ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
get your agitprop on...
Feeling down on the impending war in Iraq?
Tired of being held hostage by your government?
Is the growing need to agitate gnawing at your insides?
While you pause to consider your repressed subversive tendencies,
print out these four Quick 'n Easy posters with one click of a mouse.
Save 'em, trade 'em, or go out in the dead of night and paper the subway,
the grocery store, the post office...
Or just forward them by email.
http://www.firstpulseprojects.net/agitprop/agitprop.html
Note:
These posters are fashioned after PSYOPs leaflets that were dropped over
Kosovo and Serbia by NATO, courtesy the US Department of Defense in Spring
1999. To see the original leaflets click here:
http://www.fas.org/man/dod-101/ops/docs99/990507-leaflets.htm
Tired of being held hostage by your government?
Is the growing need to agitate gnawing at your insides?
While you pause to consider your repressed subversive tendencies,
print out these four Quick 'n Easy posters with one click of a mouse.
Save 'em, trade 'em, or go out in the dead of night and paper the subway,
the grocery store, the post office...
Or just forward them by email.
http://www.firstpulseprojects.net/agitprop/agitprop.html
Note:
These posters are fashioned after PSYOPs leaflets that were dropped over
Kosovo and Serbia by NATO, courtesy the US Department of Defense in Spring
1999. To see the original leaflets click here:
http://www.fas.org/man/dod-101/ops/docs99/990507-leaflets.htm
Re: Day Job?
gee whiz, mark, are we all but pawns in your ruthless climb to stah-dom?
;)
"I have come increasingly to see Rhizome.org as a social sculpture and the work I do there as art work."
--Mark Tribe
Day Jobs
Online Exhibition:
http://www.newlangtonarts.org/view_event.php?category=Network&archive=&&eventId5
[...]
Mark Tribe
Projects
Day: Rhizome.org http://www.rhizome.org
Night: Rhizome.org http://www.rhizome.org
Mark Tribe's art work featured in this exhibition can be seen as performance as much as media art. Rhizome.org is an online community that Mark describes as "social sculpture" in the tradition of Bueys. [sic!] Here, product is not as important as process, though it would be a disservice to abstract Rhizome.org to the level of a conceptual art prank when, in fact, it has had a very real effect on the social lives of many new media artists and offers many practical services. This close-knit integration of a conceptual social work combined, inextricably, with practical real-world services is exemplary of how new media artists are sometimes able to play and work in the same media. Since media is the built environment that we now live in full-time (as opposed to a weekend leisure destination), artists find it possible to move into the "main house" -- sometimes without anyone noticing them sneak in.
-- Richard Rinehart
[...] etc.
;)
"I have come increasingly to see Rhizome.org as a social sculpture and the work I do there as art work."
--Mark Tribe
Day Jobs
Online Exhibition:
http://www.newlangtonarts.org/view_event.php?category=Network&archive=&&eventId5
[...]
Mark Tribe
Projects
Day: Rhizome.org http://www.rhizome.org
Night: Rhizome.org http://www.rhizome.org
Mark Tribe's art work featured in this exhibition can be seen as performance as much as media art. Rhizome.org is an online community that Mark describes as "social sculpture" in the tradition of Bueys. [sic!] Here, product is not as important as process, though it would be a disservice to abstract Rhizome.org to the level of a conceptual art prank when, in fact, it has had a very real effect on the social lives of many new media artists and offers many practical services. This close-knit integration of a conceptual social work combined, inextricably, with practical real-world services is exemplary of how new media artists are sometimes able to play and work in the same media. Since media is the built environment that we now live in full-time (as opposed to a weekend leisure destination), artists find it possible to move into the "main house" -- sometimes without anyone noticing them sneak in.
-- Richard Rinehart
[...] etc.
