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Supporter
Jessica Ivins
Since 2003
Works in Laurel Springs, New Jersey United States of America

- http://jessicaivins.net

ARTBASE (2)

Retrotype
www.bodywatch.us
PORTFOLIO (1)

Retrotype
BIO

Jessica is currently employed as a web designer/developer in the Philadelphia metro area. Like many of us, she busies herself by trying to fit time for art-making into her daily schedule. Jessica is a socially and politically conscious individual with an active interest in preserving, researching, and creating new media art. Her art addresses issues concerning the relationships among art, gender, and technology.
RHIZOME ACTIVITIES

Discussions (21) Opportunities (2) Events (1) Jobs (0)
DISCUSSION
Posted on Thu Sep 23, 2004

## miscellaneous new media call for entries

Beware of the Entry Fee! (but I figured I'd post anyway) :o)
Jess
September 30, 2004 DIGITAL CONCENTRATE Art and Technology
Exhibition. Deadline for entries is Friday, October 29, 2004. Dates of
exhibition are March 7 through April 24, 2005. Open to international
artists over the age of 18. The exhibition conceives of a broad
intersection of art and technology. Entries may include but are not
limited to: web-based art, works for monitor display, digital video,
digital prints, sensor-based and/or interactive work, and
robotics. Work will be selected by a curatorial team comprised of a
contemporary art historian and a digital artist from the Division of
Art & Design at Purdue University, and the director of
Galleries. Selections will be made from review of 35 mm slides, jpeg
files, CD-ROM/DVD, VHS format video and URLs. Please observe
resolution restrictions for jpeg images sent via e-mail (maximum
dimension of eight inches in image size-maximum resolution of 300
dpi). Include an artist statement and description of necessary
hardware and software for display. Submissions will be accepted by
ground mail or e-mail. A non-refundable entry fee of $20 will entitle
the artist to submit up to three (3) original works for
consideration. Entries must be made on the official entry form or PDF
file from the Purdue Galleries website: www.purdue.edu/galleries. For
more information, contact: Craig Martin-Director, Purdue University
Galleries, Physics Building Room 205, 525 Northwestern Av, West
Lafayette IN 47907-2036 OR 765-494-3061 OR cdma-@sla.purdue.edu
Sep 15, 2004 MULTIMEDIA FESTIVAL Accepting any style or genre of media
art, software art, and interactive systems. Prizes. No entry
fee. Contact: Transmediale, Klosterstr 68-70, Berlin 10179, Germany OR
011-49-30-24-74-97-61 OR 011-49-30-24-74-98-14(FAX) OR
http://www.transmediale.de OR in-@transmediale.de
October 31, 2004 Projekt30 is a not-for-profit online gallery run by
artists, designed to find exposure for emerging artists. We are taking
submissions for our December Juried Exhibition. Thirty artists will be
selected, and their work will be sent to over 51,000 galleries,
collectors, artists, and other interested parties worldwide. Over
9,000 of people visit Projekt30 every month, and our mailings bring in
over a thousand visitors that very day. Last show we counted 306
instances of artists being contacted via our mailing system. We will
be following the \"publicly juried\" format we pioneered last
December, where all artists who apply will be posted online prior to
the exhibition so that visitors to Projekt30 may help select which
artists are included in the final exhibition, or contact artists via
email with feedback or opportunities. This format really generates
buzz and site traffic due to its interactive nature. The show opens
December 1st, 2004. Deadline is November 1st, 2004. There is a 300$
best-in-show award. The application fee is 35$ for 5 submissions, 5$
for each additional submission. You may apply by mail or online. Go
to: http://www.projekt30.com for more details.
Jessica Ivins
Intern, Rhizome.org
New Museum of Contemporary Art
210 11th Avenue 2nd Floor
NYC, NY 10001
tel. 212.219.1288 X 208
fax. 212.431.5328
ema. jessica@rhizome.org

