ActionSharing@PassionForRobots
Dates:
Wed Jun 06, 2007 00:00 - Wed Jun 06, 2007
ACTION SHARING e un metaprogetto, un metaforico ponte tra arte e impresa, nato da un’idea di Simona Lodi e Chiara Garibaldi. Action Sharing si sviluppa in questo modo: un progetto artistico e stato scelto dalla Camera di Commercio e dall’Associazione culturale The Sharing tra una rosa di candidati come progetto pilota da realizzare concretamente e da esporre. Il progetto scelto e uno spettacolo multimediale dal titolo: Orchestra Meccanica Marinetti dell’artista Angelo Comino (in arte Motor).
Nel cortile del Politecnico di Torino l' 11 giugno sara visitabile uno stand sul metaprogetto ACTION SHARING e sullo spettacolo Orchestra Meccanica Marinetti, allestito in occasione della giornata dedicata alla robotica “Passion for Robots” .
Action Sharing ri-configura il settore Ricerca e Sviluppo (Research and Development), indirizzando quella parte di un'impresa industriale (uomini, mezzi e risorse finanziarie), che viene dedicata allo studio di innovazioni tecnologiche da utilizzare per migliorare i propri prodotti, crearne di nuovi, o migliorare i processi di produzione verso i progetti artistici.
Si tratta di un innovativo approccio di produzione in cui ricerca e sperimentazione confluiscono nell'elaborazione di un “oggetto-evento”, che si caratterizza non piu come spazio strutturato, concluso, definito da elementi fisici, ma piuttosto come spazio aperto in cui vengono compresi anche i nuovi flussi della comunicazione.
Il progetto e sostenuto dalla Camera di Commercio di Torino e sviluppato da The Sharing, l’Associazione culturale diretta da Chiara Garibaldi e Simona Lodi, che si occupa di creazione e promozione di arte e cultura digitale e che organizza il Piemonte Share Festival.
Sullo stile dei Tambours du Bronx (famoso gruppo di percussionisti industriali francesi), l'Orchestra Meccanica Marinetti (OMM) e costituita da dieci robot percussionisti, che suonano “dal vivo” su bidoni d'acciaio, sotto la guida di un performer o direttore di orchestra. Il movimento e il lavoro delle fabbriche, che hanno costruito questa citta, si mostrano attraverso i linguaggi digitali interattivi della contemporaneita. Chiamato in onore del poeta futurista Filippo Tommaso Marinetti, OMM e un progetto ispirato a un ideale collegamento tra il passato industriale e la trasformazione in atto verso una citta della conoscenza di Torino.
ENG----------------------------------------------------------------------------------------------------------------------------------------------------------------
ACTION SHARING is a metaproject, a metaphorical bridge between art and enterprise, born by an idea of Simona Lodi and Chiara Garibaldi. This is Action Sharing development: an artistic project was chosen by the Chamber of Commerce and The Sharing Association, among a selection of candidates, to work as a pilot project and be concretely carried out and exposed. The chosen project is a multimedia show whose title is: Orchestra Meccanica Marinetti (Marinetti Mechanical Orchestra) by the artist Angelo Comino (nickname Motor).
A stand regarding the metaproject ACTION SHARING and the Orchestra Meccanica Marinetti show will be open to the public in the courtyard of the Great Hall at the Polytechnic, during the Robotics day “Passion for Robots” on 11th June, Turin, Italy.
Action Sharing reorganizes the Research and Development sector, by addressing that part of an industrial enterprise (staff, means and financial resources), which is generally employed to study the technological innovations in order to improve and create products and productive processes, towards artistic projects.
It is an innovative approach of production where research and experimentation flow together gathers together to develop an “object-event”, which is not a structured, finished space, defined by physical elements, anymore but, it i san open space, where new communication flows are included.
The project is supported by the Chamber of Commerce of Turin and developed by The Sharing, the cultural association managed by Chiara Garibaldi and Simona Lodi, dealing with creation and promotion of digital art and culture, and organizing Piemonte Share Festival as well.
