FONT color=#000000><F=
ONT
face="Courier New"
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV><FONT size=1><FONT color=#000080 size=2><FONT color=#000000><F=
ONT
face="Courier New" size=1><STRONG>Furtherfield wishes to thank all
those&nbsp;who have submitted their new work&nbsp;and for&nbsp;their patien=
ce in
waiting for it to happen.<FONT color=#000080> </FONT>[We still have more=

new&nbsp;submissions to add to furtherfield, due to being over-run and
over-worked we will put the rest up in a few weeks -
Phew!]</STRONG><BR><BR></DIV>
<DIV><FONT size=+0><FONT color=#000080><FONT face="Courier New"
size=1>Furtherfield is an non profit independent online platform for the=

creation, promotion, and archiving of new work for public viewing and
interaction. Furtherfield collaborates with independent visual artists,
digital/net artists, writers, critical thinkers, musicians and noisemakers =
with
a special focus on work developed and produced outside the recognised
institutional support structures (colleges, galleries, corporate and public=

funding). We explore new and imaginative strategies for communicating ideas=
and
issues in a range of digital &amp; terrestrial media contexts.</FONT></DIV>
<P><FONT face="Courier New" size=1>Furtherfield's activities focus on p=
resenting
works online and organising global, contributory projects, which exist
simultaneously on the Internet, the streets and public venues. </FONT></P>
<P><FONT face="Courier New" size=1></FONT></P>
<P align=center><FONT face="Courier New" size=1><B>We can make our ow=
n World . .
.</B></FONT></FONT></FONT><BR></FONT></FONT></FONT></FONT></P>
<DIV align=center><FONT size=+0><FONT color=#000080><FONT color=#00=
0000><FONT
face="Courier New"><FONT color=#000080
size=1><STRONG></STRONG></FONT></FONT></FONT></FONT></FONT>&nbsp;</DIV>
<DIV align=center><A href="http://www.furtherfield.org"><FONT
face="Courier New"></FONT></A>&nbsp;</DIV>
<DIV><FONT face="Courier New">Furtherfield.org<BR>Arena Business Centre<B=
R>17
Ashfield Road<BR>London N4 1NY<BR>t:+44 (0)208 802 2827<BR>m:0773 633
4153<BR></FONT><A href="mailto:info@furtherfield.org"><FONT
face="Courier New">info@furtherfield.org</FONT></A><BR><A
href="http://www.furtherfield.org/"><FONT
face="Courier New">http://www.furtherfield.org</FONT></A></DIV></DIV></DI=
V></BODY></HTML>

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DISCUSSION

cardz


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killers of the world unite

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itejest.org:81/1/cards.html</A></DIV>
<DIV>&nbsp;</DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG>killers of the world unite</STRONG></DIV>
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DISCUSSION

Sleazy Art meetings (2)


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BlankSleazy Art meetings (2)

Rubbing My Subjective Intentions into a new conceptual plain.

I just got a new set of ideas. The class today went exceptionally wel=
l and I love my new appearance. The only drawback, if you can call it a dra=
wback, is that I'm supposed to think heavily about them several times a day=
. I can get a little lazy doing this so I figured out a way to make it a li=
ttle more exciting. I put up an ad on the Artist anonymous system looking f=
or conceptualists who would like to massage my new processed intentions.

Now I'm not exactly a fully fledged artist or anything, but I figured=
there would be nothing wrong with me looking for a little help with my the=
oretical needs. Although I never realized just how exciting and interesting=
post-structuralism can really be when done by informed and famous net arti=
sts. I guess I never really thought about it, as whenever I had a lecturer =
touch them before it led to a more modernist experience.

The first artist to come over seemed very nice. I told him it was a t=
heoretical massage and there would be no art as yet. He started by rubbing =
the appropriate concepts through my recently tie dyed, college t-shirt and =
then I took my top off and let him consider them visually instead of just i=
deas in his head. It was so mutualist yet riddled with a radical edge, I fi=
nally gave in and we wound up thinking about various theories on art for ho=
urs.

When he left I told myself I wouldn't give in on the next artist but =
when she arrived and started to rub my subjectivity to a point of exhibitio=
nist, performance type exhilarations I fell prey to temptation and shared m=
y new ideas with her too.

