ARTBASE (1)
PORTFOLIO (3)
BIO
Marc Garrett is co-director and co-founder, with artist Ruth Catlow of the Internet arts collectives and communities – Furtherfield.org, Furthernoise.org, Netbehaviour.org, also co-founder and co-curator/director of the gallery space formerly known as 'HTTP Gallery' now called the Furtherfield Gallery in London (Finsbury Park), UK. Co-curating various contemporary Media Arts exhibitions, projects nationally and internationally. Co-editor of 'Artists Re:Thinking Games' with Ruth Catlow and Corrado Morgana 2010. Hosted Furtherfield's critically acclaimed weekly broadcast on UK's Resonance FM Radio, a series of hour long live interviews with people working at the edge of contemporary practices in art, technology & social change. Currently doing an Art history Phd at the University of London, Birkbeck College.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
Net artist, media artist, curator, writer, street artist, activist, educationalist and musician. Emerging in the late 80′s from the streets exploring creativity via agit-art tactics. Using unofficial, experimental platforms such as the streets, pirate radio such as the locally popular ‘Savage Yet Tender’ alternative broadcasting 1980′s group, net broadcasts, BBS systems, performance, intervention, events, pamphlets, warehouses and gallery spaces. In the early nineties, was co-sysop (systems operator) with Heath Bunting on Cybercafe BBS with Irational.org.
Our mission is to co-create extraordinary art that connects with contemporary audiences providing innovative, engaging and inclusive digital and physical spaces for appreciating and participating in practices in art, technology and social change. As well as finding alternative ways around already dominating hegemonies, thus claiming for ourselves and our peer networks a culturally aware and critical dialogue beyond traditional hierarchical behaviours. Influenced by situationist theory, fluxus, free and open source culture, and processes of self-education and peer learning, in an art, activist and community context.
New work & reviews on Furtherfield
New work & reviews on Furtherfield
~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.furtherfield.org Home page (all can be accessed via front page).
http://www.furtherfield.org/furthercritic.php FurtherCritic page.
Couples - Ivan Pope.
Ivan Pope's latest work and project 'Couples' crawls into one's psyche, as
he manages to unearth a seemingly timeless activity that in the contemporary
world functions as a networking activity between millions of people all over
the world. We are all now probably accustomed to the idea that it occurs on
the Internet and that there are swingers regularly contacting each other and
arranging liaisons through it. Instead of concentrating on such subterranean
mutuality and its pursuits on a digital medium like the Internet Ivan has
chosen to collect his information from a magazine such as 'Matchmaker'.
Reviewed by Marc Garrett.
http://www.furtherfield.org/displayreview.php?From=Index&review_idH
An email interview via with Joy Garnett creator of 'The Bomb Project'. By
Ryan Griffis.
"In the spring of 2000 I registered the domain thebombproject.org and
launched a preliminary version of the site. At that stage it served as
little more than a storage solution. I redesigned and relaunched it
definitively in August 2002 and I've been continuously adding links and
making improvements ever since."
http://www.furtherfield.org/furthercriticreview.php?review_id
Archiving the Bomb.
One of the more interesting investigations into the ongoing histories of
"The Bomb" is Joy Garnett's aptly titled "The Bomb Project." Working as a
dense accumulation of linked images, statistics and narratives, "The Bomb
Project" compliments Garnett's other artistic works (featured on the First
Pulse Projects website) that delve into the intersection between science,
technology, communication and war. Garnett's works, like the "Trinity
Suite," a digitally animated sequence of the artist's paintings of the first
atomic explosive tests, and "Get Your Agit-Prop On," a recontextualization
of psy-op flyers used by the NATO in Kosovo, are part of a larger,
continuing global text that "The Bomb Project" re-presents as a partial
archive. Reviewed by Furtherfield's Resident Critic Ryan Griffis.
http://www.furtherfield.org/furthercriticreview.php?review_id
Superheroes of Humanities - August Highland.
