ARTBASE (1)
PORTFOLIO (1)
BIO
The McElroys are a husband and wife collaborative artist, technology, and business team who bring significant artistic, technology and community development skills to Corporate Performance Artists. Joseph, is a graduate of Computer Science from Duke University and a former team leader at IBM. He has been a CEO of several companies, and has been responsible for raising $2 million to fund a startup company called EveryDayPrint.com, which while part of the dot-com boom and bust, he managed to bring to profitability and which still survives to this day.
Donna was an operations manager and PR specialist in the firms they have started together. She has recently been credited by several business leaders in the Bronx as being "top spokesperson for the Bronx." She is active in many community development projects, such as participating on the Board of the Bruckner Arts and Antique District, and working to promote many Bronx activities through an online newsletter called Cupcake Kaleidoscope.
Joseph was the leader of the Open Source Sig for the New York Software Industry Association. And was track co-chair for Open Source at the 2001 New York Software Industry Summit. He was on the advisory board for PostgreSql, Inc - the leading Open Source Database and has had articles published by Lutris Technologies and Open Magazine on Open Source business models and technology solutions. He is a database expert with extensive Fortune 500 experience. Among other awards, he won an IBM Division Award for Technical Excellence.
From magazine "Open" issue September 2001 - "The McElroys kick open the doors of old business models and capitalize on what they believe." The McElroys have achieved re-known as Open Source visionaries with interviews by Interactive Week, Infoworld, Fortune Technology, Open magazine, and others. Joseph and Donna make no claims of divine insight, but in review by Lewis Lacock, it is said, "that this dynamic duo of art are the closest things we have to true shamans today". They are doing their best to pursue the knowledge to support such claims someday.
HIGHLIGHTS
* Achieved reputation as Open Source visionarys with interviews by Interactive Week, Infoworld, Fortune Technology, Open magazine among others.
* National Columnist on Money Matters for Gather.com.
* Judge for the Advanced Technical Categories of the Emmys.
* Successfully raised $2 million funding for startup.
* Successfully built and sold two technology businesses.
* First Entry into the Multimedia wing of the Museum of Computer Art.
* Artwork collected by the Library at Cornell University.
* Artwork in the collection of Rhizome.org.
* Developed first ever Exhibition Catalog completely on CD Rom. Done for Alternative Museum. Reviewed by New York Times.
* Selected to attend first ever Summer Institute for Performance Art at The Kitchen in NYC.
* IBM Division Award for Technical Excellence.
* Various academic, mathematic and scholarship awards. Attended Duke University on a full scholarship in mathematics.
* Poetry published in various journals. Art exhibited in museum shows.
* Certificate of Artistic Excellence from Congressman Jose Serrano.
* Recognized by Bronx Borough President Aldofo Carrion for contributions to the community.
Donna was an operations manager and PR specialist in the firms they have started together. She has recently been credited by several business leaders in the Bronx as being "top spokesperson for the Bronx." She is active in many community development projects, such as participating on the Board of the Bruckner Arts and Antique District, and working to promote many Bronx activities through an online newsletter called Cupcake Kaleidoscope.
Joseph was the leader of the Open Source Sig for the New York Software Industry Association. And was track co-chair for Open Source at the 2001 New York Software Industry Summit. He was on the advisory board for PostgreSql, Inc - the leading Open Source Database and has had articles published by Lutris Technologies and Open Magazine on Open Source business models and technology solutions. He is a database expert with extensive Fortune 500 experience. Among other awards, he won an IBM Division Award for Technical Excellence.
From magazine "Open" issue September 2001 - "The McElroys kick open the doors of old business models and capitalize on what they believe." The McElroys have achieved re-known as Open Source visionaries with interviews by Interactive Week, Infoworld, Fortune Technology, Open magazine, and others. Joseph and Donna make no claims of divine insight, but in review by Lewis Lacock, it is said, "that this dynamic duo of art are the closest things we have to true shamans today". They are doing their best to pursue the knowledge to support such claims someday.
