PORTFOLIO (3)
BIO
asdf
International Summer Workshop at ETC
The Experimental Television Center International Summer Workshop 2006
May 31 - June 11, 2006
The Experimental Television Center International Summer Workshop 2006 is a collaborative video and sonic arts opportunity, sponsored by the Center and the Institute for Electronic Arts (IEA) at Alfred University. Academic credit is available through Alfred University.
The ISW website http://www.etcisw.com has all the information you need to register, plus a look at past Workshops complete with video clips and photos, as well as biographies of the instructors.
Re: Re: rentagerman
Hi Pall, Ethan, Johannes.
First, for anyone who hasn't seen the project yet, Damali Ayo's
"Rent-a-Negro" has just been added to the ArtBase:
http://rhizome.org/object.rhiz?32231
When I reviewed "rentagerman" for ArtBase, I wasn't aware of "Rent-a-Negro."
Had I been, that certainly would have informed my decision.
To address your question, Pall, "potential historical significance" isn't
meant to imply that a project must be historically unique to enter the
ArtBase (though "historically unique" would be an excellent credential unto
itself). Perhaps a project reiterates a popular theme or contributes to the
description of a widespread new media phenomenon--locative media or George W
Bush projects, for instance, many of which are similar, and many of which
(of varying qualities) have been added to the ArtBase over the last year.
The ArtBase isn't meant to have a significant curatorial voice--it's an
archive of new media art that inevitably contains redundancies, because it
endeavors to be as comprehensive as possible. This is not to suggest that
just any "new media art" flies into the ArtBase--but working with a medium
that moves so quickly and is inherently cannibalistic, it's very difficult,
and in many cases unimportant, to discern who and what projects should be
ultimately attributed to strategies, subjects and ideas.
However, I agree that "rent-a-negro" and "rentagerman" are more than
similar, and I don't think that pursuing a discussion of attribution, in
this case, is unimportant. Material from "Rent-a-Negro" seems to have been
incorporated into "rentagerman," and that appears to be a case of deliberate
appropriation or infringement.
I've talked with Damali Ayo about the "rent-a-negro"/"rentagerman" issue and
I've invited Johannes to speak up on the list. Hopefully he will let us know
how "rentagerman" is meant to relate to "Rent-a-Negro."
Relevant material, The ArtBase Management Policy:
http://rhizome.org/artbase/policy.htm
-
Kevin
On 4/5/05 5:24 AM, "Pall Thayer" <palli@pallit.lhi.is> wrote:
> As Ethan says, it's very similar to Ayo's "Rent-A-Negro", so I would
> think that it has limited "...potential historical significance." But
> perhaps what's even more important is that the work comes across as no
> more than a joke that's not even funny. Ayo weaves into her texts
> comments regarding several social issues, giving "Rent-A-Negro" a very
> sound conceptual base. I fail to see this in "Rentagerman". Thus, I
> would be interested in hearing from the Artbase coordinator some
> explanation of what makes this a significant piece of new media art.
>
> Pall
>
> Ethan Ham wrote:
>> Johannes,
>>
>> Your site seems to be borrowing VERY heavily from damali ayo's
>> www.rent-a-negro.com
>>
>> Could you discuss her influence on your site?
>>
>> Regards,
>> Ethan
>> +
>> -> post: list@rhizome.org
>> -> questions: info@rhizome.org
>> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>> -> give: http://rhizome.org/support
>> -> visit: on Fridays the Rhizome.org web site is open to non-members
>> +
>> Subscribers to Rhizome are subject to the terms set out in the
>> Membership Agreement available online at http://rhizome.org/info/29.php
>>
First, for anyone who hasn't seen the project yet, Damali Ayo's
"Rent-a-Negro" has just been added to the ArtBase:
http://rhizome.org/object.rhiz?32231
When I reviewed "rentagerman" for ArtBase, I wasn't aware of "Rent-a-Negro."
Had I been, that certainly would have informed my decision.
To address your question, Pall, "potential historical significance" isn't
meant to imply that a project must be historically unique to enter the
ArtBase (though "historically unique" would be an excellent credential unto
itself). Perhaps a project reiterates a popular theme or contributes to the
description of a widespread new media phenomenon--locative media or George W
Bush projects, for instance, many of which are similar, and many of which
(of varying qualities) have been added to the ArtBase over the last year.