Based on the Tambours du Bronx style (a famous industrial French drummers’ band), Orchestra Meccanica Marinetti consists of ten drummer robots, playing “live” on steel bins, guided by a performer of a conductor. The movement and the work of the industries, that built up this city, are shown thanks to the interactive digital languages of contemporary age. Called after the futurist poet Filippo Tommaso Marinetti, OMM is a project which is inspired by an ideal link between the Turin industrial past and its current transformation into a city of knowledge.
www.toshare.it
Nel cortile del Politecnico di Torino l' 11 giugno sara visitabile uno stand sul metaprogetto ACTION SHARING e sullo spettacolo Orchestra Meccanica Marinetti, allestito in occasione della giornata dedicata alla robotica “Passion for Robots” .
Action Sharing ri-configura il settore Ricerca e Sviluppo (Research and Development), indirizzando quella parte di un'impresa industriale (uomini, mezzi e risorse finanziarie), che viene dedicata allo studio di innovazioni tecnologiche da utilizzare per migliorare i propri prodotti, crearne di nuovi, o migliorare i processi di produzione verso i progetti artistici.
Si tratta di un innovativo approccio di produzione in cui ricerca e sperimentazione confluiscono nell'elaborazione di un “oggetto-evento”, che si caratterizza non piu come spazio strutturato, concluso, definito da elementi fisici, ma piuttosto come spazio aperto in cui vengono compresi anche i nuovi flussi della comunicazione.
Il progetto e sostenuto dalla Camera di Commercio di Torino e sviluppato da The Sharing, l’Associazione culturale diretta da Chiara Garibaldi e Simona Lodi, che si occupa di creazione e promozione di arte e cultura digitale e che organizza il Piemonte Share Festival.
Sullo stile dei Tambours du Bronx (famoso gruppo di percussionisti industriali francesi), l'Orchestra Meccanica Marinetti (OMM) e costituita da dieci robot percussionisti, che suonano “dal vivo” su bidoni d'acciaio, sotto la guida di un performer o direttore di orchestra. Il movimento e il lavoro delle fabbriche, che hanno costruito questa citta, si mostrano attraverso i linguaggi digitali interattivi della contemporaneita. Chiamato in onore del poeta futurista Filippo Tommaso Marinetti, OMM e un progetto ispirato a un ideale collegamento tra il passato industriale e la trasformazione in atto verso una citta della conoscenza di Torino.
ENG----------------------------------------------------------------------------------------------------------------------------------------------------------------
ACTION SHARING is a metaproject, a metaphorical bridge between art and enterprise, born by an idea of Simona Lodi and Chiara Garibaldi. This is Action Sharing development: an artistic project was chosen by the Chamber of Commerce and The Sharing Association, among a selection of candidates, to work as a pilot project and be concretely carried out and exposed. The chosen project is a multimedia show whose title is: Orchestra Meccanica Marinetti (Marinetti Mechanical Orchestra) by the artist Angelo Comino (nickname Motor).
A stand regarding the metaproject ACTION SHARING and the Orchestra Meccanica Marinetti show will be open to the public in the courtyard of the Great Hall at the Polytechnic, during the Robotics day “Passion for Robots” on 11th June, Turin, Italy.
Action Sharing reorganizes the Research and Development sector, by addressing that part of an industrial enterprise (staff, means and financial resources), which is generally employed to study the technological innovations in order to improve and create products and productive processes, towards artistic projects.
It is an innovative approach of production where research and experimentation flow together gathers together to develop an “object-event”, which is not a structured, finished space, defined by physical elements, anymore but, it i san open space, where new communication flows are included.
The project is supported by the Chamber of Commerce of Turin and developed by The Sharing, the cultural association managed by Chiara Garibaldi and Simona Lodi, dealing with creation and promotion of digital art and culture, and organizing Piemonte Share Festival as well.