DISCUSSION
Posted on Sat Aug 14, 2004

## Call for Participation: History of Computer Graphics and Art

History of Computer Graphics and Art
Call for Participation
The aim that guides this call is an intention to assemble a data bank of
computer graphics and art which viewers can use to compare mutual
influences on computer related disciplines. The goal is to document the
evolvement of computer graphics, art, and the thought about art in
relation to the progress of technology, thus creating a collection of
images and essays created by artists, scientists, art historians, people
shaping the museum and gallery display and those who influenced these
disciplines, which reflects the unfolding of computer art due to technical
achievements (hardware, software, languages, etc). With this approach,
computer art and graphics are related to the history of inventions in
concurrent periods of time. This treasury will be augmented by the
artists' web sites along with the existing materials cumulated in various
collections and will become a part of the ACM SIGGRAPH resources. There is
no sole comprehensive resource describing the influences and inventions in
computer graphics and computer art from a historical perspective. The
"Birds of a Feather" gathering at the SIGGRAPH 2002, San Antonio, Texas
(organized by Anna Ursyn and Anne Morgan Spalter) generated a helpful
feedback to this project.
Those who feel their work contributed to the field of computer graphics,
art, and the thought about art are requested to describe their areas of
action and accomplishments. Since this approach calls for interaction
between people representing various fields, we ask to participate anybody
involved in the progress of these fields, from software/hardware
programmers to scientists, historians and artists. Being a part of this
project may be interesting both on a personal level and because it
involves a great potential for new approaches in teaching and provides
materials for visual learning. It would be greatly appreciated if you
could forward this link to anyone you feel could contribute to this
project. http://www.siggraph.org/education/cgHistory/history.html or
simply at www.siggraph.org
* Please send 3 images of your artistic/scientific creations, with
permissions and short statements (no more than 150 words). Both the low
resolution (72 dpi) 320x240 -and higher resolution (200, 300 dpi) 800 x
600 -images would be appreciated for a data bank of computer graphics and
art and possibly for a publication.
* Please contribute to this project by filling out our questionnaire.
Answer as fully as you feel you have time for. Many various viewpoints are
valuable. Also, questions may be used as a guide for the essay describing
your contribution to the field, with visual thoughts which may be
considered "milestones" in various decades (no more then 400 words). Send
only what you are willing (or allowed) to disclose, own copyrights for,
and send it along with a signed release form.
Your paper-signed permission is essential because researchers, educators,
students and all interested parties might use the resources for teaching,
reference, general reading, etc.
Please send your materials on a CD Rom or a DVD, your contact address (URL
address cannot be accepted as a valid entry), along with signed on paper
and dated permission forms at the address:
Anna Ursyn
Department of Visual Arts
University of Northern Colorado
Greeley, CO
80639, USA
Questionnaire
Please answer the following questions. The goal is to create a resource
that conveys the interrelated histories of computer graphics and computer
art.
1. Describe your field. Why are you interested in Computer Art/ Computer
Graphics and what (event, need, idea, hope, obstacle) caused your
involvement? Summarize your line of development (the essence of your input
to the field) in relation to concurrent technology -- 100 words maximum.
2. Does the computer allow you to think visually about some topic or
process in new ways? How has this influenced your work? Describe your
ultimate accomplishment.
3. Has the field of computer art and graphics progressed in the ways that
you expected? What has surprised you? What do you like about its progress
and what do you wish had happened differently? What do you think the
future holds for visual computing in science/art? Please make some
