ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Regarding Clementine
Regarding Clementine"
artist links: http://www.slower.net/clementine.php
images: http://www.slower.net/
Clementine Gallery announces the opening of a group exhibition curated by
Choire Sicha entitled Regarding Clementine which will feature new work by
* Nina Katchadourian
* Jennifer Dalton
* Eric Heist
* Jonathan Ames
* Patrick Bucklew
* Chuck Nanney
* Type A
* Cindy Workman
* Joy Garnett
* Eliot Shepard
* Courtney Tramposh
* Greg Allen
* Fort Necessity
Clementine Gallery is located at 526 West 26 Street, Suite 211, New York.
Regarding Clementine will run from January 6 - February 5, 2005, and will
be on view during regular gallery hours, Tuesday - Saturday, 11 - 6 pm and
by appointment. A closing reception for the public will be held on Friday,
February 4, 6-8 pm.
Regarding Clementine will take a microcosm Clementine itself and exploit
it for a discussion of the discomforts and joys of the art industry, the
life of artists, the practices of curation and creation, and the
ugly-pretty evolution of West Chelsea itself. Art galleries are an
intensely private place of public use; they are stores, salons, and, at
their best, a home of idealism in a ruthless and sometimes cynical
marketplace. Each of the 12 artists or collectives in the show will create
new work for (or during) the exhibition. Their work has to do, ultimately,
with how art objects get made and priced and bought and viewed and curated
and reviewed and, of course, gossiped about. Performances will occur
irregularly, and work will be made in the gallery and during the course of
the show. A performance schedule will be available at the gallery as it
develops.
Nina Katchadourian, Jennifer Dalton, and Eric Heist are something like
systems analysts within the art world. For her project at Clementine,
Dalton will be digging deep in the financial lives of Clementines artists;
Katchadourian likes her jokes both linguistic and anthropomorphic. Shes
working up something musical and special that addresses quality of life
for artists. A novelist and comic performer, Jonathan Ames will be joined
in an irregular live performance as a work of art most probably on
Saturdays -- by Patrick Bucklew, better known by the moniker The Mangina.
Chuck Nanney will work live in audio and light at Clementine, churning up
ideas of pop culture consumption -- and quite possibly playing the
theremin. Type A the two-man collective of Adam Ames and Andrew Bordwin--
perform masculine competitive and cooperative experiments and projects.
Theyll be working on a big new piece for the show which takes on the
predatory nature of collecting and art viewing. Cindy Workman utilizes
collage to sly effect. Shell be working part-time at Clementine,
soliciting pictures of gallery attendees. Joy Garnett will quote Ruscha to
debut a gorgeous series of new paintings, New Yorks Chelsea Art District
on Fire. Eliot Shepard will be lurking about documenting, then printing
photographs of, life in and around the gallery. Courtney Tramposh is a
young art student who makes quirky paper constructions and incredibly
skilled drawings. Greg Allen is a filmmaker, journalist, and collector;
this is his first appearance as an artist in a commercial gallery. Fort
Necessity an irregular and lovely poetry publication by Lily Mazzarella,
Cynthia Nelson, Maggie Nelson, and Jennie Portnof -- will curate, with a
little audience help, the fifth edition of the journal at the exhibition.
Curator Choire Sicha works as the editorial director of Gawker Media. He
writes the weekly Arts & Leisure Guide for the New York Times, and his
writing regularly appears in that paper, the Los Angeles Times, the New
York Observer, and elsewhere.
Contact the gallery at 212-243-5937 or at clemgal@clementine-gallery.com
for further information.
artist links: http://www.slower.net/clementine.php
images: http://www.slower.net/
Clementine Gallery announces the opening of a group exhibition curated by
Choire Sicha entitled Regarding Clementine which will feature new work by
* Nina Katchadourian
* Jennifer Dalton
* Eric Heist
* Jonathan Ames
* Patrick Bucklew
* Chuck Nanney
* Type A
* Cindy Workman
* Joy Garnett
* Eliot Shepard
* Courtney Tramposh
* Greg Allen
* Fort Necessity
Clementine Gallery is located at 526 West 26 Street, Suite 211, New York.