Based on the Tambours du Bronx style (a famous industrial French drummers’ band), Orchestra Meccanica Marinetti consists of ten drummer robots, playing “live” on steel bins, guided by a performer of a conductor. The movement and the work of the industries, that built up this city, are shown thanks to the interactive digital languages of contemporary age. Called after the futurist poet Filippo Tommaso Marinetti, OMM is a project which is inspired by an ideal link between the Turin industrial past and its current transformation into a city of knowledge.
www.toshare.it
Exibition Piemonte Share Festival2007
Dates:
Tue Jan 09, 2007 00:00 - Tue Jan 09, 2007
Event: “Piemonte Share Festival 2007”
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 - Torino
website: www.toshare.it e.mail info@toshare.it
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2 -8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Artist: Stanza (UK)
Work: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Short description: Sensity is made from real time data that is collected across the city in real time and visualized as a dynamic public installation which is also viewable online. Sensity visualizes the patterns we make, the forces we weave, which are all being networked into retrievable data structures that can be re-imagined as artworks. These patterns all disclose new ways of seeing the world.
The artist is attempting to move on towards a point where the landscape is a hybridized audio visual representation of the space. That is an audio visual experience based on the sounds and sights of the city pollutions, noise, traffic data , that are captured via sensor network. In other words sensors are used to environmentally monitor the city and the data output is used to create a public domain artwork describing the city data space.
How we understand and value information is of great importance. It seems reasonable to suggest that visual metaphors might simplify our understanding of data in space.
Artist: UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Work: Amazon-noir.com
web: http://www.amazon-noir.com/text.html
Short description:The Bad Guys (The Amazon Noir Crew: Cirio, Lizvlx, Ludovico, Bernhard) steal copyrighted books from Amazon.com - by using sophisticated robot-perversion-technology coded by supervillain Paolo Cirio. A massive media fight and a brutal legal fight escalates into an online Showdown with the heist at the center of the story. Lizvlx from UBERMORGEN.COM has daily shoot outs with the global massmedia, Ludovico and Bernhard hardly resist kickback-bribes from powerful Amazon.com and Cirio violently pushes the boundary of copyright. Betrayal, blasphemy and pessimism splits the gang of bad guys. In the end the good guys (Amazon.com) win and drive off with the beautiful and seductive femme fatale (the massmedia).
Amazon noir is a project by UBERMORGEN.COM, Paolo Cirio and Alessandro Ludovico (European based collective including Italy) provides a critique of propriety model of cultural production and distribution. The project exploits a legal loophole in amazon.com software that makes it possible to collect the single pages of the entire book making a sale / profit irrelevant. In this way, the project critically reflects on the issue of copyright and also plays with the inherent structures of the online media. Furthermore it proposes more open model for content use and distribution as we see developed in open source practice which is based on sharing content.
Artist: Gregory Shakar (USA)
Work: The Analog Color Field Computer (ACFC) web:http://www.moodvector.com/acfc/acfcShare.htm
Short description: the Analog Color Field Computer is an interactive video and sound installation. It's sculptural computers produce surging pulses of colours and tones, conveying a symphony of sonic texture and luminescent patterns into the sparsely lit exhibition space. Each ACFC provides controls for users to adjust its hues, pitches and rhythms.
Moodvector from Gregory Shakar is a beautiful landscape of computers and screens displaying basic colours and sounds. The work points to the earlier artworks researching the relationship between sound and color (Skriabin). It involves public on the level of manipulation of both sound and color in this installation. Simple, beautiful, elegant, easy.
Artist: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Work: Shockbot Corejulio
web: http://www.5voltcore.com/index.html?/content/roboter.html
Short description: “Shockbot Corejulio” creates aesthetic information out of disfunction in the form of audio and visual output.
Shockbot Corejulio is built out of three main parts: 1st the programme that controls the shockbot, 2nd the controlling circuit board, that operates, via relays, the (3rd) motors that then move the shockbot.
Essential for the piece is the circular process between the computer and the shockbot. The computer sends impulses to the robot that subsequently moves on it's tracks targeting random points within the computer hardware.
At the point of contact it creates a short-circuit that leads to fault current. This error is recognized as a command and in an attempt to interpret the disinformation, the computer creates, together with the shockbot, random pictures on the display.
As the damage to the computer increases a proportional rise of dysfunction to the controll signal occurs. This overload of errors ends in a total collapse of the system.
Roboter from Andel 5voltocore deconstructs the formal process of generating sound and image in the computer through the deployment of a small robot that randomly creates shortcuts in the circuits of the machine. In this way it creates unforeseen audio-visual outputs that are printed and displayed in the exhibition. By doing so it slowly destroys itself. The project emphasizes the idea of an error and dysfunction as part of the creative process. Furthermore, the destruction of the system itself is implemented as part of the performative act of the artists.
