ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
The Net Art Interviewee
Sleazy Art Meetings (7)
The Net Art Interviewee
I have just moved to a new city and I needed an art job badly. I left my old
small town simply because it was just too hard running into my old artist
friends all of the time. They could not believe that I had dropped them
because my Style, philosophy and approach to art had moved into the
challenging and exciting realm of Radical Net Art. They thought that I
should still respect them. Get real, they are just dinosaurs, and they still
show their work in galleries even. Sheesh, it's just too embarrassing to
talk with these Neanderthals, it's like talking to old monkeys who have lost
their way home. Anyone who does not appreciate how technology networks are
the future for art must be pretty dumb. Poor dears, they just haven't got a
clue what is happening in the real art world. So I have had to move out
before I get dragged down into a backward spiral of entropian,
pre-post-humanist non-existence.
I've got myself a nice apartment, a new Net connection and have settled in
over the course of a couple of days before I mustered up the nerve to go job
hunting. I decided to look for a receptionist position in the Net Arts
field, using my looks as a door opener, a cool cyber-fem chic look, it
always seems to work. I went on a few interviews, and found that most places
wanted to hire me so I felt it would be a worthwhile venture to do a few
more and then pick the best one. This one place really sticks out in my mind
though and it was such an incredible experience.
The office was called the 'Experimental Net Art Escort Agency'. I didn't
care what they did really, just as long as I got paid and they didn't have
any sad painters to bore me. The guy doing the interview was really nice,
and we got along great. I told him almost immediately that I wouldn't take
the job due to the low wages, and that ended the pressure and we just
chatted a bit about me being an up and coming net artist from a small town
and now I am an ambitious loner in the big city and ready to further my
inevitable brilliant career.
Seems he was also from a small town originally and he told me to try this
'Net Art Friend Finder service' on the Internet if I ever felt I needed to
spend some time with those who are knowledgeable about current techniques on
how to get ahead in the net art business. He also gave me few tips, I
actually already new a lot of them but I thought it nice to let him feel
comfortable whilst he enacted the traditional role of mentor. When you are a
young Internet artist, it is always good to pretend that you are interested
in whatever the elder is saying, it can earn you plus points and it is sure
a way into the industry, it cuts all those unnecessary rough edged corners.
I quizzed him more about the 'Net Art Friend Finder service', as I was
thinking about joining. He told me in a second though, that it wasn't for
me. This only made me more curious and he said that I would be too afraid to
use it. I firmly told him I wasn't afraid of going on a blind art date. He
smiled, and said it wasn't the date that would scare me. Now I really wanted
to know what this was about, so I told him that whatever it was I wouldn't
be afraid and that I would probably be more confidant than him about it. He
just chuckled. I told him again whatever it was that he thought I was afraid
of I wasn't and that I would try this service just to prove him wrong.
I was about to leave and he stopped me and said that it was a meeting place
for the most well known Net Art administrators and Net Art artists in the
world, primarily a secret network. And the way that it works is that you
satisfy their needs, whatever they are, and they supply you with important
information, if you are really good at it, you can step up the Net Art of
fame ladder in no time, via the most respected Net institutions. Deals are
made all of the time, and it would further my career immediately but ethics
would fly out of the window. I said that I was once a vegetarian and an
anarcho-syndicalist but I am all right now, I'd eat any kind of meat these
days.
He also mentioned that who ever I met through the system would expect to
experience intimate favors almost immediately after meeting me. I looked him
straight in the eye and said ' oh, is that all, no problem'. He laughed. I
didn't like that, so I told him to stand up so I could prove it to him. He
stood up, I moved over to him, dropped his didactic supposition and had a
good chew on his endorphin stick right there. Then I hiked up my dress and
had him explore my substructure for the next 20 minutes, till he expounded
some pretty amazing verbalizations about how we are all going through a
process of 'self-historicising' then his consignment exploded all over my
face. After he was done I left in a huff, went home and put up an ad on the
online 'Net Art Friend Finder service'. Hopefully I'll get a response soon.
