Jackie Im is an independent curator, writer and artist living and working in Oakland, CA. She has curated exhibitions at the Wattis Institute of Contemporary Art, San Francisco, CA; the Mills College Art Museum, Oakland, CA; Liminal Space, Oakland, CA; S.H.E.D. Projects, Oakland, CA; Pro Arts, Oakland, CA; MacArthur B Arthur, Oakland, CA; and Queens Nails, San Francisco, CA. She has assisted on exhibitions at Yerba Buena Center for the Arts, San Francisco, CA; Queens Nails Projects, San Francisco, CA; Intersection for the Arts, San Francisco, CA; and the Walter and McBean Galleries at San Francisco Art Institute. She received her BA in Art History from Mills College and her MA in Curatorial Practice from California College of the Arts. She is currently the editor of Art Cards San Francisco and co-director and curator of Et al., a gallery in San Francisco.
BIO
Cybele Lyle: The Moon Is Slowly Rising
Dates:
Fri May 30, 2014 19:00 - Fri Jul 04, 2014
Location:
San Francisco,
California
United States of America
United States of America
Cybele Lyle
The Moon is Slowly Rising
May 30th - July 4th
Reception May 30th, 7-10pm
This show comes from the inside out. It is rooted in intuition and desire for satiation. A visceral and intimate process of examining architecture and queer space. A particularly introspective moment of life, delving into an interior world - of warmth, safety, color, pattern, and emotion. A place where printmaking's repetition of motion and form tap into what is constant and what changes. Materiality, tactility, the physical nature of process.
The Moon is Slowly Rising
May 30th - July 4th
Reception May 30th, 7-10pm
This show comes from the inside out. It is rooted in intuition and desire for satiation. A visceral and intimate process of examining architecture and queer space. A particularly introspective moment of life, delving into an interior world - of warmth, safety, color, pattern, and emotion. A place where printmaking's repetition of motion and form tap into what is constant and what changes. Materiality, tactility, the physical nature of process.
That that is is that that is not is not is that it it is
Dates:
Fri May 23, 2014 19:00 - Sat Jun 28, 2014
Location:
San Francisco,
California
United States of America
United States of America
That that is is that that is not is not is that it it is
May 23 - June 28, 2014
Opening Reception Friday, May 23, 7:00 - 10:00 pm
The Lab
2948 16th Street
San Francisco, CA 94103
Jason Benson
Sara Cwynar
Honza Hoeck
Erin Jane Nelson
Puppies Puppies
Brion Nuda Rosch
"Wouldn't the sentence 'I want to put a hyphen between the words Fish and And and And and Chips in my Fish-And-Chips sign' have been clearer if quotations marks had been placed before Fish, and between Fish and and, and and, and And, and And and and, and and and And, and And and and, and and and and Chips, as well as after Chips?"
- Martin Gardner
Curated by Aaron Harbour and Jackie Im
May 23 - June 28, 2014
Opening Reception Friday, May 23, 7:00 - 10:00 pm
The Lab
2948 16th Street
San Francisco, CA 94103
Jason Benson
Sara Cwynar
Honza Hoeck
Erin Jane Nelson
Puppies Puppies
Brion Nuda Rosch
"Wouldn't the sentence 'I want to put a hyphen between the words Fish and And and And and Chips in my Fish-And-Chips sign' have been clearer if quotations marks had been placed before Fish, and between Fish and and, and and, and And, and And and and, and and and And, and And and and, and and and and Chips, as well as after Chips?"
- Martin Gardner
Curated by Aaron Harbour and Jackie Im
Andrew Chapman
Dates:
Fri Apr 18, 2014 00:00 - Fri May 23, 2014
Location:
San Francisco,
California
United States of America
United States of America
Andrew Chapman
April 18 - May 23, 2014
Opening: Friday, April 18, 7:00-10:00 pm
Image contains within it magic; apparatus contains within it automation and play; program contains within it chance and necessity; information contains within it the symbolic and the improbable."