Artist: Christophe Bruno (FR)
Work: Human Browser
web: http://www.iterature.com/human-browser
Short description: A human being embodies the World Wide Web, the sum of all the speeches of mankind. Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being.
Thanks to its headset, an actor hears a text-to-speech audio that comes directely from the Internet in real-time. The actor repeats the text as he hears it. The textual flow is actually fetched by a programme that hijacks Google, diverting it from its utilitarian functions. Depending on the context in which the actor is, keywords are sent to the programme and used as search strings in Google so that the content of the textual flow is always related to the context.
In the Human Browser project by the French artist Christophe Bruno, the visitor is getting into a conversation with an actor in the exhibitionspace. This conversation is manipulated and given direction by the Google search engine. This is possible because the actor, with whom the visitor is talking, carries a microphone, headphones and webcam which are wirelessly linked to the artist who is sitting at home, in France, behind his computer. He can follow the conversation through the webcam carried by the actor.
So as the visitor talks to the actor, Bruno folows the conversation online via his computer. He picks out keywords from the conversation and types the into the Google search engine. A text to speech program he developed vocalises the search results and transmitts them to the actor's headphone. She or he, in turn, repeats these Google text results, including URLs, numbers and punctuation. Videos of these conversations are exhibited as part of the artwork.
Human browser is a very funny artwork that directs the conversations in different kind of contexts as the output from Google is filtered, ranked and doesn’t discriminate between useless information and/or meaningfull information, something consciously played with in human conversation. The Human Browser tries to invest in language derivative by-products, in a deflationary global semantic market - as was remarked on the website of The Thing.
Artist: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) - leader, Pawel Janicki - vj, producer, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmer)
Work: Mikro Orchestra Project
web: http://mikroorchestra.com/
Short description: Mikro Orchestra Project is an experimental sound - visual project, basing on the use of game console as a music instrument. Main assumption of project's authors is to create new sound space on the base of tones generated live from console during the performance.
Group is active since 2001, currently with six players.
Mikro Orchestra Project (formerly known as Gameboyzz Orchestra Project) is an art collective that emerged in 2001 from the context of WRO Media Art Centre based in Poland. The project addresses the issue of the adaptation of popular consumer technology - Gameboy Console - for creative experimentation. It involves low tech hardware (gameboy console) and a custom written software to generate visual and sound performances in real time. Although this is an already established project it has been selected to the shortlist in recognition of its recent new developments. Firstly, for the development of a vj software (SQJ software written in 2005) implemented in a visual aspect of the performance. Secondly, for its participatory and collaborative aspect of production expressed through the idea of public workshop that results in a public performance involving audience along with the Mikro Orchestra players.
The jury is:
Gefried Stocker (director of Ars Electronica, Linz)
Alex Adriaansen (director v2 and DEAF, Rotterdam)
Joasia Krysa (senior lecturer at the Faculty of Technology, University of Plymouth)
Carolyn Christov Bakargiev (chef curator Castello di Rivoli, Torino)
Vicente Matallana (director LaAgencia, Madrid)
The Share Prize 2007 winner will be awarded the "Globe" on Saturday, 26th January at 7 pm.
Where: Accademia Albertina di Belle Arti, in Turin.
The "Globe" has been designed by the Industrial Design Degree Course at the Faculty of Architecture, Politecnico di Torino.
The Crew
Simona Lodi, artistic director: simona.lodi@toshare.it
Chiara Garibaldi, director general: chiara.garibaldi@toshare.it
Manuela De Caro, general coordinator: manuela.decaro@toshare.it
Luca Barbeni, curator: luca.barbeni@toshare.it
Organisation:
The Sharing, via Rossini 3 -10124 -Turin
Tel. 011.81.70.974, 011.5883693 www.toshare.it
For images of the event: info@toshare.it
For the Festival logo: info@toshare.it
Go to www.toshare.it for the complete programme
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 - Torino
website: www.toshare.it e.mail info@toshare.it
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2 -8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Artist: Stanza (UK)
Work: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Short description: Sensity is made from real time data that is collected across the city in real time and visualized as a dynamic public installation which is also viewable online. Sensity visualizes the patterns we make, the forces we weave, which are all being networked into retrievable data structures that can be re-imagined as artworks. These patterns all disclose new ways of seeing the world.