http://www.furtherfield.org/mgarrett/mgw/docs/playful_art_text.htm
The Net Art Interviewee
I have just moved to a new city and I needed an art job badly. I left my old
small town simply because it was just too hard running into my old artist
friends all of the time. They could not believe that I had dropped them
because my Style, philosophy and approach to art had moved into the
challenging and exciting realm of Radical Net Art. They thought that I
should still respect them. Get real, they are just dinosaurs, and they still
show their work in galleries even. Sheesh, it's just too embarrassing to
talk with these Neanderthals, it's like talking to old monkeys who have lost
their way home. Anyone who does not appreciate how technology networks are
the future for art must be pretty dumb. Poor dears, they just haven't got a
clue what is happening in the real art world. So I have had to move out
before I get dragged down into a backward spiral of entropian,
pre-post-humanist non-existence.
I've got myself a nice apartment, a new Net connection and have settled in
over the course of a couple of days before I mustered up the nerve to go job
hunting. I decided to look for a receptionist position in the Net Arts
field, using my looks as a door opener, a cool cyber-fem chic look, it
always seems to work. I went on a few interviews, and found that most places
wanted to hire me so I felt it would be a worthwhile venture to do a few
more and then pick the best one. This one place really sticks out in my mind
though and it was such an incredible experience.
The office was called the 'Experimental Net Art Escort Agency'. I didn't
care what they did really, just as long as I got paid and they didn't have
any sad painters to bore me. The guy doing the interview was really nice,
and we got along great. I told him almost immediately that I wouldn't take
the job due to the low wages, and that ended the pressure and we just
chatted a bit about me being an up and coming net artist from a small town
and now I am an ambitious loner in the big city and ready to further my
inevitable brilliant career.
Seems he was also from a small town originally and he told me to try this
'Net Art Friend Finder service' on the Internet if I ever felt I needed to
spend some time with those who are knowledgeable about current techniques on
how to get ahead in the net art business. He also gave me few tips, I
actually already new a lot of them but I thought it nice to let him feel
comfortable whilst he enacted the traditional role of mentor. When you are a
young Internet artist, it is always good to pretend that you are interested
in whatever the elder is saying, it can earn you plus points and it is sure
a way into the industry, it cuts all those unnecessary rough edged corners.
I quizzed him more about the 'Net Art Friend Finder service', as I was
thinking about joining. He told me in a second though, that it wasn't for
me. This only made me more curious and he said that I would be too afraid to
use it. I firmly told him I wasn't afraid of going on a blind art date. He
smiled, and said it wasn't the date that would scare me. Now I really wanted
to know what this was about, so I told him that whatever it was I wouldn't
be afraid and that I would probably be more confidant than him about it. He
just chuckled. I told him again whatever it was that he thought I was afraid
of I wasn't and that I would try this service just to prove him wrong.
I was about to leave and he stopped me and said that it was a meeting place
for the most well known Net Art administrators and Net Art artists in the
world, primarily a secret network. And the way that it works is that you
satisfy their needs, whatever they are, and they supply you with important
information, if you are really good at it, you can step up the Net Art of
fame ladder in no time, via the most respected Net institutions. Deals are
made all of the time, and it would further my career immediately but ethics
would fly out of the window. I said that I was once a vegetarian and an
anarcho-syndicalist but I am all right now, I'd eat any kind of meat these
days.
He also mentioned that who ever I met through the system would expect to
experience intimate favors almost immediately after meeting me. I looked him
straight in the eye and said ' oh, is that all, no problem'. He laughed. I
didn't like that, so I told him to stand up so I could prove it to him. He
stood up, I moved over to him, dropped his didactic supposition and had a
good chew on his endorphin stick right there. Then I hiked up my dress and
had him explore my substructure for the next 20 minutes, till he expounded
some pretty amazing verbalizations about how we are all going through a
process of 'self-historicising' then his consignment exploded all over my
face. After he was done I left in a huff, went home and put up an ad on the
online 'Net Art Friend Finder service'. Hopefully I'll get a response soon.
http://www.furtherfield.org/mgarrett/mgw/docs/playful_art_text.htm
On the imperial frontier (2)
On the imperial frontier (2)
There was an extraordinary article on the front page of
the New
York Times today: David E. Sanger and James Dao's "U.S.
