ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Fwd: Call for Submissions: Memorials, My History & Me Art Exhibit - Share the News (fwd)
---------- Forwarded message ----------
Date: Mon, 1 Mar 2004 13:40:14 -0500
Begin forwarded message:
From: "eric talley" <etii@lycos.com>
Date: March 1, 2004 12:00:37 PM EST
To: sjackson@studiomuseum.org
Subject: Call for Submissions: Memorials, My History & Me Art Exhibit
- Share the News
Reply-To: etii@lycos.com
Concept: Memorials, My History & Me
The ABACA Spring, 2004 Student-Curated Art Exhibition
Through installation, performance art, and/or new
media works Memorials, My History & Me will explore
memorials, their political meaning and their use as
tools to commemorate African American and Latino
leaders in history. The work shown in this exhibition
will challenge its audience to examine ideologies,
actions, characteristics, etc., of historical figures
that are being memorialized and how those factors link
to our existence. This project will also foster an
internal connection between the individual, cultural
history and the function and effect of
'memorialization
Date: Mon, 1 Mar 2004 13:40:14 -0500
Begin forwarded message:
From: "eric talley" <etii@lycos.com>
Date: March 1, 2004 12:00:37 PM EST
To: sjackson@studiomuseum.org
Subject: Call for Submissions: Memorials, My History & Me Art Exhibit
- Share the News
Reply-To: etii@lycos.com
Concept: Memorials, My History & Me
The ABACA Spring, 2004 Student-Curated Art Exhibition
Through installation, performance art, and/or new
media works Memorials, My History & Me will explore
memorials, their political meaning and their use as
tools to commemorate African American and Latino
leaders in history. The work shown in this exhibition
will challenge its audience to examine ideologies,
actions, characteristics, etc., of historical figures
that are being memorialized and how those factors link
to our existence. This project will also foster an
internal connection between the individual, cultural
history and the function and effect of
'memorialization
Re: Re: Re: Re: Re: I am a pirate ?!
matthew,
you're absolutely right -- I was thinking of leon's work. well, I often
do, he's without a doubt a mentor and a great inspiration to me. he also
is my neighbor, and I asked him recently about this whole issue. he's
actually never been sued! he says he's thought about it for years, what
would he do if it ever happened, but he transforms his news images just
enough so they are unrecognizable. he also advised me that the image I
used is from a rather famous photograph by this woman, which is so
contrary to my agenda. so he's the 2nd person known to me that recognized
it. he suggested I offer the offended party a small painting.
best,
joy
On Tue, 2 Mar 2004, Matthew Mascotte wrote:
>
> Joy-
>
> I don't think Warhol is the best parallel...you
> should look into Leon Golub's practice. He too collected
> thousands of images from the news media and reworked them on
> his canvases...playing with scale and surface. I remember seeing
> a video about him working in his studio. He had file cabinents full of
> images torn from the pages of magazines and newspapers that he would
> create with.
>
>
> best,
>
> matthew
>
>
> -> post: list@rhizome.org
> >> -> questions: info@rhizome.org
> >> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >> -> give: http://rhizome.org/support
> >> -> visit: on Fridays the Rhizome.org web site is open to non-members
> >> +
> >> Subscribers to Rhizome are subject to the terms set out in the
> >> Membership Agreement available online at http://rhizome.org/info/29.php
> >>
> >
> >+
> >-> post: list@rhizome.org
> >-> questions: info@rhizome.org
> >-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >-> give: http://rhizome.org/support
> >-> visit: on Fridays the Rhizome.org web site is open to non-members
> >+
> >Subscribers to Rhizome are subject to the terms set out in the
> >Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
you're absolutely right -- I was thinking of leon's work. well, I often
do, he's without a doubt a mentor and a great inspiration to me. he also
is my neighbor, and I asked him recently about this whole issue. he's
actually never been sued! he says he's thought about it for years, what
would he do if it ever happened, but he transforms his news images just
enough so they are unrecognizable. he also advised me that the image I
used is from a rather famous photograph by this woman, which is so
contrary to my agenda. so he's the 2nd person known to me that recognized
it. he suggested I offer the offended party a small painting.
best,
joy
On Tue, 2 Mar 2004, Matthew Mascotte wrote:
>
> Joy-
>
> I don't think Warhol is the best parallel...you
> should look into Leon Golub's practice. He too collected
> thousands of images from the news media and reworked them on
> his canvases...playing with scale and surface. I remember seeing
> a video about him working in his studio. He had file cabinents full of
> images torn from the pages of magazines and newspapers that he would
> create with.
>
>
> best,
>
> matthew
>
>
> -> post: list@rhizome.org
> >> -> questions: info@rhizome.org
> >> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >> -> give: http://rhizome.org/support
> >> -> visit: on Fridays the Rhizome.org web site is open to non-members
> >> +
> >> Subscribers to Rhizome are subject to the terms set out in the
> >> Membership Agreement available online at http://rhizome.org/info/29.php
> >>
> >
> >+
> >-> post: list@rhizome.org
> >-> questions: info@rhizome.org
> >-> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> >-> give: http://rhizome.org/support
> >-> visit: on Fridays the Rhizome.org web site is open to non-members
> >+
> >Subscribers to Rhizome are subject to the terms set out in the
> >Membership Agreement available online at http://rhizome.org/info/29.php
> >
> >
>
Re: Pirate? A serious question.
