ARTBASE (1)
BIO
Belgrade artists Marija Vauda and Nikola Pilipovic have been
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
Thinking of ...
To understand the art world silence can be a statement and a semiotised (gr=
ammatical, algorithmic, kitsch) culture.Well, anyway, his biggest contribut=
ions to the discussion happened 15
years ago.It's akin to
the famous photo of a hippy putting a flower into the barrel of a
soldiers rifle, converting the ominous killing machine into an
ornamental vase.
Is "too much
information!"
I agree with Rob and Pall here.
ammatical, algorithmic, kitsch) culture.Well, anyway, his biggest contribut=
ions to the discussion happened 15
years ago.It's akin to
the famous photo of a hippy putting a flower into the barrel of a
soldiers rifle, converting the ominous killing machine into an
ornamental vase.
Is "too much
information!"
I agree with Rob and Pall here.
manik,the missing people
MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
11111111111111111111111111111111111111111111
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, KNEZ MIHAJLOVA STREET, Belgrade,CLOSES ON 15TH OF JUNE
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111111111111111111111111111111111111
1The space of the new/old planet, one of the Earths, is a shadow of the fo=
rmer Earth. Departure seen through the last look of an animal and girl. The=
migration of molecules and their transfer into a shady settlement of a mis=
sing people. The suspension of all territories.
1In the dispersed surface the shadow of compulsive light with no beginning=
, edits itself and connects itself into a leap.
1A green desert, too many backgrounds, a desert unit. Repetition of the pa=
rticular and differential. A unit is the condition of repetition.Deprived o=
ff negation. Conifers of black forests.
1The secret of the brain and the girl wrapped in boxes and put away and ab=
andoned. The secret of the brain and the girl carved out of marble and reve=
led as white, heavy and rectangular in shape. On the surface, along the lin=
es of invasion, an illuminated egg, the egg of a battle. For a missing peop=
le.
1First I gave birth to a ruby, or no, first I was a girl, or no, first I w=
as roebuck, or no, first I had a concept, or no, I flew over to my lover, o=
r no, first there was a sky which was not blue, or no, the sky and the blue=
color have no contact point, or no, first there were a people who were lov=
ers, or no, after I imagined the second, third ...not for the second, third=
, but for the space for a missing people.
1In a glass bed, porous and monitored by the fan which originated at the s=
ame time as the missing people ... is that a girl in a refugee flight?
1But ... the cloud, the cloud moves here and there alternating obliteratio=
n. I look aside and observe: the multitude and speed of alternations throug=
h physical operations.
Nikola Pilipovic Marija Vauda
11111111111111111111111111111111111111111111
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, KNEZ MIHAJLOVA STREET, Belgrade,CLOSES ON 15TH OF JUNE
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111111111111111111111111111111111111
1The space of the new/old planet, one of the Earths, is a shadow of the fo=
rmer Earth. Departure seen through the last look of an animal and girl. The=
migration of molecules and their transfer into a shady settlement of a mis=
sing people. The suspension of all territories.
1In the dispersed surface the shadow of compulsive light with no beginning=
, edits itself and connects itself into a leap.
1A green desert, too many backgrounds, a desert unit. Repetition of the pa=
rticular and differential. A unit is the condition of repetition.Deprived o=
ff negation. Conifers of black forests.
1The secret of the brain and the girl wrapped in boxes and put away and ab=
andoned. The secret of the brain and the girl carved out of marble and reve=
led as white, heavy and rectangular in shape. On the surface, along the lin=
es of invasion, an illuminated egg, the egg of a battle. For a missing peop=
le.
1First I gave birth to a ruby, or no, first I was a girl, or no, first I w=
as roebuck, or no, first I had a concept, or no, I flew over to my lover, o=
r no, first there was a sky which was not blue, or no, the sky and the blue=
color have no contact point, or no, first there were a people who were lov=
ers, or no, after I imagined the second, third ...not for the second, third=
, but for the space for a missing people.
1In a glass bed, porous and monitored by the fan which originated at the s=
ame time as the missing people ... is that a girl in a refugee flight?