HIGHLIGHTS
* Achieved reputation as Open Source visionarys with interviews by Interactive Week, Infoworld, Fortune Technology, Open magazine among others.
* National Columnist on Money Matters for Gather.com.
* Judge for the Advanced Technical Categories of the Emmys.
* Successfully raised $2 million funding for startup.
* Successfully built and sold two technology businesses.
* First Entry into the Multimedia wing of the Museum of Computer Art.
* Artwork collected by the Library at Cornell University.
* Artwork in the collection of Rhizome.org.
* Developed first ever Exhibition Catalog completely on CD Rom. Done for Alternative Museum. Reviewed by New York Times.
* Selected to attend first ever Summer Institute for Performance Art at The Kitchen in NYC.
* IBM Division Award for Technical Excellence.
* Various academic, mathematic and scholarship awards. Attended Duke University on a full scholarship in mathematics.
* Poetry published in various journals. Art exhibited in museum shows.
* Certificate of Artistic Excellence from Congressman Jose Serrano.
* Recognized by Bronx Borough President Aldofo Carrion for contributions to the community.
Re: [thingist] Re: (asco-o) http://turbulence.org/Works/Eryk/ai/
ASCII is only one of several codes to assist in presenting text on a screen or
printout, or sent across a network. It represents the internal bit storage of
a character in computer memory and how that is interpreted. Others such
standards exist and are used. EPCDIC (sp) was one I used for a long time at
IBM.
The application of text to image creation has no relation to ASCII, and this
Coca-Cola/ASCII show is a bit of a stretch. However, misinformation sometimes
sells.
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
> On Sun, 24 Nov 2002, asco-o wrote:
>
> > If a country has both Coca Cola and the Internet, is it an American
> Territory?
>
> Alle ist American territory. Du shall die among Americans.
>
> > It can be said that there is no greater symbol for American
> > Globalization than the logo plastered onto Coca Cola cans.
>
> In America at the turn of the century and particularly blooming
> red flowers many secret societies developed.
>
> The apes pranced about in the newly discovered American
> territories, de-light-ing in meaningless lexical category shifting,
> as well as in tools they no longer remembered anything about,
> not in the least of who, when, how, or why gave it to them.
>
> The most delightful middle class apes are permitted to join dze circus,
> where they are publically executed to thee endless delight of the
> audience. It is a very literate + civilized kind of murder, also
> simply Superior.
>
> Recently there have been observed reports of a warring faction
> activities between the lowercase and THE ALLCAPS, complete with
> total whistle, click and cut vs. guitar noise soundtrack.
>
> It's still all foux.
>
> > Coca Cola is so linked to America
> > that its factories share a distinction with American embassies and
> > battleships as terrorist targets: Coca Cola plants have been bombed in
> > Nepal and New Delhi.
>
> Coca-Cola is not linked with America at all dearest.
>
> > But the myths at the heart of Coca Cola's business strategies are
> > similar to the myths that surround the internet.
>
> That would be because Eryk Salvaggio is privy to the Coca-Cola business
> strategies.
>
> > Coca Cola claims to be a great equalizer;
>
> Does it? The 'great equalizer' is actually Eryk Salvaggio's obsession.
>
> > the brotherhood of man united by the taste of a soft drink.
>
> Cheap slogan-propaganda attempted to be passed on as insight.
>
> > The internet is said to be an equalizer, allowing common ground and
> > communication between all the peoples of the world.
>
> Is it said so?
>
> > Technology allows you
>
> Me who?
>
> > to connect to the internet from virtually anywhere in the world,
>
> Especialy China.
>
> > and it
> > is quite possible that as your modem connects, you will be able to find
> > a
> > Coca Cola through some local vendor, regardless of whether you are in
> > Israel, Japan, England, Macau, China, or Columbia.
