PORTFOLIO (3)
BIO
asdf
International Summer Workshop at ETC
The Experimental Television Center International Summer Workshop 2006
May 31 - June 11, 2006
The Experimental Television Center International Summer Workshop 2006 is a collaborative video and sonic arts opportunity, sponsored by the Center and the Institute for Electronic Arts (IEA) at Alfred University. Academic credit is available through Alfred University.
The ISW website http://www.etcisw.com has all the information you need to register, plus a look at past Workshops complete with video clips and photos, as well as biographies of the instructors.
FW: WORK Magazine Issue 5 out today!
------ Forwarded Message
From: tony@workmag.net
Date: Thu, 1 Jul 2004 11:20:35 -0400
To: WORK@centerfuse.net, MAGAZINE@centerfuse.net
Subject: WORK Magazine Issue 5 out today!
Hello all,
The fifth issue of WORK Magazine was launched today. Please check it
out -
http://www.workmag.net
"Turn the Heat Up" features some of our most interesting and creative
work yet.
A short animation by Dan Murphy, photos from and abandoned prison by
Roy WIlhelm,
"The Giveaway" public art project by Liz Rywelski, and some wonderful
photographs by
Olivier Vanderaa are just a few of the notable selections in this issue.
Enjoy,
TONY and MELISSA
WORK MAGAZINE
http://www.workmag.net
Confidentiality notice:
This e-mail message, including any attachments, may contain legally
privileged and/or confidential information. If you are not the intended
recipient(s), or the employee or agent responsible for delivery of this
message to the intended recipient(s), you are hereby notified that any
dissemination, distribution, or copying of this e-mail message is
strictly prohibited. If you have received this message in error, please
immediately notify the sender and delete this e-mail message from your
computer.
------ End of Forwarded Message
From: tony@workmag.net
Date: Thu, 1 Jul 2004 11:20:35 -0400
To: WORK@centerfuse.net, MAGAZINE@centerfuse.net
Subject: WORK Magazine Issue 5 out today!
Hello all,
The fifth issue of WORK Magazine was launched today. Please check it
out -
http://www.workmag.net
"Turn the Heat Up" features some of our most interesting and creative
work yet.
A short animation by Dan Murphy, photos from and abandoned prison by
Roy WIlhelm,
"The Giveaway" public art project by Liz Rywelski, and some wonderful
photographs by
Olivier Vanderaa are just a few of the notable selections in this issue.
Enjoy,
TONY and MELISSA
WORK MAGAZINE
http://www.workmag.net
Confidentiality notice:
This e-mail message, including any attachments, may contain legally
privileged and/or confidential information. If you are not the intended
recipient(s), or the employee or agent responsible for delivery of this
message to the intended recipient(s), you are hereby notified that any
dissemination, distribution, or copying of this e-mail message is
strictly prohibited. If you have received this message in error, please
immediately notify the sender and delete this e-mail message from your
computer.
------ End of Forwarded Message
FW: Press Release: Copyright Specialists Suggest Content Flatrate
------ Forwarded Message
From: Presse-Verteiler Wizards of OS <presse@wizards-of-os.org>
Reply-To: Presse-Verteiler Wizards of OS <presse@wizards-of-os.org>
Date: Mon, 21 Jun 2004 14:47:56 +0200
To: artbase@rhizome.org
Subject: Press Release: Copyright Specialists Suggest Content Flatrate
Press Release
[Deutsche Fassung siehe unten]
Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control
Copyright Scholars and Activists Suggest Content Flatrate to Solve
Filesharing
Berlin, 21 June 2004
In a joint statement, international copyright scholars, practitioners and
civil society activists urge the European Commission to consider a novel
approach to compensating authors for the online use of their works. In the
"Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control," [1] they call Digital Rights Management (DRM) technology
and mass-prosecution of filesharers strategies that are not acceptable to an
open and equitable society. They warn in particular against DRM systems that
industries have developed and lawmakers have protected single-mindedly over
the last decade. Not only have DRMs not fulfilled the expectations held of
them, they also cause grave concern for privacy, education, competition,
research and innovation, and new forms of participatory culture.