Automotive: 2night, [Wed., Sept. 18] at Remote Lounge
Is it just me, or is it disturbing that I find a collection of music intentionally created for car ads enjoyable? Ben Neill's latest disc, Automotive, was made specifically for Volkswagen commercials, and it's not half bad. More disturbing is Neill's upcoming performance
Re: problems on Rhizome Raw
Good idea, I thought Rare functioned well before; I'm sure there's a need for it still, other than to allow Raw to keep on as a necessary mosh pit...
best
J
best
J
NEWSgrist: Postcards from the Edge: Artists Wanted (Supplement to Vol. 3, no. 14)
Deadline:
Sat Sep 14, 2002 01:00
NEWSgrist: Postcards from the Edge: Artists Wanted
(Supplement to Vol. 3, no. 14)
============================
============================
NEWSgrist
where spin is art
http://newsgrist.net
{bi-weekly news digest}
============================
Supplement to:
Vol. 3, no. 14 (Sept. 16, 2002)
http://www.newsgrist.net/newsgrist3-14.html
============================
============================
CONTENTS:
*Postcards from the Edge* Artists Wanted
============================
============================
*Postcards from the Edge*
Artists Wanted
Visual AIDS invites artists to participate in our fifth annual
Postcards from the Edge benefit. We are looking for artists to
create and donate a 4" x 6" work on paper for the exhibition
and sale. Painting, drawing, photography, printmaking and
mixed media are welcomed. The exhibit will be held at Sperone
Westwater Gallery. The one-day event will be Monday, October 28,
2002.
Postcards from the Edge is a show and sale of original,
postcard-sized works on paper by established and emerging artists.
All artworks will be priced at $50 and sold on a first-come,
first-served basis. The works are signed on the back and exhibited
so that the artists' signatures cannot be seen. While the buyers
have a list of participating artists, they don't know who created
which piece. A collector might end up with a work by a famous
artist or someone they don't know yet. Either way, they walk away
with a great piece of art while supporting Visual AIDS important
work. All the proceeds support the programs of Visual AIDS.
Visual AIDS effects change in the fight against HIV/AIDS through
exhibitions, events, and publications. The Visual AIDS' Archive
Project supports artists with HIV/AIDS with services including
free photo-documentation of artwork, a slide registry, material
grants, exhibition opportunities, career training, advice and
advocacy. For more information, please visit our web site:
http://www.visualAIDS.org
If you are interested in participating please send SASE to Visual
AIDS. We will send you a Postcards from the Edge package,
including submission forms and a blank postcard from Canson-
Talens, Inc.
Visual AIDS
526 West 26th Street #510
New York, NY 10001
Deadline: Friday, October 4, 2002.
One entry per artist. Visual AIDS will send you an invitation to
the event and follow-up with you afterwards. Any work that is not
sold will be returned upon request. For more information visit:
http://thebody.com/visualaids/current/postcards2002.html
Artists that have participated in the past include: Vito Acconci,
Ricci Albenda, Carl Andre, Polly Apfelbaum, Ida Applebroog, Aziz +
Cucher, Donald Baechler, John Baldessari, Lynda Benglis, Ross
Bleckner, Chakaia Booker, A.A. Bronson, Aaron Cobbett, Renee Cox,
John Dugdale, Jeanne Dunning, Marcel Dzama, Nicole Eisenman, Joy
Episalla, Neil Farber, Tony Feher, Robert Flynt, Tom Friedman,
Joy Garnett, Milton Glaser, Robert Gober, Leon Golub, Gregory
Green, Harmony Hammond, Geoffrey Hendricks, Arturo Herrera, Jim
Hodges, Frank Holliday, Alfredo Jaar, Bill Jacobson, Joan Jonas,
Roberto Juarez, Nina Katchadourian, Barbara Kruger, Louise Lawler,
Charles LeDray, Zoe Leonard, Les Levine, Ann Messner, Marilyn
Minter, Carrie Moyer, Elizabeth Murray, Stefanie Nagorka, Chuck
Nanny, David Nelson, Yoko Ono, Tom Otterness, Shelia Pepe, Jack
Pierson, Carl Pope, William Pope L., Richard Prince, Ernesto
Pujol, Tim Rollins, Ruth Root, Betye Saar, Mark Sheinkman, Amy
Sillman, Tom Slaughter, Kiki Smith, Nancy Spero, Chryssanne
Stathacos, Philip Taaffe, Austin Thomas, John Waters, William
Wegman, Lawrence Weiner, Tom Wesselmann, Thomas Woodruff, Carrie
Yamaoka and many more!
For more information contact: 212.627.9855
or
visAIDS@earthlink.net
Thanks for your support!