1But ... the cloud, the cloud moves here and there alternating obliteratio=
n. I look aside and observe: the multitude and speed of alternations throug=
h physical operations.
manik,the missing people
MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
11111111111111111111111111111111111111111111
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, KNEZ MIHAJLOVA STREET, Belgrade,CLOSES ON 15TH OF JUNE
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111111111111111111111111111111111111
1The space of the new/old planet, one of the Earths, is a shadow of the fo=
rmer Earth. Departure seen through the last look of an animal and girl. The=
migration of molecules and their transfer into a shady settlement of a mis=
sing people. The suspension of all territories.
1In the dispersed surface the shadow of compulsive light with no beginning=
, edits itself and connects itself into a leap.
1A green desert, too many backgrounds, a desert unit. Repetition of the pa=
rticular and differential. A unit is the condition of repetition.Deprived o=
ff negation. Conifers of black forests.
1The secret of the brain and the girl wrapped in boxes and put away and ab=
andoned. The secret of the brain and the girl carved out of marble and reve=
led as white, heavy and rectangular in shape. On the surface, along the lin=
es of invasion, an illuminated egg, the egg of a battle. For a missing peop=
le.
1First I gave birth to a ruby, or no, first I was a girl, or no, first I w=
as roebuck, or no, first I had a concept, or no, I flew over to my lover, o=
r no, first there was a sky which was not blue, or no, the sky and the blue=
color have no contact point, or no, first there were a people who were lov=
ers, or no, after I imagined the second, third ...not for the second, third=
, but for the space for a missing people.
1In a glass bed, porous and monitored by the fan which originated at the s=
ame time as the missing people ... is that a girl in a refugee flight?
1But ... the cloud, the cloud moves here and there alternating obliteratio=
n. I look aside and observe: the multitude and speed of alternations throug=
h physical operations.
Nikola Pilipovic Marija Vauda
11111111111111111111111111111111111111111111
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, KNEZ MIHAJLOVA STREET, Belgrade,CLOSES ON 15TH OF JUNE
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
11111111111111111111111111111111111111111111111111111111111111111111111111=
11111111111111111111111111111111111111111111111111111111
1The space of the new/old planet, one of the Earths, is a shadow of the fo=
rmer Earth. Departure seen through the last look of an animal and girl. The=
migration of molecules and their transfer into a shady settlement of a mis=
sing people. The suspension of all territories.
1In the dispersed surface the shadow of compulsive light with no beginning=
, edits itself and connects itself into a leap.
1A green desert, too many backgrounds, a desert unit. Repetition of the pa=
rticular and differential. A unit is the condition of repetition.Deprived o=
ff negation. Conifers of black forests.
1The secret of the brain and the girl wrapped in boxes and put away and ab=
andoned. The secret of the brain and the girl carved out of marble and reve=
led as white, heavy and rectangular in shape. On the surface, along the lin=
es of invasion, an illuminated egg, the egg of a battle. For a missing peop=
le.
1First I gave birth to a ruby, or no, first I was a girl, or no, first I w=
as roebuck, or no, first I had a concept, or no, I flew over to my lover, o=
r no, first there was a sky which was not blue, or no, the sky and the blue=
color have no contact point, or no, first there were a people who were lov=
ers, or no, after I imagined the second, third ...not for the second, third=
, but for the space for a missing people.
1In a glass bed, porous and monitored by the fan which originated at the s=
ame time as the missing people ... is that a girl in a refugee flight?
1But ... the cloud, the cloud moves here and there alternating obliteratio=
n. I look aside and observe: the multitude and speed of alternations throug=
h physical operations.
MANIK EXHIBITION
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MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, BELGRADE,KNEZ MIHAJLOVA STREET 37, CLOSES ON 15TH OF JUNE
MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
The space of the new/old planet, one of the Earths, is a shadow of the form=
er Earth. Departure seen through the last look of an animal and girl. The m=
igration of molecules and their transfer into a shady settlement of a missi=
ng people. The suspension of all territories.
In the dispersed surface the shadow of compulsive light with no beginning, =
edits itself and connects itself into a leap.
A green desert, too many backgrounds, a desert unit. Repetition of the part=
icular and differential. A unit is the condition of repetition.
Deprived off negation. Conifers of black forests.
The secret of the brain and the girl wrapped in boxes and put away and aban=
doned. The secret of the brain and the girl carved out of marble and revele=
d as white, heavy and rectangular in shape. On the surface, along the lines=
of invasion, an illuminated egg, the egg of a battle. For a missing people.
