PORTFOLIO (3)
BIO
asdf
International Summer Workshop at ETC
The Experimental Television Center International Summer Workshop 2006
May 31 - June 11, 2006
The Experimental Television Center International Summer Workshop 2006 is a collaborative video and sonic arts opportunity, sponsored by the Center and the Institute for Electronic Arts (IEA) at Alfred University. Academic credit is available through Alfred University.
The ISW website http://www.etcisw.com has all the information you need to register, plus a look at past Workshops complete with video clips and photos, as well as biographies of the instructors.
FW: [no-org.net] Opening of new net.art exhibition
[1] Opening of data/reference/art exhibition
[2] CAll for entries for the next project
[1] data/reference/art - The third net-art exhibition of no-org.net, is
launched, you are welcome to visit it:
http://www.no-org.net/data/reference/art
<http://www.no-org.net/data/reference/art>
Participant artists: Tamar Schori, Myron Turner, Simon Biggs, Doron Golan,
Reynald Druhin, Jerome Rigaud,
Don Sinclair, Joy Garnett, Brad Brace.
Curators: sala-manca group & vagrearg.
From the curatorial text:
Databases, encyclopedias, indexes, dictionaries, and directories are not
merely devices of data organizing, but also mediums for building
hierarchical systems. Not only they convey topic specific information but
also propagate political and aesthetic ideologies, reflecting background and
interests of their producers. "The correct", "the necessary", "the
important" or "the secondary" for a user to know, to study, to invest - all
those messages embedded into systems of knowledge and sorted according to
hierarchy established by their editors. Methods of distribution, managing of
contents, the structure, lay a distinct track to control and design of
common knowledge, shaping thinking patterns.
The global network, providing a new space for distribution of traditional
data-collections, also grants a possibility of their deconstruction,
challenging their authority by making use of inherent practices of the Net:
decentralization and release of information, casting doubt upon hierarchies
through the new form of data-organization, popularizing of canonical and
non-canonical materials, formalizing, aestheticizing and so on.
Current exhibition compiled of nine art projects, each presenting an
original approach to the theme, placing in doubt, rethinking the
signification, the function and the objectives of data collections on the
Net.
.......
Current no-org.net exhibition raised the self-reflecting question of our
authority as curators and distributors/producers of knowledge. In attempt to
answer this question we chose to give up our ultimate right to show/hide the
artworks submitted to the projects exhibited on our website. Therefore, we
decided to present all the works we have received in response to our calls
for all the previous as well as for the current project.
It is important to note, that by doing so we are not canceling our
curatorial role, nor devaluating our responsibility for the choices made.
Indeed, we run the curated show that unite projects located closer to the
concept at hand and achieved higher artistic values (in our opinion). It
seems to us that opening the archives may allow for new interpretations of
the chosen for the exhibitions topics, and for observation of the relative
value of curatorial choices.
We believe that this step may open a deeper debate about the process of
exhibition of art on the Net, at least in relation to our activities. The
opening of our archives <http://www.no-org.net/openarchives/> would allow
for examination of this process and relation to it, creating new channels of
dialog between the artists, critics, the visitors and us*.
------------------------------------------------------------------------
[2] Art Keywords - Collaborative dictionary of the 21st century art.
Call for entries <http://www.no-org.net/texts.php>
The aim of the project is to start a self-growing, collaborative
encyclopedic dictionary that would approach central concepts, keywords,
terms, and definitions related to 21st century art.
The project attempts to create a place for the data and definition exchange
where the combination of theoretical, mediative and artistic (poetic)
definitions comes from the need to establish different approaches to art
definition.
We ask for artists, curators, critics and cultural mediators to send us
terms and concepts relevant to their own approach to art, defined textually
(definitions, articles, references, etc.) or through a media item (image,
video, sound etc.)
The project will operate on ongoing basis, with an initial version launched
by January 2005.