Instead, the "Berlin Declaration" calls for an indirect compensation that
has been time-tested for private copying since decades. Users would pay a
flatrate for the right to share, and the online collecting society would pay
authors and publishers according to the measured use of their works.
Lawrence Lessig, Professor of Law at Stanford Law School, founder of the
Creative Commons project, and one of the signatories of the "Berlin
Declaration", calls this approach "Compensation without Control."
The Declaration which was drafted at a conference on the Future of the
Digital Commons [2] last week, was today submitted to the European
Commission consultation on collective rights management. [3] The signatories
encourage the Commission in its efforts to make collecting societies more
democratic, transparent and flexible. Says Lessig: "Collective rights
societies aim to benefit their authors. Giving authors a wider range of
freedom in the digital age would enable them to better exploit their work."
The initiative announced that starting in a few days, signatures for the
Declaration will be collected Europe-wide [4] until the draft of the EU
Directive on collective rights management is issued. Dr. Volker Grassmuck,
media researcher at Humboldt University Berlin and one of the initiators of
the Declaration: "The digital revolution holds great potential for culture
and new ways of working together, as free software, wikipedia, and millions
of works licensed under Creative Commons show. Copyright law is the main
form of public regulation of that potential. It should be shaped in the
public interest. The Declaration allows European citizens to tell their
lawmakers that they want change."
Also today, a German civil society coalition issued a statement to the
German government, likewise urging it to re-consider DRM and to pave the way
for a flatrate for the Internet. [5] It also encourages the Berlin lawmakers
in its second round of copyright reform to re-affirm and make enforceable
the digital private copying limitation. Forum Informatikerinnen fur Frieden
und gesellschaftliche Verantwortung e.V.(FIfF), Chaos Computer Club,
Netzwerk Neue Medien, FoeBuD e.V., the Attac WG on Knowledge Commons and
Free Flow of Information, and privatkopie.net are among the digital civil
rights initiatives supporting this statement.
//////////// Deutsche Fassung \\\\\\\
Berliner Erklarung zu kollektiv verwalteten Online-Rechten: Kompensation
ohne Kontrolle
Urheberrechtsgelehrte und -Aktivisten schlagen Content-Flatrate vor, um
Filesharing-Problem zu losen
Berlin, den 21. Juni 2004
In einer gemeinsamen Erklarung fordern Urheberrechtswissenschaftler,
Praktiker und Vertreter der Zivilgesellschaft die Europaische Kommission
auf, einen neuartigen Ansatz zu verfolgen, um Urheber fur die Online-Nutzung
ihrer Werke zu verguten. In der "Berliner Erklarung zu kollektiv verwalteten
Online-Rechten: Kompensation ohne Kontrolle" [1] bezeichnen sie Digital
Rights Management (DRM) Technologie und die massenhafte Strafverfolgung von
Filesharern als Strategien, die in einer offenen und gerechten Gesellschaft
nicht akzeptabel sind. Sie warnen insbesondere vor DRM-Systemen, die im
vergangenen Jahrzehnt als einzige Losung von der Industrie entwickelt und
von den Gesetzgebern geschutzt wurden. Nicht nur haben DRMs die in sie
gesetzten Erwartungen nicht erfullt, sie geben auch Anlass fur
schwerwiegende Bedenken in Bezug auf den Schutz der Privatsphare, Bildung,
Wettbewerb, Forschung und Innovation und neue Formen partizipativer Kultur.
Stattdessen fordert die "Berliner Erklarung" eine indirekte Kompensation,
wie sie sich fur zulassiges privates Kopieren seit Jahrzehnten bewahrt hat.
Nutzer wurden eine Flatrate fur das Recht zum Filesharen bezahlen, und eine
neue Online-Verwertungsgesellschaft wurde Urheber und Verlage entsprechend
der gemessenen Nutzung ihrer Werke verguten. Lawrence Lessig,
Rechtsprofessor an der Stanford Law School, Grunder des Creative Commons
Projekts, und einer der Erstunterzeichner der "Berliner Erklarung",
bezeichnet diese Modell als "Kompensation ohne Kontrolle."