One of August's more recent explorative and playful maneuvers is a sideways
step from his more usual all out Internet infiltrations. This time he
collaborates with William Shakespeare. 'Sonnets by the Superheroes of
Humanities' is a net-based, single page object featuring the voice of the
late Sir John Gielgud, which is the beginning of an ongoing project to
create work out of all of Shakespeare's sonnets. Reviewed by Marc Garrett.
http://www.furtherfield.org/displayreview.php?From=Index&review_idI
----------------------------------------------------------------------------
Furtherfield is an online platform for the creation, promotion, criticism
and archiving of adventurous digital/net art work for public viewing,
experience and interaction.
Furtherfield creates imaginative strategies that actively communicate ideas
and issues in a range of digital & terrestrial media contexts; featuring
works online and organising global, contributory projects, simultaneously on
the Internet, the streets and public venues. Furtherfield focuses on network
related projects that explore new social contexts that transcend the
digital, or offer a subjective voice that communicates beyond the medium.
Furtherfield collaborates with artists, programmers, writers, activists,
musicians and thinkers who explore beyond traditional remits.
(If you no longer wish to be on our mailing list or for some reason have
been mysteriously added to our list without your permission, please simply
add unsubscribe in the subject header & we will gladly extricate you from
our database)
~~~~~~~~~~~~~~~~~~~~~~~~~~
http://www.furtherfield.org Home page (all can be accessed via front page).
http://www.furtherfield.org/furthercritic.php FurtherCritic page.
Couples - Ivan Pope.
Ivan Pope's latest work and project 'Couples' crawls into one's psyche, as
he manages to unearth a seemingly timeless activity that in the contemporary
world functions as a networking activity between millions of people all over
the world. We are all now probably accustomed to the idea that it occurs on
the Internet and that there are swingers regularly contacting each other and
arranging liaisons through it. Instead of concentrating on such subterranean
mutuality and its pursuits on a digital medium like the Internet Ivan has
chosen to collect his information from a magazine such as 'Matchmaker'.
Reviewed by Marc Garrett.
http://www.furtherfield.org/displayreview.php?From=Index&review_idH
An email interview via with Joy Garnett creator of 'The Bomb Project'. By
Ryan Griffis.
"In the spring of 2000 I registered the domain thebombproject.org and
launched a preliminary version of the site. At that stage it served as
little more than a storage solution. I redesigned and relaunched it
definitively in August 2002 and I've been continuously adding links and
making improvements ever since."
http://www.furtherfield.org/furthercriticreview.php?review_id
Archiving the Bomb.
One of the more interesting investigations into the ongoing histories of
"The Bomb" is Joy Garnett's aptly titled "The Bomb Project." Working as a
dense accumulation of linked images, statistics and narratives, "The Bomb
Project" compliments Garnett's other artistic works (featured on the First
Pulse Projects website) that delve into the intersection between science,
technology, communication and war. Garnett's works, like the "Trinity
Suite," a digitally animated sequence of the artist's paintings of the first
atomic explosive tests, and "Get Your Agit-Prop On," a recontextualization
of psy-op flyers used by the NATO in Kosovo, are part of a larger,
continuing global text that "The Bomb Project" re-presents as a partial
archive. Reviewed by Furtherfield's Resident Critic Ryan Griffis.
http://www.furtherfield.org/furthercriticreview.php?review_id
Superheroes of Humanities - August Highland.
One of August's more recent explorative and playful maneuvers is a sideways
step from his more usual all out Internet infiltrations. This time he
collaborates with William Shakespeare. 'Sonnets by the Superheroes of
Humanities' is a net-based, single page object featuring the voice of the
late Sir John Gielgud, which is the beginning of an ongoing project to
create work out of all of Shakespeare's sonnets. Reviewed by Marc Garrett.
http://www.furtherfield.org/displayreview.php?From=Index&review_idI
----------------------------------------------------------------------------
Furtherfield is an online platform for the creation, promotion, criticism
and archiving of adventurous digital/net art work for public viewing,
experience and interaction.
Furtherfield creates imaginative strategies that actively communicate ideas
and issues in a range of digital & terrestrial media contexts; featuring
works online and organising global, contributory projects, simultaneously on
the Internet, the streets and public venues. Furtherfield focuses on network
related projects that explore new social contexts that transcend the
digital, or offer a subjective voice that communicates beyond the medium.
Furtherfield collaborates with artists, programmers, writers, activists,
musicians and thinkers who explore beyond traditional remits.