Amy Sadao, Executive Director
Nelson Santos, Assistant Director
============================
NEWSgrist - where spin is art
http://newsgrist.net
free e-subscriptions:
subscribe@newsgrist.com
unsubscribe@newsgrist.com
++++++++++++++++++++++++++++++
(Supplement to Vol. 3, no. 14)
============================
============================
NEWSgrist
where spin is art
http://newsgrist.net
{bi-weekly news digest}
============================
Supplement to:
Vol. 3, no. 14 (Sept. 16, 2002)
http://www.newsgrist.net/newsgrist3-14.html
============================
============================
CONTENTS:
*Postcards from the Edge* Artists Wanted
============================
============================
*Postcards from the Edge*
Artists Wanted
Visual AIDS invites artists to participate in our fifth annual
Postcards from the Edge benefit. We are looking for artists to
create and donate a 4" x 6" work on paper for the exhibition
and sale. Painting, drawing, photography, printmaking and
mixed media are welcomed. The exhibit will be held at Sperone
Westwater Gallery. The one-day event will be Monday, October 28,
2002.
Postcards from the Edge is a show and sale of original,
postcard-sized works on paper by established and emerging artists.
All artworks will be priced at $50 and sold on a first-come,
first-served basis. The works are signed on the back and exhibited
so that the artists' signatures cannot be seen. While the buyers
have a list of participating artists, they don't know who created
which piece. A collector might end up with a work by a famous
artist or someone they don't know yet. Either way, they walk away
with a great piece of art while supporting Visual AIDS important
work. All the proceeds support the programs of Visual AIDS.
Visual AIDS effects change in the fight against HIV/AIDS through
exhibitions, events, and publications. The Visual AIDS' Archive
Project supports artists with HIV/AIDS with services including
free photo-documentation of artwork, a slide registry, material
grants, exhibition opportunities, career training, advice and
advocacy. For more information, please visit our web site:
http://www.visualAIDS.org
If you are interested in participating please send SASE to Visual
AIDS. We will send you a Postcards from the Edge package,
including submission forms and a blank postcard from Canson-
Talens, Inc.
Visual AIDS
526 West 26th Street #510
New York, NY 10001
Deadline: Friday, October 4, 2002.
One entry per artist. Visual AIDS will send you an invitation to
the event and follow-up with you afterwards. Any work that is not
sold will be returned upon request. For more information visit:
http://thebody.com/visualaids/current/postcards2002.html
Artists that have participated in the past include: Vito Acconci,
Ricci Albenda, Carl Andre, Polly Apfelbaum, Ida Applebroog, Aziz +
Cucher, Donald Baechler, John Baldessari, Lynda Benglis, Ross
Bleckner, Chakaia Booker, A.A. Bronson, Aaron Cobbett, Renee Cox,
John Dugdale, Jeanne Dunning, Marcel Dzama, Nicole Eisenman, Joy
Episalla, Neil Farber, Tony Feher, Robert Flynt, Tom Friedman,
Joy Garnett, Milton Glaser, Robert Gober, Leon Golub, Gregory
Green, Harmony Hammond, Geoffrey Hendricks, Arturo Herrera, Jim
Hodges, Frank Holliday, Alfredo Jaar, Bill Jacobson, Joan Jonas,
Roberto Juarez, Nina Katchadourian, Barbara Kruger, Louise Lawler,
Charles LeDray, Zoe Leonard, Les Levine, Ann Messner, Marilyn
Minter, Carrie Moyer, Elizabeth Murray, Stefanie Nagorka, Chuck
Nanny, David Nelson, Yoko Ono, Tom Otterness, Shelia Pepe, Jack
Pierson, Carl Pope, William Pope L., Richard Prince, Ernesto
Pujol, Tim Rollins, Ruth Root, Betye Saar, Mark Sheinkman, Amy
Sillman, Tom Slaughter, Kiki Smith, Nancy Spero, Chryssanne
Stathacos, Philip Taaffe, Austin Thomas, John Waters, William
Wegman, Lawrence Weiner, Tom Wesselmann, Thomas Woodruff, Carrie
Yamaoka and many more!
For more information contact: 212.627.9855
or
visAIDS@earthlink.net
Thanks for your support!
Amy Sadao, Executive Director
Nelson Santos, Assistant Director
============================
NEWSgrist - where spin is art
http://newsgrist.net
free e-subscriptions:
subscribe@newsgrist.com
unsubscribe@newsgrist.com
++++++++++++++++++++++++++++++