Is
Completing Plan to Promote a Democratic Iraq." You could
tell
instantly how important it is, because the many
references to
sources are fabulously, succulently anonymous, in the
fashion of
only the most significant insider journalism. ("One of
Mr. Bush's
top advisors," "one senior official," "an official close
to Mr.
Bush," "a senior Pentagon official," "administration
officials who
have been developing [the proposals] for several
months" -- these
are the Hellfire missiles of journalistic sourcing.) In
addition,
Sanger and Dao actually quote from "administration
documents" --
from the President's lips to my mouth to this piece of
paper to you.
You can't ask for better.
http://www.nationinstitute.org/tomdispatch/index.mhtml?emx=x&pid'4
There was an extraordinary article on the front page of
the New
York Times today: David E. Sanger and James Dao's "U.S.
Is
Completing Plan to Promote a Democratic Iraq." You could
tell
instantly how important it is, because the many
references to
sources are fabulously, succulently anonymous, in the
fashion of
only the most significant insider journalism. ("One of
Mr. Bush's
top advisors," "one senior official," "an official close
to Mr.
Bush," "a senior Pentagon official," "administration
officials who
have been developing [the proposals] for several
months" -- these
are the Hellfire missiles of journalistic sourcing.) In
addition,
Sanger and Dao actually quote from "administration
documents" --
from the President's lips to my mouth to this piece of
paper to you.
You can't ask for better.
http://www.nationinstitute.org/tomdispatch/index.mhtml?emx=x&pid'4
6 new works at furtherfield...
[New Explorations & discoveries of non-singular net creativity
featured/hosted on furtherfield]
This month we have another 6 new works featured at furtherfield.
Bare with us, this mailout is a little long info-wise, but definitley
worth a gander...
[Machinations] by Taped Rugs Artists
http://www.furtherfield.org/cgoff3/machinations/
[HaRdWaRe]by Marc Garrett
http://www.furtherfield.org/mgarrett/hardware/
[A walk round Gilston] by Michael Szpakowski
http://www.furtherfield.org/mszpakowski/
[lovekatie.com] by Katie Bush
http://www.furtherfield.org/kbush/
[Oculart] by Oculart
http://www.furtherfield.org/oculart/
[Hypertextz] by Nungu.com
http://www.furtherfield.org/nungu/hypertextz/
[Machinations]
A collaborative effort of Taped Rugs Artists, conceived and executed during
spring and summer, 2002. It is credited not to any specific artist, but to
"Taped Rugs Productions". Collaborators C. Goff III, Buzzsaw, Josh Duringer,
Killr "Mark" Kaswan, Eric Matchett, Mikadams, and the 'Tapegerm Collective'
worked with Mp3s and tapes that were created using materials which were
improvised live, transmitted via email, and/or sent through the post. These
materials were edited and glued together in various ways to create the 28
pieces which appear on the final recording. 5 tracks featured on
furtherfield. (c.goff III)
http://www.furtherfield.org/cgoff3/machinations/
[HaRdWaRe]
The inside of people's computers may reflect the minds (personalities) of
the individuals or groups that use them. If one was to gain such
information, you would discover what political issues, products that were
paid for online, and of course what sites they visit and much more. 'What
makes the most money on the Net?'. You got it - Pornography. So welcome to
my [HaRdWaRe] net project, using images sound and Java Script; a visually,
poetic play on such questions as 'what would it be like if someone was
looking inside my computer right now?'. Ask yourself the same question, it
doesn't feel too great does it? Welcome to the darkness, that (suppozed
autonomous) secret grotto that other people seldom see, have a look inside
my computer & ask yourself, what if I was looking inside of yours?
