ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.
extended network >
homepage:
http://joygarnett.com
The Bomb Project
http://www.thebombproject.org
First Pulse Projects
http://firstpulseprojects.net
NEWSgrist - where spin is art
http://newsgrist.typepad.com/
FESTIVAL 404 - DEL 7 AL 12 DE DICIEMBRE - ROSARIO, ARGENTINA (fwd)
---------- Forwarded message ----------
Date: Sat, 4 Dec 2004 15:59:45 -0300
From: 404 FESTIVAL <404@astasromas.com>
To: undisclosed-recipients: ;
Subject: FESTIVAL 404 - DEL 7 AL 12 DE DICIEMBRE - ROSARIO, ARGENTINA
[IMAGE]
DEL 7 AL 12 DE DICIEMBRE DE 2004
Rosario, Argentina
FESTIVAL INTERNACIONAL DE ARTE ELECTRONICO
INTERNATIONAL FESTIVAL OF ELECTRONIC ART
404
210 OBRAS DE 27 PAISES
MAS DE 85 AUTORES PRESENTES DE TODO EL MUNDO
30 PC PARA RECORRER LOS TRABAJOS
Date: Sat, 4 Dec 2004 15:59:45 -0300
From: 404 FESTIVAL <404@astasromas.com>
To: undisclosed-recipients: ;
Subject: FESTIVAL 404 - DEL 7 AL 12 DE DICIEMBRE - ROSARIO, ARGENTINA
[IMAGE]
DEL 7 AL 12 DE DICIEMBRE DE 2004
Rosario, Argentina
FESTIVAL INTERNACIONAL DE ARTE ELECTRONICO
INTERNATIONAL FESTIVAL OF ELECTRONIC ART
404
210 OBRAS DE 27 PAISES
MAS DE 85 AUTORES PRESENTES DE TODO EL MUNDO
30 PC PARA RECORRER LOS TRABAJOS
Re: short movie (re-edited)
> [I'll chime in on the love-fest here]
me too -- love the crow, especially.
j
me too -- love the crow, especially.
j
[Doors-Report] DOORS OF PERCEPTION REPORT December 2004 (fwd)
---------- Forwarded message ----------
Date: Thu, 2 Dec 2004 15:48:28 +0100
From: doors-report@list.doorsofperception.com
Reply-To: mailman@doorsofperception.com
To: doors-report@list.doorsofperception.com
Subject: [Doors-Report] DOORS OF PERCEPTION REPORT December 2004
DOORS OF PERCEPTION REPORT
Quick scan of design and innovation
By John Thackara
December 2004
INFRA - NOW OPEN
Registration is now open for Doors of Perception 8. It's on the theme "Infr=
a"
and runs from 21-26 March in New Delhi. What infrastructures are needed to=
enable bottom-up, edge-in social innovation - and how do we design them? Th=
e
weeklong event features a conference; project clinics; exhibits of Indian m=
edia
artefacts; a bazaar of social innovation; visits in and around the city; Bh=
ang
Brunch and Holi Party in Asola. The latest list of participants, a registra=
tion
form, and the conference blog, are at:
http://doors8delhi.doorsofperception.com/
PLEASE POST OUR POSTER
We are not printing posters or conference brochures for Doors 8. Please hel=
p us
get the word out in a lighter way. Print our A5 announcement, post copies o=
f it
on notice boards where you work, or send this URL to people who might be
interested:
http://doors8delhi.doorsofperception.com/download.html
NEEDED: SKUNK SPACE AND TIME
The results of our Project Leaders' Round Table, which was about success
factors in design research projects, are now online. Presentations include=
"touching the state", milk distribution chains in Latvia, bar code triggere=
d
videos in hospitals, high speed train scenarios, and service design in heal=
th
systems. A text called Conclusions contains more questions than answers, bu=
t
includes a call for "skunk space and time". We will apply the lessons of th=
is
event to the Project Clinics, which will be a focus of Doors 8 in New Delhi.
http://static.doorsofperception.com/2004roundtable/
HOW MUCH DOES A PROJECT COST?
One reason the IT boom has flattened out is that the Total Cost of Ownershi=
p
(TCO) for information systems has been found to be far higher than customer=
s at
first realized. Rishab Gosh, in a paper for First Monday, quotes these TCO=
numbers:
- License fees 5-10%
- Hardware and software costs 15-40%:
- Maintenance, integration, support and training 60-85 %
If we had a better grasp of the TCO for design projects, would we take them=
all
on? One of the lessons to emerge from our Round Table was that co-ordinatio=
n,
which has many facets, is a critical success factor: if it's not done prope=
rly,
or is treated as an extra, projects (and the people involved) usually suffe=
r.
http://firstmonday.org/issues/issue8_12/ghosh/
NOMADIC BANQUET BENCHMARKS
You move round a city from street vendor to street vendor: dumplings, noodl=
es,
and vodka martinis. One of the pre-Doors 8 field projects we're supporting =
is
Debra Solomon's ongoing quest to enable "nomadic banquets". We are keen to =
hear
about locative media projects that involve food, ratings, mobile phones, GI=
S
and so on, that we can learn from and maybe connect with. Check out Debra=
Solomon's Culiblog - and then tell us about lo-food projects we need to kno=
w
about. Thanks.
http://www.culiblog.org/
MUSEUM MANIA IN CHINA
The Chinese government intends to build 1,000 new museums across the countr=
y by
2015. A scary piece by Elizabeth Casale in The Platform, an e-zine on cultu=
ral
policy, says that China's "place-based cultural strategy" is leading to a g=
lut
of buildings meant to symbolize cultural sophistication. Meanwhile stories =
are
circulating about the Shanghai Grand Theatre often half-empty for lack of=
interesting programming, or of state-of-the-art equipment that few employee=
s
know how to use.
http://www.aeaconsulting.com/site/platformv4i1a.html
THE NOES HAVE IT
Do you believe in the power of radically distributed algorithms? The Europe=
an
Commission's Future and Emerging Technologies group is promoting "a radical=
paradigm shift towards a self-organising, self-managing and context-aware=
autonomous network". This, they say, is the only adequate response to the=
increasing complexity of demands now being placed on the Internet. A budget=
of
20 Million euros is available for collaborative projects to do with autonom=
ic
communications. Be warned, though that Networks of Excellence (NOEs) need t=
o
contain hordes of PhDs to be eligible. A launch meeting takes place in Brus=
sels
on 8 December.