predictions or wish lists for the near- and long-term future.
4. Describe your dream environment for enhancing your project ideas. What
are your preferred tools for creating and how do they work? What tools
(hardware/software) you have used initially had the strongest impact on
your work?
5. Describe how you think specific advancements in technology, such as
wireframe, hidden line removal, scanner, laser, HTML, Java applets, or any
other advancement determined the way the approaches to creating
art/graphics evolved?
6. How would you characterize the milestones (every ten years) in the
development of computer technology? Which ones were most influential in
art/graphics?
7. Which persons would you indicate as the pioneers in the particular
areas/stages in which decade?
Please type the following:
Creator's Name:
Company Name (optional):
Address:
City, State/Province Zip Code, and Country or Postal Code, City, and Country:
E-mail address:
Web site:
Phone:
Fax:
Titles of your works:
1.
2.
3.
Permission Form
TITLE OF NON-ACM WORK:
AUTHOR(S):
DESCRIPTION OF MATERIAL:
TITLE OF ACM PUBLICATION:
I hereby grant permission for ACM and/or Anna Ursyn to include the
above-named material (the Material) in any and all forms, in the
above-named publication. I further grant permission for ACM and/or Anna
Ursyn to publish my statements and images/artwork (200-300 and 72 dpi) for
a web site display, a CD-Rom, immersive display and its library, and a
publication (please feel free to cross out whatever you do not grant
permission for). I understand that the creators will be duly credited for
their work.
I also authorize ACM and/or Anna Ursyn to distribute this submission as
part of the above-named publication in print and electronic form, and as
part of the ACM Digital Library, on CD-ROM and in translation, or on
videocassette, broadcast, cablecast, laserdisc, multimedia or any other
media format now or hereafter known. (Not all forms of media will be
utilized.)
I hereby verify that I am the sole owner of copyright in this Material and
have the authority to grant such permission. In the event that any
elements used in the Material contain the work of third-party individuals,
I understand that it is my responsibility to secure any necessary
permissions and/or licenses and will provide same in writing to ACM. If
the copyright holder requires a citation to a copyrighted work, I have
obtained the correct wording and have included it in the designated space
in the text.
I hereby release and discharge ACM, Anna Ursyn, and other publication
sponsors and organizers from any and all liability arising out of my
inclusion in the publication, or in connection with the performance of any
of the activities described in this document as permitted herein. This
includes, but is not limited to, my right of privacy or publicity,
copyright, patent rights, trade secret rights, moral rights or trademark
rights. All permissions and releases granted by me herein shall be
effective in perpetuity and throughout the universe unless otherwise
stipulated, and extend and apply to the ACM, Anna Ursyn and ACM assigns,
contractors, sublicensed distributors, successors and agents. The
following statement of copyright ownership will be displayed with the
Material, unless otherwise specified: "Copyright is held by the
author/owner." ACM and/or Anna Ursyn reserve the right to provide a
hyperlink to the author's site if the Material is used in electronic
media.
____I have not used third-party material.
____I have the necessary permission to use third-party material.
______________________________________________
SIGNATURE (author/owner)
______________________________________________
PRINT NAME DATE
Please Return This Form To:
Anna Ursyn
Department of Visual Arts
University of Northern Colorado
Greeley, Co 80639
USA
Questions?
Email Anna Ursyn at ursyn@unco.edu
Special thanks to Anne Morgan Spalter, Mike McGrath, Judy Brown, Bob
Krawczyk, Tom Linehan, Werner Hansmann, the ACM SIGGRAPH Executive
Committee, RhondaSchauer - the Webmaster and, of course, all the
participants of the Birds of a Feather at the SIGGRAPH 2002 conference for
all the feedback, helpful comments and suggestions.
Jessica Ivins
Intern, Rhizome.org
New Museum of Contemporary Art
210 11th Avenue NYC, NY 10001
tel. 212.219.1288 X 208
fax. 212.431.5328
ema. jessica@rhizome.org