Regarding Clementine will run from January 6 - February 5, 2005, and will
be on view during regular gallery hours, Tuesday - Saturday, 11 - 6 pm and
by appointment. A closing reception for the public will be held on Friday,
February 4, 6-8 pm.
Regarding Clementine will take a microcosm Clementine itself and exploit
it for a discussion of the discomforts and joys of the art industry, the
life of artists, the practices of curation and creation, and the
ugly-pretty evolution of West Chelsea itself. Art galleries are an
intensely private place of public use; they are stores, salons, and, at
their best, a home of idealism in a ruthless and sometimes cynical
marketplace. Each of the 12 artists or collectives in the show will create
new work for (or during) the exhibition. Their work has to do, ultimately,
with how art objects get made and priced and bought and viewed and curated
and reviewed and, of course, gossiped about. Performances will occur
irregularly, and work will be made in the gallery and during the course of
the show. A performance schedule will be available at the gallery as it
develops.
Nina Katchadourian, Jennifer Dalton, and Eric Heist are something like
systems analysts within the art world. For her project at Clementine,
Dalton will be digging deep in the financial lives of Clementines artists;
Katchadourian likes her jokes both linguistic and anthropomorphic. Shes
working up something musical and special that addresses quality of life
for artists. A novelist and comic performer, Jonathan Ames will be joined
in an irregular live performance as a work of art most probably on
Saturdays -- by Patrick Bucklew, better known by the moniker The Mangina.
Chuck Nanney will work live in audio and light at Clementine, churning up
ideas of pop culture consumption -- and quite possibly playing the
theremin. Type A the two-man collective of Adam Ames and Andrew Bordwin--
perform masculine competitive and cooperative experiments and projects.
Theyll be working on a big new piece for the show which takes on the
predatory nature of collecting and art viewing. Cindy Workman utilizes
collage to sly effect. Shell be working part-time at Clementine,
soliciting pictures of gallery attendees. Joy Garnett will quote Ruscha to
debut a gorgeous series of new paintings, New Yorks Chelsea Art District
on Fire. Eliot Shepard will be lurking about documenting, then printing
photographs of, life in and around the gallery. Courtney Tramposh is a
young art student who makes quirky paper constructions and incredibly
skilled drawings. Greg Allen is a filmmaker, journalist, and collector;
this is his first appearance as an artist in a commercial gallery. Fort
Necessity an irregular and lovely poetry publication by Lily Mazzarella,
Cynthia Nelson, Maggie Nelson, and Jennie Portnof -- will curate, with a
little audience help, the fifth edition of the journal at the exhibition.
Curator Choire Sicha works as the editorial director of Gawker Media. He
writes the weekly Arts & Leisure Guide for the New York Times, and his
writing regularly appears in that paper, the Los Angeles Times, the New
York Observer, and elsewhere.
Contact the gallery at 212-243-5937 or at clemgal@clementine-gallery.com
for further information.
bloggers without borders
check it out:
http://www.b19s.org/
"Bloggers Without Borders was meant to be a free space for web users from
all nations to blog about world events without fear of recrimination on
their own soil. But it quickly became a node for funneling online
donations to help survivors of the catastrophic South Asian tsunamis.
http://www.b19s.org/
"Bloggers Without Borders was meant to be a free space for web users from
all nations to blog about world events without fear of recrimination on
their own soil. But it quickly became a node for funneling online
donations to help survivors of the catastrophic South Asian tsunamis.
404 FESTIVAL >>> HAPPY NEW YEAR! + NEWS! (fwd)
Pics from the 404 festival in argentina -- I love the organizers' poetic
tag:
"communication has turned into artwork. the beheld is calling upon us.
reproducibiltiy is.
what we transform into data beomes a new languaje. [sic!]
thought is the quintessential file. selection and oblivion."
image:
http://www.404festival.com.ar/promo/tapa_compilado.jpg
---------- Forwarded message ---------
From: 404 Festival <404@astasromas.com>
Date: Wed, 29 Dec 2004 22:44:35 -0300
Subject: 404 FESTIVAL >>> HAPPY NEW YEAR! + NEWS!
Hola a todos! 404 les obsequia una parte de las imagenes del Festival que=
pueden visitar en www.404festival.com.ar
En pocos dias les enviaremos a todos el listado de los e-mails de todos l=
os autores seleccionados por el Festival y las instrucciones para comenzar =
a subir (y bajar) toda la documentacion (fotos, videos, etc) via FTP, par=
a que todos los autores podamos compartir esa info y mantenernos en contact=
o!