http://www.autonomic-communication-forum.org/registration/index.html
ON THE MAKE
Next year's Nordic Design Research Conference (the first) is about "In the=
Making". It's for anyone who shares an interest in how people shape and mak=
e
sense of things in an increasingly man-made world. The team includes Thomas=
Binder, Center for Design Research; Peter Gall Krogh, Aarhus School of
Architecture; and Johan Redstrom, Interactive Institute, Goteborg. 29 -=
31 May
2005, Copenhagen, Denmark
http://www.nordes.org
CRITICAL COMPUTING
This event only happens every ten years. "Critical computing: between sense=
and
sensibility" is a multi-disciplinary conference in participatory design,
interaction design, computer supported collaborative work, social computing=
,
digital art and entertainment. 21-25 August 2005, Aarhus, Denmark.
http://www.aarhus2005.org
UP YOURS?
A condition called "endocolonization" features in the new edition of Acoust=
ic
Space, a publication from the Riga Center for New Media Culture (RIXC). The=
magazine is not about endoscopes running amok, but about "locative media a=
nd
tactical cartography". It includes texts by Richard Barbrook, Brank Curcic,=
Beatriz Da Costa, Cory Doctorow, Josh On, Bruce Sterling, and Valdis Krebs=
. To
obtain your copy, email: agnese@rixc.lv
http://www.olympus.co.jp/en/mesg/endoscope/
http://rixc.lv
BLIGHTED BY BEAN COUNTERS
Bean counters from Berenschot, a consulting firm, have advised the Dutch
government to stop funding (after 2005) 150 "support organizations" (includ=
ing
Doors of Perception) and focus all its cultural funding on "production". Th=
e
result will be to squeeze out space for critical reflection, dumb down the=
cultural domain, and drive the most interesting connector organizations out=
of
the country. Our bags are packed: any offers?
TRANS-SIBERIA
A conference on the Trans-Siberian train from Moscow via Novosibirsk to Bei=
jing
is 'cosmological': researchers, philosophers, artists and others will "try =
to
cross fixed boundariesS and be open to the contaminating influences of th=
e
continents we will be passing through during our journey". 10-20 September=
2005. http://www.ephemeraweb.org/conference
ASPHALT GAMES
If you can't make the train trip, go by asphalt instead. The site features=
mobile gaming beyond gadgets, city as gameboard, street action as gameplay,=
and
collectively mapping a new portrait of New York.
http://www.asphalt-games.net/play/
ABSTRACTION NOW
Some wonderful artists and some amazing work feature on this immaculate
website. (It accompanies an event in 2003 that we only just found out about=
).
http://www.abstraction-now.at/?artists
WINDY CITY CONFERENCE
How might businesses use design to explore emerging opportunities, solve
complex problems, and achieve lasting strategic advantage? Speakers include=
Josephine Green, Philips Design; Jim Hackett, CEO, Steelcase; Sam Lucente,=
Director of Brand, Design and Experience for Hewlett-Packard; David Nagel, =
CEO,
PalmSource; and Don Norman, Principal, Nielsen-Norman Group. Here's a chall=
enge
for them: Eighty thousand bikes are stolen every year in Amsterdam - that's=
219
pieces of scumbaggery a day. How to stop it? May 18-19, 2005, Chicago, Illi=
nois
http://www.id.iit.edu/events/strategyconference/
TIME IN DESIGN
Eternally Yours - which, paradoxically, is winding itself up - is publishin=
g a
new book. The launch party is in Artis, the oldest zoo in the Netherlands. =
12
December, Amsterdam. Places are limited, so please contact the organizers i=
n
advance: <info@art-ants.nl>.
ASIA OPEN SOURCE CAMP
This week-long tech camp is for NGO technology support professionals in Sou=
th
and South East Asia to learn new skills, exchange tips, and share experien=
ces,
in the use of Free and Open Source Software (FOSS). Asia Source will be hel=
d in
a small artists' community on the outskirts of Bangalore. It is organized b=
y
Mahiti.org (Bangalore) and the Tactical Technology Collective (Amsterdam).=
January 2 to February 4, Bangalore, India.
http://www.tacticaltech.org/asiasource
http://www.mahiti.org/asiasource
CHANGE THEIR LIFE WITH THIS, THE ULTIMATE CHRISTMAS PRESENT
Give your friends and clients a ticket to Doors of Perception 8. The knowle=
dge,
insight and new contacts they make will change their lives - and ours - for=
the
better.
http://doors8delhi.doorsofperception.com/register.html
_______________________________________________
Doors-Report mailing list
Doors-Report@list.doorsofperception.com
http://lists.webtic.nl/mailman/listinfo/doors-report
Date: Thu, 2 Dec 2004 15:48:28 +0100
From: doors-report@list.doorsofperception.com
Reply-To: mailman@doorsofperception.com
To: doors-report@list.doorsofperception.com
Subject: [Doors-Report] DOORS OF PERCEPTION REPORT December 2004
DOORS OF PERCEPTION REPORT
Quick scan of design and innovation
By John Thackara
December 2004
INFRA - NOW OPEN
Registration is now open for Doors of Perception 8. It's on the theme "Infr=
a"
and runs from 21-26 March in New Delhi. What infrastructures are needed to=
enable bottom-up, edge-in social innovation - and how do we design them? Th=
e
weeklong event features a conference; project clinics; exhibits of Indian m=
edia
artefacts; a bazaar of social innovation; visits in and around the city; Bh=
ang
Brunch and Holi Party in Asola. The latest list of participants, a registra=
tion
form, and the conference blog, are at:
http://doors8delhi.doorsofperception.com/
PLEASE POST OUR POSTER
We are not printing posters or conference brochures for Doors 8. Please hel=
p us
get the word out in a lighter way. Print our A5 announcement, post copies o=
f it
on notice boards where you work, or send this URL to people who might be
interested:
http://doors8delhi.doorsofperception.com/download.html
NEEDED: SKUNK SPACE AND TIME
The results of our Project Leaders' Round Table, which was about success
factors in design research projects, are now online. Presentations include=
"touching the state", milk distribution chains in Latvia, bar code triggere=
d
videos in hospitals, high speed train scenarios, and service design in heal=
th
systems. A text called Conclusions contains more questions than answers, bu=
t
includes a call for "skunk space and time". We will apply the lessons of th=
is
event to the Project Clinics, which will be a focus of Doors 8 in New Delhi.
http://static.doorsofperception.com/2004roundtable/
HOW MUCH DOES A PROJECT COST?