Soundtrack by 'Ouch Those Monkeys'(m.garrett)
http://www.furtherfield.org/mgarrett/hardware/
[Oculart]
Oculart is a playful and visionary Internet Art piece that transcends the
everyday, using Flash in a way that stuns one's expectations and emotional
reasoning. One cannot help but get lost and caught up in its seemingly never
ending mezmerization. With an accompanying soundtrack reminiscant of Holger
Czuckay's 'cannaxis', originally inspired by Stockhausen; slow hybrid,
layered soundscapes with distant voices haunting the mind. It's like hearing
the lost souls of chanting transubstiated beauty, wrapped with a sense
foreboding, shadowed with the inevitable end. Oculart is a fascinating and
surreal experience, declaring a kind of honest visceralness. Mixing dreams,
images of objects and people, with poetic text entwined within the structure
of the interactive site. A psychological and seductory epxerience that
leaves you with a feeling of elation, beauty, darkness and that awkward
bedfellow - fear. (m.garrett) http://www.furtherfield.org/oculart/
[A walk round Gilston]
Michael Szpakowski's work always slices through the plethora of data when
you least expect it, reminding us of what is important in this ever troubled
world; contrary to media opinion, it is people that matter. And yet, in this
piece there are no people present, just the simplicity of nature which seems
to oooze a human consciousness. A piano whistfully accompanies, you can hear
and almost feel the wood, the keys plinking, and the air around the music as
it is plays; it breaths. Intimate echos, spaces in between the obvious, this
is the realm that Michael consciously touches upon, the substance of
ourselves. An intimate poignant reality that is unreachable for many artists
because of a lack of depth. Drift...(m.garrett)
http://www.furtherfield.org/mszpakowski/
[lovekatie.com]
Katie Bush is an American artist who has been exploring the possiblities of
ready-made clip art in a warped, funny and satirical reevaluation of the
American Dream. In All Systems Go (www. lovekatie.com), the viewer clicks
through little animated vignettes that depict the banality of our familiar
suburban existence. The scenes in Goal (www.destroyevil.com) question the
'goals' of money, power, sex and fame, the pursuit of happiness as presented
to us by mass media propaganda. The unsubtle colors, the mass-produced clip
art and the fast, low-tech animations emphasize the cheap, throwaway culture
that Americans are nurtured on. http://www.furtherfield.org/kbush/
[Hypertextz]
Two works featured by the Nungu collective - currently based in-between
Bombay India, London England and wwwdot, nungu is a fluid digital entity, an
autonomous cultural space, an alternative media site in a constant state of
construction, deconstruction, reproduction and re-assemblage. Comprised of a
fluid collective of artists and media researchers, engaged primarily in
cultural and media orientated research, nungu views the network as a kind of
vast extension of the urban, as the material interpenetrated and reproduced
informatically, the ultimate expression of a culture drunk on data.
http://www.furtherfield.org/nungu/hypertextz/index.html
[What is Furtherfield]
Furtherfield is an online platform for the creation, promotion, and
archiving of new work for public viewing and interaction. Furtherfield
collaborates with independent visual artists, digital/net artists, writers,
critical thinkers, musicians and noisemakers with a special focus on work
developed and produced outside the recognised institutional support
structures. We explore new and imaginative strategies for communicating
ideas and issues in a range of digital & terrestrial media contexts.
Furtherfield's activities focus on presenting works online and organising
global, contributory projects, which exist simultaneously on the Internet,
the streets and public venues.
http://www.furtherfield.org
http://www.furthernoise.org
http://www.dido.uk.net
We Can Make Our Own World.
featured/hosted on furtherfield]
This month we have another 6 new works featured at furtherfield.
Bare with us, this mailout is a little long info-wise, but definitley
worth a gander...