(If you no longer wish to be on our mailing list or for some reason have
been mysteriously added to our list without your permission, please simply
add unsubscribe in the subject header & we will gladly extricate you from
our database)
Dixie Chicks braver than net artists?
Being banned by US radio stations doesn't faze the Dixie Chicks, writes
Terry Reilly.
For Emily Robison and Martie Maguire, the two original Dixie Chicks,
balancing integrity and diplomacy was the hardest thing when considering a
change of vocalists in 1995. As they saw it, the right voice would make the
difference between languishing in obscurity and getting right out there.
"When I first heard Natalie's voice, I knew anything was possible," says
multi-instrumentalist Robison.
Natalie Maines, the feisty daughter of Texan steel-guitar legend Lloyd
Maines, had country showmanship surging through her veins. Before her, the
Dixie Chicks, formed in 1989, had singers Robyn Lynn Macy and Laura Lynch
(who left in 1992 and '95, respectively) for three unsung albums. Now, with
Maines behind the microphone, the Chicks have notched three triple-platinum
CDs - Wide Open Spaces (1998), Fly (1999) and Home (2002).
Signature three-part harmonies, unbridled virtuosity and finely honed stage
skills define the Texan trio, and are beautifully apparent on the recent
Live at the Kodak Theatre DVD.
Natalie Maines' clinker of a country voice catapulted the Dixie Chicks into
recording history. But it was on another level that the voice unwittingly
antagonised pro-war hardliners in the US. Last March, Maines told a London
audience: "We're ashamed the President of the United States is from Texas."
The backlash in the land of the free was lightning-swift. Radio stations,
leading a national boycott, encouraged listeners to dump their Dixie Chicks
CDs in bins outside the studios.
However, despite a steady flow of death threats and abusive emails, the trio
didn't back down, appearing naked on the cover of magazine Entertainment
Weekly in May. Emblazoned on their bodies were "Dixie Sluts", "Traitors",
"Boycott", "Saddam's Angels" and "Proud Americans".
"It was our idea," says Robison. "People were calling us sluts. Therefore,
if I held a political view, suddenly I was sleeping around."
Boycotts aside, they're confident of maintaining their status and
enthusiasm. "We can sell two or three million albums without radio play,"
Robison says.
Maines, however, is the first to admit she has a big mouth. She knocked Toby
Keith's anti-Taliban song, Courtesy of the Red White and Blue (The Angry
American), which includes the line: "And you'll be sorry you messed with the
US of A/'Cos we'll put a boot in your ass."
"It's ignorant," she says, "and it makes country music sound ignorant."
The public sniping continued when Keith allegedly flashed a composite
photograph of Saddam Hussein and Natalie Maines on screen at one of his
concerts. Maines, putting it on her chest, wore a white T-shirt with the
slogan "F.U.T.K." at the Academy of Country Music Awards.
But it's sheer enthusiasm that drives the Dixie Chicks - and sometimes
affects their apparel. Maines, engrossed in her performance during one show,
was unaware her top had split, allowing one of her breasts to escape its
confines for an entire song. Similarly, Robison kept abreast of the music
during an intense banjo solo in front of 20,000 people. "You try something
new," she says with a laugh, "and your tube top falls and you're exposed.
Either I stop my solo and adjust, or I keep playing. I keep playing in
respect of the music."
The Dixie Chicks play at Rod Laver Arena, Melbourne Park, on Sunday and
Monday nights.
http://www.theage.com.au/articles/2003/09/26/1064083103946.html
Terry Reilly.
For Emily Robison and Martie Maguire, the two original Dixie Chicks,
balancing integrity and diplomacy was the hardest thing when considering a
change of vocalists in 1995. As they saw it, the right voice would make the
difference between languishing in obscurity and getting right out there.
"When I first heard Natalie's voice, I knew anything was possible," says
multi-instrumentalist Robison.
Natalie Maines, the feisty daughter of Texan steel-guitar legend Lloyd
Maines, had country showmanship surging through her veins. Before her, the
Dixie Chicks, formed in 1989, had singers Robyn Lynn Macy and Laura Lynch
(who left in 1992 and '95, respectively) for three unsung albums. Now, with
Maines behind the microphone, the Chicks have notched three triple-platinum
CDs - Wide Open Spaces (1998), Fly (1999) and Home (2002).