Die Erklarung, die auf einer Konferenz uber die Zukunft der digitalen
Allmende [2] in der vergangenen Woche verfasst worden war, wurde heute in
die Konsultation der Europaischen Kommission zur kollektiven
Rechteverwaltung [3] eingegeben. Die Unterzeichner und Unterzeichnerinnen
bekraftigen die Kommission in ihrem Bemuhen, Verwertungsgesellschaften
demokratischer, transparenter und flexibler zu gestalten. Dazu sagte Lessig:
"Gesellschaften fur die kollektive Rechtewahrnehmung sollen den Urhebern
nutzen. Urhebern im digitalen Zeitalter eine grossere Wahlfreiheit zu geben,
wurde sie besser in die Lage versetzen, ihre Werke zu verwerten."
Die Initiative kundigte an, dass in kurze europaweit Unterschriften fur die
Erklarung gesammelt werden [4], bis der fur Herbst erwartete Entwurf der EU
Richtlinie zur kollektiven Rechteverwaltung vorliegt. Dr. Volker Grassmuck,
Medienforscher an der Humboldt-Universitat zu Berlin und einer der
Initiatoren der Erklarung, sagte dazu: "Die digitale Revolution enthalt ein
grosses Potential fur die Kultur und die Art, wie wir zusammen arbeiten. Die
Freie Software, Wikipedia und Millionen von Werken, die unter Creative
Commons lizenziert sind, zeigen das. Urheberrecht ist die Hauptform der
offentlichen Regulierung dieses Potentials. Sie sollte im offentlichen
Interessen erfolgen. Die Erklarung ermoglicht es europaischen Burgern, ihren
Abgeordneten zu sagen, dass sie einen Wandel wollen."
Ebenfalls heute legte eine Koalition der deutschen Zivilgesellschaft der
Bundesregierung eine Stellungnahme vor, in der sie sie ebenfalls auffordern,
DRM zu uberdenken und den Weg fur eine Flatrate im Internet zu ebenen. [5]
Weiterhin ermutigen sie die Berliner Gesetzgeber, beim Zweiten Korb der
Urheberrechtsreform die digitale Privatkopieschranke zu bestatigen und
durchsetzungsstark zu machen. Das Forum Informatikerinnen fur Frieden und
gesellschaftliche Verantwortung e.V.(FIfF), das Netzwerk Neue Medien, der
Chaos Computer Club, FoeBuD e.V., die Attac AG Wissensallmende und freier
Informationsfluss und privatkopie.net gehoren zu den Initiativen fur
digitale Burgerrechte, die die Stellungnahme unterstutzen.
"Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control"
Zu den Erstunterzeichnern gehoren //// First signatories include:
* Prof. Dr. William Fisher, Professor of Intellectual Property Law, Harvard
University & Director, Berkman Center for Internet and Society, Boston
* Prof. Dr. Wolfgang Sander-Beuermann, Project Lead, Search Engine Lab,
Regional Computing Center for Lower Saxony, University of Hannover
* Prof. Dr. Hans-Jorg Kreowski, University Bremen and Chairman of Forum
InformatikerInnen fur Frieden und gesellschaftliche Verantwortung (FIfF)
* Prof. Dr. Martin Kretschmer, Director (joint), Centre for Intellectual
Property Policy & Management & Professor of Information Jurisprudence,
Institute of Business & Law, Bournemouth University
* Dr. Felix Stalder, Lecturer in Media Economy, Academy of Art and Design,
Zurich & co-founder, Openflows.org, Vienna
* Dr. Mindaugas Kiskis, Dept. of Legal Informatics, Law University of
Lithuania, Vilnius, Lithuania
* Michael Grob, Film Director, CH7 & Technical Software Consultant, Bern
* Andreas Lange, Director Spielemuseum & Digital Game Archive, Berlin
* Judith van Erve, Public Affairs, XS4ALL, Amsterdam
* Veni Markovski, Chairman of the Board, Internet Society Bulgaria (ISOC) &
Bulgarian Country Coordinator for the Global Internet Policy Initiative
(GIPI), Sofia
* Dr. Ian Brown, Director, Foundation for Information Policy Research
(FIPR), London
* Matthias Geiser, Member of the Board, Swiss Internet User Group (SIUG)
* Slobodan Markovic, Centre for Internet Development & Internodium, Belgrade
* Ville Oksanen, Chairman, Electronic Frontier Finland, Helsinki
* Andre Rebentisch, Media Spokesperson, Forum for a Free Information
Infrastructure (FFII), Munich