Um, so far just one naughty painting. I swear.
I'm beginning to thimk only artists bother to sue artists, with a few
exceptions... LOTS of artists have done the warhol thang since warhol..
have they been sued? probably not... I'm guessing. okay, I'm tired.
On Mon, 1 Mar 2004, patrick lichty wrote:
> I think you're missing a point.
> Legislation, culture and the market are vastly different now.
> In the 60's companies were still into production, versus the
> brand-centered maketing of today (among other differences).
> To assume the climate for litigation and intellectual property was the
> same in 1966 is a grave mistake.
>
>
> Patrick Lichty
> Editor-In-Chief
> Intelligent Agent Magazine
> http://www.intelligentagent.com
> 355 Seyburn Dr.
> Baton Rouge, LA 70808
>
> -----Original Message-----
> From: Lee Wells [mailto:lee@leewells.org]
> Sent: Monday, March 01, 2004 10:26 PM
> To: patrick lichty
> Cc: list@rhizome.org
> Subject: Re: RHIZOME_RAW: Pirate? A serious question.
>
> Exactly, they never messed with him.
> i guess what is considered contemporary cultural history.
> Probably more so than Joy. He did mass produce the image and make loads
> of money.
> Joy just has the one painting. Right Joy?
>
>
>
> On Monday, March 1, 2004, at 05:04 PM, patrick lichty wrote:
> Seriously,
>
>
>
> Under the intellectual property laws of contemporary society, where does
> Warhol's soup can and Brillo box fall?
>
> Could he be sued for using the trademark without clearance?
>
>
>
> Patrick Lichty
>
> Editor-In-Chief
>
> Intelligent Agent Magazine
>
> http://www.intelligentagent.com
>
> 355 Seyburn Dr.
>
> Baton Rouge,LA70808
>
>
>
>
> _________
>
> Lee A Wells
> mobile: 917 723 2524
> studio: 718 349 7951
>
> lee@leewells.org
> http://www.leewells.org
>
I'm beginning to thimk only artists bother to sue artists, with a few
exceptions... LOTS of artists have done the warhol thang since warhol..
have they been sued? probably not... I'm guessing. okay, I'm tired.
On Mon, 1 Mar 2004, patrick lichty wrote:
> I think you're missing a point.
> Legislation, culture and the market are vastly different now.
> In the 60's companies were still into production, versus the
> brand-centered maketing of today (among other differences).
> To assume the climate for litigation and intellectual property was the
> same in 1966 is a grave mistake.
>
>
> Patrick Lichty
> Editor-In-Chief
> Intelligent Agent Magazine
> http://www.intelligentagent.com
> 355 Seyburn Dr.
> Baton Rouge, LA 70808
>
> -----Original Message-----
> From: Lee Wells [mailto:lee@leewells.org]
> Sent: Monday, March 01, 2004 10:26 PM
> To: patrick lichty
> Cc: list@rhizome.org
> Subject: Re: RHIZOME_RAW: Pirate? A serious question.
>
> Exactly, they never messed with him.
> i guess what is considered contemporary cultural history.
> Probably more so than Joy. He did mass produce the image and make loads
> of money.
> Joy just has the one painting. Right Joy?
>
>
>
> On Monday, March 1, 2004, at 05:04 PM, patrick lichty wrote:
> Seriously,
>
>
>
> Under the intellectual property laws of contemporary society, where does
> Warhol's soup can and Brillo box fall?
>
> Could he be sued for using the trademark without clearance?
>
>
>
> Patrick Lichty
>
> Editor-In-Chief
>
> Intelligent Agent Magazine
>
> http://www.intelligentagent.com
>
> 355 Seyburn Dr.
>
> Baton Rouge,LA70808
>
>
>
>
> _________
>
> Lee A Wells
> mobile: 917 723 2524
> studio: 718 349 7951
>
> lee@leewells.org
> http://www.leewells.org
>
Re: Pirate? A serious question.
Pat wrote:
> Under the intellectual property laws of contemporary society, where does
> Warhol’s soup can and Brillo box fall?
> Could he be sued for using the trademark without clearance?
(Does Brillo still exist?)
:(
J
> Under the intellectual property laws of contemporary society, where does
> Warhol’s soup can and Brillo box fall?
> Could he be sued for using the trademark without clearance?
(Does Brillo still exist?)
:(
J
Re: Re: Re: Re: Re: I am a pirate ?!
I just wrote:
> Crediting the original photographers would run counter to the concept
I better qualify that: I'm not looking for photos made by "authors" if you
get my drift. Whew!
> Crediting the original photographers would run counter to the concept
I better qualify that: I'm not looking for photos made by "authors" if you
get my drift. Whew!