One reason the IT boom has flattened out is that the Total Cost of Ownershi=
p
(TCO) for information systems has been found to be far higher than customer=
s at
first realized. Rishab Gosh, in a paper for First Monday, quotes these TCO=
numbers:
- License fees 5-10%
- Hardware and software costs 15-40%:
- Maintenance, integration, support and training 60-85 %
If we had a better grasp of the TCO for design projects, would we take them=
all
on? One of the lessons to emerge from our Round Table was that co-ordinatio=
n,
which has many facets, is a critical success factor: if it's not done prope=
rly,
or is treated as an extra, projects (and the people involved) usually suffe=
r.
http://firstmonday.org/issues/issue8_12/ghosh/
NOMADIC BANQUET BENCHMARKS
You move round a city from street vendor to street vendor: dumplings, noodl=
es,
and vodka martinis. One of the pre-Doors 8 field projects we're supporting =
is
Debra Solomon's ongoing quest to enable "nomadic banquets". We are keen to =
hear
about locative media projects that involve food, ratings, mobile phones, GI=
S
and so on, that we can learn from and maybe connect with. Check out Debra=
Solomon's Culiblog - and then tell us about lo-food projects we need to kno=
w
about. Thanks.
http://www.culiblog.org/
MUSEUM MANIA IN CHINA
The Chinese government intends to build 1,000 new museums across the countr=
y by
2015. A scary piece by Elizabeth Casale in The Platform, an e-zine on cultu=
ral
policy, says that China's "place-based cultural strategy" is leading to a g=
lut
of buildings meant to symbolize cultural sophistication. Meanwhile stories =
are
circulating about the Shanghai Grand Theatre often half-empty for lack of=
interesting programming, or of state-of-the-art equipment that few employee=
s
know how to use.
http://www.aeaconsulting.com/site/platformv4i1a.html
THE NOES HAVE IT
Do you believe in the power of radically distributed algorithms? The Europe=
an
Commission's Future and Emerging Technologies group is promoting "a radical=
paradigm shift towards a self-organising, self-managing and context-aware=
autonomous network". This, they say, is the only adequate response to the=
increasing complexity of demands now being placed on the Internet. A budget=
of
20 Million euros is available for collaborative projects to do with autonom=
ic
communications. Be warned, though that Networks of Excellence (NOEs) need t=
o
contain hordes of PhDs to be eligible. A launch meeting takes place in Brus=
sels
on 8 December.
http://www.autonomic-communication-forum.org/registration/index.html
ON THE MAKE
Next year's Nordic Design Research Conference (the first) is about "In the=
Making". It's for anyone who shares an interest in how people shape and mak=
e
sense of things in an increasingly man-made world. The team includes Thomas=
Binder, Center for Design Research; Peter Gall Krogh, Aarhus School of
Architecture; and Johan Redstrom, Interactive Institute, Goteborg. 29 -=
31 May
2005, Copenhagen, Denmark
http://www.nordes.org
CRITICAL COMPUTING
This event only happens every ten years. "Critical computing: between sense=
and
sensibility" is a multi-disciplinary conference in participatory design,
interaction design, computer supported collaborative work, social computing=
,
digital art and entertainment. 21-25 August 2005, Aarhus, Denmark.
http://www.aarhus2005.org
UP YOURS?
A condition called "endocolonization" features in the new edition of Acoust=
ic
Space, a publication from the Riga Center for New Media Culture (RIXC). The=
magazine is not about endoscopes running amok, but about "locative media a=
nd
tactical cartography". It includes texts by Richard Barbrook, Brank Curcic,=
Beatriz Da Costa, Cory Doctorow, Josh On, Bruce Sterling, and Valdis Krebs=
. To
obtain your copy, email: agnese@rixc.lv
http://www.olympus.co.jp/en/mesg/endoscope/
http://rixc.lv
BLIGHTED BY BEAN COUNTERS
Bean counters from Berenschot, a consulting firm, have advised the Dutch
government to stop funding (after 2005) 150 "support organizations" (includ=
ing
Doors of Perception) and focus all its cultural funding on "production". Th=
e
result will be to squeeze out space for critical reflection, dumb down the=
cultural domain, and drive the most interesting connector organizations out=
of
the country. Our bags are packed: any offers?
TRANS-SIBERIA
A conference on the Trans-Siberian train from Moscow via Novosibirsk to Bei=
jing
is 'cosmological': researchers, philosophers, artists and others will "try =
to
cross fixed boundariesS and be open to the contaminating influences of th=
e
continents we will be passing through during our journey". 10-20 September=
2005. http://www.ephemeraweb.org/conference
ASPHALT GAMES
If you can't make the train trip, go by asphalt instead. The site features=
mobile gaming beyond gadgets, city as gameboard, street action as gameplay,=
and
collectively mapping a new portrait of New York.
http://www.asphalt-games.net/play/
ABSTRACTION NOW
Some wonderful artists and some amazing work feature on this immaculate
website. (It accompanies an event in 2003 that we only just found out about=
).
http://www.abstraction-now.at/?artists
WINDY CITY CONFERENCE
How might businesses use design to explore emerging opportunities, solve
complex problems, and achieve lasting strategic advantage? Speakers include=
Josephine Green, Philips Design; Jim Hackett, CEO, Steelcase; Sam Lucente,=
Director of Brand, Design and Experience for Hewlett-Packard; David Nagel, =
CEO,
PalmSource; and Don Norman, Principal, Nielsen-Norman Group. Here's a chall=
enge
for them: Eighty thousand bikes are stolen every year in Amsterdam - that's=
219
pieces of scumbaggery a day. How to stop it? May 18-19, 2005, Chicago, Illi=
nois
http://www.id.iit.edu/events/strategyconference/
TIME IN DESIGN
Eternally Yours - which, paradoxically, is winding itself up - is publishin=
g a
new book. The launch party is in Artis, the oldest zoo in the Netherlands. =
12
December, Amsterdam. Places are limited, so please contact the organizers i=
n
advance: <info@art-ants.nl>.
