ARTBASE (1)
BIO
Belgrade artists Marija Vauda and Nikola Pilipovic have been
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
The Art happens here for beginners III
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The Art happens here for beginners II
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The Art happens here for beginners
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B. Specific Features of net.art
1. Formation of communities of artists across nations and disciplin=
es
2. Investment without material interest
3. Collaboration without consideration of appropriation of ideas
4. Privileging communication over representation
5. Immediacy
6. Immateriality
7. Temporality
8. Process based action
9. Play and performance without concern or fear of historical conse=
quences
10. Parasitism as Strategy
a. Movement from initial feeding ground of the net
b. Expansion into real life networked infrastructures
11. Vanishing boundaries between private and public
12. All in One:
a. Internet as a medium for production, publication, distribution=
, promotion, dialogue, consumption and critique
b. Disintegration and mutation of artist, curator, pen-pal, audie=
nce, gallery, theorist, art collector, and muse
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<BLOCKQUOTE>
<UL>
<UL><FONT color=#ffffff face=Arial>B. Specific Features of net.art =
</FONT>
<UL><FONT color=#ffffff face=Arial>1. Formation of communities of=
artists across nations and disciplines <BR>2. Investment without
material interest <BR>3. Collaboration without consideration of
appropriation of ideas <BR>4. Privileging communication over
representation <BR>5. Immediacy <BR>6. Immateriality <BR>7. Tempora=
lity
<BR>8. Process based action <BR>9. Play and performance without con=
cern
or fear of historical consequences <BR>10. Parasitism as Strategy=
</FONT>
<UL><FONT color=#ffffff face=Arial>a. Movement from initial fee=
ding
ground of the net <BR>b. Expansion into real life networked
infrastructures </FONT></UL><FONT color=#ffffff face=Arial>11=
. Vanishing
boundaries between private and public <BR>12. All in One: </FONT><F=
ONT
face=Arial>
<UL><FONT color=#ffffff>a. Internet as a medium for production,=
publication, distribution, promotion, dialogue, consumption and=
critique <BR>b. Disintegration and mutation of artist, curator,=
pen-pal, audience, gallery, theorist, art collector, and muse</FO=
NT>
<DIV align=left><IMG align=baseline alt="" border=0 hspac=
e=0
src="cid:003501c38464$3036ce40$0100007f@e9o9t1"></DIV></FONT></=
FONT></UL></UL></UL></UL></BLOCKQUOTE></BODY></HTML>
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B. Specific Features of net.art
1. Formation of communities of artists across nations and disciplin=
es
2. Investment without material interest
3. Collaboration without consideration of appropriation of ideas
4. Privileging communication over representation
5. Immediacy
6. Immateriality
7. Temporality
8. Process based action
9. Play and performance without concern or fear of historical conse=
quences
10. Parasitism as Strategy
a. Movement from initial feeding ground of the net
b. Expansion into real life networked infrastructures
11. Vanishing boundaries between private and public
12. All in One:
a. Internet as a medium for production, publication, distribution=
, promotion, dialogue, consumption and critique
b. Disintegration and mutation of artist, curator, pen-pal, audie=
nce, gallery, theorist, art collector, and muse
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<META content="MSHTML 5.00.2919.6307" name=GENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=#000000><FONT size=2>
<BLOCKQUOTE>
<UL>
<UL><FONT color=#ffffff face=Arial>B. Specific Features of net.art =
</FONT>
<UL><FONT color=#ffffff face=Arial>1. Formation of communities of=
artists across nations and disciplines <BR>2. Investment without
material interest <BR>3. Collaboration without consideration of
appropriation of ideas <BR>4. Privileging communication over
representation <BR>5. Immediacy <BR>6. Immateriality <BR>7. Tempora=
lity
<BR>8. Process based action <BR>9. Play and performance without con=
cern
or fear of historical consequences <BR>10. Parasitism as Strategy=
</FONT>
<UL><FONT color=#ffffff face=Arial>a. Movement from initial fee=
ding
ground of the net <BR>b. Expansion into real life networked
infrastructures </FONT></UL><FONT color=#ffffff face=Arial>11=
. Vanishing
boundaries between private and public <BR>12. All in One: </FONT><F=
ONT
face=Arial>
<UL><FONT color=#ffffff>a. Internet as a medium for production,=
publication, distribution, promotion, dialogue, consumption and=
critique <BR>b. Disintegration and mutation of artist, curator,=
pen-pal, audience, gallery, theorist, art collector, and muse</FO=
NT>
<DIV align=left><IMG align=baseline alt="" border=0 hspac=
e=0
src="cid:003501c38464$3036ce40$0100007f@e9o9t1"></DIV></FONT></=
FONT></UL></UL></UL></UL></BLOCKQUOTE></BODY></HTML>
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responsibility for begginers
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responsibility
SYLLABICATION: re
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responsibility
SYLLABICATION: re
indifference for beginners
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The American Heritage
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The American Heritage