The artist is attempting to move on towards a point where the landscape is a hybridized audio visual representation of the space. That is an audio visual experience based on the sounds and sights of the city pollutions, noise, traffic data , that are captured via sensor network. In other words sensors are used to environmentally monitor the city and the data output is used to create a public domain artwork describing the city data space.
How we understand and value information is of great importance. It seems reasonable to suggest that visual metaphors might simplify our understanding of data in space.
Artist: UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Work: Amazon-noir.com
web: http://www.amazon-noir.com/text.html
Short description:The Bad Guys (The Amazon Noir Crew: Cirio, Lizvlx, Ludovico, Bernhard) steal copyrighted books from Amazon.com - by using sophisticated robot-perversion-technology coded by supervillain Paolo Cirio. A massive media fight and a brutal legal fight escalates into an online Showdown with the heist at the center of the story. Lizvlx from UBERMORGEN.COM has daily shoot outs with the global massmedia, Ludovico and Bernhard hardly resist kickback-bribes from powerful Amazon.com and Cirio violently pushes the boundary of copyright. Betrayal, blasphemy and pessimism splits the gang of bad guys. In the end the good guys (Amazon.com) win and drive off with the beautiful and seductive femme fatale (the massmedia).
Amazon noir is a project by UBERMORGEN.COM, Paolo Cirio and Alessandro Ludovico (European based collective including Italy) provides a critique of propriety model of cultural production and distribution. The project exploits a legal loophole in amazon.com software that makes it possible to collect the single pages of the entire book making a sale / profit irrelevant. In this way, the project critically reflects on the issue of copyright and also plays with the inherent structures of the online media. Furthermore it proposes more open model for content use and distribution as we see developed in open source practice which is based on sharing content.
Artist: Gregory Shakar (USA)
Work: The Analog Color Field Computer (ACFC) web:http://www.moodvector.com/acfc/acfcShare.htm
Short description: the Analog Color Field Computer is an interactive video and sound installation. It's sculptural computers produce surging pulses of colours and tones, conveying a symphony of sonic texture and luminescent patterns into the sparsely lit exhibition space. Each ACFC provides controls for users to adjust its hues, pitches and rhythms.
Moodvector from Gregory Shakar is a beautiful landscape of computers and screens displaying basic colours and sounds. The work points to the earlier artworks researching the relationship between sound and color (Skriabin). It involves public on the level of manipulation of both sound and color in this installation. Simple, beautiful, elegant, easy.
Artist: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Work: Shockbot Corejulio
web: http://www.5voltcore.com/index.html?/content/roboter.html
Short description: “Shockbot Corejulio” creates aesthetic information out of disfunction in the form of audio and visual output.
Shockbot Corejulio is built out of three main parts: 1st the programme that controls the shockbot, 2nd the controlling circuit board, that operates, via relays, the (3rd) motors that then move the shockbot.
Essential for the piece is the circular process between the computer and the shockbot. The computer sends impulses to the robot that subsequently moves on it's tracks targeting random points within the computer hardware.
At the point of contact it creates a short-circuit that leads to fault current. This error is recognized as a command and in an attempt to interpret the disinformation, the computer creates, together with the shockbot, random pictures on the display.
As the damage to the computer increases a proportional rise of dysfunction to the controll signal occurs. This overload of errors ends in a total collapse of the system.
Roboter from Andel 5voltocore deconstructs the formal process of generating sound and image in the computer through the deployment of a small robot that randomly creates shortcuts in the circuits of the machine. In this way it creates unforeseen audio-visual outputs that are printed and displayed in the exhibition. By doing so it slowly destroys itself. The project emphasizes the idea of an error and dysfunction as part of the creative process. Furthermore, the destruction of the system itself is implemented as part of the performative act of the artists.
Artist: Christophe Bruno (FR)
Work: Human Browser
web: http://www.iterature.com/human-browser
Short description: A human being embodies the World Wide Web, the sum of all the speeches of mankind. Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being.