Signature three-part harmonies, unbridled virtuosity and finely honed stage
skills define the Texan trio, and are beautifully apparent on the recent
Live at the Kodak Theatre DVD.
Natalie Maines' clinker of a country voice catapulted the Dixie Chicks into
recording history. But it was on another level that the voice unwittingly
antagonised pro-war hardliners in the US. Last March, Maines told a London
audience: "We're ashamed the President of the United States is from Texas."
The backlash in the land of the free was lightning-swift. Radio stations,
leading a national boycott, encouraged listeners to dump their Dixie Chicks
CDs in bins outside the studios.
However, despite a steady flow of death threats and abusive emails, the trio
didn't back down, appearing naked on the cover of magazine Entertainment
Weekly in May. Emblazoned on their bodies were "Dixie Sluts", "Traitors",
"Boycott", "Saddam's Angels" and "Proud Americans".
"It was our idea," says Robison. "People were calling us sluts. Therefore,
if I held a political view, suddenly I was sleeping around."
Boycotts aside, they're confident of maintaining their status and
enthusiasm. "We can sell two or three million albums without radio play,"
Robison says.
Maines, however, is the first to admit she has a big mouth. She knocked Toby
Keith's anti-Taliban song, Courtesy of the Red White and Blue (The Angry
American), which includes the line: "And you'll be sorry you messed with the
US of A/'Cos we'll put a boot in your ass."
"It's ignorant," she says, "and it makes country music sound ignorant."
The public sniping continued when Keith allegedly flashed a composite
photograph of Saddam Hussein and Natalie Maines on screen at one of his
concerts. Maines, putting it on her chest, wore a white T-shirt with the
slogan "F.U.T.K." at the Academy of Country Music Awards.
But it's sheer enthusiasm that drives the Dixie Chicks - and sometimes
affects their apparel. Maines, engrossed in her performance during one show,
was unaware her top had split, allowing one of her breasts to escape its
confines for an entire song. Similarly, Robison kept abreast of the music
during an intense banjo solo in front of 20,000 people. "You try something
new," she says with a laugh, "and your tube top falls and you're exposed.
Either I stop my solo and adjust, or I keep playing. I keep playing in
respect of the music."
The Dixie Chicks play at Rod Laver Arena, Melbourne Park, on Sunday and
Monday nights.
http://www.theage.com.au/articles/2003/09/26/1064083103946.html
Isn't that obvious?
You ask: Where is my psyche?
Egobot says: Your psyche is demanding the actions of a jackson pollack
You ask: Why am I questioning?
Egobot says: Maybe you should ask that your friends
You ask: Will I be weightless?
Egobot says: Very funny. But sorry, I don't know
You ask: When will I laugh?
Egobot says: You will laugh when murphy mentions he should not be helping
you distract an enemy when it's not in his contract to do so or when he
mentions that you must
You ask: What is my spirit?
Egobot says: Your spirit is an inspiration - precious moments 104802
http://atozee.com/collectibles/precious-moments/your-spirit-is-an-inspiration.shtml
You ask: Who is my nemisis?
Egobot says: Your nemisis is actually laughing!
You ask: Who will I hurt?
Egobot says: You will hurt no more love conquers, in the end
You ask: How do I measure?
Egobot says: You do measure each area
You ask: Do I smell?
Egobot says: You do smell rotten eggs, the quicker you can act, you'll
increase the chances of saving your wine
You ask: Who do I muffle?
Egobot says: Isn't that obvious?
Egobot says: Your psyche is demanding the actions of a jackson pollack
You ask: Why am I questioning?
Egobot says: Maybe you should ask that your friends
You ask: Will I be weightless?
Egobot says: Very funny. But sorry, I don't know
You ask: When will I laugh?
Egobot says: You will laugh when murphy mentions he should not be helping
you distract an enemy when it's not in his contract to do so or when he
mentions that you must
You ask: What is my spirit?
Egobot says: Your spirit is an inspiration - precious moments 104802
http://atozee.com/collectibles/precious-moments/your-spirit-is-an-inspiration.shtml
You ask: Who is my nemisis?