------------------------------------------------------------------------
www.no-org.net <http://www.no-org.net>
<http://www.no-org.net/video/net/art/reports.php>
------ End of Forwarded Message
[2] CAll for entries for the next project
[1] data/reference/art - The third net-art exhibition of no-org.net, is
launched, you are welcome to visit it:
http://www.no-org.net/data/reference/art
<http://www.no-org.net/data/reference/art>
Participant artists: Tamar Schori, Myron Turner, Simon Biggs, Doron Golan,
Reynald Druhin, Jerome Rigaud,
Don Sinclair, Joy Garnett, Brad Brace.
Curators: sala-manca group & vagrearg.
From the curatorial text:
Databases, encyclopedias, indexes, dictionaries, and directories are not
merely devices of data organizing, but also mediums for building
hierarchical systems. Not only they convey topic specific information but
also propagate political and aesthetic ideologies, reflecting background and
interests of their producers. "The correct", "the necessary", "the
important" or "the secondary" for a user to know, to study, to invest - all
those messages embedded into systems of knowledge and sorted according to
hierarchy established by their editors. Methods of distribution, managing of
contents, the structure, lay a distinct track to control and design of
common knowledge, shaping thinking patterns.
The global network, providing a new space for distribution of traditional
data-collections, also grants a possibility of their deconstruction,
challenging their authority by making use of inherent practices of the Net:
decentralization and release of information, casting doubt upon hierarchies
through the new form of data-organization, popularizing of canonical and
non-canonical materials, formalizing, aestheticizing and so on.
Current exhibition compiled of nine art projects, each presenting an
original approach to the theme, placing in doubt, rethinking the
signification, the function and the objectives of data collections on the
Net.
.......
Current no-org.net exhibition raised the self-reflecting question of our
authority as curators and distributors/producers of knowledge. In attempt to
answer this question we chose to give up our ultimate right to show/hide the
artworks submitted to the projects exhibited on our website. Therefore, we
decided to present all the works we have received in response to our calls
for all the previous as well as for the current project.
It is important to note, that by doing so we are not canceling our
curatorial role, nor devaluating our responsibility for the choices made.
Indeed, we run the curated show that unite projects located closer to the
concept at hand and achieved higher artistic values (in our opinion). It
seems to us that opening the archives may allow for new interpretations of
the chosen for the exhibitions topics, and for observation of the relative
value of curatorial choices.
We believe that this step may open a deeper debate about the process of
exhibition of art on the Net, at least in relation to our activities. The
opening of our archives <http://www.no-org.net/openarchives/> would allow
for examination of this process and relation to it, creating new channels of
dialog between the artists, critics, the visitors and us*.
------------------------------------------------------------------------
[2] Art Keywords - Collaborative dictionary of the 21st century art.
Call for entries <http://www.no-org.net/texts.php>
The aim of the project is to start a self-growing, collaborative
encyclopedic dictionary that would approach central concepts, keywords,
terms, and definitions related to 21st century art.
The project attempts to create a place for the data and definition exchange
where the combination of theoretical, mediative and artistic (poetic)
definitions comes from the need to establish different approaches to art
definition.
We ask for artists, curators, critics and cultural mediators to send us
terms and concepts relevant to their own approach to art, defined textually
(definitions, articles, references, etc.) or through a media item (image,
video, sound etc.)
The project will operate on ongoing basis, with an initial version launched
by January 2005.
------------------------------------------------------------------------
www.no-org.net <http://www.no-org.net>
<http://www.no-org.net/video/net/art/reports.php>
------ End of Forwarded Message
FW: Digital Currents at Printed Matter
--B_3178658919_55977104
Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable
------ Forwarded Message
From: sabrinagsch@aol.com
Date: Tue, 21 Sep 2004 18:58:19 EDT
To: undisclosed-recipients:;
Subject: Fwd: Digital Currents at Printed Matter
In a message dated 9/21/04 6:57:20 PM, rbers@printedmatter.org writes:
Book Launch and Reception for
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&=
amp;c
ookie1=5453238.3> Digital Currents : Art in the Electronic Age
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&a=
mp;co
okie1=5453238.3> by Margot Lovejoy
at Printed Matter, Inc.