The ArtBase isn't meant to have a significant curatorial voice--it's an
archive of new media art that inevitably contains redundancies, because it
endeavors to be as comprehensive as possible. This is not to suggest that
just any "new media art" flies into the ArtBase--but working with a medium
that moves so quickly and is inherently cannibalistic, it's very difficult,
and in many cases unimportant, to discern who and what projects should be
ultimately attributed to strategies, subjects and ideas.
However, I agree that "rent-a-negro" and "rentagerman" are more than
similar, and I don't think that pursuing a discussion of attribution, in
this case, is unimportant. Material from "Rent-a-Negro" seems to have been
incorporated into "rentagerman," and that appears to be a case of deliberate
appropriation or infringement.
I've talked with Damali Ayo about the "rent-a-negro"/"rentagerman" issue and
I've invited Johannes to speak up on the list. Hopefully he will let us know
how "rentagerman" is meant to relate to "Rent-a-Negro."
Relevant material, The ArtBase Management Policy:
http://rhizome.org/artbase/policy.htm
-
Kevin
On 4/5/05 5:24 AM, "Pall Thayer" <palli@pallit.lhi.is> wrote:
> As Ethan says, it's very similar to Ayo's "Rent-A-Negro", so I would
> think that it has limited "...potential historical significance." But
> perhaps what's even more important is that the work comes across as no
> more than a joke that's not even funny. Ayo weaves into her texts
> comments regarding several social issues, giving "Rent-A-Negro" a very
> sound conceptual base. I fail to see this in "Rentagerman". Thus, I
> would be interested in hearing from the Artbase coordinator some
> explanation of what makes this a significant piece of new media art.
>
> Pall
>
> Ethan Ham wrote:
>> Johannes,
>>
>> Your site seems to be borrowing VERY heavily from damali ayo's
>> www.rent-a-negro.com
>>
>> Could you discuss her influence on your site?
>>
>> Regards,
>> Ethan
>> +
>> -> post: list@rhizome.org
>> -> questions: info@rhizome.org
>> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
>> -> give: http://rhizome.org/support
>> -> visit: on Fridays the Rhizome.org web site is open to non-members
>> +
>> Subscribers to Rhizome are subject to the terms set out in the
>> Membership Agreement available online at http://rhizome.org/info/29.php
>>
FW: WALKING AS KNOWING AS MAKING > SESSION III > APRIL 7-9, 2005
------ Forwarded Message
From: Kevin Hamilton <kham@uiuc.edu>
Date: Mon, 04 Apr 2005 08:20:33 -0600
To: Kevin Hamilton <kham@uiuc.edu>
Cc: <nwertz@uiuc.edu>, David Monje <dmonje@uiuc.edu>, Celiany
Rivera-Velazquez <crivera@uiuc.edu>, "Karrie G. Karahalios"
<kkarahal@cs.uiuc.edu>, Joshua Eckhardt <jeckhard@uiuc.edu>,
<matthart@uiuc.edu>, David Hays <dlhays@uiuc.edu>, <talen@uiuc.edu>,
<prc-l@lists.prairienet.org>, <ross2@uiuc.edu>, <gournelo@uiuc.edu>, Wojtek
Chodzko-Zajko <wojtek@uiuc.edu>, Weimo Zhu <weimozhu@uiuc.edu>, Heidi
Krahling <hkrahlin@uiuc.edu>, Ann Bishop <bishop@alexia.lis.uiuc.edu>,
<retlaw628@insightbb.com>, Pattsi Petrie <pattsi@uiuc.edu>, Kevin McGarry
<kevin@rhizome.org>, <ecotter2@uiuc.edu>, David Schejbal
<schejbal@ad.uiuc.edu>, "Askew, Patricia E." <paskew@uiuc.edu>, Barry
Blinderman <bblinde@ilstu.edu>, Shoshana Magnet <mizmagnet@hotmail.com>,
Claudia Chloe Brumbaugh <claudia_chloe@yahoo.com>, Keenan Crane
<kcrane@uiuc.edu>, "Deborah A. Israel" <disrael@uiuc.edu>, Jonathan
Fineberg <fineberg@uiuc.edu>, roy campbell <campbell@cs.uiuc.edu>, nick
brown <nbrown2@uiuc.edu>
Subject: WALKING AS KNOWING AS MAKING > SESSION III > APRIL 7-9, 2005
>>please forward widely<<
================================
WALKING AS KNOWING AS MAKING // A PERIPATETIC INVESTIGATION OF PLACE
SPRING 2005 // UNIVERSITY OF ILLINOIS @ URBANA-CHAMPAIGN
================================
SESSION III > APRIL 7-9, 2005