[Machinations] by Taped Rugs Artists
http://www.furtherfield.org/cgoff3/machinations/
[HaRdWaRe]by Marc Garrett
http://www.furtherfield.org/mgarrett/hardware/
[A walk round Gilston] by Michael Szpakowski
http://www.furtherfield.org/mszpakowski/
[lovekatie.com] by Katie Bush
http://www.furtherfield.org/kbush/
[Oculart] by Oculart
http://www.furtherfield.org/oculart/
[Hypertextz] by Nungu.com
http://www.furtherfield.org/nungu/hypertextz/
[Machinations]
A collaborative effort of Taped Rugs Artists, conceived and executed during
spring and summer, 2002. It is credited not to any specific artist, but to
"Taped Rugs Productions". Collaborators C. Goff III, Buzzsaw, Josh Duringer,
Killr "Mark" Kaswan, Eric Matchett, Mikadams, and the 'Tapegerm Collective'
worked with Mp3s and tapes that were created using materials which were
improvised live, transmitted via email, and/or sent through the post. These
materials were edited and glued together in various ways to create the 28
pieces which appear on the final recording. 5 tracks featured on
furtherfield. (c.goff III)
http://www.furtherfield.org/cgoff3/machinations/
[HaRdWaRe]
The inside of people's computers may reflect the minds (personalities) of
the individuals or groups that use them. If one was to gain such
information, you would discover what political issues, products that were
paid for online, and of course what sites they visit and much more. 'What
makes the most money on the Net?'. You got it - Pornography. So welcome to
my [HaRdWaRe] net project, using images sound and Java Script; a visually,
poetic play on such questions as 'what would it be like if someone was
looking inside my computer right now?'. Ask yourself the same question, it
doesn't feel too great does it? Welcome to the darkness, that (suppozed
autonomous) secret grotto that other people seldom see, have a look inside
my computer & ask yourself, what if I was looking inside of yours?
Soundtrack by 'Ouch Those Monkeys'(m.garrett)
http://www.furtherfield.org/mgarrett/hardware/
[Oculart]
Oculart is a playful and visionary Internet Art piece that transcends the
everyday, using Flash in a way that stuns one's expectations and emotional
reasoning. One cannot help but get lost and caught up in its seemingly never
ending mezmerization. With an accompanying soundtrack reminiscant of Holger
Czuckay's 'cannaxis', originally inspired by Stockhausen; slow hybrid,
layered soundscapes with distant voices haunting the mind. It's like hearing
the lost souls of chanting transubstiated beauty, wrapped with a sense
foreboding, shadowed with the inevitable end. Oculart is a fascinating and
surreal experience, declaring a kind of honest visceralness. Mixing dreams,
images of objects and people, with poetic text entwined within the structure
of the interactive site. A psychological and seductory epxerience that
leaves you with a feeling of elation, beauty, darkness and that awkward
bedfellow - fear. (m.garrett) http://www.furtherfield.org/oculart/
[A walk round Gilston]
Michael Szpakowski's work always slices through the plethora of data when
you least expect it, reminding us of what is important in this ever troubled
world; contrary to media opinion, it is people that matter. And yet, in this
piece there are no people present, just the simplicity of nature which seems
to oooze a human consciousness. A piano whistfully accompanies, you can hear
and almost feel the wood, the keys plinking, and the air around the music as
it is plays; it breaths. Intimate echos, spaces in between the obvious, this
is the realm that Michael consciously touches upon, the substance of
ourselves. An intimate poignant reality that is unreachable for many artists
because of a lack of depth. Drift...(m.garrett)
http://www.furtherfield.org/mszpakowski/
[lovekatie.com]
Katie Bush is an American artist who has been exploring the possiblities of
ready-made clip art in a warped, funny and satirical reevaluation of the
American Dream. In All Systems Go (www. lovekatie.com), the viewer clicks
through little animated vignettes that depict the banality of our familiar
suburban existence. The scenes in Goal (www.destroyevil.com) question the
'goals' of money, power, sex and fame, the pursuit of happiness as presented
to us by mass media propaganda. The unsubtle colors, the mass-produced clip
art and the fast, low-tech animations emphasize the cheap, throwaway culture
that Americans are nurtured on. http://www.furtherfield.org/kbush/
[Hypertextz]
Two works featured by the Nungu collective - currently based in-between
Bombay India, London England and wwwdot, nungu is a fluid digital entity, an
autonomous cultural space, an alternative media site in a constant state of
construction, deconstruction, reproduction and re-assemblage. Comprised of a
fluid collective of artists and media researchers, engaged primarily in
cultural and media orientated research, nungu views the network as a kind of
vast extension of the urban, as the material interpenetrated and reproduced
informatically, the ultimate expression of a culture drunk on data.
http://www.furtherfield.org/nungu/hypertextz/index.html
[What is Furtherfield]
Furtherfield is an online platform for the creation, promotion, and
archiving of new work for public viewing and interaction. Furtherfield
collaborates with independent visual artists, digital/net artists, writers,
critical thinkers, musicians and noisemakers with a special focus on work
developed and produced outside the recognised institutional support
structures. We explore new and imaginative strategies for communicating
ideas and issues in a range of digital & terrestrial media contexts.