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&a=
mp;co
okie1=5453238.3>
Thursday, September 23, 2004 from 5
Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable
------ Forwarded Message
From: sabrinagsch@aol.com
Date: Tue, 21 Sep 2004 18:58:19 EDT
To: undisclosed-recipients:;
Subject: Fwd: Digital Currents at Printed Matter
In a message dated 9/21/04 6:57:20 PM, rbers@printedmatter.org writes:
Book Launch and Reception for
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&=
amp;c
ookie1=5453238.3> Digital Currents : Art in the Electronic Age
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&a=
mp;co
okie1=5453238.3> by Margot Lovejoy
at Printed Matter, Inc.
<http://www.printedmatter.org/news/news.cfm?article_id=158&email=&a=
mp;co
okie1=5453238.3>
Thursday, September 23, 2004 from 5
FW: WPS1 - special on bio-art-terror / CAE
------ Forwarded Message
From: Suzanne Anker <s.anker@verizon.net>
Date: Thu, 16 Sep 2004 11:00:09 -0400
Subject: WPS1
The Bio-Blurb Show
http://www.wps1.org/include/shows/bio_blurb.html
The subject of the Bio-Blurb Show centers around aspects of the growing
trend between art and science, and most particularly the biological and
genetic sciences. Hosted by Suzanne Anker, the show features a roundtable
discussion of the social issues that are affected by genetic engineering,
forensics, new reproductive technologies, the patenting of life forms and
related "Art-Sci" subjects.
The following shows are archived on
http://www.wps1.org/include/shows/bio_blurb.html:
Edition #3 - "Bio-Art or Bio-Terror?" In this most important program, host
Suzanne Anker <http://www.geneculture.org/cmp/biography.shtml> asks her
guests, former Whitney Museum director David Ross,
<http://www.artistpensiontrust.org> art journalist
<http://www.amazon.com/exec/obidos/tg/detail/-/0520212436/qid88131622/sr=
8-1/ref=sr_8_xs_ap_i1_xgl14/103-2185091-6862249?v=glance&s=books&n=5
07846> Steven Henry Madoff <http://www.5ivegroup.net> (onetime editor
of ARTNews), and filmmaker Virgil Wong <http://www.rythospital.com>
about the federal government's against the activist artist Steve Kurtz
<http://www.caedefensefund.org/> and the Critical Art Ensemble.
<http://www.critical-art.net/> How much of this is fact, how much fiction?
Why have no politicians come forward with a response? This many years after
the Culture Wars, has the government succeeded in criminalizing artists?
Should artists be making work with life-forms? The answers are just as
provocative as the questions!
Edition #1 - In the first of this stimulating new series considering a new
definition of "nature," Suzanne Anker
<http://www.geneculture.org/cmp/biography.shtml> , author of The Molecular
Gaze: Art in the Genetic Age, hosts a discussion of the quickly falling
boundaries between art and science, especially in regard to genetics --
think the Matthews (Barney and Richie) and Andy Goldsworthy -- with
forceful contributions from artist Steve Miller
<http://www.stevemiller.com> and writers Thyrza Nichols Goodeve
<http://www.amazon.com/exec/obidos/tg/detail/-/0947564845/qid86627064/sr=
1-1/ref=sr_1_1/104-7805605-1983911?v=glance&s=books> and Mark Dery
<http://www.levity.com/markdery/author.html> .