SEE THE SYMPOSIUM WEBSITE FOR A DETAILED SCHEDULE
================================
Symposium Website >
http://www.walkinginplace.org/
Session III Details (April 7-9) >
http://www.walkinginplace.org/converge/session03.htm
Session IV Details (April 28-30) >
http://www.walkinginplace.org/converge/session04.htm
================================
THURSDAY / APRIL 7
5-6pm > PRESENTATION > Chellis Glendinning @ Meet at the Krannert Center
for the Performing Arts / Outdoor Pavilion on Goodwin Street (Stock Pavilion
in
event of rain)
6-7pm > DISCUSSION & WALK > KCPA Outdoor Pavilion to Stock Pavilion
7-8pm > PRESENTATION > David Macauley @ Stock Pavilion
"The Values and Virtues of Walking: Finding Footholds for Environmental
Ethics, Aesthetics and Policy"
================================
FRIDAY / APRIL 8
12-1pm > PRESENTATION > M Simon Levin & Laurie Long @ Lincoln Hall #106
1-2pm > DISCUSSION & WALK > Lincoln Hall #106 to Gregory Hall #213
2-3pm > PRESENTATION > Chris Taylor @ Gregory Hall #213
3-4pm > DISCUSSION & WALK > Gregory Hall #213 to Krannert Art Museum
#62
4-5pm > PRESENTATION > Andrea Phillips @ Krannert Art Museum #62
9-10pm > NIGHT WALK @ Allerton Park (Monticello) > Meet at Visitor Center
(North Entrance) > See website for directions
================================
SATURDAY / APRIL 9
10am-1pm > WALK (~4 miles) / Heartland Pathway (White Heath) > See website
for directions
2-4pm > DISCUSSION @ Allerton Park > Meet at Visitor Center (North Entrance)
> See website for directions
================================
PARTICIPANT BIOGRAPHIES
================================
CHELLIS GLENDINNING (PhD)
Glendinning is a psychologist and award-winning author whose works include
the acclaimed "My Name is Chellis and I'm in Recovery from Western
Civilization", "Off the Map: An Expedition Deep into Imperialism, the Global
Economy", and "When Technology Wounds", nominated for the Pulitzer Prize. A
pioneer in the field of ecopsychology, her specialty is the ecological and
human
costs of technological progress. She lives in rural New Mexico where she
works
with Chicano and Native people for environmental justice and cultural
preservation.
http://www.schumachersociety.org/lec-che.html
http://www.newsociety.com/bookid/3860
================================
M. SIMON LEVIN & LAURIE LONG
M. Simon Levin has been creating site-specific projects that explore
relational
aesthetics using a variety of custom designed tools for the past 15 years.
These
projects investigate the often-blurred boundaries between the private and
the
public resulting in poetic interventions into space and place. As an
independent
filmmaker Laurie Long has spent the past decade working in a broad variety
of
roles in productions ranging from guerilla style performance poetry videos
and
independent documentaries, to extreme sports television. Her work has been
broadcast extensively in Canada, screened theatrically and exhibited
internationally.
Working as artists-in-residence at the International Art Space
(Kellerberrin,
Australia), Long & Levin recently collaborated on the Centre for SALT
Expression
- a site-specific multimedia production exploring relational aesthetics in a
remote Australian farming community stricken with land salinity. The Centre
for
S.A.L.T Expression is an exploration of an Australian wheatbelt community's
relationship to their over farmed and hyper-salinated land. This fictional
organization intervenes into a small country town (pop. 800) to reframe
people's
daily lives as mark-making creative acts. Presented within the context of
land
care issues this project brought real social agency to the shire of
Kelleberrin,
developing and delivering educational curriculum for school kids and
supporting
a project which included social services for the aboriginal community. In
addition, focus groups were facilitated to re-vision the town's future
identity.