Egobot says: Your nemisis is actually laughing!
You ask: Who will I hurt?
Egobot says: You will hurt no more love conquers, in the end
You ask: How do I measure?
Egobot says: You do measure each area
You ask: Do I smell?
Egobot says: You do smell rotten eggs, the quicker you can act, you'll
increase the chances of saving your wine
You ask: Who do I muffle?
Egobot says: Isn't that obvious?
FurtherStudio...
Hi there,
Come & visit Jess Loseby online who is the 1st online resident a
FurtherStudio.
Today - 25 minutes time in fact.
marc
http://www.furtherfield.org/furtherstudio/
Come & visit Jess Loseby online who is the 1st online resident a
FurtherStudio.
Today - 25 minutes time in fact.
marc
http://www.furtherfield.org/furtherstudio/
Re: Re: let's repeat:
Hi Eryk,
I dunno what is Geert Lovink? Seems like you know the amswer to that one
already...
I do know that I am very partial to Lene Lovitch - playing many of her
tunes, right now even as I type.
marc
>
>
> What's a Geert Lovink?
>
>
> -e.
>
>
>
>
> ----- Original Message -----
> From: "marc.garrett" <marc.garrett@furtherfield.org>
> To: <list@rhizome.org>
> Sent: Wednesday, September 24, 2003 6:48 AM
> Subject: Re: RHIZOME_RAW: Re: let's repeat:
>
>
> > Hi Patrick,
> >
> > Well all this domesticity forces me to suggest that all those who have
> cats
> > should visit this site for yoga...
> > http://www.yogakitty.com/testimonials.html
> >
> > click on the video section to vids- peace of mind is close.
> >
> > marc
> >
> >
> > > Well, in getting my wife's position, we ran into situations where she
> was
> > > asked to direct theatre, teach theory, advise students, write a book,
> sit
> > on
> > > committees, the whole shooting match. In consulting, I was pretty
mich
> > > asked to be programmer, designer, illustrator, HCI specialist,
database
> > > designer, and not outsource, and get it all done yesterday.
> > >
> > > Now as a public new media artist/curator/editor, I'm now considered as
> one
> > > who can be up to date on what everyone's doing, master 3-4 genres,
keep
> a
> > > wide social net, keep a cogent nattarive going in my own scholarship,
> and
> > so
> > > on. The great thing is that as someone who's known for a bit of
> > > outrageousness (at least in hsis work), I'm now expected to wear the
> > makeup
> > > and lacy underthings, too. Which is fine, given that Baton Rouge is
so
> > hot
> > > in the summer, I chafe far less with this. Lets me breathe. Just
> > remember,
> > > as Eddie Izzard says, there's a big difference between a drag queen
and
> a
> > > transvestite. He says a transvestite a lot like a male lesbian...
> > >
> > > I feel pretty, oh so pretty....
> > >
> > >
> > >
> > > > > I
> > > > > do sometimes feel being an 'new
> > > > > media' artist today is a little like
> > > > > millennium mother. In the same way as mothers are now expected to
> > > > > raise balanced, healthy children, whist wearing immaculate makeup,
> > > > > finishing a phd, running a small but prosperous business sideline
> and
> > > > > remembering to have the lacy underwear underneath (all of which
> > > > > which of course I do:-)
> > >
> > > > i know that cultural/professional multi-tasking has become absurd (i
> > > applied for a job at a school that wanted someone to teach critical
> theory
> > ,
> > > digital imaging, design foundations and run a ceramics facility), but
it
> > > seems being a woman still trumps any other occupation. at least based
on
> > the
> > > ones i know :)
> > > > parenting became an issue raised by a few women at the N5M4
recently.
> > > >
> >
http://lists.indymedia.org/pipermail/imc-europe/2003-September/001498.html
> > > > for the record, i'm now picturing everyone on the list in lacy
> > > underwear...thanks
> > > > ryan
> > >
> > >
> > > + ti esrever dna ti pilf nwod gniht ym tup
> > > -> post: list@rhizome.org
> > > -> questions: info@rhizome.org
> > > -> subscribe/unsubscribe:
http://rhizome.org/preferences/subscribe.rhiz
> > > -> give: http://rhizome.org/support
> > > +
> > > Subscribers to Rhizome are subject to the terms set out in the
> > > Membership Agreement available online at
http://rhizome.org/info/29.php
> > >
> > >
> >
> >
> >
> > + ti esrever dna ti pilf nwod gniht ym tup
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
>
>
I dunno what is Geert Lovink? Seems like you know the amswer to that one
already...