DISCUSSION
Posted on Sat Aug 14, 2004

## Siggraph 2005 Call for Participation

The 32nd annual Siggraph International Conference on Computer Graphics and
Interactive Techniques is NOW ACCEPTING PAPERS, PROPOSALS, ARTWORK, AND
ANIMATIONS. For complete details and how to submit your work, please visit
www.siggraph.org/s2005.
ACM SIGGRAPH
In the span of 30 years, ACM SIGGRAPH has grown from a handful of computer
graphics enthusiasts to a diverse group of researchers, artists,
developers, filmmakers, scientists, and other professionals who share an
interest in computer graphics and interactive techniques. Our community
values excellence, passion, integrity, volunteerism, and
cross-disciplinary interaction. We sponsor not only the annual SIGGRAPH
conference, but also focused symposia, chapters in cities throughout the
world, awards, grants, educational resources, online resources, a public
policy program, traveling art show, and the SIGGRAPH Video Review.
Deadlines for submission:
Art Gallery 19 January 2005
Awards 31 January 2005
Computer Animation Festival 11 March 2005
Courses 5 January 2005
Educators Program 9 February 2005
Emerging Technologies 17 January 2005
Panels Topics: 3 November 2004
Position papers: 1 March 2005
Papers 26 January 2005
Posters 11 May 2005
Sketches 13 April 2005
Student Volunteers 25 February 2005
Web Program 9 March 2005
Regards,
Jessica Ivins
Intern, Rhizome.org
New Museum of Contemporary Art
210 11th Avenue NYC, NY 10001
tel. 212.219.1288 X 208
fax. 212.431.5328
ema. jessica@rhizome.org

DISCUSSION
Posted on Sat Aug 14, 2004

## Byte-Sized, Digital Miniatures Gallery Exhibition

Byte-Sized, Digital Miniatures
Taking Place At: Viento y Agua Gallery
Special Reception for the Artists and their friends:
6 - 9 p.m. Saturday August 14, 2004
Supported in part by:
SIGGRAPH-Art Subcommittee, Los Angeles ACM SIGGRAPH
The Public Corporation for the Arts and The City of Long Beach.
For Further Information, Contact:
Tom Miller and Rebeca Shelley tomm@edin.com or
vientoyagua@verizon.net
Artists:
Sheriann Ki Sun Burnham
Ina Chavez
Mark Chavez
Joan Collins
Dave Curlender
Jack Duganne
Sharon Eisenberg
Dan Keefe
Elizabeth Kenneday
Janine Fron
Janet Gervers
Sue Gollifer
Karena Massengill
Vjeran Miljenovic
Jacquelyn Ford Morie
Kyle Riedel
Candice Sanders
Steven Schkolne
Anna Ursyn
Pat Wehner
Michael Wright
JEN ZEN
Where:
Viento y Agua Gallery
4007 East 4th St.,
Long Beach, CA 90814
562-434-1182
When:
Tue, Wed, Thu, Fri, Sat, From Sunday Aug 8,2004 Until Saturday Sep 4,2004
11:00 AM Until 6:00 PM
Jessica Ivins
Intern, Rhizome.org
New Museum of Contemporary Art
210 11th Avenue NYC, NY 10001
tel. 212.219.1288 X 208
fax. 212.431.5328
ema. jessica@rhizome.org

DISCUSSION
Posted on Sun Jul 25, 2004

## Rhizome.org Organizational Subscriptions Program

To the Rhizome Community:
My name is Jessica Ivins, Intern/Assistant with the staff at Rhizome. I'm
writing on behalf of Rhizome to seek your assistance in promoting our
organizational subscriptions program. Purchased at the institutional
level, these subscriptions are offered so that staff/faculty/members can
have access to Rhizome without having to pay for individual memberships.
Subscriptions are available to institutions worldwide such as museums,
universities, art centers, media centers, libraries, etc.
As you know, Rhizome depends primarily upon foundation funding and
individual membership fees for financial support. Organizational
subscriptions help to expand our membership base while earning funding for
Rhizome.
We are especially seeking colleges and universities to subscribe with us
for the upcoming academic year beginning in August/September. A list of
colleges, universities, and other institutions currently subscribing to
Rhizome can be viewed at the organizational subscriptions page:
http://rhizome.org/info/org.php.
Please contact me, Jessica Ivins at Jessica@rhizome.org, or Rachel Greene,
Executive Director, at Rachel@rhizome.org, with any questions regarding
organizational memberships. A wealth of information about organizational
subscriptions, including pricing and sign-up procedures, is also available
at http://rhizome.org/info/org.php.
If your organization is in a poor or excluded community, contact me as we
can subsidize memberships for qualifying institutions.
Please help us expand the ranks of who can use and access Rhizome by
passing on this information to colleagues, friends, etc.
Regards,
Jessica G. Ivins
Intern/Assistant, Rhizome.org
Jessica@rhizome.org

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