http://katearmstrong.com/preamble/levin.html
http://www.iaska.com.au/pages/residency/levin_long.htm
================================
DAVID MACAULEY (PhD)
I studied political theory, normative and applied ethics, and the
From: Kevin Hamilton <kham@uiuc.edu>
Date: Mon, 04 Apr 2005 08:20:33 -0600
To: Kevin Hamilton <kham@uiuc.edu>
Cc: <nwertz@uiuc.edu>, David Monje <dmonje@uiuc.edu>, Celiany
Rivera-Velazquez <crivera@uiuc.edu>, "Karrie G. Karahalios"
<kkarahal@cs.uiuc.edu>, Joshua Eckhardt <jeckhard@uiuc.edu>,
<matthart@uiuc.edu>, David Hays <dlhays@uiuc.edu>, <talen@uiuc.edu>,
<prc-l@lists.prairienet.org>, <ross2@uiuc.edu>, <gournelo@uiuc.edu>, Wojtek
Chodzko-Zajko <wojtek@uiuc.edu>, Weimo Zhu <weimozhu@uiuc.edu>, Heidi
Krahling <hkrahlin@uiuc.edu>, Ann Bishop <bishop@alexia.lis.uiuc.edu>,
<retlaw628@insightbb.com>, Pattsi Petrie <pattsi@uiuc.edu>, Kevin McGarry
<kevin@rhizome.org>, <ecotter2@uiuc.edu>, David Schejbal
<schejbal@ad.uiuc.edu>, "Askew, Patricia E." <paskew@uiuc.edu>, Barry
Blinderman <bblinde@ilstu.edu>, Shoshana Magnet <mizmagnet@hotmail.com>,
Claudia Chloe Brumbaugh <claudia_chloe@yahoo.com>, Keenan Crane
<kcrane@uiuc.edu>, "Deborah A. Israel" <disrael@uiuc.edu>, Jonathan
Fineberg <fineberg@uiuc.edu>, roy campbell <campbell@cs.uiuc.edu>, nick
brown <nbrown2@uiuc.edu>
Subject: WALKING AS KNOWING AS MAKING > SESSION III > APRIL 7-9, 2005
>>please forward widely<<
================================
WALKING AS KNOWING AS MAKING // A PERIPATETIC INVESTIGATION OF PLACE
SPRING 2005 // UNIVERSITY OF ILLINOIS @ URBANA-CHAMPAIGN
================================
SESSION III > APRIL 7-9, 2005
SEE THE SYMPOSIUM WEBSITE FOR A DETAILED SCHEDULE
================================
Symposium Website >
http://www.walkinginplace.org/
Session III Details (April 7-9) >
http://www.walkinginplace.org/converge/session03.htm
Session IV Details (April 28-30) >
http://www.walkinginplace.org/converge/session04.htm
================================
THURSDAY / APRIL 7
5-6pm > PRESENTATION > Chellis Glendinning @ Meet at the Krannert Center
for the Performing Arts / Outdoor Pavilion on Goodwin Street (Stock Pavilion
in
event of rain)
6-7pm > DISCUSSION & WALK > KCPA Outdoor Pavilion to Stock Pavilion
7-8pm > PRESENTATION > David Macauley @ Stock Pavilion
"The Values and Virtues of Walking: Finding Footholds for Environmental
Ethics, Aesthetics and Policy"
================================
FRIDAY / APRIL 8
12-1pm > PRESENTATION > M Simon Levin & Laurie Long @ Lincoln Hall #106
1-2pm > DISCUSSION & WALK > Lincoln Hall #106 to Gregory Hall #213
2-3pm > PRESENTATION > Chris Taylor @ Gregory Hall #213
3-4pm > DISCUSSION & WALK > Gregory Hall #213 to Krannert Art Museum
#62
4-5pm > PRESENTATION > Andrea Phillips @ Krannert Art Museum #62
9-10pm > NIGHT WALK @ Allerton Park (Monticello) > Meet at Visitor Center
(North Entrance) > See website for directions
================================
SATURDAY / APRIL 9
10am-1pm > WALK (~4 miles) / Heartland Pathway (White Heath) > See website
for directions
2-4pm > DISCUSSION @ Allerton Park > Meet at Visitor Center (North Entrance)
> See website for directions
================================
PARTICIPANT BIOGRAPHIES
================================
CHELLIS GLENDINNING (PhD)
Glendinning is a psychologist and award-winning author whose works include
the acclaimed "My Name is Chellis and I'm in Recovery from Western
Civilization", "Off the Map: An Expedition Deep into Imperialism, the Global
Economy", and "When Technology Wounds", nominated for the Pulitzer Prize. A
pioneer in the field of ecopsychology, her specialty is the ecological and
human
costs of technological progress. She lives in rural New Mexico where she
works
with Chicano and Native people for environmental justice and cultural
preservation.
http://www.schumachersociety.org/lec-che.html
http://www.newsociety.com/bookid/3860
================================
M. SIMON LEVIN & LAURIE LONG
M. Simon Levin has been creating site-specific projects that explore
relational
aesthetics using a variety of custom designed tools for the past 15 years.