I do know that I am very partial to Lene Lovitch - playing many of her
tunes, right now even as I type.
marc
>
>
> What's a Geert Lovink?
>
>
> -e.
>
>
>
>
> ----- Original Message -----
> From: "marc.garrett" <marc.garrett@furtherfield.org>
> To: <list@rhizome.org>
> Sent: Wednesday, September 24, 2003 6:48 AM
> Subject: Re: RHIZOME_RAW: Re: let's repeat:
>
>
> > Hi Patrick,
> >
> > Well all this domesticity forces me to suggest that all those who have
> cats
> > should visit this site for yoga...
> > http://www.yogakitty.com/testimonials.html
> >
> > click on the video section to vids- peace of mind is close.
> >
> > marc
> >
> >
> > > Well, in getting my wife's position, we ran into situations where she
> was
> > > asked to direct theatre, teach theory, advise students, write a book,
> sit
> > on
> > > committees, the whole shooting match. In consulting, I was pretty
mich
> > > asked to be programmer, designer, illustrator, HCI specialist,
database
> > > designer, and not outsource, and get it all done yesterday.
> > >
> > > Now as a public new media artist/curator/editor, I'm now considered as
> one
> > > who can be up to date on what everyone's doing, master 3-4 genres,
keep
> a
> > > wide social net, keep a cogent nattarive going in my own scholarship,
> and
> > so
> > > on. The great thing is that as someone who's known for a bit of
> > > outrageousness (at least in hsis work), I'm now expected to wear the
> > makeup
> > > and lacy underthings, too. Which is fine, given that Baton Rouge is
so
> > hot
> > > in the summer, I chafe far less with this. Lets me breathe. Just
> > remember,
> > > as Eddie Izzard says, there's a big difference between a drag queen
and
> a
> > > transvestite. He says a transvestite a lot like a male lesbian...
> > >
> > > I feel pretty, oh so pretty....
> > >
> > >
> > >
> > > > > I
> > > > > do sometimes feel being an 'new
> > > > > media' artist today is a little like
> > > > > millennium mother. In the same way as mothers are now expected to
> > > > > raise balanced, healthy children, whist wearing immaculate makeup,
> > > > > finishing a phd, running a small but prosperous business sideline
> and
> > > > > remembering to have the lacy underwear underneath (all of which
> > > > > which of course I do:-)
> > >
> > > > i know that cultural/professional multi-tasking has become absurd (i
> > > applied for a job at a school that wanted someone to teach critical
> theory
> > ,
> > > digital imaging, design foundations and run a ceramics facility), but
it
> > > seems being a woman still trumps any other occupation. at least based
on
> > the
> > > ones i know :)
> > > > parenting became an issue raised by a few women at the N5M4
recently.
> > > >
> >
http://lists.indymedia.org/pipermail/imc-europe/2003-September/001498.html
> > > > for the record, i'm now picturing everyone on the list in lacy
> > > underwear...thanks
> > > > ryan
> > >
> > >
> > > + ti esrever dna ti pilf nwod gniht ym tup
> > > -> post: list@rhizome.org
> > > -> questions: info@rhizome.org
> > > -> subscribe/unsubscribe:
http://rhizome.org/preferences/subscribe.rhiz
> > > -> give: http://rhizome.org/support
> > > +
> > > Subscribers to Rhizome are subject to the terms set out in the
> > > Membership Agreement available online at
http://rhizome.org/info/29.php
> > >
> > >
> >
> >
> >
> > + ti esrever dna ti pilf nwod gniht ym tup
> > -> post: list@rhizome.org
> > -> questions: info@rhizome.org
> > -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> > -> give: http://rhizome.org/support
> > +
> > Subscribers to Rhizome are subject to the terms set out in the
> > Membership Agreement available online at http://rhizome.org/info/29.php
> >
>
>