ASIA OPEN SOURCE CAMP
This week-long tech camp is for NGO technology support professionals in Sou=
th
and South East Asia to learn new skills, exchange tips, and share experien=
ces,
in the use of Free and Open Source Software (FOSS). Asia Source will be hel=
d in
a small artists' community on the outskirts of Bangalore. It is organized b=
y
Mahiti.org (Bangalore) and the Tactical Technology Collective (Amsterdam).=
January 2 to February 4, Bangalore, India.
http://www.tacticaltech.org/asiasource
http://www.mahiti.org/asiasource
CHANGE THEIR LIFE WITH THIS, THE ULTIMATE CHRISTMAS PRESENT
Give your friends and clients a ticket to Doors of Perception 8. The knowle=
dge,
insight and new contacts they make will change their lives - and ours - for=
the
better.
http://doors8delhi.doorsofperception.com/register.html
_______________________________________________
Doors-Report mailing list
Doors-Report@list.doorsofperception.com
http://lists.webtic.nl/mailman/listinfo/doors-report
NEWSgrist: Tune in to 56kTV - Bastard Channel
NEWSgrist - where spin is art
An e-zine covering the arts since 2000
======================
Vol.5, no.28
======================
read it on the blog:
http://newsgrist.typepad.com
Archives:
http://newsgrist.net
//////////////////////////////////////////////////////////////////////////////////////////////////////
Saturday, November 27, 2004
Tune in to 56kTV - Bastard Channel
international online art project. a Pro Helvetia and Xcult project
artists (now online)
Young-Hae Chang Heavy Industries, Seoul
Shu Lea Cheang, nomad artist
Marc Lee, Zurich
Exonemo, Tokyo
Birgit Kempker, Basel
Jimpunk, Paris
Nathalie Novarina / Marcel Croubalian, Geneva
bastard channel is a cross between a television and a web project, a
platform in the Internet that tells the story of itself as a television
channel. The channel works with the lowtech and financial means of network
art and has collaborators on four continents. Its programme can be
received all over the world.
On 18 November 2004, bastard channel will be celebrating its start with
six programmes within the framework of the Viper Media Festival in the
Basel Kunsthalle. By the spring of 2005, new programmes will have been
added every month. The participants are artists from Basel, Berlin,
Geneva, Johannesburg, New York, Ostrava, Paris, Seoul, Tokyo and Zurich,
as well as collaborating text writers, translators, programmers and
graphic artists.
It will not be possible to receive all the bastard channel programmes at
all times, for our online project operates according to the television
programme structure. Trailers will provide information about the times of
day and night when you will be able to receive the next programmes in your
part of the world. Whereas the terrestrial television stations are working
on making it possible for programmes to be broadcast online independently
of times and dates, bastard channel is set on limiting consumption: we do
not want our programme to be available all the time, and we take the
opportunity of wagging a cautionary medial forefinger at the "zap & surf
attitude".
bastard channel is intended to reflect the web as a time medium. This is a
cross between the babbling TV promises and the hesitant web response of a
56k modem. Some of our programmes are run like films, animating the screen
at a breakneck pace, others step intentionally on the brake, tempting and
frustrating at one and the same time. Still others bring streams of data
onto the screen or make interaction offers where the public can spend 30
minutes or 30 seconds. At bastard channel, even the TV test pictures are
interactive, and viewers receive personal answers to existential problems
from the Television Sphinx - without, however, knowing whether they will
receive a written or spoken answer from the Sphinx herself or her
intelligent robot within two to three days.
56kTV - bastard channel has its own programme magazine. International
authors from the worlds of the film, art and the media sciences comment on
the TV project and the individual programmes, thus enriching the
audio-visual online offer by a print & read version. We are investing in a
good visual concept and leaving the print-on-demand to our public, since
the TV magazines can be printed on every home printer.
Saturday, November 27, 2004 at 10:41 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/_international_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Guy Debord, a Portrait-Testament
"Guy Debord His Art and His Life" (France/1994/60 min.) Directed by
Brigitte Cornand and Guy Debord
BOSTON PREMIERE
Thursday, December 2 at 7PM
Bartos Theatre, MIT List Visual Arts Center
Film Night with a discussion led by John Gianvito
This work is a portrait-testament, made at the request of the legendary
Situationist writer-philosopher-artist in 1994 when he realized his end
was near, due to a painful terminal illness. In this film, Guy Debord sums
up his life, emphasizing the importance of his films and his attraction to
painting, then pays homage to his friends Asger Jrn, Gil Wolman, Alice
Becker Ho and others. Debord offers a commentary on our society through a
succession of extracts from televised reports, important moments of the
previous ten years, "torpedoed" by the author's written commentary
inscribed on the screen like the pages of a book.
Film Night, organized by John Gianvito (a filmmaker, teacher, and curator
based in Boston), is in conjunction with the exhibition Cerith Wyn Evans:
Thoughts unsaid, now forgotten... on view at the MIT List Visual Arts
Center through December 31, 2004. All exhibitions and public programs at
the MIT List Visual Arts Center are free and open to the public.
Directions to the MIT LVAC.
Saturday, November 27, 2004 at 10:27 AM in Film | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/_guy_debord_his.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
"You've Got Art" (on your cell phone)
"The same way collectors embraced video art in the early 60's and digital
art in the 90's, mobile art will become a new dimension to their
collections giving them an opportunity to carry unique works of art in
their cell phones or PDAs" Said Serge Elkiner, CEO of YellowPepper. "It's
an easy process, customers will receive their work of art directly on
their cell phones, and a certificate of authenticity in the mail [...]"
ARTMOBILE FIRST TO LAUNCH WIRELESS ART AND ART SERVICES WITH ART EDITIONS
TO CONSUMER MARKETS
Boston, MA, November 22, 2004 - Yellow Pepper Wireless LLC announced today
it had launched ArtMobile, its new service offering unique works of art
for mobile telephones. The first works of art editions will be available
for sale at Art Basel Miami Beach. The company has retained the curatorial
services of Janet Phelps of New York to select artists and their works,
and to serve as the company's gallery relations liaison.