The next day I told the artist who came over up front that there woul=
d be absolutely no chance of sharing my concepts. But my creative juices st=
arted to flow as this artist rubbed his hands all over my funding proposals=
and before I knew it I was administrating his project and crying out his n=
ame as he educated me on the living room sofa. I'm starting to think I migh=
t just be a student, thank God all this casual art is being done discretely=
through. I wouldn't want my friends to know just how many artists I have m=
et this week.
marc garrett's writings

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<DIV>
<TABLE width=760 align=center border=0>
<TBODY>
<TR>
<TD>
<DIV align=center>
<P><FONT face="Courier New" color=#008000><B>Sleazy Art meetings=

(2)</B></FONT></P>
<P><FONT color=#000080><B><FONT face="Courier New" color=#00800=
0>Rubbing
My Subjective Intentions into a new conceptual plain.</FONT></B>
</FONT></P></DIV></TD></TR>
<TR>
<TD vAlign=top align=left height=601><FONT
face="Courier New, Courier, mono" color=#000000 size=2><BR>I ju=
st got a
new set of ideas. The class today went exceptionally well and I love =
my
new appearance. The only drawback, if you can call it a drawback, is =
that
I'm supposed to think heavily about them several times a day. I can g=
et a
little lazy doing this so I figured out a way to make it a little mor=
e
exciting. I put up an ad on the Artist anonymous system looking for=

conceptualists who would like to massage my new processed intentions.=

<BR><BR>Now I'm not exactly a fully fledged artist or anything, but I=

figured there would be nothing wrong with me looking for a little hel=
p
with my theoretical needs. Although I never realized just how excitin=
g and
interesting post-structuralism can really be when done by informed an=
d
famous net artists. I guess I never really thought about it, as whene=
ver I
had a lecturer touch them before it led to a more modernist experienc=
e.
<BR><BR>The first artist to come over seemed very nice. I told him it=
was
a theoretical massage and there would be no art as yet. He started by=

rubbing the appropriate concepts through my recently tie dyed, colleg=
e
t-shirt and then I took my top off and let him consider them visually=

instead of just ideas in his head. It was so mutualist yet riddled wi=
th a
radical edge, I finally gave in and we wound up thinking about variou=
s
theories on art for hours. <BR><BR>When he left I told myself I would=
n't
give in on the next artist but when she arrived and started to rub my=

subjectivity to a point of exhibitionist, performance type exhilarati=
ons I
fell prey to temptation and shared my new ideas with her too. <BR><BR=
>The
next day I told the artist who came over up front that there would be=

absolutely no chance of sharing my concepts. But my creative juices=

started to flow as this artist rubbed his hands all over my funding=

proposals and before I knew it I was administrating his project and c=
rying
out his name as he educated me on the living room sofa. I'm starting =
to
think I might just be a student, thank God all this casual art is bei=
ng
done discretely through. I wouldn't want my friends to know just how =
many
artists I have met this week. </FONT></TD></TR>
<TR>
<TD>
<TABLE height=8 width=754 border=0>
<TBODY>
<TR>
<TD align=left width=389 height=2><FONT
face="Courier New, Courier, mono" color=#9999ff size=1><A=

class=unnamed1
href="file:///C:/Program%20Files/Common%20Files/Microsoft%20S=
hared/index.htm"></A></FONT></TD>
<TD width=355 height=2>
<DIV align=right><FONT face="Courier New, Courier, mono"
color=#9999ff size=1><A class=unnamed1
href="file:///C:/Program%20Files/Common%20Files/Microsoft%20S=
hared/index.htm">marc
garrett's
writings</A></FONT></DIV></TD></TR></TBODY></TABLE></TD></TR></TBODY></TABL=
E></DIV>
<P>&nbsp;</P></BODY></HTML>

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DISCUSSION

(no subject)


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Blank2 new 'Ouch Those Monkey' gems

"Souls Settled Within Not Seeing"