* Sjoera Nas, Bits of Freedom, Amsterdam
* Markus Beckedahl, Chairman, Netzwerk Neue Medien, Berlin
[1] Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control
http://wizards-of-os.org/index.php?id'1
http://wizards-of-os.org/fileadmin/2004-WOS3/text/BerlinDeclaration-ACS.pdf
http://wizards-of-os.org/fileadmin/2004-WOS3/text/BerlinDeclaration-ACS.rtf
[2] Wizards of OS 3. The Future of the Digital Commons, Berliner Congress
Center, 10-12 June 2004
http://wizards-of-os.org/
[3] European Commission consultation on collective rights management
http://europa.eu.int/comm/internal\_market/copyright/management/management\_en
.htm
[4] Watch http://www.contentflatrate.org/
[5] Kompensation ohne Kontrolle. Stellungnahme zum Zweiten Korb der
Novellierung des Urheberrechtsgesetzes an Bundesjustizministerin Brigitte
Zypries, Berlin, den 21. Juni 2004
http://privatkopie.net/files/Stellungnahme-ACS.pdf
------ End of Forwarded Message
From: Presse-Verteiler Wizards of OS <presse@wizards-of-os.org>
Reply-To: Presse-Verteiler Wizards of OS <presse@wizards-of-os.org>
Date: Mon, 21 Jun 2004 14:47:56 +0200
To: artbase@rhizome.org
Subject: Press Release: Copyright Specialists Suggest Content Flatrate
Press Release
[Deutsche Fassung siehe unten]
Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control
Copyright Scholars and Activists Suggest Content Flatrate to Solve
Filesharing
Berlin, 21 June 2004
In a joint statement, international copyright scholars, practitioners and
civil society activists urge the European Commission to consider a novel
approach to compensating authors for the online use of their works. In the
"Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control," [1] they call Digital Rights Management (DRM) technology
and mass-prosecution of filesharers strategies that are not acceptable to an
open and equitable society. They warn in particular against DRM systems that
industries have developed and lawmakers have protected single-mindedly over
the last decade. Not only have DRMs not fulfilled the expectations held of
them, they also cause grave concern for privacy, education, competition,
research and innovation, and new forms of participatory culture.
Instead, the "Berlin Declaration" calls for an indirect compensation that
has been time-tested for private copying since decades. Users would pay a
flatrate for the right to share, and the online collecting society would pay
authors and publishers according to the measured use of their works.
Lawrence Lessig, Professor of Law at Stanford Law School, founder of the
Creative Commons project, and one of the signatories of the "Berlin
Declaration", calls this approach "Compensation without Control."
The Declaration which was drafted at a conference on the Future of the
Digital Commons [2] last week, was today submitted to the European
Commission consultation on collective rights management. [3] The signatories
encourage the Commission in its efforts to make collecting societies more
democratic, transparent and flexible. Says Lessig: "Collective rights
societies aim to benefit their authors. Giving authors a wider range of
freedom in the digital age would enable them to better exploit their work."
The initiative announced that starting in a few days, signatures for the
Declaration will be collected Europe-wide [4] until the draft of the EU
Directive on collective rights management is issued. Dr. Volker Grassmuck,
media researcher at Humboldt University Berlin and one of the initiators of
the Declaration: "The digital revolution holds great potential for culture
and new ways of working together, as free software, wikipedia, and millions
of works licensed under Creative Commons show. Copyright law is the main
form of public regulation of that potential. It should be shaped in the
public interest. The Declaration allows European citizens to tell their
lawmakers that they want change."