-Vilém Flusser
April 18 - May 23, 2014
Opening: Friday, April 18, 7:00-10:00 pm
Image contains within it magic; apparatus contains within it automation and play; program contains within it chance and necessity; information contains within it the symbolic and the improbable."
-Vilém Flusser
Tony Clifton Eats For Free
Dates:
Thu Mar 06, 2014 19:00 - Fri Apr 11, 2014
Location:
San Francisco,
California
United States of America
United States of America
Chris Hood
Tony Clifton Eats for Free
March 6 - April 11, 2014
Opening reception: Thursday, March 6, 7:00 - 10:00 pm
Utilizing the materiality of canvas like a screen or a rag, the works in Tony Clifton Eats for Free are at once both surprisingly interrelated and in playful opposition. The titular character of the exhibition’s fame and mythology are spread amongst various actors, interpreters, and imposters; an apt reference for a body of work that acts as a stage for multiple roles and citations. The egregious lounge singer’s disputable existence only adds to his reputation, he maintains an open tab at a restaurant nearby the artist's studio but its unclear if the offer has ever been taken up. Clifton’s legacy justifies the restaurant’s policy, and in turn the policy makes Clifton that much more real.
A similar impending possibility exists in the works on view. The hybrid paintings in oil, acrylic, and inkjet transfer offer an insouciant look into the ontology of the self as negotiated amongst digital and physical territories.These are not endgame or absolutist maneuvers. In looking towards the specific problems of painting and representation, Hood combines subtly familiar forms of digital image making - errant doodles, cloning, masking, deletion etc.- with the gaps, strokes, stains, misdirections, and distortions that arise from and bear witness to the paintings’ production. This operation may be the result of labored translation from source to screen to object and back, or it may be contained in swift gestures.
An array of source material from art history, personal photographs, signage and clipart anchor these works in a ground of familiarity, but one which is askew from any singular narrative or process. Hood calls attention to the ever-shifting interplay of image and meaning, fractured amongst various screens and methods of viewing. Anti-humor, bathos, relativism and the nonsensical connect in painterly exchange.
Tony Clifton Eats for Free
March 6 - April 11, 2014
Opening reception: Thursday, March 6, 7:00 - 10:00 pm
Utilizing the materiality of canvas like a screen or a rag, the works in Tony Clifton Eats for Free are at once both surprisingly interrelated and in playful opposition. The titular character of the exhibition’s fame and mythology are spread amongst various actors, interpreters, and imposters; an apt reference for a body of work that acts as a stage for multiple roles and citations. The egregious lounge singer’s disputable existence only adds to his reputation, he maintains an open tab at a restaurant nearby the artist's studio but its unclear if the offer has ever been taken up. Clifton’s legacy justifies the restaurant’s policy, and in turn the policy makes Clifton that much more real.
A similar impending possibility exists in the works on view. The hybrid paintings in oil, acrylic, and inkjet transfer offer an insouciant look into the ontology of the self as negotiated amongst digital and physical territories.These are not endgame or absolutist maneuvers. In looking towards the specific problems of painting and representation, Hood combines subtly familiar forms of digital image making - errant doodles, cloning, masking, deletion etc.- with the gaps, strokes, stains, misdirections, and distortions that arise from and bear witness to the paintings’ production. This operation may be the result of labored translation from source to screen to object and back, or it may be contained in swift gestures.
An array of source material from art history, personal photographs, signage and clipart anchor these works in a ground of familiarity, but one which is askew from any singular narrative or process. Hood calls attention to the ever-shifting interplay of image and meaning, fractured amongst various screens and methods of viewing. Anti-humor, bathos, relativism and the nonsensical connect in painterly exchange.
other thans: Mitzi Pederson, Laurie Reid and Alexander Wolff
Dates:
Sat Feb 08, 2014 19:00 - Sat Mar 01, 2014
Location:
San Francisco,
California
United States of America
United States of America
other thans
Collaborative and solo work from Mitzi Pederson, Laurie Reid and Alexander Wolff.