>
> That would be because Eryk has been to all of the above.
>
> > While the Coca Cola logo is recognized as the symbol of American
> > Commerce across the world; with only minor changes by region, there is
> > another equivalent on the internet: ASCII;
>
> Note the conflation of world and internet. Also note that Eryk
> Salvaggio has been 'around the world'.
>
> > the universal standard
>
> Yes, last time I was on Mars they used ASCII too.
>
> > for transmitting data via email and web sites. But while it is a
> > universal standard, it is named after its country of origin- The
> > American Standard Code for Information Interchange.
>
> De-lightfuy 'educational'.
>
> > While there are variants of ASCII in Cyrillic and in other scripts; it
> > has only been recently that you can access a web site in, say, Japan, by
> > actually typing with Japanese characters. While it has been expanded, it
> > is still unpopular,
>
> Unpopular. Another favorite word operating the salvaggio unit.
>
> > and hasn't caught on with most international web surfers.
>
> "International web surfers".
>
> > Much like globalism at its worst,
>
> Something that doesn't exist at its worst?
>
> > ASCII says to other systems, "You can have your own culture, see?" but
> > threatens the existence of that culture through the pressure of
> > economics.
>
> Yes that's EXACTLY what ASCII does.
>
> > When in Korea, do what the Koreans do- search for a flower shop with
> English letters.
>
>
> > My proposed piece, "American Internet",
>
> Like all of ERyk's 'internet pieces' which are cheap exploitations
> of 'hot topics' and read like the headlines of a pychotic third rate
> trash newspaper..
>
> > would compare the ubiquity of ASCII and Coca Cola;
>
> That ist the way we can relate to reaity, ne?
>
>
> > using one as metaphor for the other at any given point.
>
> Totally exchangable.
>
> > I would like to create "portraits" of Coca Cola cans from different
> > countries.
>
> Which consist of photos of scanned coke cans run through an
> ascii-program.
>
> > One would access them through a central index made up of
> > domain extensions from foreign countries- ".fr" for France, for example.
>
> What a pity that a series of ASCII-fied photo of coke cans does NOT do
> what you're claiming to be doing at all?
>
> > The work is network based because it relies solely on html to generate
> > the images- there would actually be no images involved, merely the
> > evocation of images, via ASCII text. The images rely on the language of
> > the browser in order to be seen.
>
> And that is network related.
>
> > The cans themselves would be rendered to ASCII with attention towards
> aesthetics, but will be regimented to red on a black background. The font
> size for the ASCII would be set to small, allowing for the logo to be readily
> identifiable but abstracted at the same time. The use of the logo fits
> comfortably within fair use practices as a clearly satirical artistic
> reinterpretation.
>
> Clearly satirical?
>
> > While I intend to create this piece so that a viewer can simply enjoy
> > it's aesthetic value,
>
> WHAT aesthetic value?
>
> > I hope the similarities evident in this piece will
> > evoke questions concerning Globalism. Is internet access and Coca Cola
> > enough to "Americanize" a country? Can you tell the strength of a
> > culture by looking at how much it changes the face of its Coca Cola
> > cans?
>
> Standard meaninbgless highschool drivel.
> Though shalt play along with ERyk's particular fucking-with-my-own brain
> myopic delusions. This way you will be an intelligent being.
>
> I propose we examine ERyk's piece from the point of view of a standard
> American kid's brain attemting to impose its cultural conditioning
> by creating 'meaningful artworks' which are disposable empty packages
> with no essential value whatsoever, and which are designed to use
> cheaply abusable knee-jerks such 'as 'globalisation' 'americanisation'
> 'coca-cola' etc, in order to propagate a certain delusional chimera
> dream's existence.
>
> Also we announce $500 award for anyone who presents us with an ACCURATE
> and total picture of what ERyk Salvaggio really IS and what he's doing.
