ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
THIS IS FOR REAL: War and the contemporary audience
For Immediate Release: March 9, 2004
THIS IS FOR REAL: War and the contemporary audience
Curated by Keith Miller + Alex Couri
URL: http://www.keith-miller.com/war/
March 9 - April 2, 2004
SAC Gallery, SUNY Stony Brook
Opening reception: 5-6pm Thursday March 11, 2004
Panel + round table: 4pm, with special guest Nick Mirzoeff, Associate
Professor, Art History at SUNY Stony Brook
"While the representation of war may seem inevitable, its truths so well
constructed as to be undeniable, it is the glory of this production that
entices us. We are drawn to it, if indeed we are, because it gives us the
opportunity to participate." [curators' notes]
Participating Artists:
Karina Aguilera-Skvirsky
Stephanie Andrews
Bernard J. Canniffe
Matthew Fisher
Rainer Ganahl
Joy Garnett
Ilona Granet
Marc Lepson
Max Liboiron
David Luke
Pamela Matsuda-Dunn
Robin Michaels
Lina Pallotta
Michael A. Rippens
Dread Scott
Natacha Seideneck
Therese Stowell
artists' works and texts:
http://www.keith-miller.com/war/
[from curators' notes]:
"While images of war have been present from the beginnings of the history
of art, the introduction of immediate media-- camera, television and the
internet--have transformed [war's] representation and its reception.
Matthew Brady's photos, so influential re: the psyche of the American
people during the civil war, offered concrete proof that atrocities were
occurring, even if, as is now know, those photos were often staged. The
dubious origin of what we see does not [necessarily] call into question
its veracity. It is this that is so troubling."
For more information contact:
Keith MILLER <keith2miller@yahoo.com>
Alex Couri <lacouri@earthlink.net>
SUNY Stony Brook
http://www.art.sunysb.edu/index.html
Department of Art
Staller Center
State University of New York at Stony Brook
Stony Brook, New York 11794-5400
+-
THIS IS FOR REAL: War and the contemporary audience
Curated by Keith Miller + Alex Couri
URL: http://www.keith-miller.com/war/
March 9 - April 2, 2004
SAC Gallery, SUNY Stony Brook
Opening reception: 5-6pm Thursday March 11, 2004
Panel + round table: 4pm, with special guest Nick Mirzoeff, Associate
Professor, Art History at SUNY Stony Brook
"While the representation of war may seem inevitable, its truths so well
constructed as to be undeniable, it is the glory of this production that
entices us. We are drawn to it, if indeed we are, because it gives us the
opportunity to participate." [curators' notes]
Participating Artists:
Karina Aguilera-Skvirsky
Stephanie Andrews
Bernard J. Canniffe
Matthew Fisher
Rainer Ganahl
Joy Garnett
Ilona Granet
Marc Lepson
Max Liboiron
David Luke
Pamela Matsuda-Dunn
Robin Michaels
Lina Pallotta
Michael A. Rippens
Dread Scott
Natacha Seideneck
Therese Stowell
artists' works and texts:
http://www.keith-miller.com/war/
[from curators' notes]:
"While images of war have been present from the beginnings of the history
of art, the introduction of immediate media-- camera, television and the
internet--have transformed [war's] representation and its reception.
Matthew Brady's photos, so influential re: the psyche of the American
people during the civil war, offered concrete proof that atrocities were
occurring, even if, as is now know, those photos were often staged. The
dubious origin of what we see does not [necessarily] call into question
its veracity. It is this that is so troubling."
For more information contact:
Keith MILLER <keith2miller@yahoo.com>
Alex Couri <lacouri@earthlink.net>
SUNY Stony Brook
http://www.art.sunysb.edu/index.html
Department of Art
Staller Center
State University of New York at Stony Brook
Stony Brook, New York 11794-5400
+-
Re: tshirt (fwd)
jeez louise -- I guess some things do get lost in translation.