Original works of art will be commissioned from artists who range from
emerging to established. The images will be sold individually or as a
portfolio, and will include sound, still and moving images. Edition sizes
and prices will vary by artist. At the time of this announcement, the
list of artists includes: Hernan Bas, Luis Gispert, Naomi Fisher, Jaie
Hwang, and Gean Moreno, all represented by Fred Snitzer Gallery, in Miami;
Raymond Saa, represented by Ambrosino Gallery, in Miami; and Stephen
Vitiello, represented by The Project, in New York. ArtMobile will offer
the first editions for sale inside the fair during Art Basel Miami Beach
on December 2-5, 2004 in Miami Beach, FL at gallery booths representing
participating artists. Other artists include Millree Hughes, represented
by Lemon Sky Projects & Editions, in Miami and Michael Steinberg Fine Art,
in New York; and Larissa Bates, represented by Monya Rowe, in New York.
Saturday, November 27, 2004 at 10:13 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/youve_got_art_o.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Postcards From The Edge
Postcards from the Edge
Visual AIDS benefit
@ Brent Sikkema, 530 W 22nd St, NYC
Preview Party :
Saturday, December 4, 6-9 PM
$50 cover at the door, includes one free raffle ticket, for a chance to
win first selection of artwork.
Additional raffle tickets are $20 each. (Participating artists can attend
free)
Special Host: Alan Cumming
Open bar sponsored by Wine & Spirits Magazine
This is the only opportunity to get a sneak peek at the entire Postcards
From the Edge exhibition. No work will be for sale on the Preview Night,
however one lucky raffle winner will be able to select any artwork that
evening before anyone else! There will also be a silent auction of small
works by BERN BOYLE (1951-1992), BRIAN WEIL (1954-1996), and JIMMY DE SANA
(1950-1999) from the collection of Sur Rodney (Sur).
Postcard artwork is hung anonymously, so come to the preview party and
scout our your favorites early!
Benefit Sale: Sunday, December 5, 2-6 PM
First-come, first-served
No entrance fee
Over 1000 original postcard-sized works. Only $50 each. Famous within the
art world as the most exciting and affordable way to build a collection of
work by internationally renowned artists as well as young and emerging
artists, all works are sold on a first-come, first-served basis for $50
each .Cash and checks only. Postcards are displayed anonymously and the
artists names are only revealed upon purchase. A collector might end up
with a work by a famous artist or someone they don't yet know. Either way,
they walk away with a great piece of art while supporting the programs of
Visual AIDS.
Postcards from the Edge artists include: Vito Acconci, Jose Alvarez, Emma
Amos, Polly Apfelbaum, Bill Armstrong, Dotty Attie, Alice Aycock, Aziz +
Cucher, John Baldessari, Burt Barr, Robert Beck, Barton Lidice Benes,
Lynda Benglis, Kermit Berg, Katherine Bernhardt, Nayland Blake, Ross
Bleckner, Chakai Booker, Louise Bourgeois, Nina Bovasso, Mark Bradford, AA
Bronson, Matthew Buckingham, Nancy Burson, Suzanne Caporael, Mary Ellen
Carroll, Janice Caswell, Vincent Cianni, Aaron Cobbett, Greg Colson, Fred
Cray, Jeanne Dunning, Marcel Dzama, Frank Egloff, Joy Episalla, Mitch
Epstein, Neil Farber, Tony Feher, Brian Finke, Robert Flynt, Adam Fuss,
Joy Garnett, Jeff Gauntt, Louis Gispert, Judy Glantzman, Milton Glaser,
Anthony Goicolea, Lance Goldsmith, Maria Elena Gonzalez, Michelle Grabner,
Deborah Grant, Joanne Greenbaum, Hans Haacke, Harmony Hammond, Jane
Hammond, Stuart Hawkins, Mary Heilmann, Geoffrey Hendricks, Matthias
Herrmann, Jim Hodges, Frank Holliday, David Humphrey , James Hyde, Alfredo
Jaar, Bill Jacobson, Bill Jensen, Simen Johan, Chris Johanson, Joan Jonas,
Bill Jones, Michael Joo, Emily Joyce, Roberto Juarez, Miranda July, Julian
LaVerdiere, Louise Lawler, Zoe Leonard, Les Levine, Sol LeWitt, Glenn
Ligon, Vera Lutter, MacDermott & MacGough, Kerry James Marshall, Barry
McGee, Dominic McGill, Michael Meads, Julie Mehretu, Ann Messner, Marilyn
Minter, Amy Morken, Carrie Moyer, Matt Mullican, Vik Muniz, Elizabeth
Murray, Stefanie Nagorka, Chuck Nanney, James Nares, David Nelson, Yoko
Ono, Tom Otterness, Sheila Pepe, Lamar Peterson, William Pope L. , Amy
Jean Porter, Paul Henry Ramirez, Jessica Rankin, Erwin Redl, Eric Rhein,
Robert Richards, Dorothea Rockburne, Tim Rollins & K.O.S., Kay Rosen,
Michael Rosen, Arnold Roth, Betye Saar, Carolee Schneemann, Collier
Schorr, Joan Semmel, Mark Sheinkman, Kate Shepherd, Jean Shin, Alyson
Shotz, Amy Sillman, Tom Slaughter, Nancy Spero, Pat Steir, Barbara
Takenaga, Steed Taylor, Rirkrit Tiravanija, Janaina Tschape, Spencer
Tunick, Type A, Penelope Umbrico, John Waters, Mary Weatherford, William
Wegman, Lawrence Weiner, Fred Wilson, Millie Wilson, Jackie Windsor,
Thomas Woodruff, Carrie Yamaoka Lynne Yamamoto and many, many MORE!
All Postcards from the Edge proceeds100% of all salesgo to support the
programs of Visual AIDS. Founded in 1988, Visual AIDS strives to increase
public awareness of AIDS through the visual arts. Two Visual AIDS
initiatives, the Red Ribbon and Day Without Art, have become icons of AIDS
awareness. The Frank Moore Archive Project documents the work of artists
with HIV/AIDS to ensure that their artistic legacy will be preserved,
thereby safeguarding their place within art history. The Archive Project
also facilitates the creation and presentation of new work and provides
practical services to artists with HIV/AIDS, assisting in their pursuit of
a professional career.. For more information on Visual AIDS programs,
please visit www.visualaids.org
Saturday, November 27, 2004 at 09:57 AM in Benefits | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/postcards_from_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Thursday, November 25, 2004
Lone Mole (Thanksgiving)
[image]
via Satan's Laundromat:
LTV: Lone Mole
For some, the holiday season is cold dark and lonesome.