First I gave birth to a ruby, or no, first I was a girl, or no, first I was=
roebuck, or no, first I had a concept, or no, I flew over to my lover, or =
no, first there was a sky which was not blue, or no, the sky and the blue c=
olor have no contact point, or no, first there were a people who were lover=
s, or no, after I imagined the second, third ...not for the second, third, =
but for the space for a missing people.
In a glass bed, porous and monitored by the fan which originated at the sam=
e time as the missing people ... is that a girl in a refugee flight?
But ... the cloud, the cloud moves here and there alternating obliteration.=
I look aside and observe: the multitude and speed of alternations through =
physical operations.
LIST OF EXHIBITED WORKS
- Last Look of an Animal
acrylic on canvas, 170x260cm, 2004.
- Verwerfung, the egg of a battle
marble,steel,neon light 112x100x30cm,2003
- The Missing People, Lovers
oil on canvas, 120x85,2004
- A Girl in A Refugee Flight
glass, steel, synthetics, 90x181x50cm
- The Invasion of the Rear Lines,
acrylic on canvas, 160x220cm,2003
- Units
oil on canvas, 60x50(4 x),1997
- The Secret of the Brain and Girl, the Missing Space
300 boxes 'Verwerfung' 38x32x28cm,2003
-But ... the cloud, physical operation
acrylic on canvas120x200cm,2003
Invisible in the wind
acrylic on canvas,160x220cm,2004
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
Nikola Pilipovic Marija Vauda
illIllustration:Invisible in the wind,acrylic on canvas,160x220cm.2004.
Nikola Pilipovic ,B.A. And M.A. At The Faculty of Fine Arts, Belgrade.
Marija Vauda ,B.A., Faculty of Applied Arts, Belgrade.
Both exhibited at numerous group exhibitions and had one-man shows in Serbi=
a and Montenegro and abroad.
Address: 29 Novembra 74/6, 11000 Belgrade
E-mail MANIK@ptt.yu
tel :011-764150
063 864 10 50
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<DIV> </DIV>
<DIV align=center><FONT face=Arial size=2><FONT face=Arial size=2=
>
<P class=MsoNormal><FONT color=#ffffff><SPAN
style="mso-ansi-language: EN-US"><STRONG>MANIK, THE MISSING
PEOPLE</STRONG><?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></FONT></=
FONT></P></DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center><IMG align=baseline alt="" border=0 hspace=0
src="cid:002a01c44742$ac02e120$0100007f@e9o9t1"></DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center><FONT face=Arial size=2>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">THE EXHIBITION O=
PENS ON
THURSDAY, JUNE 3<SUP>RD</SUP> AT </SPAN><?xml:namespace prefix = st1 ns =
=
"urn:schemas-microsoft-com:office:smarttags" /><st1:time Minute="0"
Hour="19"><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">7
PM</SPAN></st1:time><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">.</SPAN></FONT><=
/P>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">ULUS GALLERY,
BELGRADE,</SPAN><st1:Street><st1:address><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">KNEZ MIHAJLOVA=
STREET</SPAN></st1:address></st1:Street><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt"> 37, CLOSES ON=
15<SUP>TH</SUP> OF JUNE</SPAN></FONT></P>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt"></SPAN></FONT>&n=
bsp;</P><FONT
color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT><FONT
color=#c0c0c0><SPAN style="mso-ansi-language: EN-US">MANIK, THE MISSING=
PEOPLE<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The space of the new/old planet, one of =
the
Earths, is a shadow of the former Earth. Departure seen through the last lo=
ok of
an animal and girl. The migration of molecules and their transfer into a sh=
ady
settlement of a missing people. The suspension of all
territories.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">In
the dispersed surface the shadow of compulsive light with no beginning, edi=
ts
itself and connects itself into a leap.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">A
green desert, too many backgrounds, a desert unit. Repetition of the partic=
ular
and differential. A unit is the condition of
repetition.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Deprived off negation. Conifers of black=
forests.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The secret of the brain and the girl wra=
pped in
boxes and put away and abandoned. The secret of the brain and the girl carv=
ed
out of marble and reveled as white, heavy and rectangular in shape. On the=
surface, along the lines of invasion, an illuminated egg, the egg of a batt=
le.