Feliz ano nuevo!!!!
Les desean Gina y Mariano.
Hello everybody! Now you can see on www.404festival.com.ar some pictures of=
the Festival!
In a few days we'll send you the e-mails of selected authors and instructio=
ns to upload (and download) all the images and videos of the Festival, so w=
e can share that info and keep in contact!
Happy New Year!
>From Gina & Mariano
---------------------------------------------------------------------------=
-----
Gina Valenti & Mariano Guzman 155-213233 / 4122824
404 festival | www.404festival.com.ar
astas romas | www.astasromas.com
tag:
"communication has turned into artwork. the beheld is calling upon us.
reproducibiltiy is.
what we transform into data beomes a new languaje. [sic!]
thought is the quintessential file. selection and oblivion."
image:
http://www.404festival.com.ar/promo/tapa_compilado.jpg
---------- Forwarded message ---------
From: 404 Festival <404@astasromas.com>
Date: Wed, 29 Dec 2004 22:44:35 -0300
Subject: 404 FESTIVAL >>> HAPPY NEW YEAR! + NEWS!
Hola a todos! 404 les obsequia una parte de las imagenes del Festival que=
pueden visitar en www.404festival.com.ar
En pocos dias les enviaremos a todos el listado de los e-mails de todos l=
os autores seleccionados por el Festival y las instrucciones para comenzar =
a subir (y bajar) toda la documentacion (fotos, videos, etc) via FTP, par=
a que todos los autores podamos compartir esa info y mantenernos en contact=
o!
Feliz ano nuevo!!!!
Les desean Gina y Mariano.
Hello everybody! Now you can see on www.404festival.com.ar some pictures of=
the Festival!
In a few days we'll send you the e-mails of selected authors and instructio=
ns to upload (and download) all the images and videos of the Festival, so w=
e can share that info and keep in contact!
Happy New Year!
>From Gina & Mariano
---------------------------------------------------------------------------=
-----
Gina Valenti & Mariano Guzman 155-213233 / 4122824
404 festival | www.404festival.com.ar
astas romas | www.astasromas.com
Support Creative Commons
...and from the horse's mouth:
---------- Forwarded message ----------
Date: Fri, 24 Dec 2004 10:00:21 -0800
From: Creative Commons <info@creativecommons.org>
To: cc-info@lists.ibiblio.org
Subject: [cc-info] Support Creative Commons
Friends of Creative Commons,
As 2004 draws to a close, Creative Commons is strong. In the past two
years since Creative Commons licenses have been available, we've taken
our first large first steps with you--building some of the essential
tools, adding critical pieces of infrastructure and assembling a vibrant
community.
In 2004, Glenn, Larry, and the legal team made huge improvements and
released version 2.0 of the main Creative Commons licenses. These new
versions added many needed features while at the same time they reduced
the complexity of the licenses for our users. Christine, Roland and all
of the iCommons volunteers worldwide took that work, and have ported
Creative Commons licenses to 12 countries. We expect to add another
dozen countries early next year, and we're in conversation with more
than 70.
We've found more than 5,000,000 pages with content and links back to our
licenses. But the commons is about more than simply putting the work out
there. So, Mike, Neeru, Matt, and Nutch.org have collaborated to develop
and debut a metadata search engine that makes it easy to find content
marked with Creative Commons licenses. As if that were not enough, that
search functionality now ships with the amazing Firefox browser from
mozilla.org.
Neeru and the tech team have also worked with other software developers
to make it easy to integrate Creative Commons licenses. The list is
long, and includes Flickr, Moveable Type, Squarespace, Manila,
Archive.org, WinkSite, plus DMusic, Soundclick, Garageband.com, and
others I'm sure I've forgotten.
We're nearer to making worry-free sampling and re-creativity mainstream.
What better place to start than the cover of WIRED magazine? The WIRED
CD contains sixteen sampling-friendly tunes -- and includes the Beastie
Boys, David Byrne, Gilberto Gil, Chuck D and more.