Today's guest photographer:
J. Anastasio of LTV.
Thursday, November 25, 2004 at 12:05 PM in Misc. | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/lone_mole_thank.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Opsound CD Release Party + Label Launch
Opsound is a record label and sound pool using an open source, copyleft
model, an experiment in practical gift economics, a laboratory for new
ways of releasing music. Visit the Opsound Open Pool for free copyleft
music downloads. Musicians and sound artists are invited to add their work
to the pool. Look for copyleft releases on the Opsound Label coming soon.
CATALPA CATALPA CD RELEASE PARTY
Thursday, December 2, CBGB Lounge
8pm - midnight and beyond.
Directions: 313 Bowery, New York City - between 1st and 2nd streets-F
train to Second Ave, or 6 train to Bleecker [map and more directions]
Opsound launches its copyleft record label with a release party for the
electroacoustic band Catalpa Catalpa's debut album, Hardoncity. The
evening will feature live performances from Catalpa Catalpa, Ben Owen &
Andy Graydon, Scavenger, and Weapons of Mass Destruction and will take
place at the CBGB Lounge, 315 Bowery from 8pm to midnight on Thursday,
December 2, 2004.
"I'm delighted to have Catalpa Catalpa's debut as the label's first
release," says Sal Randolph, Opsound's founder. "Catalpa Catalpa's roots
are in rock but their sheer love of sound and noise breaks down genre
barriers, incorporating elements usually segregated into pop, electronica,
hardcore, and experimental."
SCAVENGER:
Tianna Kennedy (center) performing with Tadpole Flaneur at the
op.mix.party 5/04
Opsound uses a copyleft-style license designed by Creative Commons
especially for music, art, writing and other kinds of non-software
content. Creative Commons is a nonprofit organization dedicated to
expanding alternatives to traditional copyright through its spectrum of
licenses. Creative Commons licenses are featured in the cover story of
November's Wired Magazine which includes a CD of Creative Commons licensed
music by artists like David Byrne, the Beastie Boys and Le Tigre, given
away free with every issue.
Thursday, November 25, 2004 at 11:04 AM in Misc. | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/opsound_cd_rele.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
The Grey Video (+download)
Greyvideovia Waxy.org:
Video Download
Download the File
Grey Video (.MOV file)
Date: November 18, 2004
Size: 22,684k
The Grey Video is the brilliant Jay-Z/Beatles music video mashup of DJ
Dangermouse's "Encore" off the infamous Grey Album.
The official site is down, likely a result of popularity or legality, and
I don't know if it's coming back. Until then, I'm going to mirror the
high-quality Quicktime version.
Download: grey_video.mov (Quicktime, 22 MB)
BitTorrent: grey.torrent (thanks, Kyle!)
Also, Matt Haughey is mirroring it.
Recent Links boingboing.net (140 visitors)
metafilter.com (93 visitors)
strange.toheart.to (84 visitors)
shift.jp.org (76 visitors)
mfisn.com (69 visitors)
opuszine.com (52 visitors)
downhillbattle.org (50 visitors)
ponderance.blogspot.com (45 visitors)
downhillbattle.org (44 visitors)
blogcritics.org (43 visitors)
Thursday, November 25, 2004 at 10:52 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/the_grey_video_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
NEWSgrist - where spin is art
http://newsgrist.typepad.com
Archives
http://newsgrist.net
An e-zine covering the arts since 2000
======================
Vol.5, no.28
======================
read it on the blog:
http://newsgrist.typepad.com
Archives:
http://newsgrist.net
//////////////////////////////////////////////////////////////////////////////////////////////////////
Saturday, November 27, 2004
Tune in to 56kTV - Bastard Channel
international online art project. a Pro Helvetia and Xcult project
artists (now online)
Young-Hae Chang Heavy Industries, Seoul
Shu Lea Cheang, nomad artist
Marc Lee, Zurich
Exonemo, Tokyo
Birgit Kempker, Basel
Jimpunk, Paris
Nathalie Novarina / Marcel Croubalian, Geneva
bastard channel is a cross between a television and a web project, a
platform in the Internet that tells the story of itself as a television
channel. The channel works with the lowtech and financial means of network
art and has collaborators on four continents. Its programme can be
received all over the world.
On 18 November 2004, bastard channel will be celebrating its start with
six programmes within the framework of the Viper Media Festival in the
Basel Kunsthalle. By the spring of 2005, new programmes will have been
added every month. The participants are artists from Basel, Berlin,
Geneva, Johannesburg, New York, Ostrava, Paris, Seoul, Tokyo and Zurich,
as well as collaborating text writers, translators, programmers and
graphic artists.
It will not be possible to receive all the bastard channel programmes at
all times, for our online project operates according to the television
programme structure. Trailers will provide information about the times of
day and night when you will be able to receive the next programmes in your
part of the world. Whereas the terrestrial television stations are working
on making it possible for programmes to be broadcast online independently
of times and dates, bastard channel is set on limiting consumption: we do
not want our programme to be available all the time, and we take the
opportunity of wagging a cautionary medial forefinger at the "zap & surf
attitude".
bastard channel is intended to reflect the web as a time medium. This is a
cross between the babbling TV promises and the hesitant web response of a
56k modem. Some of our programmes are run like films, animating the screen
at a breakneck pace, others step intentionally on the brake, tempting and
frustrating at one and the same time. Still others bring streams of data
onto the screen or make interaction offers where the public can spend 30
minutes or 30 seconds. At bastard channel, even the TV test pictures are
interactive, and viewers receive personal answers to existential problems
from the Television Sphinx - without, however, knowing whether they will
receive a written or spoken answer from the Sphinx herself or her
intelligent robot within two to three days.
56kTV - bastard channel has its own programme magazine. International
authors from the worlds of the film, art and the media sciences comment on
the TV project and the individual programmes, thus enriching the
audio-visual online offer by a print & read version. We are investing in a
good visual concept and leaving the print-on-demand to our public, since
the TV magazines can be printed on every home printer.