Thanks to its headset, an actor hears a text-to-speech audio that comes directely from the Internet in real-time. The actor repeats the text as he hears it. The textual flow is actually fetched by a programme that hijacks Google, diverting it from its utilitarian functions. Depending on the context in which the actor is, keywords are sent to the programme and used as search strings in Google so that the content of the textual flow is always related to the context.
In the Human Browser project by the French artist Christophe Bruno, the visitor is getting into a conversation with an actor in the exhibitionspace. This conversation is manipulated and given direction by the Google search engine. This is possible because the actor, with whom the visitor is talking, carries a microphone, headphones and webcam which are wirelessly linked to the artist who is sitting at home, in France, behind his computer. He can follow the conversation through the webcam carried by the actor.
So as the visitor talks to the actor, Bruno folows the conversation online via his computer. He picks out keywords from the conversation and types the into the Google search engine. A text to speech program he developed vocalises the search results and transmitts them to the actor's headphone. She or he, in turn, repeats these Google text results, including URLs, numbers and punctuation. Videos of these conversations are exhibited as part of the artwork.
Human browser is a very funny artwork that directs the conversations in different kind of contexts as the output from Google is filtered, ranked and doesn’t discriminate between useless information and/or meaningfull information, something consciously played with in human conversation. The Human Browser tries to invest in language derivative by-products, in a deflationary global semantic market - as was remarked on the website of The Thing.
Artist: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) - leader, Pawel Janicki - vj, producer, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmer)
Work: Mikro Orchestra Project
web: http://mikroorchestra.com/
Short description: Mikro Orchestra Project is an experimental sound - visual project, basing on the use of game console as a music instrument. Main assumption of project's authors is to create new sound space on the base of tones generated live from console during the performance.
Group is active since 2001, currently with six players.
Mikro Orchestra Project (formerly known as Gameboyzz Orchestra Project) is an art collective that emerged in 2001 from the context of WRO Media Art Centre based in Poland. The project addresses the issue of the adaptation of popular consumer technology - Gameboy Console - for creative experimentation. It involves low tech hardware (gameboy console) and a custom written software to generate visual and sound performances in real time. Although this is an already established project it has been selected to the shortlist in recognition of its recent new developments. Firstly, for the development of a vj software (SQJ software written in 2005) implemented in a visual aspect of the performance. Secondly, for its participatory and collaborative aspect of production expressed through the idea of public workshop that results in a public performance involving audience along with the Mikro Orchestra players.
The jury is:
Gefried Stocker (director of Ars Electronica, Linz)
Alex Adriaansen (director v2 and DEAF, Rotterdam)
Joasia Krysa (senior lecturer at the Faculty of Technology, University of Plymouth)
Carolyn Christov Bakargiev (chef curator Castello di Rivoli, Torino)
Vicente Matallana (director LaAgencia, Madrid)
The Share Prize 2007 winner will be awarded the "Globe" on Saturday, 26th January at 7 pm.
Where: Accademia Albertina di Belle Arti, in Turin.
The "Globe" has been designed by the Industrial Design Degree Course at the Faculty of Architecture, Politecnico di Torino.
The Crew
Simona Lodi, artistic director: simona.lodi@toshare.it
Chiara Garibaldi, director general: chiara.garibaldi@toshare.it
Manuela De Caro, general coordinator: manuela.decaro@toshare.it
Luca Barbeni, curator: luca.barbeni@toshare.it
Organisation:
The Sharing, via Rossini 3 -10124 -Turin
Tel. 011.81.70.974, 011.5883693 www.toshare.it
For images of the event: info@toshare.it
For the Festival logo: info@toshare.it
Go to www.toshare.it for the complete programme
PIEMONTE SHARE FESTIVAL
Dates:
Fri Jan 05, 2007 00:00 - Thu Jan 04, 2007
(english below)
:::::::Piemonte Share Festival 2007:::::::
Festival di culture e arti legate ai nuovi media e alle tecnologie digitali
Quando: da martedi 23 gennaio a domenica 28 gennaio 2007
Dove: Sede principale Accademia Albertina di Belle Arti
Via Accademia Albertina, 6 - Torino
SITO: www.toshare.it e.mail info@toshare.it
INAUGURAZIONE:
Accademia Albertina di Belle Arti MARTEDI’ 23 GENNAIO 2007 dalle ORE 18.00 alle 22.00
Con aperitivo e performance!
