Today! May 12: Hacktivist Ricardo Dominguez, 6pm, NYC (Columbia Art & Tech Lectures)
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COLUMBIA ART & TECHNOLOGY LECTURES
Dispatches from the Future: A Conversation about Hacktivism Between _Almost
Me_Almost Another Me_and_Almost Not Me.
A lecture by
Ricardo Dominguez
Wednesday, May 12, 2004
6pm
Free and open to the public
Lifetime Screening Room
511 Dodge Hall
2960 Broadway, New York, NY
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater
(EDT), a group who developed Virtual-Sit-In technologies in 1998 in
solidarity with the Zapatista communities in Chiapas, Mexico.
EDT's SWARM action was presented at Ars Electronica's InfoWar Festival in
1998 (Linz, Austria). He is Senior Editor of The Thing (bbs.thing.net).
Former member of Critical Art Ensemble (1987 to 1994 - developers of the
theory of Electronic Civil Disobedience in the late 80's). Currently a
Fake-Fakeshop Worker (www.fakeshop.com), a hybrid performance group,
presented at the Whitney Biennial 2000. Ricardo has collaborated on a number
of international net-art projects: with Francesca da Rimini on Dollspace and
with Diane Ludin on the Aphanisis Project. His essays have appeared at
Ctheory and recently in "Corpus Delecti: Performance Art of the Americas"
(Routledge, 2000), edited by Coco Fusco. Editor of EDT's forthcoming book
Hacktivism: network-art-activism, (Autonomedia Press, 2001). His website is
http://www.thing.net/~rdom.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
COLUMBIA ART & TECHNOLOGY LECTURES
Dispatches from the Future: A Conversation about Hacktivism Between _Almost
Me_Almost Another Me_and_Almost Not Me.
A lecture by
Ricardo Dominguez
Wednesday, May 12, 2004
6pm
Free and open to the public
Lifetime Screening Room
511 Dodge Hall
2960 Broadway, New York, NY
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater
(EDT), a group who developed Virtual-Sit-In technologies in 1998 in
solidarity with the Zapatista communities in Chiapas, Mexico.
EDT's SWARM action was presented at Ars Electronica's InfoWar Festival in
1998 (Linz, Austria). He is Senior Editor of The Thing (bbs.thing.net).
Former member of Critical Art Ensemble (1987 to 1994 - developers of the
theory of Electronic Civil Disobedience in the late 80's). Currently a
Fake-Fakeshop Worker (www.fakeshop.com), a hybrid performance group,
presented at the Whitney Biennial 2000. Ricardo has collaborated on a number
of international net-art projects: with Francesca da Rimini on Dollspace and
with Diane Ludin on the Aphanisis Project. His essays have appeared at
Ctheory and recently in "Corpus Delecti: Performance Art of the Americas"
(Routledge, 2000), edited by Coco Fusco. Editor of EDT's forthcoming book
Hacktivism: network-art-activism, (Autonomedia Press, 2001). His website is
http://www.thing.net/~rdom.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Columbia Art & Tech Lecture: Ricardo Dominguez, Weds May 12, 6pm: Hacktivism
Dates:
Wed May 12, 2004 00:00 - Mon May 03, 2004
COLUMBIA ART & TECHNOLOGY LECTURES
Dispatches from the Future: A Conversation about Hacktivism Between _Almost Me_Almost Another Me_and_Almost Not Me.
A lecture by
Ricardo Dominguez
Wednesday, May 12, 2004
6pm
Free and open to the public
Lifetime Screening Room
511 Dodge Hall
2960 Broadway, New York, NY
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed Virtual-Sit-In technologies in 1998 in solidarity with the Zapatista communities in Chiapas, Mexico.
EDT's SWARM action was presented at Ars Electronica's InfoWar Festival in 1998 (Linz, Austria). He is Senior Editor of The Thing (bbs.thing.net). Former member of Critical Art Ensemble (1987 to 1994 - developers of the theory of Electronic Civil Disobedience in the late 80's). Currently a Fake-Fakeshop Worker (www.fakeshop.com), a hybrid performance group, presented at the Whitney Biennial 2000. Ricardo has collaborated on a number of international net-art projects: with Francesca da Rimini on Dollspace and with Diane Ludin on the Aphanisis Project. His essays have appeared at Ctheory and recently in "Corpus Delecti: Performance Art of the Americas" (Routledge, 2000), edited by Coco Fusco. Editor of EDT's forthcoming book Hacktivism: network-art-activism, (Autonomedia Press, 2001). His website is http://www.thing.net/~rdom.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Dispatches from the Future: A Conversation about Hacktivism Between _Almost Me_Almost Another Me_and_Almost Not Me.