"I am Everywhere"

http://artists.mp3s.com/artists/388/ouch_those_monkeys.html

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<HTML><HEAD><TITLE id=ridTitle>Blank</TITLE>
<META http-equiv=Content-Type content="text/html; charset=windows-125=
2"><BASE
href="file://C:Program FilesCommon FilesMicrosoft SharedStationery">
<STYLE>BODY {
MARGIN-TOP: 25px; FONT-SIZE: 10pt; MARGIN-LEFT: 25px; COLOR: #000000; FONT=
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<BODY id=ridBody bgColor=#ffffff
background=cid:00ca01c2493f$f6ab3d60$0100a8c0@FURTHERFIELD>
<DIV><STRONG>2&nbsp;&nbsp;&nbsp;new 'Ouch Those Monkey' gems</STRONG></DIV>
<DIV>&nbsp;</DIV>
<DIV><STRONG><U><FONT color=#0000ff>"Souls Settled Within Not
Seeing"<BR><BR><BR><A
href="http://artists.mp3s.com/artist_song/2688/2688164.html"><B>"I am
Everywhere"</B></A><BR></FONT></U></STRONG></DIV>
<DIV>&nbsp;</DIV>
<DIV><A
href="http://artists.mp3s.com/artists/388/ouch_those_monkeys.html">http:/=
/artists.mp3s.com/artists/388/ouch_those_monkeys.html</A></DIV>
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DISCUSSION

Re: Flash Explores New Angles


Don't pack your bags yet Jess,

I sort of enjoyed its presentation but it did not make me feel that
stimulated intellectually or emotionally or politically or conceptually -
mainly because it seemed like a pop video, and how many of those have we
seen? Loads of the buggers. I think, use the media but rip it apart at the
same time, deconstruct it, break it, use it against itself.

marc

> sent to me as part of the flash debate. preload is a bit of a 'mare but
the
> work is just bloody brilliant. i'm packing my bags....
> jess.
>
> > mx
> >
> > http://www.iamstatic.com/randy/love_me
> >
> > randy Knott
> >
> > http://iamstatic.com
> >
> >
> > ----- Original Message -----
> > From: "Jess Loseby" <jess@rssgallery.com>
> > To: "t.whid" <twhid@mteww.com>; <list@rhizome.org>
> > Sent: Sunday, August 18, 2002 3:02 PM
> > Subject: Re: RHIZOME_RAW: Flash Explores New Angles
> >
> >
> > > Hi,
> > > personally I think probably that part of the problem with the (under)
> > > utilize of MX is sadly down to cost (ho hum). Flash in itself is just
> > about
> > > affordable to general artists but the three cameras, people to shoot
the
> > > film, editing equipment (virtual dub which I use is free and fab but
just
> > > not up to this) to create the kinds of bullet time/interactive video
they
> > > are talking about here is just too far out of your average net artists
> > > reach - but just right for mr corporate design-a-web. Having said that
> > > the time keeps getting shorter between what is affordable to the
> > > industry and what is afforable for the individual is possible so I
would
> > > guess that more is round the corner. I have just begun to play with
> > > video in MX (though not the interactive capabilities as yet).but still
in
> > the
> > > 'ooh this is cool!' stage playing (eg making my daughter swim across
an
> > > page like some weird cyber fish hee! hee!). At the risk of starting a
why
> > > are net artists never paid debate, the double edged sword of the
> > > equality of the net artist (ie anyone can be one regardless of age
> > > background location etc) is perhaps that 'everyone' tends to be on
> > > 'normal' or less (for their age, background, location etc) income
and
> > > can't afford all the gear. In this respect the net artist will always
be
> > > playing catch-up with the corporate boys....
> > > jess.
> > > > Flash Explores New Angles
> > > > Macromedia's Flash MX allows users to do a number of cool tricks,
> > > > including switching instantaneously between video clips.
> > > new work: 'light from the machine'
> > > http://www.rssgallery.com/lightfromthemachine.html o
> > > /^ rssgallery.com
> > > ][
> > >
> > >
> > >
> > > + sure it's barring in balls, n'est-ce pas ?
> > > -> post: list@rhizome.org
> > > -> questions: info@rhizome.org
> > > -> subscribe/unsubscribe:
http://rhizome.org/preferences/subscribe.rhiz
> > > -> give: http://rhizome.org/support
> > > +
> > > Subscribers to Rhizome are subject to the terms set out in the
> > > Membership Agreement available online at
http://rhizome.org/info/29.php
> > >
> >
>
> o
> /^ rssgallery.com
> ][
>
>
>
> + this isn't a flame war, idiot
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
>