Also today, a German civil society coalition issued a statement to the
German government, likewise urging it to re-consider DRM and to pave the way
for a flatrate for the Internet. [5] It also encourages the Berlin lawmakers
in its second round of copyright reform to re-affirm and make enforceable
the digital private copying limitation. Forum Informatikerinnen fur Frieden
und gesellschaftliche Verantwortung e.V.(FIfF), Chaos Computer Club,
Netzwerk Neue Medien, FoeBuD e.V., the Attac WG on Knowledge Commons and
Free Flow of Information, and privatkopie.net are among the digital civil
rights initiatives supporting this statement.
//////////// Deutsche Fassung \\\\\\\
Berliner Erklarung zu kollektiv verwalteten Online-Rechten: Kompensation
ohne Kontrolle
Urheberrechtsgelehrte und -Aktivisten schlagen Content-Flatrate vor, um
Filesharing-Problem zu losen
Berlin, den 21. Juni 2004
In einer gemeinsamen Erklarung fordern Urheberrechtswissenschaftler,
Praktiker und Vertreter der Zivilgesellschaft die Europaische Kommission
auf, einen neuartigen Ansatz zu verfolgen, um Urheber fur die Online-Nutzung
ihrer Werke zu verguten. In der "Berliner Erklarung zu kollektiv verwalteten
Online-Rechten: Kompensation ohne Kontrolle" [1] bezeichnen sie Digital
Rights Management (DRM) Technologie und die massenhafte Strafverfolgung von
Filesharern als Strategien, die in einer offenen und gerechten Gesellschaft
nicht akzeptabel sind. Sie warnen insbesondere vor DRM-Systemen, die im
vergangenen Jahrzehnt als einzige Losung von der Industrie entwickelt und
von den Gesetzgebern geschutzt wurden. Nicht nur haben DRMs die in sie
gesetzten Erwartungen nicht erfullt, sie geben auch Anlass fur
schwerwiegende Bedenken in Bezug auf den Schutz der Privatsphare, Bildung,
Wettbewerb, Forschung und Innovation und neue Formen partizipativer Kultur.
Stattdessen fordert die "Berliner Erklarung" eine indirekte Kompensation,
wie sie sich fur zulassiges privates Kopieren seit Jahrzehnten bewahrt hat.
Nutzer wurden eine Flatrate fur das Recht zum Filesharen bezahlen, und eine
neue Online-Verwertungsgesellschaft wurde Urheber und Verlage entsprechend
der gemessenen Nutzung ihrer Werke verguten. Lawrence Lessig,
Rechtsprofessor an der Stanford Law School, Grunder des Creative Commons
Projekts, und einer der Erstunterzeichner der "Berliner Erklarung",
bezeichnet diese Modell als "Kompensation ohne Kontrolle."
Die Erklarung, die auf einer Konferenz uber die Zukunft der digitalen
Allmende [2] in der vergangenen Woche verfasst worden war, wurde heute in
die Konsultation der Europaischen Kommission zur kollektiven
Rechteverwaltung [3] eingegeben. Die Unterzeichner und Unterzeichnerinnen
bekraftigen die Kommission in ihrem Bemuhen, Verwertungsgesellschaften
demokratischer, transparenter und flexibler zu gestalten. Dazu sagte Lessig:
"Gesellschaften fur die kollektive Rechtewahrnehmung sollen den Urhebern
nutzen. Urhebern im digitalen Zeitalter eine grossere Wahlfreiheit zu geben,
wurde sie besser in die Lage versetzen, ihre Werke zu verwerten."
Die Initiative kundigte an, dass in kurze europaweit Unterschriften fur die
Erklarung gesammelt werden [4], bis der fur Herbst erwartete Entwurf der EU
Richtlinie zur kollektiven Rechteverwaltung vorliegt. Dr. Volker Grassmuck,
Medienforscher an der Humboldt-Universitat zu Berlin und einer der
Initiatoren der Erklarung, sagte dazu: "Die digitale Revolution enthalt ein
grosses Potential fur die Kultur und die Art, wie wir zusammen arbeiten. Die
Freie Software, Wikipedia und Millionen von Werken, die unter Creative
Commons lizenziert sind, zeigen das. Urheberrecht ist die Hauptform der
offentlichen Regulierung dieses Potentials. Sie sollte im offentlichen
Interessen erfolgen. Die Erklarung ermoglicht es europaischen Burgern, ihren
Abgeordneten zu sagen, dass sie einen Wandel wollen."