In 2005 we will continue to build our worldwide community of
contributors to free culture. We will continue to enable more images,
music, films and text, and we'll start to work on the Science Commons.
We'll have much more to tell you about it at the start of the year.
ou can help make Creative Commons and "some rights reserved" household
phrases. Visit http://creativecommons.org/support/ and you'll find out
how you can make your contribution via PayPal, Amazon's Honor System, or
by sending a check to Creative Commons at 543 Howard Street, 5th Floor,
San Francisco, CA 94105.
Thank you for your support. It's not the commons without you.
Mark Resch, CEO
Creative Commons
Creative Commons a not-for-profit 501(c)(3) organization. Contributions
are tax-deductible in the U.S. to the extent allowed by law.
p.s. You can also find this note at
http://creativecommons.org/weblog/entry/5179 -- spread the word.
_______________________________________________
cc-info mailing list
cc-info@lists.ibiblio.org
http://lists.ibiblio.org/mailman/listinfo/cc-info
---------- Forwarded message ----------
Date: Fri, 24 Dec 2004 10:00:21 -0800
From: Creative Commons <info@creativecommons.org>
To: cc-info@lists.ibiblio.org
Subject: [cc-info] Support Creative Commons
Friends of Creative Commons,
As 2004 draws to a close, Creative Commons is strong. In the past two
years since Creative Commons licenses have been available, we've taken
our first large first steps with you--building some of the essential
tools, adding critical pieces of infrastructure and assembling a vibrant
community.
In 2004, Glenn, Larry, and the legal team made huge improvements and
released version 2.0 of the main Creative Commons licenses. These new
versions added many needed features while at the same time they reduced
the complexity of the licenses for our users. Christine, Roland and all
of the iCommons volunteers worldwide took that work, and have ported
Creative Commons licenses to 12 countries. We expect to add another
dozen countries early next year, and we're in conversation with more
than 70.
We've found more than 5,000,000 pages with content and links back to our
licenses. But the commons is about more than simply putting the work out
there. So, Mike, Neeru, Matt, and Nutch.org have collaborated to develop
and debut a metadata search engine that makes it easy to find content
marked with Creative Commons licenses. As if that were not enough, that
search functionality now ships with the amazing Firefox browser from
mozilla.org.
Neeru and the tech team have also worked with other software developers
to make it easy to integrate Creative Commons licenses. The list is
long, and includes Flickr, Moveable Type, Squarespace, Manila,
Archive.org, WinkSite, plus DMusic, Soundclick, Garageband.com, and
others I'm sure I've forgotten.
We're nearer to making worry-free sampling and re-creativity mainstream.
What better place to start than the cover of WIRED magazine? The WIRED
CD contains sixteen sampling-friendly tunes -- and includes the Beastie
Boys, David Byrne, Gilberto Gil, Chuck D and more.
In 2005 we will continue to build our worldwide community of
contributors to free culture. We will continue to enable more images,
music, films and text, and we'll start to work on the Science Commons.
We'll have much more to tell you about it at the start of the year.
ou can help make Creative Commons and "some rights reserved" household
phrases. Visit http://creativecommons.org/support/ and you'll find out
how you can make your contribution via PayPal, Amazon's Honor System, or
by sending a check to Creative Commons at 543 Howard Street, 5th Floor,
San Francisco, CA 94105.
Thank you for your support. It's not the commons without you.
Mark Resch, CEO
Creative Commons
Creative Commons a not-for-profit 501(c)(3) organization. Contributions
are tax-deductible in the U.S. to the extent allowed by law.
p.s. You can also find this note at
http://creativecommons.org/weblog/entry/5179 -- spread the word.
_______________________________________________
cc-info mailing list
cc-info@lists.ibiblio.org
http://lists.ibiblio.org/mailman/listinfo/cc-info
Art in America Heart Artblogs
Raphael Rubenstein plugs an assortment of artblogs in the January Issue of
Art in America...
http://newsgrist.typepad.com/underbelly/2004/12/art_in_america_.html
and here:
http://www.iconoduel.org/archives/2004/12/000537_art_in_americas_take_transcribed.php
Art in America...
http://newsgrist.typepad.com/underbelly/2004/12/art_in_america_.html
and here:
http://www.iconoduel.org/archives/2004/12/000537_art_in_americas_take_transcribed.php