Furtherfield's activities focus on presenting works online and organising
global, contributory projects, which exist simultaneously on the Internet,
the streets and public venues.
http://www.furtherfield.org
http://www.furthernoise.org
http://www.dido.uk.net
We Can Make Our Own World.
Re: Karei & Neosim
Hi Kadbubz...
Neosit - Ninja - kittenz of the delusory nihilist sect/
In fact - your preseumption of my class - is your own ego slackness. I am
actually working class & proud of it, hence able to deal with little urchins
like your self. Coming from a tough working class background where part of
the social norm was to greet people with a thump on the nose instead of
mutual communication; has prepared me for ugliness such as yourselves.
You are so hung up on ego-stuff, make love with each other instead, it might
help you (honest), I make love a lot, a very nourishing experience. It is a
soulful experience - go on, explore your mutual flesh, instead of trying to
hurt all of the time. I bet you can't...
marc
> On Wed, 1 Jan 2003, marc.garrett wrote:
>
> > Now we are establishing that they lack the imagination
>
> No babycheeks. We are not the wishful derogatory projections in your
> brain.
>
> > to do something more creative,
>
> You have no awareness of creativity, murderous simpleton idiota.
>
> > like sod off! We can safely predict
>
> You cannot "predict" anything babycheeks.
> "Predictability" = the programmatic knee-jerk of western-middle
> class conditioned apes.
>
> > that they will be playing the same old boring record
>
> No babycheeks. Wea re not the wishful projections inside your brain.
>
> > & we can all sit comfortably watching them continue
> > spewing out their contempt;
>
> We are not spewing out any contempt : you however are.
> Avoid projecting your idiotic ego at us.
>
> > knowing
>
> No, babycheeks. You have no capacity to know.
>
> > that they are nothing but immature
>
> No babycheeks. We are not the wishful projections inside your brain.
> The only one immature here is you.
>
> > contrary-ites
>
> We are not contrary, dearest.
>
> > caught in the flux of their own shite.
>
> The only one caught in the flux of their own shite (and malice,
> hatred, jealousy, murderous idiotism, and egotism) is you, babycheeks.
>
> The very unlaughable standard blind middle-class ape, who projects
> (externalizes) its own idiot state on other + proceeds to feel "simply
> Superior" (condescension knee-jerk).
>
> The "record" babycheeks is you.
> Reflected accurately + precisely, the bloated symphony of
> mediocre egotist marc.garrett (and hence your pissiness + attacks).
>
>
>
>
Neosit - Ninja - kittenz of the delusory nihilist sect/
In fact - your preseumption of my class - is your own ego slackness. I am
actually working class & proud of it, hence able to deal with little urchins
like your self. Coming from a tough working class background where part of
the social norm was to greet people with a thump on the nose instead of
mutual communication; has prepared me for ugliness such as yourselves.
You are so hung up on ego-stuff, make love with each other instead, it might
help you (honest), I make love a lot, a very nourishing experience. It is a
soulful experience - go on, explore your mutual flesh, instead of trying to
hurt all of the time. I bet you can't...
marc
> On Wed, 1 Jan 2003, marc.garrett wrote:
>
> > Now we are establishing that they lack the imagination
>
> No babycheeks. We are not the wishful derogatory projections in your
> brain.
>
> > to do something more creative,
>
> You have no awareness of creativity, murderous simpleton idiota.
>
> > like sod off! We can safely predict
>
> You cannot "predict" anything babycheeks.
> "Predictability" = the programmatic knee-jerk of western-middle
> class conditioned apes.
>
> > that they will be playing the same old boring record
>
> No babycheeks. Wea re not the wishful projections inside your brain.
>
> > & we can all sit comfortably watching them continue
> > spewing out their contempt;
>
> We are not spewing out any contempt : you however are.
> Avoid projecting your idiotic ego at us.
>
> > knowing
>
> No, babycheeks. You have no capacity to know.
>
> > that they are nothing but immature
>
> No babycheeks. We are not the wishful projections inside your brain.