Ebenfalls heute legte eine Koalition der deutschen Zivilgesellschaft der
Bundesregierung eine Stellungnahme vor, in der sie sie ebenfalls auffordern,
DRM zu uberdenken und den Weg fur eine Flatrate im Internet zu ebenen. [5]
Weiterhin ermutigen sie die Berliner Gesetzgeber, beim Zweiten Korb der
Urheberrechtsreform die digitale Privatkopieschranke zu bestatigen und
durchsetzungsstark zu machen. Das Forum Informatikerinnen fur Frieden und
gesellschaftliche Verantwortung e.V.(FIfF), das Netzwerk Neue Medien, der
Chaos Computer Club, FoeBuD e.V., die Attac AG Wissensallmende und freier
Informationsfluss und privatkopie.net gehoren zu den Initiativen fur
digitale Burgerrechte, die die Stellungnahme unterstutzen.
"Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control"
Zu den Erstunterzeichnern gehoren //// First signatories include:
* Prof. Dr. William Fisher, Professor of Intellectual Property Law, Harvard
University & Director, Berkman Center for Internet and Society, Boston
* Prof. Dr. Wolfgang Sander-Beuermann, Project Lead, Search Engine Lab,
Regional Computing Center for Lower Saxony, University of Hannover
* Prof. Dr. Hans-Jorg Kreowski, University Bremen and Chairman of Forum
InformatikerInnen fur Frieden und gesellschaftliche Verantwortung (FIfF)
* Prof. Dr. Martin Kretschmer, Director (joint), Centre for Intellectual
Property Policy & Management & Professor of Information Jurisprudence,
Institute of Business & Law, Bournemouth University
* Dr. Felix Stalder, Lecturer in Media Economy, Academy of Art and Design,
Zurich & co-founder, Openflows.org, Vienna
* Dr. Mindaugas Kiskis, Dept. of Legal Informatics, Law University of
Lithuania, Vilnius, Lithuania
* Michael Grob, Film Director, CH7 & Technical Software Consultant, Bern
* Andreas Lange, Director Spielemuseum & Digital Game Archive, Berlin
* Judith van Erve, Public Affairs, XS4ALL, Amsterdam
* Veni Markovski, Chairman of the Board, Internet Society Bulgaria (ISOC) &
Bulgarian Country Coordinator for the Global Internet Policy Initiative
(GIPI), Sofia
* Dr. Ian Brown, Director, Foundation for Information Policy Research
(FIPR), London
* Matthias Geiser, Member of the Board, Swiss Internet User Group (SIUG)
* Slobodan Markovic, Centre for Internet Development & Internodium, Belgrade
* Ville Oksanen, Chairman, Electronic Frontier Finland, Helsinki
* Andre Rebentisch, Media Spokesperson, Forum for a Free Information
Infrastructure (FFII), Munich
* Sjoera Nas, Bits of Freedom, Amsterdam
* Markus Beckedahl, Chairman, Netzwerk Neue Medien, Berlin
[1] Berlin Declaration on Collectively Managed Online Rights: Compensation
without Control
http://wizards-of-os.org/index.php?id'1
http://wizards-of-os.org/fileadmin/2004-WOS3/text/BerlinDeclaration-ACS.pdf
http://wizards-of-os.org/fileadmin/2004-WOS3/text/BerlinDeclaration-ACS.rtf
[2] Wizards of OS 3. The Future of the Digital Commons, Berliner Congress
Center, 10-12 June 2004
http://wizards-of-os.org/
[3] European Commission consultation on collective rights management
http://europa.eu.int/comm/internal\_market/copyright/management/management\_en
.htm
[4] Watch http://www.contentflatrate.org/
[5] Kompensation ohne Kontrolle. Stellungnahme zum Zweiten Korb der
Novellierung des Urheberrechtsgesetzes an Bundesjustizministerin Brigitte
Zypries, Berlin, den 21. Juni 2004
http://privatkopie.net/files/Stellungnahme-ACS.pdf
------ End of Forwarded Message
FW (crumb_)job posting: MANW COORDINATOR POST
From: Sarah Cook <sarah.e.cook@SUNDERLAND.AC.UK>
Date: Fri, 25 Jun 2004 11:02:21 +0100
Subject: job posting: MANW COORDINATOR POST
posted from Kathy Rae Huffman at Cornerhouse
> MANW (Media Arts North West)
> Coordinator
> Fee:
Date: Fri, 25 Jun 2004 11:02:21 +0100
Subject: job posting: MANW COORDINATOR POST
posted from Kathy Rae Huffman at Cornerhouse
> MANW (Media Arts North West)