A lecture by
Ricardo Dominguez
Wednesday, May 12, 2004
6pm
Free and open to the public
Lifetime Screening Room
511 Dodge Hall
2960 Broadway, New York, NY
Ricardo Dominguez is a co-founder of The Electronic Disturbance Theater (EDT), a group who developed Virtual-Sit-In technologies in 1998 in solidarity with the Zapatista communities in Chiapas, Mexico.
EDT's SWARM action was presented at Ars Electronica's InfoWar Festival in 1998 (Linz, Austria). He is Senior Editor of The Thing (bbs.thing.net). Former member of Critical Art Ensemble (1987 to 1994 - developers of the theory of Electronic Civil Disobedience in the late 80's). Currently a Fake-Fakeshop Worker (www.fakeshop.com), a hybrid performance group, presented at the Whitney Biennial 2000. Ricardo has collaborated on a number of international net-art projects: with Francesca da Rimini on Dollspace and with Diane Ludin on the Aphanisis Project. His essays have appeared at Ctheory and recently in "Corpus Delecti: Performance Art of the Americas" (Routledge, 2000), edited by Coco Fusco. Editor of EDT's forthcoming book Hacktivism: network-art-activism, (Autonomedia Press, 2001). His website is http://www.thing.net/~rdom.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Columbia Art & Technology Lecture: Paul D. Miller aka DJ Spooky
COLUMBIA ART & TECHNOLOGY LECTURES
"Sound Unbound/Rhythm Science"
A lecture and performance by
Paul D. Miller aka DJ Spooky That Subliminal Kid
Wednesday March 24, 2004
7pm
Free and open to the public
Altschul Auditorium
417 International Affairs Building
420 West 118th Street, between Amsterdam and Morningside New York, NY
Paul D. Miller is a conceptual artist, writer, and musician working in New
York City. He is the author of Rhythm Science (MIT Press, March 2004), a
manifesto in which he describes how artists use technology to arrange the
mix of cultural ideas and objects that bombard us. His artistic work has
been exhibited at the Whitney Biennial; The Venice Biennial for
Architecture; Ludwig Museum in Cologne; and the Andy Warhol Museum in
Pittsburgh. Miller has recorded a large volume of music as "DJ Spooky That
Subliminal Kid" and has collaborated with musicians and composers ranging
from to Ryuichi Sakamoto to Thurston Moore from Sonic Youth. He is a
co-publisher of the magazine A Gathering of the Tribes and was the first
editor-at-large of Artbyte: the Magazine of Digital Culture.
The Art & Technology Lectures will continue with Manuel DeLanda on April 8
and Ricardo Dominguez on May 12.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at
Columbia University
"Sound Unbound/Rhythm Science"
A lecture and performance by
Paul D. Miller aka DJ Spooky That Subliminal Kid
Wednesday March 24, 2004
7pm
Free and open to the public
Altschul Auditorium
417 International Affairs Building
420 West 118th Street, between Amsterdam and Morningside New York, NY
Paul D. Miller is a conceptual artist, writer, and musician working in New
York City. He is the author of Rhythm Science (MIT Press, March 2004), a
manifesto in which he describes how artists use technology to arrange the
mix of cultural ideas and objects that bombard us. His artistic work has
been exhibited at the Whitney Biennial; The Venice Biennial for
Architecture; Ludwig Museum in Cologne; and the Andy Warhol Museum in
Pittsburgh. Miller has recorded a large volume of music as "DJ Spooky That
Subliminal Kid" and has collaborated with musicians and composers ranging
from to Ryuichi Sakamoto to Thurston Moore from Sonic Youth. He is a
co-publisher of the magazine A Gathering of the Tribes and was the first
editor-at-large of Artbyte: the Magazine of Digital Culture.
The Art & Technology Lectures will continue with Manuel DeLanda on April 8
and Ricardo Dominguez on May 12.
For more information, see
http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at
Columbia University
Columbia Art & Technology Lecture--Manuel DeLanda
Dates:
Thu Apr 08, 2004 00:00 - Sun Mar 21, 2004
COLUMBIA ART & TECHNOLOGY LECTURES
Manuel DeLanda
Thursday, April 8, 2004, 6pm
LeRoy Neiman Gallery, 310 Dodge Hall
Columbia University, New York, NY
Free and open to the public
Manuel DeLanda was born in 1952 in Mexico City and has lived in Manhattan since 1975. He began his career in the mid-seventies as an independent filmmaker, showing his films in cine-clubs and museums around the world. In 1980 he acquired an industrial-grade computer and became a programmer and computer artist, writing his own software for several years. His philosophical essays have appeared in many journals and he currently lectures extensively in the United States and Europe on nonlinear dynamics, theories of self-organization, Artificial Intelligence and Artificial Life. He is author of the books War in the Age of Intelligent Machines, A Thousand years of Nonlinear History and Intensive Science and Virtual Philosophy. He has contributed to numerous collections, including A Thousand Plateaus by G. Deleuze and F. Guattari, and Ecological Imperialism by Alfred Crosby and Self-Organizing Systems, edited by Eugene Yates.