------ End of Forwarded Message
From: Suzanne Anker <s.anker@verizon.net>
Date: Thu, 16 Sep 2004 11:00:09 -0400
Subject: WPS1
The Bio-Blurb Show
http://www.wps1.org/include/shows/bio_blurb.html
The subject of the Bio-Blurb Show centers around aspects of the growing
trend between art and science, and most particularly the biological and
genetic sciences. Hosted by Suzanne Anker, the show features a roundtable
discussion of the social issues that are affected by genetic engineering,
forensics, new reproductive technologies, the patenting of life forms and
related "Art-Sci" subjects.
The following shows are archived on
http://www.wps1.org/include/shows/bio_blurb.html:
Edition #3 - "Bio-Art or Bio-Terror?" In this most important program, host
Suzanne Anker <http://www.geneculture.org/cmp/biography.shtml> asks her
guests, former Whitney Museum director David Ross,
<http://www.artistpensiontrust.org> art journalist
<http://www.amazon.com/exec/obidos/tg/detail/-/0520212436/qid88131622/sr=
8-1/ref=sr_8_xs_ap_i1_xgl14/103-2185091-6862249?v=glance&s=books&n=5
07846> Steven Henry Madoff <http://www.5ivegroup.net> (onetime editor
of ARTNews), and filmmaker Virgil Wong <http://www.rythospital.com>
about the federal government's against the activist artist Steve Kurtz
<http://www.caedefensefund.org/> and the Critical Art Ensemble.
<http://www.critical-art.net/> How much of this is fact, how much fiction?
Why have no politicians come forward with a response? This many years after
the Culture Wars, has the government succeeded in criminalizing artists?
Should artists be making work with life-forms? The answers are just as
provocative as the questions!
Edition #1 - In the first of this stimulating new series considering a new
definition of "nature," Suzanne Anker
<http://www.geneculture.org/cmp/biography.shtml> , author of The Molecular
Gaze: Art in the Genetic Age, hosts a discussion of the quickly falling
boundaries between art and science, especially in regard to genetics --
think the Matthews (Barney and Richie) and Andy Goldsworthy -- with
forceful contributions from artist Steve Miller
<http://www.stevemiller.com> and writers Thyrza Nichols Goodeve
<http://www.amazon.com/exec/obidos/tg/detail/-/0947564845/qid86627064/sr=
1-1/ref=sr_1_1/104-7805605-1983911?v=glance&s=books> and Mark Dery
<http://www.levity.com/markdery/author.html> .
------ End of Forwarded Message
artbots2004 in harlem/nyc this weekend
It's an ArtBots Invasion in Harlem!
It's an ArtBots invasion in Harlem! The Third Annual ArtBots: The Robot
Talent Show will take place on September 17, 18, & 19 from noon to 6:00pm at
The Mink Building on 126th Street & Amsterdam Avenue in Harlem. Featuring
the work of 20 artists and groups from seven countries, the show celebrates
the strange and wonderful collision of shifty artists, disgraced engineers,
high/low/no tech hackers, rogue scientists, beauty school dropouts, backyard
pyros, and industrial espionage that has come to define the emerging field
of robotic art. Participants include robots that sketch, carve, float,
wiggle, hum, ring, grow, wander, and sing, as well a number of works the
form and function of which are not yet well understood.
2004 ArtBots Participants
Read the full ArtBots 2004 Press Release .
FACTS AT A GLANCE:
Event: ArtBots: The Robot Talent Show
Cost: This is a FREE event
Time: Noon to 6:00 p.m.
Date: Friday, Saturday, and Sunday, September 17, 18, & 19, 2004
Location: The Mink Building
Corner of 126th Street and Amsterdam Avenue
Harlem, New York City
Subway: 1/9 or A/C/B/D to 125th St.
Directions to the show
http://artbots.org/2004/
ArtBots t-shirt!
About ArtBots
ArtBots is an international art exhibition for robotic art and art-making
robots. Each year we publish an open call for submissions, inviting artists
from around the world to send us information about their work. No firm
rules exist on the types of work that can participate; if you think it's a
robot and you think it's art, we encourage you to submit. The final list of
participants is a mix of works selected from the open call submissions and
additional artists invited by the ArtBots curators.