> Coordinator
> Fee:
FW: exhibition announcement
------ Forwarded Message
From: "White Columns" <gallery@whitecolumns.org>
Date: Fri, 25 Jun 2004 11:43:07 -0400
To: kevin@rhizome.org
Subject: exhibition announcement
White Columns is pleased to announce the opening of
SCORE: Action Drawing
Curated by Marisa S. Olson
A presentation of drawings that are related to performance. Here 'drawing
From: "White Columns" <gallery@whitecolumns.org>
Date: Fri, 25 Jun 2004 11:43:07 -0400
To: kevin@rhizome.org
Subject: exhibition announcement
White Columns is pleased to announce the opening of
SCORE: Action Drawing
Curated by Marisa S. Olson
A presentation of drawings that are related to performance. Here 'drawing
FW: Oslo National College of Arts - Professors in Fine Art 1) MA studies 2) photo/film/video
------ Forwarded Message
From: calls@theredproject.com
Date: Wed, 23 Jun 2004 20:28:58 -0700 (PDT)
To: kevin@rhizome.org
Subject: calls x 48 + real estate
The Oslo National College of the Arts
The National Academy of Fine Art
The Oslo National College of the Arts was established in 1996. The College
is comprised of the previous the National College of Art and Design, the
National Academy of Fine Arts, the National Academy of Dramatic Art, the
National College of Operatic Art and the National College of Ballet and
Dance, all of which now function as departments within the college.
The National Academy of Fine Art, established in 1909, provides the
highest education within Fine Art in Norway and has an international
network and a developing dynamic milieu. The academy is, as a part of Oslo
National College of the Arts, in organisational development.. The academy
has 105 students and 22 staff, of whom 14 are teaching staff.
Professor in Fine Art, specialization MA studies
The Bachelor of Fine Art degree at The National Academy of Fine Art is a
three-year integrated professional education for training artists. An MA
course is currently being developed at the academy and there is a vacant
position as Professor to lead the course of MA studies starting January or
August 2005, for a term of six years with the possibility for applying for
an extension period of another six years.
The Professor will lead the development and be involved in the teaching of
the MA course. It is expected that the professor
From: calls@theredproject.com
Date: Wed, 23 Jun 2004 20:28:58 -0700 (PDT)
To: kevin@rhizome.org
Subject: calls x 48 + real estate
The Oslo National College of the Arts
The National Academy of Fine Art
The Oslo National College of the Arts was established in 1996. The College
is comprised of the previous the National College of Art and Design, the
National Academy of Fine Arts, the National Academy of Dramatic Art, the
National College of Operatic Art and the National College of Ballet and
Dance, all of which now function as departments within the college.
The National Academy of Fine Art, established in 1909, provides the
highest education within Fine Art in Norway and has an international
network and a developing dynamic milieu. The academy is, as a part of Oslo
National College of the Arts, in organisational development.. The academy
has 105 students and 22 staff, of whom 14 are teaching staff.
Professor in Fine Art, specialization MA studies
The Bachelor of Fine Art degree at The National Academy of Fine Art is a
three-year integrated professional education for training artists. An MA
course is currently being developed at the academy and there is a vacant
position as Professor to lead the course of MA studies starting January or
August 2005, for a term of six years with the possibility for applying for
an extension period of another six years.
The Professor will lead the development and be involved in the teaching of
the MA course. It is expected that the professor