> The only one immature here is you.
>
> > contrary-ites
>
> We are not contrary, dearest.
>
> > caught in the flux of their own shite.
>
> The only one caught in the flux of their own shite (and malice,
> hatred, jealousy, murderous idiotism, and egotism) is you, babycheeks.
>
> The very unlaughable standard blind middle-class ape, who projects
> (externalizes) its own idiot state on other + proceeds to feel "simply
> Superior" (condescension knee-jerk).
>
> The "record" babycheeks is you.
> Reflected accurately + precisely, the bloated symphony of
> mediocre egotist marc.garrett (and hence your pissiness + attacks).
>
>
>
>
Re: Karei & Neosim
Your answers are all wrong and do not relate to me at all - therefore I know
that you are talking bollocks.
As usual...
get a life & do something more rewarding for yourself - if you've got the
imaginations that is. For your own sake and your own (in)sanity & everyone
else's.
marc
> On Wed, 1 Jan 2003, marc.garrett wrote:
>
> > Neosit - Ninja - kittenz of the delusory nihilist sect/
>
> Neither.
>
> > In fact - your preseumption of my class
>
> No dearest. There was no "presumption".
>
> > - is your own ego slackness.
>
> Not in the least.
>
> > I am actually working class & proud of it,
>
> Which is exactly what we observed.
>
> > hence able to deal with little urchins like your self.
>
> The only urchin here is you, dearest.
> And no, you can't "deal" with anything.
>
> > Coming from a tough working class background where part of
> > the social norm was to greet people with a thump on the nose instead of
> > mutual communication; has prepared me for ugliness such as yourselves.
>
> The only one ugly here is you dearest.
> Brutality is not "toughness".
> It's murderous ape behavior.
> And it isn't dealing. It's knee-jerking.
>
> > You are so hung up on ego-stuff,
>
> We are not hung up on anything.
> Keep your projections to yourself.
>
> > make love with each other instead,
>
> You're not capable of love, dearest.
>
> > it might help you (honest),
>
> We don't need help.
>
> > I make love a lot,
>
> You're not capable of love.
>
> > a very nourishing experience.
>
> We are sure it is.
>
> > It is a soulful experience
>
> Sex isn't about souls. Nor do you have a soul.
>
> > - go on, explore your mutual flesh, instead of trying to
> > hurt all of the time. I bet you can't...
>
> We are not hurting or trying to hurt, babycheeks.
> You are.
>
>
that you are talking bollocks.
As usual...
get a life & do something more rewarding for yourself - if you've got the
imaginations that is. For your own sake and your own (in)sanity & everyone
else's.
marc
> On Wed, 1 Jan 2003, marc.garrett wrote:
>
> > Neosit - Ninja - kittenz of the delusory nihilist sect/
>
> Neither.
>
> > In fact - your preseumption of my class
>
> No dearest. There was no "presumption".
>
> > - is your own ego slackness.
>
> Not in the least.
>
> > I am actually working class & proud of it,
>
> Which is exactly what we observed.
>
> > hence able to deal with little urchins like your self.
>
> The only urchin here is you, dearest.
> And no, you can't "deal" with anything.
>
> > Coming from a tough working class background where part of
> > the social norm was to greet people with a thump on the nose instead of
> > mutual communication; has prepared me for ugliness such as yourselves.
>
> The only one ugly here is you dearest.
> Brutality is not "toughness".
> It's murderous ape behavior.
> And it isn't dealing. It's knee-jerking.
>
> > You are so hung up on ego-stuff,
>
> We are not hung up on anything.
> Keep your projections to yourself.
>
> > make love with each other instead,
>
> You're not capable of love, dearest.
>
> > it might help you (honest),
>
> We don't need help.
>
> > I make love a lot,
>
> You're not capable of love.
>
> > a very nourishing experience.
>
> We are sure it is.
>
> > It is a soulful experience
>
> Sex isn't about souls. Nor do you have a soul.
>
> > - go on, explore your mutual flesh, instead of trying to
> > hurt all of the time. I bet you can't...
>
> We are not hurting or trying to hurt, babycheeks.
> You are.
>
>