The ArtBots curators for 2004 are: Douglas Repetto (Columbia University
Computer Music Center), Mark Tribe (Columbia University Digital Media
Center), and Mary Flanagan (Hunter College Film/Media Department). ArtBots
is sponsored by the Columbia University Computer Music Center and Digital
Media Center.
The first ArtBots took place in May 2002 at Pratt Institute in Brooklyn and
included the work of ten artists/groups. The show was curated by Douglas
Repetto and Philip Galanter (New York University). Nearly six hundred people
visited the show during its one-day run, and the show received very
positive coverage in many print and online publications in the USA and
internationally, including The New York Times, TimeOutNY, BoingBoing.net,
and NASA's Cool Robot of the Week website.
The second ArtBots show was held at Eyebeam Gallery in Manhattan in July
2003 as part of Eyebeam's summer robotics festival, ROBOT. Twenty two works
by artists and groups from six countries participated in the show, which
again received extensive press coverage, including national TV (CNN, NBC,
NY1), radio (NPR, Future Tense, WBAI, Studio 360), print (Newsweek, Wired
Magazine, New York Times, New York Press, Nature), and online publications.
About two thousand people visited the two-day show, which was curated by
Douglas Repetto, Philip Galanter, and Jenny Lee (Pratt Institute).
It's an ArtBots invasion in Harlem! The Third Annual ArtBots: The Robot
Talent Show will take place on September 17, 18, & 19 from noon to 6:00pm at
The Mink Building on 126th Street & Amsterdam Avenue in Harlem. Featuring
the work of 20 artists and groups from seven countries, the show celebrates
the strange and wonderful collision of shifty artists, disgraced engineers,
high/low/no tech hackers, rogue scientists, beauty school dropouts, backyard
pyros, and industrial espionage that has come to define the emerging field
of robotic art. Participants include robots that sketch, carve, float,
wiggle, hum, ring, grow, wander, and sing, as well a number of works the
form and function of which are not yet well understood.
2004 ArtBots Participants
Read the full ArtBots 2004 Press Release .
FACTS AT A GLANCE:
Event: ArtBots: The Robot Talent Show
Cost: This is a FREE event
Time: Noon to 6:00 p.m.
Date: Friday, Saturday, and Sunday, September 17, 18, & 19, 2004
Location: The Mink Building
Corner of 126th Street and Amsterdam Avenue
Harlem, New York City
Subway: 1/9 or A/C/B/D to 125th St.
Directions to the show
http://artbots.org/2004/
ArtBots t-shirt!
About ArtBots
ArtBots is an international art exhibition for robotic art and art-making
robots. Each year we publish an open call for submissions, inviting artists
from around the world to send us information about their work. No firm
rules exist on the types of work that can participate; if you think it's a
robot and you think it's art, we encourage you to submit. The final list of
participants is a mix of works selected from the open call submissions and
additional artists invited by the ArtBots curators.
The ArtBots curators for 2004 are: Douglas Repetto (Columbia University
Computer Music Center), Mark Tribe (Columbia University Digital Media
Center), and Mary Flanagan (Hunter College Film/Media Department). ArtBots
is sponsored by the Columbia University Computer Music Center and Digital
Media Center.
The first ArtBots took place in May 2002 at Pratt Institute in Brooklyn and
included the work of ten artists/groups. The show was curated by Douglas
Repetto and Philip Galanter (New York University). Nearly six hundred people
visited the show during its one-day run, and the show received very
positive coverage in many print and online publications in the USA and
internationally, including The New York Times, TimeOutNY, BoingBoing.net,
and NASA's Cool Robot of the Week website.