For a missing people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> <FONT color=#000000></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">First I gave birth to a ruby, or no, fir=
st I
was a girl, or no, first I was roebuck, or no, first I had a concept, or no=
, I
flew over to my lover, or no, first there was a sky which was not blue, or =
no,
the sky and the blue color have no contact point, or no, first there were a=
people who were lovers, or no, after I imagined the second, third ...not fo=
r the
second, third, but for the space for a missing
people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">In
a glass bed, porous and monitored by the fan which originated at the same t=
ime
as the missing people ... is that a girl in a refugee
flight?<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">But ... the cloud, the cloud moves here =
and
there alternating obliteration. I look aside and observe: the multitude and=
speed of alternations through physical operations.<o:p></o:p></SPAN></FONT>=
</P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal></FONT></o:p></SPAN></FONT></SPAN><SPAN
style="mso-ansi-language: EN-US"><o:p></o:p></SPAN></FONT></P><FONT
color=#00ffff><SPAN lang=EN-GB><o:p><FONT color=#000000>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">LIST OF EXHIBITED
WORKS<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
Last Look of an Animal<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">acrylic on canvas, 170x260cm,
2004.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
</SPAN><SPAN lang=SL style="mso-ansi-language: SL">Verwerfung, the egg =
of a
battle<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">marble,steel,neon light
112x100x30cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- The Missing People,
Lovers<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">oil on canvas,
120x85,2004<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- A Girl in A Refugee
Flight<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">glass, steel, synthetics,
90x181x50cm<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
The Invasion of the Rear Lines,<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">acrylic on canvas, </SPAN><SPAN lang=S=
L
style="mso-ansi-language: SL">160x220cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- Units<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">oil on canvas, 60x50(4
x),1997<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- The Secret of the Brain and Girl, the Mis=
sing
Space<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">300 boxes 'Verwerfung'
38x32x28cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">-But ... the cloud, physical
operation<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">acrylic on
canvas120x200cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">Invisible in the
wind<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">acrylic on
canvas,160x220cm,2004<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN-LEFT: 0.25in"><FONT color=#c0c0c0><S=
PAN lang=SL
style="mso-ansi-language: SL"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">We
have chosen for the exhibition MANIK, A MISSING PEOPLE such images,
announcements, material, schedules, relations and acts which create conditi=
ons
for a space where meaning appears. We have chosen them to be not only logic=
al
but also physical requirements and acts.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The works have been created over a perio=
d of
many years. Some of them were executed in other media forms, e.g. in the fo=
rm
of<SPAN style="mso-spacerun: yes"> </SPAN>e-mail announcements post=
ed
during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made in th=
e
form of posters and given away or were put together as Manik magazine. We h=
ave
used some of them to serve as links with the blocks we have done so far and=
by
which dispersion is provoked ...<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">We
have decided to exhibit as a team, male-female, and vice versa, as bisexual=
and
multisexual, non hierarchical, it is a political decision:
disguising-creating-disappearing above and despite the chaos and change; to=
re-examine the place of these roles, which is in a way alienated by renounc=
ing
the possessed and desired, by speeding up and replicating them, and the rea=
son
and effect is found in the links it establishes and transcends as well as i=
n the
meanings that appear.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Each social context creates its own reje=
cted
zones (verwerfung), which the social contract does not see, since they are=
socially unacceptable, they are not places of freedom because they are not=
socialized, they are undemocratic because they do not belong to the order o=
f the
majority. A multitude of surfaces and channels which are on the edge, the=
fringe, invisible, lacking freedom, undemocratic, which establish their nom=
adic
social context, a missing people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p><FONT color=#000000>ill</FONT><FO=
NT
color=#c0c0c0>Illustration:Invisible in the wind,acrylic on
canvas,160x220cm.2004. </FONT></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"></SPAN></FONT> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic ,B.A. And M.A. At The F=
aculty
of Fine Arts,<SPAN style="mso-spacerun: yes">
</SPAN>Belgrade.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Marija Vauda ,B.A., Faculty of Applied A=
rts,
Belgrade.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Both exhibited at numerous group exhibit=
ions
and had one-man shows in Serbia and Montenegro and
abroad.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Address: 29 Novembra 74/6, 11000
Belgrade<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><SPAN lang=SL style="mso-ansi-language: SL"><FONT=
color=#c0c0c0>E-mail </FONT><A href="mailto:MANIK@ptt.yu"><FONT
color=#c0c0c0>MANIK<SPAN lang=EN-US
style="mso-ansi-language: EN-US">@ptt.yu</SPAN></FONT></A></SPAN><SPAN
style="mso-ansi-language: EN-US"><o:p></o:p></SPAN></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">tel :011-764150<o:p></o:p></SPAN></=
FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><SPAN
style="mso-spacerun: yes"> </SPAN>063 864 1=
0
50<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P
class=MsoNormal></o:p></SPAN></FONT></o:p></SPAN></FONT></o:p></SPAN></FO=
NT></FONT> </o:p></SPAN></FONT></P></FONT></DIV></BODY></HTML>
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MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
THE EXHIBITION OPENS ON THURSDAY, JUNE 3RD AT 7 PM.