>
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
printout, or sent across a network. It represents the internal bit storage of
a character in computer memory and how that is interpreted. Others such
standards exist and are used. EPCDIC (sp) was one I used for a long time at
IBM.
The application of text to image creation has no relation to ASCII, and this
Coca-Cola/ASCII show is a bit of a stretch. However, misinformation sometimes
sells.
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
> On Sun, 24 Nov 2002, asco-o wrote:
>
> > If a country has both Coca Cola and the Internet, is it an American
> Territory?
>
> Alle ist American territory. Du shall die among Americans.
>
> > It can be said that there is no greater symbol for American
> > Globalization than the logo plastered onto Coca Cola cans.
>
> In America at the turn of the century and particularly blooming
> red flowers many secret societies developed.
>
> The apes pranced about in the newly discovered American
> territories, de-light-ing in meaningless lexical category shifting,
> as well as in tools they no longer remembered anything about,
> not in the least of who, when, how, or why gave it to them.
>
> The most delightful middle class apes are permitted to join dze circus,
> where they are publically executed to thee endless delight of the
> audience. It is a very literate + civilized kind of murder, also
> simply Superior.
>
> Recently there have been observed reports of a warring faction
> activities between the lowercase and THE ALLCAPS, complete with
> total whistle, click and cut vs. guitar noise soundtrack.
>
> It's still all foux.
>
> > Coca Cola is so linked to America
> > that its factories share a distinction with American embassies and
> > battleships as terrorist targets: Coca Cola plants have been bombed in
> > Nepal and New Delhi.
>
> Coca-Cola is not linked with America at all dearest.
>
> > But the myths at the heart of Coca Cola's business strategies are
> > similar to the myths that surround the internet.
>
> That would be because Eryk Salvaggio is privy to the Coca-Cola business
> strategies.
>
> > Coca Cola claims to be a great equalizer;
>
> Does it? The 'great equalizer' is actually Eryk Salvaggio's obsession.
>
> > the brotherhood of man united by the taste of a soft drink.
>
> Cheap slogan-propaganda attempted to be passed on as insight.
>
> > The internet is said to be an equalizer, allowing common ground and
> > communication between all the peoples of the world.
>
> Is it said so?
>
> > Technology allows you
>
> Me who?
>
> > to connect to the internet from virtually anywhere in the world,
>
> Especialy China.
>
> > and it
> > is quite possible that as your modem connects, you will be able to find
> > a
> > Coca Cola through some local vendor, regardless of whether you are in
> > Israel, Japan, England, Macau, China, or Columbia.
>
> That would be because Eryk has been to all of the above.
>
> > While the Coca Cola logo is recognized as the symbol of American
> > Commerce across the world; with only minor changes by region, there is
> > another equivalent on the internet: ASCII;
>
> Note the conflation of world and internet. Also note that Eryk
> Salvaggio has been 'around the world'.
>
> > the universal standard
>
> Yes, last time I was on Mars they used ASCII too.
>
> > for transmitting data via email and web sites. But while it is a
> > universal standard, it is named after its country of origin- The
> > American Standard Code for Information Interchange.
>
> De-lightfuy 'educational'.
>
> > While there are variants of ASCII in Cyrillic and in other scripts; it
> > has only been recently that you can access a web site in, say, Japan, by
> > actually typing with Japanese characters. While it has been expanded, it
> > is still unpopular,
>
> Unpopular. Another favorite word operating the salvaggio unit.
>
> > and hasn't caught on with most international web surfers.
>
> "International web surfers".
>
> > Much like globalism at its worst,
>
> Something that doesn't exist at its worst?
>
> > ASCII says to other systems, "You can have your own culture, see?" but
> > threatens the existence of that culture through the pressure of
> > economics.
>
> Yes that's EXACTLY what ASCII does.
>
> > When in Korea, do what the Koreans do- search for a flower shop with
> English letters.
>
>
> > My proposed piece, "American Internet",
>
> Like all of ERyk's 'internet pieces' which are cheap exploitations
> of 'hot topics' and read like the headlines of a pychotic third rate
> trash newspaper..