(joywar was posted on an italian blog -- this fellow sent me a
jpeg of a tshirt w/ molotov on it. I guess he figures I'm being sued
by Pepsi. now *that* would be a story).
---------- Forwarded message ----------
Date: Wed, 10 Mar 2004 16:33:22 +0100
From: ottokin <ottokin@ottokin.com>
To: Joy Garnett <joyeria@walrus.com>
Subject: Re: tshirt
Produce this shirt an fuck the Pepsi!
bye from Italy
Paolo
Mercoledi, 10 mar 2004, alle 16:29 Europe/Rome, Joy Garnett ha scritto:
> that's great!
>
> best,
> j
>
>
>
> On Wed, 10 Mar 2004, ottokin wrote:
>
>
> [NON-Text Body part not included]
>
>
(joywar was posted on an italian blog -- this fellow sent me a
jpeg of a tshirt w/ molotov on it. I guess he figures I'm being sued
by Pepsi. now *that* would be a story).
---------- Forwarded message ----------
Date: Wed, 10 Mar 2004 16:33:22 +0100
From: ottokin <ottokin@ottokin.com>
To: Joy Garnett <joyeria@walrus.com>
Subject: Re: tshirt
Produce this shirt an fuck the Pepsi!
bye from Italy
Paolo
Mercoledi, 10 mar 2004, alle 16:29 Europe/Rome, Joy Garnett ha scritto:
> that's great!
>
> best,
> j
>
>
>
> On Wed, 10 Mar 2004, ottokin wrote:
>
>
> [NON-Text Body part not included]
>
>
updated molotov web ring
gettin' huge:
----------
Molotov Web ring
Information / blogs
http://www.eyebeam.org/reblog/archives/000420.html
http://nathanielstern.com/oldblogs/2004_03_07_oldblogs.html#1078765847004533
http://groups.msn.com/CyberspaceMegaBrains
http://www.ostili.splinder.it
http://bbs.thing.net/
http://www.yougenics.net/griffis/
http://www.culturekitchen.com/archives/000555.html
http://www.dronecolony.com
http://www.somedancersandmusicians.com/solidarity.html
Still Images: collage / agitprop
http://www.yougenics.net/griffis/images/JOY_billboard.jpg
http://www.wallcloud.com/molotovpow.html
http://www.antiexperience.com/edtang/works/molotov.html
http://www.1-900-870-6235.com/Images/PeaceInOurHands.jpg
http://www.voyd.com/joywar/joywar.jpg
http://art-design.smsu.edu/cooley/molotov/
http://navasse.net/joywar/
http://www.anatomyofhope.net/joy/
http://www.electrichands.com/shanghai-pepsi.jpg
http://www.voyd.com/joywar/Index.htm
http://www.rssgallery.com/book.htm
http://www.voyd.com/joywar/ascii.htm
http://www.robertspahr.com/joy/
http://tinjail.com/joy/
Moving Images / interactive
http://www.sicplacitum.com/arte/molotov.htm
http://art-design.smsu.edu/cooley/molotov/
http://544x378.free.fr/(WebTV)/html/molotov.html
http://www.gloriousninth.com/piratesofpenzance.html
http://www.somedancersandmusicians.com/Some_QuickTime_Movies/art.mov
Mirror Images
http://www.wallcloud.com/molotov.html
http://www.twhid.com/misc/joy/molotov/
http://linkoln.net/molotov.gif
http://www.leewells.org/joy/Molotov.html
+
-
----------
Molotov Web ring
Information / blogs
http://www.eyebeam.org/reblog/archives/000420.html
http://nathanielstern.com/oldblogs/2004_03_07_oldblogs.html#1078765847004533
http://groups.msn.com/CyberspaceMegaBrains
http://www.ostili.splinder.it
http://bbs.thing.net/
http://www.yougenics.net/griffis/
http://www.culturekitchen.com/archives/000555.html
http://www.dronecolony.com
http://www.somedancersandmusicians.com/solidarity.html
Still Images: collage / agitprop
http://www.yougenics.net/griffis/images/JOY_billboard.jpg
http://www.wallcloud.com/molotovpow.html
http://www.antiexperience.com/edtang/works/molotov.html
http://www.1-900-870-6235.com/Images/PeaceInOurHands.jpg
