joy garnett
Since the beginning
Works in United States of America

ARTBASE (1)
BIO
Joy Garnett is a painter based in New York. She appropriates news images from the Internet and re-invents them as paintings. Her subject is the apocalyptic-sublime landscape, as well as the digital image itself as cultural artifact in an increasingly technologized world. Her image research has resulted in online documentation projects, most notably The Bomb Project.

Notable past exhibitions include her recent solo shows at Winkleman Gallery, New York and at the National Academy of Sciences, Washington, DC; group exhibitions organized by the Whitney Museum of American Art, P.S.1/MoMA Contemporary Art Center, Artists Space, White Columns (New York), Kettle's Yard, Cambridge (UK), and De Witte Zaal, Ghent (Belgium). She shows with aeroplastics contemporary, Brussels, Belgium.

extended network >

homepage:
http://joygarnett.com

The Bomb Project
http://www.thebombproject.org

First Pulse Projects
http://firstpulseprojects.net

NEWSgrist - where spin is art
http://newsgrist.typepad.com/

Discussions (685) Opportunities (5) Events (8) Jobs (0)
DISCUSSION

II 404 FESTIVAL // iNTERNATIONAL FESTIVAL OF ELECTRONIC ART


---------- Forwarded message ----------
From: 404 festival <404@astasromas.com>
Date: Jun 6, 2005 11:01 PM
Subject: II 404 FESTIVAL // iNTERNATIONAL FESTIVAL OF ELECTRONIC ART
To: astas romas <astasromas@astasromas.com>

II INTERNATIONAL FESTIVAL OF ELECTRONIC ART 404 > OPEN CALL

Deadline: August 15th 2005
"Astas Romas" is organising the second "International Festival of
Electronic Art 404", to be held at "Centro Cultural Parque de Espana"
and "Centro Cultural Bernardino Rivadavia", in Rosario, Argentina from
November 29th to December 2nd, 2005.
"Astas Romas" is making a world-wide call to artists and theorists to
take part in this Festival 404'05 in order to estimulate and divulge
new productions around electronic art.
Authors may participate in the following areas: net-art, still image,
animation, video, electronic music, audiovisual set, theory,
performance and any other proposals made by the authors.
The program includes: screening of videos and animations, conferences,
performances and concerts.
Participation in this festival is free, open, and has no age-limit.
The Festival

DISCUSSION

ATOMICA: Making the Invisible Visible


ATOMICA: Making the Invisible Visible
http://newsgrist.typepad.com/underbelly/2005/06/atomica_da_bomb.html
on view June 7 - July 30, 2005atEsso Gallery and Lombard-Fried Fine Arts531 West 26th street, 2nd floorartist's reception: June 22, 2005, 6-8 PM
Participating artists include: Shiva Ahmadi, Jesse Bransford, ChrisBurden, Davide Cantoni, Sarah Ciraci', Julian Dashper, Heide Fasnacht,Tony Feher, Carlos Garaicoa, Joy Garnett, Leon Golub, Ingo Gunther,Mark Handelmann, Keith Haring, Alfredo Jaar, Marguerite Kahrl, PeterKennard, Komar + Melamid, Seitaro Kuroda + Hironobu Yamabe, MollyLarkey, Cristobal Lehyt, Ellen K. Levy, Robert Longo, Dominic McGill,Curtis Mitchell, Nobuho Nagasawa, Taras Polataiko , Robert Polidori,Michael Rakowitz, Lisi Raskin, Wilhelm Sasnal, Francesco Simeti, NancySpero, Hiroshi Sunairi and John Timberlake .
"They made a desert, and they called it peace.

DISCUSSION

ATOMICA in Chelsea: A two-gallery exhibition commemorating the 60th anniversary of the bombings of Hiroshima and Nagasaki


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DISCUSSION

Posthorn at NIME05 Festival, Vancouver, BC


via PALLADIO blog:
http://newsgrist.typepad.com/palladio/2005/05/posthorn_at_nim.html
image source<http://www.metmuseum.org/special/Hudson_River/gifford_more.htm>

*NIME 2005 <http://hct.ece.ubc.ca/nime/2005/index.html> - May 26-28
The 2005 International Conference on New Interfaces for Musical Expression*
University of British Columbia, Vancouver, BC

*Concert Program <http://hct.ece.ubc.ca/nime/2005/concerts.html>* - School=

of Music, Recital Hall
THURSDAY, 19:30-21:30: OPENING Concert [full
program<http://hct.ece.ubc.ca/nime/2005/concerts.html>
]

*Posthorn *
*Ben Neilll, Bill Jones, composer/performers*
10 minutes

* Posthorn* is a live performance piece for my self-designed
mutantrumpet/electronics system. The work is titled after and based on
the *"Posthorn
solo"*, a section of the third movement of *Gustav Mahler's Symphony No. 3*=
,
originally composed in 1898.

In Posthorn three computer programs respond to my playing in real time. The=

pitches and dynamics of my acoustic performance are translated into MIDI
information, then sent to all three programs simultaneously. The first
program enables me to trigger and modify the playback of MIDI sequences fro=
m
the mutantrumpet. The output of the program triggers a sample of the
orchestral chord which immediately precedes the entrance of the Posthorn
solo in the original symphony. As the piece progresses the sample is
modified in pitch, duration and density by the dynamic and pitch content of=

my acoustic playing as well as the mutantrumpet1s on-board MIDI controllers=
.
The second software is a live sampling program which enables me to grab
samples and modify them in real time with the same set of controllers. In=

Posthorn I live sample my own playing as well as the samples of the symphon=
y
that are being triggered. I also recall samples of other performances of th=
e
piece and combine them with the material that is evolving in real time. The=

third program runs on a second computer and translates the MIDI data from=

the mutantrumpet into real time video control. The MIDI input manipulates=

live digital video samples of *19th century landscape paintings* and *live=

action footage of pastoral landscapes*.
While the basic shape of Posthorn is fixed according to the melodic
structure of the Mahler piece, its details are improvised, depending on how=

I unfold the melodic material and the dynamics with which I play. My
decisions are influenced by feedback from the system, which guides the work=

into unforeseen areas each time it is performed.
*-- Ben Neill*

DISCUSSION

Peace By Piece 2005


Peace By Piece 2005Opening May 26, 2005 6:00