>
> > would compare the ubiquity of ASCII and Coca Cola;
>
> That ist the way we can relate to reaity, ne?
>
>
> > using one as metaphor for the other at any given point.
>
> Totally exchangable.
>
> > I would like to create "portraits" of Coca Cola cans from different
> > countries.
>
> Which consist of photos of scanned coke cans run through an
> ascii-program.
>
> > One would access them through a central index made up of
> > domain extensions from foreign countries- ".fr" for France, for example.
>
> What a pity that a series of ASCII-fied photo of coke cans does NOT do
> what you're claiming to be doing at all?
>
> > The work is network based because it relies solely on html to generate
> > the images- there would actually be no images involved, merely the
> > evocation of images, via ASCII text. The images rely on the language of
> > the browser in order to be seen.
>
> And that is network related.
>
> > The cans themselves would be rendered to ASCII with attention towards
> aesthetics, but will be regimented to red on a black background. The font
> size for the ASCII would be set to small, allowing for the logo to be readily
> identifiable but abstracted at the same time. The use of the logo fits
> comfortably within fair use practices as a clearly satirical artistic
> reinterpretation.
>
> Clearly satirical?
>
> > While I intend to create this piece so that a viewer can simply enjoy
> > it's aesthetic value,
>
> WHAT aesthetic value?
>
> > I hope the similarities evident in this piece will
> > evoke questions concerning Globalism. Is internet access and Coca Cola
> > enough to "Americanize" a country? Can you tell the strength of a
> > culture by looking at how much it changes the face of its Coca Cola
> > cans?
>
> Standard meaninbgless highschool drivel.
> Though shalt play along with ERyk's particular fucking-with-my-own brain
> myopic delusions. This way you will be an intelligent being.
>
> I propose we examine ERyk's piece from the point of view of a standard
> American kid's brain attemting to impose its cultural conditioning
> by creating 'meaningful artworks' which are disposable empty packages
> with no essential value whatsoever, and which are designed to use
> cheaply abusable knee-jerks such 'as 'globalisation' 'americanisation'
> 'coca-cola' etc, in order to propagate a certain delusional chimera
> dream's existence.
>
> Also we announce $500 award for anyone who presents us with an ACCURATE
> and total picture of what ERyk Salvaggio really IS and what he's doing.
>
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
Re: Vivisection of Psychotik Leeches Live
Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
<blah blah blah>
hello K+, did you sleep well? You are still quite groggy. You should be sure to
be completely awake before you start speaking. Otherwise, one might confuse
your words with babble.
It seems to me that you are asking if I am a coca cola. I drink diet coke,
which raises the question - which is the "real" thing? I mean, just because
one came before the other does not mean the first is the real thing. What is a
"real" cola drink? Any answer you can give, I can find it insufficient.
See, there is a convenient truth. Any answer is insufficient. That completly
delights me, and will not be pleasant for you.
caio my friend
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
>
> On Thu, 21 Nov 2002, joseph (yes) wrote:
>
> > See new work and exchange life experience for artwork.
>
> Or also known as: exchange life.force to feed an egotistical idiot's
> 'performance artist ikon'.
>
> Did I forget to mention? The human psycho-sexual mechanism
> aka belief is not created so that it may be 'hooked' by
> narcissistic faux-artists who need someone else to
> 'believe' in them.
>
> In fact, this is how chimerical hallucinatory mechanisms
> which keep humans asleep are maintained: with the 'blood'
> (read energy) of the asleep, utilized to maintain a fallacious
> 'splendorous' ikon for frauds.
>
> If you were real dearest joseph, you wouldn't be asking
> others to 'believe' in you, and you'd know what the belief's
> mechanism purpose is, and I ain't tel;ling you that.
>
> So tell us Joseph, what deal did you make with your ego
> that it convinced you that it's the 'real' thing so you
> threw your essence away? Hmm?