The second ArtBots show was held at Eyebeam Gallery in Manhattan in July
2003 as part of Eyebeam's summer robotics festival, ROBOT. Twenty two works
by artists and groups from six countries participated in the show, which
again received extensive press coverage, including national TV (CNN, NBC,
NY1), radio (NPR, Future Tense, WBAI, Studio 360), print (Newsweek, Wired
Magazine, New York Times, New York Press, Nature), and online publications.
About two thousand people visited the two-day show, which was curated by
Douglas Repetto, Philip Galanter, and Jenny Lee (Pratt Institute).
FW: VIDEO RENTAL
------ Forwarded Message
From: Loris Greaud <lorisgreaud@wanadoo.fr>
Date: Mon, 13 Sep 2004 10:11:36 +0200
To: Loris Greaud <lorisgreaud@wanadoo.fr>
Subject: VIDEO RENTAL
GRAND OPENING: WEDNESDAY, SEPTEMBER 15, 12-6 PM
e-flux 53 Ludlow Street, New York City
On Wednesday, September 15th, we will open to public with a new project
called e-flux video rental. For six months the space will be transformed
into a video rental store: part screening room, part archive. Our
collection, comprised solely of art film and video works, has been formed
through a collaboration with a group of forty six selectors including:
Fernanda Arruda, Zdenka Badovinac, Regine Basha, Pablo Leon de la Barra,
Gabriel Perez-Barreiro, Daniel Birnbaum, Thomas Boutoux, Adam Budak, Mariana
David, Mai Abu ElDahab, Power Ekroth, Eliu Almonte, Elena Filipovic, Lauri
Firstenberg, Annie Fletcher, Gabrielle Giattino, Massimiliano Gioni, Julieta
Gonzales, Francesca Grassi, Sofia Hernandez, Jens Hoffmann, Anthony
Huberman, Pierre Huyghe, Eungie Joo, Christoph Keller, Adam Klimczak, Vasif
Kortun, Anders Kreuger, Fernando Llanos, Omar Lopez Chahoud, Viktor Misiano,
Molly Nesbit, Hans Ulrich Obrist, November Paynter, Natasa Petresin, Karyn
Riegel, Itala Schmelz, Henk Slager, Hanno Soans, Ali Subotnick, Barbara
Vanderlinden, Gilbert Vicario, Florian Waldvogel and e-flux employees.
e-flux video rental is a six month project, on view through March 2005.
Physically structured as any video rental shop, it will offer membership but
will not entail any commercial transactions. Single channel film and video
works will be continuously screened at the storefront and select titles will
be available for home viewing. New arrivals monthly!
A catalogue published by Revolver (Archiv fur Aktuelle Kunst), will be
available in February 2005.
Works by (list in formation):
24/7, Lucas Ajemian, Nevin Aladag, Jennifer Allora Guillermo Calzadilla,
Adriana Arenas, Vasco Araujo, Viktor Alimpiev, Paulo Almeida, Eliu Almonte,
Andre Amparo, Tiong Ang, Michel Auder, Assume Vivid Astro Focus, Miriam
Backstrom, Lucas Bambozzi, Edson Barrus, Sarah Bennington, Roberto Berliner,
Colectivo Bijari, Mike Bouchet, Frank Boue, Andrea Bowers, Eriks Bozis, Ulla
von Brandenburg, John Cage, Mircea Cantor, Domenico Capello, Carolina
Caycedo, Alejandro Cesarco, Paul Chan, Marcos Chaves, Loulou Cherinet, Olga
Chernishova, Heman Chong, Coliseum, Alexander Costello, Roberto Cuoghi,
Heavy Industries, Hubert Czerepok, Independent State, Jeremy Deller, Angela