ULUS GALLERY, BELGRADE,KNEZ MIHAJLOVA STREET 37, CLOSES ON 15TH OF JUNE
MANIK, THE MISSING PEOPLE
Nikola Pilipovic Marija Vauda
The space of the new/old planet, one of the Earths, is a shadow of the form=
er Earth. Departure seen through the last look of an animal and girl. The m=
igration of molecules and their transfer into a shady settlement of a missi=
ng people. The suspension of all territories.
In the dispersed surface the shadow of compulsive light with no beginning, =
edits itself and connects itself into a leap.
A green desert, too many backgrounds, a desert unit. Repetition of the part=
icular and differential. A unit is the condition of repetition.
Deprived off negation. Conifers of black forests.
The secret of the brain and the girl wrapped in boxes and put away and aban=
doned. The secret of the brain and the girl carved out of marble and revele=
d as white, heavy and rectangular in shape. On the surface, along the lines=
of invasion, an illuminated egg, the egg of a battle. For a missing people.
First I gave birth to a ruby, or no, first I was a girl, or no, first I was=
roebuck, or no, first I had a concept, or no, I flew over to my lover, or =
no, first there was a sky which was not blue, or no, the sky and the blue c=
olor have no contact point, or no, first there were a people who were lover=
s, or no, after I imagined the second, third ...not for the second, third, =
but for the space for a missing people.
In a glass bed, porous and monitored by the fan which originated at the sam=
e time as the missing people ... is that a girl in a refugee flight?
But ... the cloud, the cloud moves here and there alternating obliteration.=
I look aside and observe: the multitude and speed of alternations through =
physical operations.
LIST OF EXHIBITED WORKS
- Last Look of an Animal
acrylic on canvas, 170x260cm, 2004.
- Verwerfung, the egg of a battle
marble,steel,neon light 112x100x30cm,2003
- The Missing People, Lovers
oil on canvas, 120x85,2004
- A Girl in A Refugee Flight
glass, steel, synthetics, 90x181x50cm
- The Invasion of the Rear Lines,
acrylic on canvas, 160x220cm,2003
- Units
oil on canvas, 60x50(4 x),1997
- The Secret of the Brain and Girl, the Missing Space
300 boxes 'Verwerfung' 38x32x28cm,2003
-But ... the cloud, physical operation
acrylic on canvas120x200cm,2003
Invisible in the wind
acrylic on canvas,160x220cm,2004
We have chosen for the exhibition MANIK, A MISSING PEOPLE such images, anno=
uncements, material, schedules, relations and acts which create conditions =
for a space where meaning appears. We have chosen them to be not only logic=
al but also physical requirements and acts.
The works have been created over a period of many years. Some of them were =
executed in other media forms, e.g. in the form of e-mail announcements po=
sted during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made =
in the form of posters and given away or were put together as Manik magazin=
e. We have used some of them to serve as links with the blocks we have done=
so far and by which dispersion is provoked ...
We have decided to exhibit as a team, male-female, and vice versa, as bisex=
ual and multisexual, non hierarchical, it is a political decision: disguisi=
ng-creating-disappearing above and despite the chaos and change; to re-exam=
ine the place of these roles, which is in a way alienated by renouncing the=
possessed and desired, by speeding up and replicating them, and the reason=
and effect is found in the links it establishes and transcends as well as =
in the meanings that appear.
Each social context creates its own rejected zones (verwerfung), which the =
social contract does not see, since they are socially unacceptable, they ar=
e not places of freedom because they are not socialized, they are undemocra=
tic because they do not belong to the order of the majority. A multitude of=
surfaces and channels which are on the edge, the fringe, invisible, lackin=
g freedom, undemocratic, which establish their nomadic social context, a mi=
ssing people.
Nikola Pilipovic Marija Vauda
illIllustration:Invisible in the wind,acrylic on canvas,160x220cm.2004.