These
projects investigate the often-blurred boundaries between the private and
the
public resulting in poetic interventions into space and place. As an
independent
filmmaker Laurie Long has spent the past decade working in a broad variety
of
roles in productions ranging from guerilla style performance poetry videos
and
independent documentaries, to extreme sports television. Her work has been
broadcast extensively in Canada, screened theatrically and exhibited
internationally.
Working as artists-in-residence at the International Art Space
(Kellerberrin,
Australia), Long & Levin recently collaborated on the Centre for SALT
Expression
- a site-specific multimedia production exploring relational aesthetics in a
remote Australian farming community stricken with land salinity. The Centre
for
S.A.L.T Expression is an exploration of an Australian wheatbelt community's
relationship to their over farmed and hyper-salinated land. This fictional
organization intervenes into a small country town (pop. 800) to reframe
people's
daily lives as mark-making creative acts. Presented within the context of
land
care issues this project brought real social agency to the shire of
Kelleberrin,
developing and delivering educational curriculum for school kids and
supporting
a project which included social services for the aboriginal community. In
addition, focus groups were facilitated to re-vision the town's future
identity.
http://katearmstrong.com/preamble/levin.html
http://www.iaska.com.au/pages/residency/levin_long.htm
================================
DAVID MACAULEY (PhD)
I studied political theory, normative and applied ethics, and the
FW: Alter Ego at The Kitchen on April 19
--B_3195293679_21888014
Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable
------ Forwarded Message
From: <Henriette_Huldisch@whitney.org>
Date: Fri, 1 Apr 2005 17:58:15 -0500
To: <Henriette_Huldisch@whitney.org>
Cc: <hhuldisch@earthlink.net>
Subject: Alter Ego at The Kitchen on April 19
Alter Ego
April 19th (Tue) 7pm $5
This evening of film and video explores how artists employ fictional
identities to interface with the world in ways that might otherwise be
prohibited, or considered inappropriate or absurd. The program features work
by both established and emerging artists who deploy alternate personas for
diverse purposes, from political action to the fulfillment of intimate
fantasy. The program includes early explorations of public performance by
artists such as Adrian Piper, and work by contemporary interventionists such
as The Yes Men and Tara Mateik / Society for Biological Insurgents. Other
artists include Wynne Greenwood, Charles Atlas, and Paper Rad.
Curated by Lauren Cornell and Henriette Huldisch
The Kitchen
512 West 19th Street between 10th and 11th Avenues
New York, NY 10011
To purchase tickets, please call the Box Office: 212-255-5793, ext. 11, or
go online to www.ticketweb. The Kitchen's Box Office Hours are Tuesday -
Saturday from 2-6pm.
Works include:
Mrs. Peanut Visits New York, Charles Atlas, 6:05 mins., 1999
This is a short portrait of legendary performance artist Leigh Bowery
strolling through the Meatpacking district while costumed in his own version
of the famous Planter's Peanut. Bowery's flamboyant strut coupled with the
beige bodysuit, floral dress and top hat he wears encourage onlookers to
stare and whisper, a situation skillfully captured by Atlas.
Multiple Barbie, Joe Gibbons, 9 mins., 1999
Addressing Barbie
Content-type: text/plain; charset="ISO-8859-1"
Content-transfer-encoding: quoted-printable
------ Forwarded Message
From: <Henriette_Huldisch@whitney.org>
Date: Fri, 1 Apr 2005 17:58:15 -0500
To: <Henriette_Huldisch@whitney.org>
Cc: <hhuldisch@earthlink.net>
Subject: Alter Ego at The Kitchen on April 19
Alter Ego
April 19th (Tue) 7pm $5
This evening of film and video explores how artists employ fictional
identities to interface with the world in ways that might otherwise be
prohibited, or considered inappropriate or absurd. The program features work
by both established and emerging artists who deploy alternate personas for
diverse purposes, from political action to the fulfillment of intimate
fantasy. The program includes early explorations of public performance by
artists such as Adrian Piper, and work by contemporary interventionists such
as The Yes Men and Tara Mateik / Society for Biological Insurgents. Other
artists include Wynne Greenwood, Charles Atlas, and Paper Rad.
Curated by Lauren Cornell and Henriette Huldisch
The Kitchen
512 West 19th Street between 10th and 11th Avenues
New York, NY 10011
To purchase tickets, please call the Box Office: 212-255-5793, ext. 11, or
go online to www.ticketweb. The Kitchen's Box Office Hours are Tuesday -
Saturday from 2-6pm.