>
> And why are you trying to 'convince' others that you're 'real'
> by attempting to hook their attention? Hmm?
<blah blah blah>
hello K+, did you sleep well? You are still quite groggy. You should be sure to
be completely awake before you start speaking. Otherwise, one might confuse
your words with babble.
It seems to me that you are asking if I am a coca cola. I drink diet coke,
which raises the question - which is the "real" thing? I mean, just because
one came before the other does not mean the first is the real thing. What is a
"real" cola drink? Any answer you can give, I can find it insufficient.
See, there is a convenient truth. Any answer is insufficient. That completly
delights me, and will not be pleasant for you.
caio my friend
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
>
> On Thu, 21 Nov 2002, joseph (yes) wrote:
>
> > See new work and exchange life experience for artwork.
>
> Or also known as: exchange life.force to feed an egotistical idiot's
> 'performance artist ikon'.
>
> Did I forget to mention? The human psycho-sexual mechanism
> aka belief is not created so that it may be 'hooked' by
> narcissistic faux-artists who need someone else to
> 'believe' in them.
>
> In fact, this is how chimerical hallucinatory mechanisms
> which keep humans asleep are maintained: with the 'blood'
> (read energy) of the asleep, utilized to maintain a fallacious
> 'splendorous' ikon for frauds.
>
> If you were real dearest joseph, you wouldn't be asking
> others to 'believe' in you, and you'd know what the belief's
> mechanism purpose is, and I ain't tel;ling you that.
>
> So tell us Joseph, what deal did you make with your ego
> that it convinced you that it's the 'real' thing so you
> threw your essence away? Hmm?
>
> And why are you trying to 'convince' others that you're 'real'
> by attempting to hook their attention? Hmm?
EXPERIENCE SALE TODAY
EXPERIENCE SALE TODAY
We are starting an Experience Sale TODAY from
6:00pm to 10:00pm. See new work and exchange life experience for
artwork.
Come to our opening at The Blue Ox Bar, located on the Northeast
corner of 139th Street and 3rd Avenue in the South Bronx. From
Manhattan, take the #6 subway to the 3rd ave & 138th St-first stop in
the Bronx (next stop uptown from 125th St). Ride the back of the train & take
subway exit that will leave you on 3rd ave & 138th St. Walk one block north to
the Blue Ox Bar on 139th & 3rd ave. The Blue Ox Bar is new & a first of its
kind in the South Bronx. It is also without signage.
You shouldn't have any problem locating us
Donna McElroy
646-279-9549
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting Peter von Brandenburg <blackhawk@thing.net>:
> http://www.thing.net/~kurotaka/Temp/GulfWars.jpg
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by Peter von Brandenburg <blackhawk@thing.net>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
We are starting an Experience Sale TODAY from
6:00pm to 10:00pm. See new work and exchange life experience for
artwork.
Come to our opening at The Blue Ox Bar, located on the Northeast
corner of 139th Street and 3rd Avenue in the South Bronx. From
Manhattan, take the #6 subway to the 3rd ave & 138th St-first stop in
the Bronx (next stop uptown from 125th St). Ride the back of the train & take
subway exit that will leave you on 3rd ave & 138th St. Walk one block north to
the Blue Ox Bar on 139th & 3rd ave. The Blue Ox Bar is new & a first of its
kind in the South Bronx. It is also without signage.
You shouldn't have any problem locating us
Donna McElroy
646-279-9549
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting Peter von Brandenburg <blackhawk@thing.net>:
> http://www.thing.net/~kurotaka/Temp/GulfWars.jpg
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by Peter von Brandenburg <blackhawk@thing.net>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
Re: [thingist] A Critical Analysis of net.art
Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
>
> So the animals are born, join the brain-circus-herd, die, ad rot.
>
> Baa.
>
>
>
And you don't offer or know of a better alternative. Just another animal
braying louder.