Nikola Pilipovic ,B.A. And M.A. At The Faculty of Fine Arts, Belgrade.
Marija Vauda ,B.A., Faculty of Applied Arts, Belgrade.
Both exhibited at numerous group exhibitions and had one-man shows in Serbi=
a and Montenegro and abroad.
Address: 29 Novembra 74/6, 11000 Belgrade
E-mail MANIK@ptt.yu
tel :011-764150
063 864 10 50
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<BODY bgColor=#000000>
<DIV> </DIV>
<DIV align=center><FONT face=Arial size=2><FONT face=Arial size=2=
>
<P class=MsoNormal><FONT color=#ffffff><SPAN
style="mso-ansi-language: EN-US"><STRONG>MANIK, THE MISSING
PEOPLE</STRONG><?xml:namespace prefix = o ns =
"urn:schemas-microsoft-com:office:office" /><o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></FONT></=
FONT></P></DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center><IMG align=baseline alt="" border=0 hspace=0
src="cid:002a01c44742$ac02e120$0100007f@e9o9t1"></DIV>
<DIV align=center> </DIV>
<DIV align=center> </DIV>
<DIV align=center><FONT face=Arial size=2>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">THE EXHIBITION O=
PENS ON
THURSDAY, JUNE 3<SUP>RD</SUP> AT </SPAN><?xml:namespace prefix = st1 ns =
=
"urn:schemas-microsoft-com:office:smarttags" /><st1:time Minute="0"
Hour="19"><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">7
PM</SPAN></st1:time><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">.</SPAN></FONT><=
/P>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">ULUS GALLERY,
BELGRADE,</SPAN><st1:Street><st1:address><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">KNEZ MIHAJLOVA=
STREET</SPAN></st1:address></st1:Street><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt"> 37, CLOSES ON=
15<SUP>TH</SUP> OF JUNE</SPAN></FONT></P>
<P class=MsoNormal><FONT color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt"></SPAN></FONT>&n=
bsp;</P><FONT
color=#00ffff><SPAN lang=EN-GB
style="COLOR: blue; FONT-FAMILY: Arial; FONT-SIZE: 10pt">
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT><FONT
color=#c0c0c0><SPAN style="mso-ansi-language: EN-US">MANIK, THE MISSING=
PEOPLE<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The space of the new/old planet, one of =
the
Earths, is a shadow of the former Earth. Departure seen through the last lo=
ok of
an animal and girl. The migration of molecules and their transfer into a sh=
ady
settlement of a missing people. The suspension of all
territories.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">In
the dispersed surface the shadow of compulsive light with no beginning, edi=
ts
itself and connects itself into a leap.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">A
green desert, too many backgrounds, a desert unit. Repetition of the partic=
ular
and differential. A unit is the condition of
repetition.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Deprived off negation. Conifers of black=
forests.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The secret of the brain and the girl wra=
pped in
boxes and put away and abandoned. The secret of the brain and the girl carv=
ed
out of marble and reveled as white, heavy and rectangular in shape. On the=
surface, along the lines of invasion, an illuminated egg, the egg of a batt=
le.