February 8 - March 1, 2014
Opening reception: Saturday, February 8th, 7-10pm.
a scattered poem sounds good.
once i wrote a paper
with a friend
based on something i can't remember right now,
where we both wrote sequential random sentences or maybe evenly
divided what we wrote somehow
- but basically it was kind of half-blind writing - or maybe we pulled out
each sentence from a hat...
i stayed at home today
it's finally quiet at my house
warm winter, no snow
3 kids getting ready for school
a bit of commotion
they were pretty quiet
everyone is pretty sleepy in the morning
the surprise of what will happen
how to say that in a press release
as opposed to what we wrote
kids will come to see our show
bringing me back to the present, explain or communicate it in some way
paintings would get sent from NY
starting from the wall and moving to the center,
haven't moved beyond the adjective: a rectangle shape, not too long, but
not like a square
the entrance is on a short end...descend the stairs and then
enter the rectangle
a cool long narrow awkward stairway
straightforward, clean, white and bright
contrast
chinatown
do studio-drop-bys
much easier in dialogue
other ways to build bridges or connections than by looks/shapes/aesthetics
not necessarily building them but suggesting them
golden gate
other thans
golden than
just throwing out another idea!
fragmented. is there a connection?
maybe the connection on your end slowed? a connection in that it's open,
like
or - maybe i misunderstood
open like the process
slow connection
slopen
slowing down to
be with it
mix with it
longing for...
its evening here, and
i need the dictionary sometimes
evening and morning thoughts and spaces
like working at night
all exist together equally as is with no direction and with no non-direction
letting tangents move us around for a bit
make some work and fun
immingle, underlying,
making it to the studio.
get along well with men
prefer women
male vibe
that vibe
be male
mixed vibes
macho art
(flex)
Margaret was kind of the starting point. I met her at the "Miss Read"
publication fair, she had her booth next to our magazine, in Berlin, and
she was so sweet to tell Laurie about my coming to CA and that we could
make a show happen and you Laurie made it happen. Thanks, Margaret!
Collaborative and solo work from Mitzi Pederson, Laurie Reid and Alexander Wolff.
February 8 - March 1, 2014
Opening reception: Saturday, February 8th, 7-10pm.
a scattered poem sounds good.
once i wrote a paper
with a friend
based on something i can't remember right now,
where we both wrote sequential random sentences or maybe evenly
divided what we wrote somehow
- but basically it was kind of half-blind writing - or maybe we pulled out
each sentence from a hat...
i stayed at home today
it's finally quiet at my house
warm winter, no snow
3 kids getting ready for school
a bit of commotion
they were pretty quiet
everyone is pretty sleepy in the morning
the surprise of what will happen
how to say that in a press release
as opposed to what we wrote
kids will come to see our show
bringing me back to the present, explain or communicate it in some way
paintings would get sent from NY
starting from the wall and moving to the center,
haven't moved beyond the adjective: a rectangle shape, not too long, but
not like a square
the entrance is on a short end...descend the stairs and then
enter the rectangle
a cool long narrow awkward stairway
straightforward, clean, white and bright
contrast
chinatown
do studio-drop-bys
much easier in dialogue
other ways to build bridges or connections than by looks/shapes/aesthetics
not necessarily building them but suggesting them
golden gate
other thans
golden than
just throwing out another idea!
fragmented. is there a connection?
maybe the connection on your end slowed? a connection in that it's open,
like
or - maybe i misunderstood
open like the process
slow connection
slopen
slowing down to
be with it
mix with it
longing for...
its evening here, and
i need the dictionary sometimes
evening and morning thoughts and spaces
like working at night
all exist together equally as is with no direction and with no non-direction
letting tangents move us around for a bit
make some work and fun
immingle, underlying,
making it to the studio.
get along well with men
prefer women
male vibe
that vibe
be male
mixed vibes
macho art
(flex)
Margaret was kind of the starting point. I met her at the "Miss Read"
publication fair, she had her booth next to our magazine, in Berlin, and
she was so sweet to tell Laurie about my coming to CA and that we could
make a show happen and you Laurie made it happen. Thanks, Margaret!