ARTBASE (1)
BIO
Belgrade artists Marija Vauda and Nikola Pilipovic have been
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
collaborating as MANIK since 1999.Their work reflects the
march of history, sometimes literally outside their studio, and a
dialogue with the international artistic community through
organisations and events such as Rhizome and Free Manifesta. Tiija is
their first weblog piece, their previous work has been in mediums as
diverse as video, performance, happenings, email, painting and
installation.
Practical Handbook for beginners-wedding
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Practical Handbook for beginners-?
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Fw: Practical Handbook for beginners-Tailor's Dick,Revolution
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Re: Creative Class War
We don't see any specific "art in West ideological system.There's small
different in handwriting and production...that's all.
East European "art" is completely corrupt by Soros Foundation.That's
American influence.
There's no "art" today.Instead,we prefer to think about specific approach to
this existing without existence,changing terms,conditions etc.
Utopia!
Even for that we need money and significant support.Those are facts.
Meanwhile Koons make his giant cats in socks.Brilliant!America is rich
enough to finance great(big,huge)works.Cynicism&sarcasm.That's not so bad.
And that make American "art"production important.High development technology
too.What more you need?Always seed story about stingy government.
Best wishes
MANIK
PS:Nonsense's:creative-class,foreign creative talent,creative industries...
----- Original Message -----
From: "Jo-Anne Green" <jo@turbulence.org>
To: <list@rhizome.org>
Sent: Wednesday, January 21, 2004 4:18 PM
Subject: RHIZOME_RAW: Creative Class War
> America is losing its creative and economic edge. "Cities from Sydney to
Brussels to Dublin to Vancouver are fast becoming creative-class centers to
rival Boston, Seattle, and Austin. They're doing it through a variety of
means - from government-subsidized labs to partnerships between top local
universities and industry. Most of all, they're luring foreign creative
talent, including our own. The result is that the sort of high-end,
high-margin creative industries that used to be the United States' province
and a crucial source of our prosperity have begun to move overseas."
>
> http://www.washingtonmonthly.com/features/2004/0401.florida.html
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
different in handwriting and production...that's all.
East European "art" is completely corrupt by Soros Foundation.That's
American influence.
There's no "art" today.Instead,we prefer to think about specific approach to
this existing without existence,changing terms,conditions etc.
Utopia!
Even for that we need money and significant support.Those are facts.
Meanwhile Koons make his giant cats in socks.Brilliant!America is rich
enough to finance great(big,huge)works.Cynicism&sarcasm.That's not so bad.
And that make American "art"production important.High development technology
too.What more you need?Always seed story about stingy government.
Best wishes
MANIK
PS:Nonsense's:creative-class,foreign creative talent,creative industries...
----- Original Message -----
From: "Jo-Anne Green" <jo@turbulence.org>
To: <list@rhizome.org>
Sent: Wednesday, January 21, 2004 4:18 PM
Subject: RHIZOME_RAW: Creative Class War
> America is losing its creative and economic edge. "Cities from Sydney to
Brussels to Dublin to Vancouver are fast becoming creative-class centers to
rival Boston, Seattle, and Austin. They're doing it through a variety of
means - from government-subsidized labs to partnerships between top local
universities and industry. Most of all, they're luring foreign creative
talent, including our own. The result is that the sort of high-end,
high-margin creative industries that used to be the United States' province
and a crucial source of our prosperity have begun to move overseas."
>
> http://www.washingtonmonthly.com/features/2004/0401.florida.html
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>