For a missing people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> <FONT color=#000000></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">First I gave birth to a ruby, or no, fir=
st I
was a girl, or no, first I was roebuck, or no, first I had a concept, or no=
, I
flew over to my lover, or no, first there was a sky which was not blue, or =
no,
the sky and the blue color have no contact point, or no, first there were a=
people who were lovers, or no, after I imagined the second, third ...not fo=
r the
second, third, but for the space for a missing
people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">In
a glass bed, porous and monitored by the fan which originated at the same t=
ime
as the missing people ... is that a girl in a refugee
flight?<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">But ... the cloud, the cloud moves here =
and
there alternating obliteration. I look aside and observe: the multitude and=
speed of alternations through physical operations.<o:p></o:p></SPAN></FONT>=
</P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal></FONT></o:p></SPAN></FONT></SPAN><SPAN
style="mso-ansi-language: EN-US"><o:p></o:p></SPAN></FONT></P><FONT
color=#00ffff><SPAN lang=EN-GB><o:p><FONT color=#000000>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">LIST OF EXHIBITED
WORKS<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
Last Look of an Animal<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">acrylic on canvas, 170x260cm,
2004.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
</SPAN><SPAN lang=SL style="mso-ansi-language: SL">Verwerfung, the egg =
of a
battle<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">marble,steel,neon light
112x100x30cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- The Missing People,
Lovers<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">oil on canvas,
120x85,2004<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- A Girl in A Refugee
Flight<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">glass, steel, synthetics,
90x181x50cm<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">-
The Invasion of the Rear Lines,<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">acrylic on canvas, </SPAN><SPAN lang=S=
L
style="mso-ansi-language: SL">160x220cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- Units<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">oil on canvas, 60x50(4
x),1997<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">- The Secret of the Brain and Girl, the Mis=
sing
Space<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">300 boxes 'Verwerfung'
38x32x28cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">-But ... the cloud, physical
operation<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">acrylic on
canvas120x200cm,2003<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">Invisible in the
wind<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL">acrylic on
canvas,160x220cm,2004<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal style="MARGIN-LEFT: 0.25in"><FONT color=#c0c0c0><S=
PAN lang=SL
style="mso-ansi-language: SL"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">We
have chosen for the exhibition MANIK, A MISSING PEOPLE such images,
announcements, material, schedules, relations and acts which create conditi=
ons
for a space where meaning appears. We have chosen them to be not only logic=
al
but also physical requirements and acts.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">The works have been created over a perio=
d of
many years. Some of them were executed in other media forms, e.g. in the fo=
rm
of<SPAN style="mso-spacerun: yes"> </SPAN>e-mail announcements post=
ed
during 2002-2004 on the Rhizom.org.(Rhizome _Raw) Some have been made in th=
e
form of posters and given away or were put together as Manik magazine. We h=
ave
used some of them to serve as links with the blocks we have done so far and=
by
which dispersion is provoked ...<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN style="mso-ansi-language=
: EN-US">We
have decided to exhibit as a team, male-female, and vice versa, as bisexual=
and
multisexual, non hierarchical, it is a political decision:
disguising-creating-disappearing above and despite the chaos and change; to=
re-examine the place of these roles, which is in a way alienated by renounc=
ing
the possessed and desired, by speeding up and replicating them, and the rea=
son
and effect is found in the links it establishes and transcends as well as i=
n the
meanings that appear.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Each social context creates its own reje=
cted
zones (verwerfung), which the social contract does not see, since they are=
socially unacceptable, they are not places of freedom because they are not=
socialized, they are undemocratic because they do not belong to the order o=
f the
majority. A multitude of surfaces and channels which are on the edge, the=
fringe, invisible, lacking freedom, undemocratic, which establish their nom=
adic
social context, a missing people.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic Marija
Vauda<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p><FONT color=#000000>ill</FONT><FO=
NT
color=#c0c0c0>Illustration:Invisible in the wind,acrylic on
canvas,160x220cm.2004. </FONT></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"></SPAN></FONT> </P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Nikola Pilipovic ,B.A. And M.A. At The F=
aculty
of Fine Arts,<SPAN style="mso-spacerun: yes">
</SPAN>Belgrade.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Marija Vauda ,B.A., Faculty of Applied A=
rts,
Belgrade.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><o:p> </o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Both exhibited at numerous group exhibit=
ions
and had one-man shows in Serbia and Montenegro and
abroad.<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">Address: 29 Novembra 74/6, 11000
Belgrade<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><SPAN lang=SL style="mso-ansi-language: SL"><FONT=
color=#c0c0c0>E-mail </FONT><A href="mailto:MANIK@ptt.yu"><FONT
color=#c0c0c0>MANIK<SPAN lang=EN-US
style="mso-ansi-language: EN-US">@ptt.yu</SPAN></FONT></A></SPAN><SPAN
style="mso-ansi-language: EN-US"><o:p></o:p></SPAN></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US">tel :011-764150<o:p></o:p></SPAN></=
FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN
style="mso-ansi-language: EN-US"><SPAN
style="mso-spacerun: yes"> </SPAN>063 864 1=
0
50<o:p></o:p></SPAN></FONT></P>
<P class=MsoNormal><FONT color=#c0c0c0><SPAN lang=SL
style="mso-ansi-language: SL"><o:p> </o:p></SPAN></FONT></P>
<P
class=MsoNormal></o:p></SPAN></FONT></o:p></SPAN></FONT></o:p></SPAN></FO=
NT></FONT> </o:p></SPAN></FONT></P></FONT></DIV></BODY></HTML>
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