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
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Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
> On Wed, 20 Nov 2002, joseph (yes) wrote:
>
> > Quoting Heiko Recktenwald <uzs106@ibm.rhrz.uni-bonn.de>:
> >
> > > You dont know what I was talking of.
> >
> > YOU ARE ABSOLUTELY AND UNEQUIVOCALLY CORRECT
> >
>
> Masturbatory lexical category shifting about is not 'talking'.
> As in the case of the above, neither of you is talkin about anything:
> simply fucking around with each own's brains and fancying that clever
> and witty.
>
> So the animals are born, join the brain-circus-herd, die, ad rot.
>
> Baa.
>
>
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
>
> So the animals are born, join the brain-circus-herd, die, ad rot.
>
> Baa.
>
>
>
And you don't offer or know of a better alternative. Just another animal
braying louder.
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>:
> On Wed, 20 Nov 2002, joseph (yes) wrote:
>
> > Quoting Heiko Recktenwald <uzs106@ibm.rhrz.uni-bonn.de>:
> >
> > > You dont know what I was talking of.
> >
> > YOU ARE ABSOLUTELY AND UNEQUIVOCALLY CORRECT
> >
>
> Masturbatory lexical category shifting about is not 'talking'.
> As in the case of the above, neither of you is talkin about anything:
> simply fucking around with each own's brains and fancying that clever
> and witty.
>
> So the animals are born, join the brain-circus-herd, die, ad rot.
>
> Baa.
>
>
>
> --------------------------------------------------------------------
> t h i n g i s t
> message by "-IID42 Kandinskij @27+" <death@zaphod.terminal.org>
> archive at http://bbs.thing.net
> info: send email to majordomo@bbs.thing.net
> and write "info thingist" in the message body
> --------------------------------------------------------------------
Re: ~~~~~~~~~~~~~~~~~Worm
thumb scratches
the hard scab
on the right
palm caused by
splinter got
stripping paint
off old door
the old door
had old holes
made by some
long dead worms
without feet
worms do not
have a sole
with feet they
would not make
such smooth holes
with hands they
might strip paint
off old doors
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting "marc.garrett" <marc.garrett@furtherfield.org>:
> Blank~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Worm
>
>
>
>
> my flesh, frame and innards
> is substance
> water, iron & blood
> and a combination of visceral functions
>
> it is active
> I use it
> it uses me
>
> like a worm
> I eat the world external, I gulp
> and then I shit
> what was once internal
> a recycled pulp
>
> the world is my fuel
> commodified and made easy
> for the process
> society is my parent
> and it feeds my hunger
>
> like a worm
> I eat my world's resources
> it manufactures my body
> I accept in submission
> what is and what must be
>
the hard scab
on the right
palm caused by
splinter got
stripping paint
off old door
the old door
had old holes
made by some
long dead worms
without feet
worms do not
have a sole
with feet they
would not make
such smooth holes
with hands they
might strip paint
off old doors
joseph (cor e form art) + (porat per ance ist)
frank + lyn - mc + El + roy
go shopping -> http://www.electrichands.com/shopindex.htm
call me 646 279 2309
SUBSCRIBE TO OUR NEWSLETTER CUPCAKEKALEIDOSCOPE - send email to
CupcakeKleidoscope-subscribe@yahoogroups.com
Quoting "marc.garrett" <marc.garrett@furtherfield.org>:
> Blank~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Worm
>
>
>
>
> my flesh, frame and innards
> is substance
> water, iron & blood
> and a combination of visceral functions
>
> it is active
> I use it
> it uses me
>
> like a worm
> I eat the world external, I gulp
> and then I shit
> what was once internal
> a recycled pulp
>
> the world is my fuel
> commodified and made easy
> for the process
> society is my parent
> and it feeds my hunger
>
> like a worm
> I eat my world's resources
> it manufactures my body
> I accept in submission
> what is and what must be
>