The Art & Technology Lectures will culminate with Ricardo Dominguez, a tactical media artist, on May 12.
For more information, see http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at Columbia University
Manuel DeLanda
Thursday, April 8, 2004, 6pm
LeRoy Neiman Gallery, 310 Dodge Hall
Columbia University, New York, NY
Free and open to the public
Manuel DeLanda was born in 1952 in Mexico City and has lived in Manhattan since 1975. He began his career in the mid-seventies as an independent filmmaker, showing his films in cine-clubs and museums around the world. In 1980 he acquired an industrial-grade computer and became a programmer and computer artist, writing his own software for several years. His philosophical essays have appeared in many journals and he currently lectures extensively in the United States and Europe on nonlinear dynamics, theories of self-organization, Artificial Intelligence and Artificial Life. He is author of the books War in the Age of Intelligent Machines, A Thousand years of Nonlinear History and Intensive Science and Virtual Philosophy. He has contributed to numerous collections, including A Thousand Plateaus by G. Deleuze and F. Guattari, and Ecological Imperialism by Alfred Crosby and Self-Organizing Systems, edited by Eugene Yates.
The Art & Technology Lectures will culminate with Ricardo Dominguez, a tactical media artist, on May 12.
For more information, see http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at Columbia University
Columbia Art & Technology Lecture--DJ Spooky
Dates:
Wed Mar 24, 2004 00:00 - Mon Mar 15, 2004
COLUMBIA ART & TECHNOLOGY LECTURES
Sound Unbound/Rhythm Science
A lecture and performance by
Paul D. Miller aka
DJ Spooky
That Subliminal Kid
Wednesday March 24, 2004
7pm
Free and open to the public
Altschul Auditorium
417 International Affairs Building
420 West 118th Street, between Amsterdam and Morningside
New York, NY
Paul D. Miller is a conceptual artist, writer, and musician working in New York City. He is the author of Rhythm Science (MIT Press, March 2004), a manifesto in which he describes how artists use technology to arrange the mix of cultural ideas and objects that bombard us. His artistic work has been exhibited at the Whitney Biennial; The Venice Biennial for Architecture; Ludwig Museum in Cologne; and the Andy Warhol Museum in Pittsburgh. Miller has recorded a large volume of music as "DJ Spooky That Subliminal Kid" and has collaborated with musicians and composers ranging from to Ryuichi Sakamoto to Thurston Moore from Sonic Youth. He is a co-publisher of the magazine A Gathering of the Tribes and was the first editor-at-large of Artbyte: the Magazine of Digital Culture.
The Art & Technology Lectures will continue through the spring with Manuel DeLanda, author of the books War in the Age of Intelligent Machines, A Thousand Years of Nonlinear History and Intensive Science and Virtual Philosophy, on April 8; and Ricardo Dominguez, a tactical media artist, on May 12.
For more information, see http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at Columbia University
Sound Unbound/Rhythm Science
A lecture and performance by
Paul D. Miller aka
DJ Spooky
That Subliminal Kid
Wednesday March 24, 2004
7pm
Free and open to the public
Altschul Auditorium
417 International Affairs Building
420 West 118th Street, between Amsterdam and Morningside
New York, NY
Paul D. Miller is a conceptual artist, writer, and musician working in New York City. He is the author of Rhythm Science (MIT Press, March 2004), a manifesto in which he describes how artists use technology to arrange the mix of cultural ideas and objects that bombard us. His artistic work has been exhibited at the Whitney Biennial; The Venice Biennial for Architecture; Ludwig Museum in Cologne; and the Andy Warhol Museum in Pittsburgh. Miller has recorded a large volume of music as "DJ Spooky That Subliminal Kid" and has collaborated with musicians and composers ranging from to Ryuichi Sakamoto to Thurston Moore from Sonic Youth. He is a co-publisher of the magazine A Gathering of the Tribes and was the first editor-at-large of Artbyte: the Magazine of Digital Culture.
The Art & Technology Lectures will continue through the spring with Manuel DeLanda, author of the books War in the Age of Intelligent Machines, A Thousand Years of Nonlinear History and Intensive Science and Virtual Philosophy, on April 8; and Ricardo Dominguez, a tactical media artist, on May 12.
For more information, see http://www.columbia.edu/cu/arts/dmc/docs/lectureseries.html
Or email art-tech-lecture@music.columbia.edu
Co-presented by the Digital Media Center and Computer Music Center at Columbia University