http://www.voyd.com/joywar/joywar.jpg
http://art-design.smsu.edu/cooley/molotov/
http://navasse.net/joywar/
http://www.anatomyofhope.net/joy/
http://www.electrichands.com/shanghai-pepsi.jpg
http://www.voyd.com/joywar/Index.htm
http://www.rssgallery.com/book.htm
http://www.voyd.com/joywar/ascii.htm
http://www.robertspahr.com/joy/
http://tinjail.com/joy/
Moving Images / interactive
http://www.sicplacitum.com/arte/molotov.htm
http://art-design.smsu.edu/cooley/molotov/
http://544x378.free.fr/(WebTV)/html/molotov.html
http://www.gloriousninth.com/piratesofpenzance.html
http://www.somedancersandmusicians.com/Some_QuickTime_Movies/art.mov
Mirror Images
http://www.wallcloud.com/molotov.html
http://www.twhid.com/misc/joy/molotov/
http://linkoln.net/molotov.gif
http://www.leewells.org/joy/Molotov.html
+
-
next time molotov
before I sign-off for a bit (I have a few deadlines I need to deal with)
here are the latest crop of Distorted Molotovs complied for the web ring:
animations:
http://www.sicplacitum.com/arte/molotov.htm
collages/montages/derivations:
http://www.yougenics.net/griffis/images/JOY_billboard.jpg
http://www.wallcloud.com/molotovpow.html
http://www.antiexperience.com/edtang/works/molotov.html
http://nathanielstern.com/oldblogs/2004_03_07_oldblogs.html#1078765847004533
mirror:
http://www.wallcloud.com/molotov.html
cheers!
J
here are the latest crop of Distorted Molotovs complied for the web ring:
animations:
http://www.sicplacitum.com/arte/molotov.htm
collages/montages/derivations:
http://www.yougenics.net/griffis/images/JOY_billboard.jpg
http://www.wallcloud.com/molotovpow.html
http://www.antiexperience.com/edtang/works/molotov.html
http://nathanielstern.com/oldblogs/2004_03_07_oldblogs.html#1078765847004533
mirror:
http://www.wallcloud.com/molotov.html
cheers!
J
Re: Re: 'piracy' update
well then... if/when the time comes... I'm trying for quieting it down as
opposed to a meltdown though! but yeah, that would be the place. Groklaw
is very cool, regardless. thanks for the suggestion Rob --
best,
J
On Mon, 8 Mar 2004, Rob Myers wrote:
> On 8 Mar 2004, at 17:16, Joy Garnett wrote:
>
> > It wouldn't be wise or even ethical for me to post legal docs though --
> > plus, it's so much gobbledy-gook and case law thrown in, it's mostly
> > bombast and boring. 18 pages of boring.
>
> Groklaw does a good job of it. It can be informative and bring people
> togetehr (not to mention be cathartic) to see what actually goes on.
>
> You can always white-out the photographer's name if you're worried
> they'll get mailbombed. :-)
>
> Good luck.
>
> - Rob.
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
opposed to a meltdown though! but yeah, that would be the place. Groklaw
is very cool, regardless. thanks for the suggestion Rob --
best,
J
On Mon, 8 Mar 2004, Rob Myers wrote:
> On 8 Mar 2004, at 17:16, Joy Garnett wrote:
>
> > It wouldn't be wise or even ethical for me to post legal docs though --
> > plus, it's so much gobbledy-gook and case law thrown in, it's mostly
> > bombast and boring. 18 pages of boring.
>
> Groklaw does a good job of it. It can be informative and bring people
> togetehr (not to mention be cathartic) to see what actually goes on.
>
> You can always white-out the photographer's name if you're worried
> they'll get mailbombed. :-)
>
> Good luck.
>
> - Rob.
>
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>