Detanico y Rafael Lain, Trisha Donnelly, Melissa Dubbin / Aaron Davidson,
Ivan Edeza, Hector Falcon, Jeanne Faust, Jakup Ferri, Alicia Framis, Dara
Friedman, Rene Gabri, Galeria Chilena, Gilbert George, Jeremie Gindre,
Andrea Geyer, Piero Golia, Loris Greaud, Natascha Sadr Haghighian, Driton
Hajredini, Sharon Hayes, Rita Hernandez, Daniel Herskowitz, Shere Hite,
Enrique Jezik, Tom Johnson, Spike Jonze / Rick Howard / Ty Evans / Vory
Weincheque, Michael Joo, Ilya Kabakov, Tellervo Kalleinen, Leopold Kessler,
Korpys/Loffler, Tim Lee, Mark Leckey, Jesse Lerner, Erik van Liesthout,
Daniel Lima, Fernando Llanos, Dora Longo Bahia, Polonca Lovsin, Maria
Lusitano, Teresa Margolles, Christopher Maner, Marepe, Marssares, Gordon
Matta Clark, Jonas Mekas, John Menick, Ohad Meromi, Simone Michellin, Sarah
Minter, Melvin Motti, Argentino Neto, Filip Noterdaeme, Tuan Nguyen, Love
Nordberg, Annee Olofsson, Yoko Ono, The Otolith Group, Jenny Perlin, Diego
Perrone, Alessandro Pessoli, John Pilson, Steven Pippin, Michelangelo
Pistoletto, Shannon Plumb, Linda Post, Arturas Raila, Egle Rakauskaite, Nick
Relph / Oliver Payne, Guy Richards-Smit, Aida Ruilova, Alfredo SalomEn,
Corinna Schnitt, Ene-liis Semper, Wael Shawky, Taro Shinoda, Silverio,
Michael Smith, Robert Smithson, Aaron Steffes, Hito Steyerl, A.L. Steiner,
Tetine (Bruno Verner Eliete Mejorado), Rirkrit Tiravanija, Jaan Toomik,
Kerry Tribe, Manuela Viera Gallo, Jenny Vogel, Lawrence Weiner, Suara
Welitoff, Jordan Wolfson, Erwin Wurm, Olivier Zabat, Akram Zaatari, Darius
Ziura and others.
e-flux video rental is organized by Anton Vidokle and Julieta Aranda
more information? +212.6193356
<http://www.e-flux.com/>
295 greenwich street #532, nyc ny 10007
------ End of Forwarded Message
From: Loris Greaud <lorisgreaud@wanadoo.fr>
Date: Mon, 13 Sep 2004 10:11:36 +0200
To: Loris Greaud <lorisgreaud@wanadoo.fr>
Subject: VIDEO RENTAL
GRAND OPENING: WEDNESDAY, SEPTEMBER 15, 12-6 PM
e-flux 53 Ludlow Street, New York City
On Wednesday, September 15th, we will open to public with a new project
called e-flux video rental. For six months the space will be transformed
into a video rental store: part screening room, part archive. Our
collection, comprised solely of art film and video works, has been formed
through a collaboration with a group of forty six selectors including:
Fernanda Arruda, Zdenka Badovinac, Regine Basha, Pablo Leon de la Barra,
Gabriel Perez-Barreiro, Daniel Birnbaum, Thomas Boutoux, Adam Budak, Mariana
David, Mai Abu ElDahab, Power Ekroth, Eliu Almonte, Elena Filipovic, Lauri
Firstenberg, Annie Fletcher, Gabrielle Giattino, Massimiliano Gioni, Julieta
Gonzales, Francesca Grassi, Sofia Hernandez, Jens Hoffmann, Anthony
Huberman, Pierre Huyghe, Eungie Joo, Christoph Keller, Adam Klimczak, Vasif
Kortun, Anders Kreuger, Fernando Llanos, Omar Lopez Chahoud, Viktor Misiano,
Molly Nesbit, Hans Ulrich Obrist, November Paynter, Natasa Petresin, Karyn
Riegel, Itala Schmelz, Henk Slager, Hanno Soans, Ali Subotnick, Barbara
Vanderlinden, Gilbert Vicario, Florian Waldvogel and e-flux employees.
e-flux video rental is a six month project, on view through March 2005.
