ARTBASE (1)
BIO
Belgrade artists Marija Vauda and Nikola Pilipovic have been
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
Practical Handbook for beginners-cut
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Practical Handbook for beginners-double vision
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Practical Handbook for beginners-there is no doubt
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Re: Re: Back 2 Back
There's no difference between Agricola and Mitanda.Is up to us to define are
we "social clay"or part of somebody's "curatorial work"(which is the same).
MANIK
----- Original Message -----
From: "patrick lichty" <mailinglists@switchstance.com>
To: <list@rhizome.org>
Sent: Monday, December 01, 2003 7:25 PM
Subject: RHIZOME_RAW: Re: Back 2 Back
>
> Patrick Lichty -
>
> Two topics I'll cover here, likely in the same sentance. I ask what is the
difference between Agrica De Cologne's curatorial work and Mitanda July? I
think that Cologne is not claiming the 'piece' as his, but as a curatorial
project. July seems to be claiming it as her own work, built from 'social
clay'...
>
> Another question and this comes back to the interloper question (which I
still hold quite circumspect) is that if Miranda and her partner are
exploiting people, then how can they be held accountable? This is a very
thorny question.
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
we "social clay"or part of somebody's "curatorial work"(which is the same).
MANIK
----- Original Message -----
From: "patrick lichty" <mailinglists@switchstance.com>
To: <list@rhizome.org>
Sent: Monday, December 01, 2003 7:25 PM
Subject: RHIZOME_RAW: Re: Back 2 Back
>
> Patrick Lichty -
>
> Two topics I'll cover here, likely in the same sentance. I ask what is the
difference between Agrica De Cologne's curatorial work and Mitanda July? I
think that Cologne is not claiming the 'piece' as his, but as a curatorial
project. July seems to be claiming it as her own work, built from 'social
clay'...
>
> Another question and this comes back to the interloper question (which I
still hold quite circumspect) is that if Miranda and her partner are
exploiting people, then how can they be held accountable? This is a very
thorny question.
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>