Saturday, November 27, 2004 at 10:41 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/_international_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Guy Debord, a Portrait-Testament
"Guy Debord His Art and His Life" (France/1994/60 min.) Directed by
Brigitte Cornand and Guy Debord
BOSTON PREMIERE
Thursday, December 2 at 7PM
Bartos Theatre, MIT List Visual Arts Center
Film Night with a discussion led by John Gianvito
This work is a portrait-testament, made at the request of the legendary
Situationist writer-philosopher-artist in 1994 when he realized his end
was near, due to a painful terminal illness. In this film, Guy Debord sums
up his life, emphasizing the importance of his films and his attraction to
painting, then pays homage to his friends Asger Jrn, Gil Wolman, Alice
Becker Ho and others. Debord offers a commentary on our society through a
succession of extracts from televised reports, important moments of the
previous ten years, "torpedoed" by the author's written commentary
inscribed on the screen like the pages of a book.
Film Night, organized by John Gianvito (a filmmaker, teacher, and curator
based in Boston), is in conjunction with the exhibition Cerith Wyn Evans:
Thoughts unsaid, now forgotten... on view at the MIT List Visual Arts
Center through December 31, 2004. All exhibitions and public programs at
the MIT List Visual Arts Center are free and open to the public.
Directions to the MIT LVAC.
Saturday, November 27, 2004 at 10:27 AM in Film | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/_guy_debord_his.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
"You've Got Art" (on your cell phone)
"The same way collectors embraced video art in the early 60's and digital
art in the 90's, mobile art will become a new dimension to their
collections giving them an opportunity to carry unique works of art in
their cell phones or PDAs" Said Serge Elkiner, CEO of YellowPepper. "It's
an easy process, customers will receive their work of art directly on
their cell phones, and a certificate of authenticity in the mail [...]"
ARTMOBILE FIRST TO LAUNCH WIRELESS ART AND ART SERVICES WITH ART EDITIONS
TO CONSUMER MARKETS
Boston, MA, November 22, 2004 - Yellow Pepper Wireless LLC announced today
it had launched ArtMobile, its new service offering unique works of art
for mobile telephones. The first works of art editions will be available
for sale at Art Basel Miami Beach. The company has retained the curatorial
services of Janet Phelps of New York to select artists and their works,
and to serve as the company's gallery relations liaison.
Original works of art will be commissioned from artists who range from
emerging to established. The images will be sold individually or as a
portfolio, and will include sound, still and moving images. Edition sizes
and prices will vary by artist. At the time of this announcement, the
list of artists includes: Hernan Bas, Luis Gispert, Naomi Fisher, Jaie
Hwang, and Gean Moreno, all represented by Fred Snitzer Gallery, in Miami;
Raymond Saa, represented by Ambrosino Gallery, in Miami; and Stephen
Vitiello, represented by The Project, in New York. ArtMobile will offer
the first editions for sale inside the fair during Art Basel Miami Beach
on December 2-5, 2004 in Miami Beach, FL at gallery booths representing
participating artists. Other artists include Millree Hughes, represented
by Lemon Sky Projects & Editions, in Miami and Michael Steinberg Fine Art,
in New York; and Larissa Bates, represented by Monya Rowe, in New York.
Saturday, November 27, 2004 at 10:13 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/youve_got_art_o.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Postcards From The Edge
Postcards from the Edge
Visual AIDS benefit
@ Brent Sikkema, 530 W 22nd St, NYC
Preview Party :
Saturday, December 4, 6-9 PM
$50 cover at the door, includes one free raffle ticket, for a chance to
win first selection of artwork.
Additional raffle tickets are $20 each. (Participating artists can attend
free)
Special Host: Alan Cumming
Open bar sponsored by Wine & Spirits Magazine
This is the only opportunity to get a sneak peek at the entire Postcards
From the Edge exhibition. No work will be for sale on the Preview Night,
however one lucky raffle winner will be able to select any artwork that
evening before anyone else! There will also be a silent auction of small
works by BERN BOYLE (1951-1992), BRIAN WEIL (1954-1996), and JIMMY DE SANA
(1950-1999) from the collection of Sur Rodney (Sur).
Postcard artwork is hung anonymously, so come to the preview party and
scout our your favorites early!
Benefit Sale: Sunday, December 5, 2-6 PM
First-come, first-served
No entrance fee
Over 1000 original postcard-sized works. Only $50 each. Famous within the
art world as the most exciting and affordable way to build a collection of
work by internationally renowned artists as well as young and emerging
artists, all works are sold on a first-come, first-served basis for $50
each .Cash and checks only. Postcards are displayed anonymously and the
artists names are only revealed upon purchase. A collector might end up
with a work by a famous artist or someone they don't yet know. Either way,
they walk away with a great piece of art while supporting the programs of
Visual AIDS.