Physically structured as any video rental shop, it will offer membership but
will not entail any commercial transactions. Single channel film and video
works will be continuously screened at the storefront and select titles will
be available for home viewing. New arrivals monthly!
A catalogue published by Revolver (Archiv fur Aktuelle Kunst), will be
available in February 2005.
Works by (list in formation):
24/7, Lucas Ajemian, Nevin Aladag, Jennifer Allora Guillermo Calzadilla,
Adriana Arenas, Vasco Araujo, Viktor Alimpiev, Paulo Almeida, Eliu Almonte,
Andre Amparo, Tiong Ang, Michel Auder, Assume Vivid Astro Focus, Miriam
Backstrom, Lucas Bambozzi, Edson Barrus, Sarah Bennington, Roberto Berliner,
Colectivo Bijari, Mike Bouchet, Frank Boue, Andrea Bowers, Eriks Bozis, Ulla
von Brandenburg, John Cage, Mircea Cantor, Domenico Capello, Carolina
Caycedo, Alejandro Cesarco, Paul Chan, Marcos Chaves, Loulou Cherinet, Olga
Chernishova, Heman Chong, Coliseum, Alexander Costello, Roberto Cuoghi,
Heavy Industries, Hubert Czerepok, Independent State, Jeremy Deller, Angela
Detanico y Rafael Lain, Trisha Donnelly, Melissa Dubbin / Aaron Davidson,
Ivan Edeza, Hector Falcon, Jeanne Faust, Jakup Ferri, Alicia Framis, Dara
Friedman, Rene Gabri, Galeria Chilena, Gilbert George, Jeremie Gindre,
Andrea Geyer, Piero Golia, Loris Greaud, Natascha Sadr Haghighian, Driton
Hajredini, Sharon Hayes, Rita Hernandez, Daniel Herskowitz, Shere Hite,
Enrique Jezik, Tom Johnson, Spike Jonze / Rick Howard / Ty Evans / Vory
Weincheque, Michael Joo, Ilya Kabakov, Tellervo Kalleinen, Leopold Kessler,
Korpys/Loffler, Tim Lee, Mark Leckey, Jesse Lerner, Erik van Liesthout,
Daniel Lima, Fernando Llanos, Dora Longo Bahia, Polonca Lovsin, Maria
Lusitano, Teresa Margolles, Christopher Maner, Marepe, Marssares, Gordon
Matta Clark, Jonas Mekas, John Menick, Ohad Meromi, Simone Michellin, Sarah
Minter, Melvin Motti, Argentino Neto, Filip Noterdaeme, Tuan Nguyen, Love
Nordberg, Annee Olofsson, Yoko Ono, The Otolith Group, Jenny Perlin, Diego
Perrone, Alessandro Pessoli, John Pilson, Steven Pippin, Michelangelo
Pistoletto, Shannon Plumb, Linda Post, Arturas Raila, Egle Rakauskaite, Nick
Relph / Oliver Payne, Guy Richards-Smit, Aida Ruilova, Alfredo SalomEn,
Corinna Schnitt, Ene-liis Semper, Wael Shawky, Taro Shinoda, Silverio,
Michael Smith, Robert Smithson, Aaron Steffes, Hito Steyerl, A.L. Steiner,
Tetine (Bruno Verner Eliete Mejorado), Rirkrit Tiravanija, Jaan Toomik,
Kerry Tribe, Manuela Viera Gallo, Jenny Vogel, Lawrence Weiner, Suara
Welitoff, Jordan Wolfson, Erwin Wurm, Olivier Zabat, Akram Zaatari, Darius
Ziura and others.
e-flux video rental is organized by Anton Vidokle and Julieta Aranda
more information? +212.6193356
<http://www.e-flux.com/>
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