Works include:
Mrs. Peanut Visits New York, Charles Atlas, 6:05 mins., 1999
This is a short portrait of legendary performance artist Leigh Bowery
strolling through the Meatpacking district while costumed in his own version
of the famous Planter's Peanut. Bowery's flamboyant strut coupled with the
beige bodysuit, floral dress and top hat he wears encourage onlookers to
stare and whisper, a situation skillfully captured by Atlas.
Multiple Barbie, Joe Gibbons, 9 mins., 1999
Addressing Barbie
FW: netopticon project- extended deadline- 15.04.05
------ Forwarded Message
From: "no-org.net" <review@no-org.net>
Reply-To: "no-org.net" <review@no-org.net>
Date: Sat, 2 Apr 2005 10:05:48 -0800
To: <kevin@rhizome.org>
Subject: netopticon project- extended deadline- 15.04.05
netopticon project- extended deadline- 15.04.05
netopticon - the current project of no-org.net - is an attempt to create an
artistic and textual report on the topic of infringement of net privacy and
its protection. We are looking forward to net art works and texts dealing
with resistance to manipulatively mediated concept of security, to art
projects devoted to true anonymity of net-surfing and net-correspondence, to
works intentionally feeding systems with falsified data, to any remarks,
suggestions and ideas that would add up to a contemporary report on the
topic.
Although it is not exclusive condition, projects that work on the three
major platforms (Linux, Macintosh and Windows) are preferred.
The deadline for submissions is 15 April 2005
http://no-org.net/opticon/submission.php
<http://no-org.net/opticon/submission.php>
thanks,
lea
------ End of Forwarded Message
From: "no-org.net" <review@no-org.net>
Reply-To: "no-org.net" <review@no-org.net>
Date: Sat, 2 Apr 2005 10:05:48 -0800
To: <kevin@rhizome.org>
Subject: netopticon project- extended deadline- 15.04.05
netopticon project- extended deadline- 15.04.05
netopticon - the current project of no-org.net - is an attempt to create an
artistic and textual report on the topic of infringement of net privacy and
its protection. We are looking forward to net art works and texts dealing
with resistance to manipulatively mediated concept of security, to art
projects devoted to true anonymity of net-surfing and net-correspondence, to
works intentionally feeding systems with falsified data, to any remarks,
suggestions and ideas that would add up to a contemporary report on the
topic.
Although it is not exclusive condition, projects that work on the three
major platforms (Linux, Macintosh and Windows) are preferred.
The deadline for submissions is 15 April 2005
http://no-org.net/opticon/submission.php
<http://no-org.net/opticon/submission.php>
thanks,
lea
------ End of Forwarded Message
FW: Badiou event - Deitch Projects NYC
------ Forwarded Message
From: Ben Davis <benadavis@gmail.com>
Reply-To: Ben Davis <benadavis@gmail.com>
Date: Thu, 31 Mar 2005 00:04:31 -0500
To: Kevin McGarry <kevin@rhizome.org>
Subject: Badiou event
On April 1, Alain Badiou will speak at 7:00 at Deitch Projects in
Manhattan, 18 Wooster Street location. The event is co-sponsored by
Lacanian Ink to mark the release of their current double issue, 24/25,
featuring Badiou's "Manifesto of Affirmationism." One of the most powerful
thinkers to emerge in Continental philosophy in recent years, Badiou's
interests range from the mathematical theory of sets to revolutionary
politics. At Deitch, he will be speaking on "The Subject of Art", and the
talk should be interesting to anyone interested in the intersection of art
and philosophy.
------ End of Forwarded Message
From: Ben Davis <benadavis@gmail.com>
Reply-To: Ben Davis <benadavis@gmail.com>
Date: Thu, 31 Mar 2005 00:04:31 -0500
To: Kevin McGarry <kevin@rhizome.org>
Subject: Badiou event
On April 1, Alain Badiou will speak at 7:00 at Deitch Projects in
Manhattan, 18 Wooster Street location. The event is co-sponsored by
Lacanian Ink to mark the release of their current double issue, 24/25,
featuring Badiou's "Manifesto of Affirmationism." One of the most powerful
thinkers to emerge in Continental philosophy in recent years, Badiou's
interests range from the mathematical theory of sets to revolutionary
politics. At Deitch, he will be speaking on "The Subject of Art", and the
talk should be interesting to anyone interested in the intersection of art
and philosophy.
------ End of Forwarded Message