Postcards from the Edge artists include: Vito Acconci, Jose Alvarez, Emma
Amos, Polly Apfelbaum, Bill Armstrong, Dotty Attie, Alice Aycock, Aziz +
Cucher, John Baldessari, Burt Barr, Robert Beck, Barton Lidice Benes,
Lynda Benglis, Kermit Berg, Katherine Bernhardt, Nayland Blake, Ross
Bleckner, Chakai Booker, Louise Bourgeois, Nina Bovasso, Mark Bradford, AA
Bronson, Matthew Buckingham, Nancy Burson, Suzanne Caporael, Mary Ellen
Carroll, Janice Caswell, Vincent Cianni, Aaron Cobbett, Greg Colson, Fred
Cray, Jeanne Dunning, Marcel Dzama, Frank Egloff, Joy Episalla, Mitch
Epstein, Neil Farber, Tony Feher, Brian Finke, Robert Flynt, Adam Fuss,
Joy Garnett, Jeff Gauntt, Louis Gispert, Judy Glantzman, Milton Glaser,
Anthony Goicolea, Lance Goldsmith, Maria Elena Gonzalez, Michelle Grabner,
Deborah Grant, Joanne Greenbaum, Hans Haacke, Harmony Hammond, Jane
Hammond, Stuart Hawkins, Mary Heilmann, Geoffrey Hendricks, Matthias
Herrmann, Jim Hodges, Frank Holliday, David Humphrey , James Hyde, Alfredo
Jaar, Bill Jacobson, Bill Jensen, Simen Johan, Chris Johanson, Joan Jonas,
Bill Jones, Michael Joo, Emily Joyce, Roberto Juarez, Miranda July, Julian
LaVerdiere, Louise Lawler, Zoe Leonard, Les Levine, Sol LeWitt, Glenn
Ligon, Vera Lutter, MacDermott & MacGough, Kerry James Marshall, Barry
McGee, Dominic McGill, Michael Meads, Julie Mehretu, Ann Messner, Marilyn
Minter, Amy Morken, Carrie Moyer, Matt Mullican, Vik Muniz, Elizabeth
Murray, Stefanie Nagorka, Chuck Nanney, James Nares, David Nelson, Yoko
Ono, Tom Otterness, Sheila Pepe, Lamar Peterson, William Pope L. , Amy
Jean Porter, Paul Henry Ramirez, Jessica Rankin, Erwin Redl, Eric Rhein,
Robert Richards, Dorothea Rockburne, Tim Rollins & K.O.S., Kay Rosen,
Michael Rosen, Arnold Roth, Betye Saar, Carolee Schneemann, Collier
Schorr, Joan Semmel, Mark Sheinkman, Kate Shepherd, Jean Shin, Alyson
Shotz, Amy Sillman, Tom Slaughter, Nancy Spero, Pat Steir, Barbara
Takenaga, Steed Taylor, Rirkrit Tiravanija, Janaina Tschape, Spencer
Tunick, Type A, Penelope Umbrico, John Waters, Mary Weatherford, William
Wegman, Lawrence Weiner, Fred Wilson, Millie Wilson, Jackie Windsor,
Thomas Woodruff, Carrie Yamaoka Lynne Yamamoto and many, many MORE!
All Postcards from the Edge proceeds100% of all salesgo to support the
programs of Visual AIDS. Founded in 1988, Visual AIDS strives to increase
public awareness of AIDS through the visual arts. Two Visual AIDS
initiatives, the Red Ribbon and Day Without Art, have become icons of AIDS
awareness. The Frank Moore Archive Project documents the work of artists
with HIV/AIDS to ensure that their artistic legacy will be preserved,
thereby safeguarding their place within art history. The Archive Project
also facilitates the creation and presentation of new work and provides
practical services to artists with HIV/AIDS, assisting in their pursuit of
a professional career.. For more information on Visual AIDS programs,
please visit www.visualaids.org
Saturday, November 27, 2004 at 09:57 AM in Benefits | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/postcards_from_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Thursday, November 25, 2004
Lone Mole (Thanksgiving)
[image]
via Satan's Laundromat:
LTV: Lone Mole
For some, the holiday season is cold dark and lonesome.
Today's guest photographer:
J. Anastasio of LTV.
Thursday, November 25, 2004 at 12:05 PM in Misc. | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/lone_mole_thank.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
Opsound CD Release Party + Label Launch
Opsound is a record label and sound pool using an open source, copyleft
model, an experiment in practical gift economics, a laboratory for new
ways of releasing music. Visit the Opsound Open Pool for free copyleft
music downloads. Musicians and sound artists are invited to add their work
to the pool. Look for copyleft releases on the Opsound Label coming soon.
CATALPA CATALPA CD RELEASE PARTY
Thursday, December 2, CBGB Lounge
8pm - midnight and beyond.
Directions: 313 Bowery, New York City - between 1st and 2nd streets-F
train to Second Ave, or 6 train to Bleecker [map and more directions]
Opsound launches its copyleft record label with a release party for the
electroacoustic band Catalpa Catalpa's debut album, Hardoncity. The
evening will feature live performances from Catalpa Catalpa, Ben Owen &
Andy Graydon, Scavenger, and Weapons of Mass Destruction and will take
place at the CBGB Lounge, 315 Bowery from 8pm to midnight on Thursday,
December 2, 2004.
"I'm delighted to have Catalpa Catalpa's debut as the label's first
release," says Sal Randolph, Opsound's founder. "Catalpa Catalpa's roots
are in rock but their sheer love of sound and noise breaks down genre
barriers, incorporating elements usually segregated into pop, electronica,
hardcore, and experimental."
SCAVENGER:
Tianna Kennedy (center) performing with Tadpole Flaneur at the
op.mix.party 5/04
Opsound uses a copyleft-style license designed by Creative Commons
especially for music, art, writing and other kinds of non-software
content. Creative Commons is a nonprofit organization dedicated to
expanding alternatives to traditional copyright through its spectrum of
licenses. Creative Commons licenses are featured in the cover story of
November's Wired Magazine which includes a CD of Creative Commons licensed
music by artists like David Byrne, the Beastie Boys and Le Tigre, given
away free with every issue.
Thursday, November 25, 2004 at 11:04 AM in Misc. | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/opsound_cd_rele.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
The Grey Video (+download)
Greyvideovia Waxy.org:
Video Download
Download the File
Grey Video (.MOV file)
Date: November 18, 2004
Size: 22,684k
The Grey Video is the brilliant Jay-Z/Beatles music video mashup of DJ
Dangermouse's "Encore" off the infamous Grey Album.
The official site is down, likely a result of popularity or legality, and
I don't know if it's coming back. Until then, I'm going to mirror the
high-quality Quicktime version.
Download: grey_video.mov (Quicktime, 22 MB)
BitTorrent: grey.torrent (thanks, Kyle!)
Also, Matt Haughey is mirroring it.
Recent Links boingboing.net (140 visitors)
metafilter.com (93 visitors)
strange.toheart.to (84 visitors)
shift.jp.org (76 visitors)
mfisn.com (69 visitors)
opuszine.com (52 visitors)
downhillbattle.org (50 visitors)
ponderance.blogspot.com (45 visitors)
downhillbattle.org (44 visitors)
blogcritics.org (43 visitors)
Thursday, November 25, 2004 at 10:52 AM in Web/Tech | Permalink:
http://newsgrist.typepad.com/underbelly/2004/11/the_grey_video_.html
//////////////////////////////////////////////////////////////////////////////////////////////////////
NEWSgrist - where spin is art
http://newsgrist.typepad.com
Archives
http://newsgrist.net