LA MOSTRA:
Premio Share 2007
Da mercoledi 24 a domenica 28 gennaio 2007
Accademia Albertina di Belle Arti
Orario: Mercoledi, giovedi, venerdi dalle 10.00 - 20.00 / sabato e domenica dalle 14.00 - 20.00
Nelle sale espositive dell’Accademia Albertina saranno esposte le sei opere finaliste del Premio Share 2007. Le opere che sono state selezionate per la fase finale sono:
Artisti: Steven Tanza (UK)
Opera: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Breve descrizione: Sensity e un lavoro costruito in tempo reale con i dati raccolti da un ambiente urbano e visualizzati come un' installazione dinamica, consultabile anche on-line. Sensity mostra gli intrecci che si creano, le forze che si intersecano , che collegati in un network di dati , possono essere ri - elaborati e ri- visualizzati come opere d'arte. Tutti questi intrecci di informazioni permettono di scoprire nuovi modi di vedere il mondo. L'intento dell'artista e di muoversi verso un punto dove il paesaggio e il risultato di una rappresentazione ibrida audio-visiva dello spazio. Questo lavoro e un 'esperienza basata sul suono e sulla visualizzazione dei dati sull'inquinamento, sul rumore del traffico della citta, che sono catturati con una rete di sensori. In altre parole i sensori sono usati per monitorare le condizioni ambientali della citta e i dati raccolti sono usati per creare un lavoro artistico visibile pubblicamente dello spazio urbano. Come sono valutati e capiti i dati raccolti e di grande importanza. L'opera sembra suggerire che le visioni metaforiche potrebbero semplificare la comprensione dello spazio urbano.
Artisti:UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Opera: Amazon-noir.com
Web: http://www.amazon-noir.com/text.html
Breve descrizione: I cattivi ragazzi (La Squadra del Amazon-Noir: Cirio, Lizvlx, Ludovico, Bernhard) rubano i libri protetti dal diritto d'autore da Amazon.com usando la robot-perversion-tecnologia specializzata codificata da Paolo Cirio. L'opera ci pone davanti la questione del diritto d'autore, dell'hacking e di internet come libero terreno, sempre piu monopolizzato dalle grandi corporation.
Artisti: Gregory Shakar (Canada)
Opera: The Analog Color Field Computer (ACFC)
Web:http://www.moodvector.com/acfc/acfcShare.htm
Breve descrizione: the Analog Color Field Computer e un'installazione audio-visiva interattiva. L'installazione e composta da 5 computer-scultura che producono impulsi di colori e suoni, trasportando una sinfonia composta da una struttura sonora e da campioni luminescenti che diffondono luce nello spazio della mostra. Ogni ACFC possiede i comandi che il pubblico puo usare per registrare tonalita, passi e ritmi dell'installazione.
Artisti: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Opera: Shockbot Corejulio
Web: http://www.5voltcore.com/index.html?/content/roboter.html
Breve descrizione: "Shockbot Corejulio" e una macchina che genera informazioni estetiche sotto forma audio e visiva partendo da una disfunzione pre-programmata. Shockbot Corejulio e costruito su tre parti principali: (1) il programma che controlla lo shockbot (robot), (2) scheda madre del computer, che fa funzionare, attraverso i rele, (3) i motori che spostano lo shockbot. Fra il computer e lo shockbot si instaura un processo circolare fatto da un'emissione e una ricezione di impulsi. Il computer trasmette gli impulsi al robot che genera un cortocircuito che conduce a un difetto di corrente. Questo errore e riconosciuto come un comando dal computer e nel tentativo d'interpretare il comando errato, il computer genera, insieme allo shockbot, delle immagini che vengono immediatamente stampate. Man mano che il danneggiamento del computer aumenta, si verifica un aumento proporzionale di disfunzione del segnale di controllo. Questo sovraccarico di errori si conclude in un crollo totale del sistema (crash).
Artista: Christophe Bruno (Francia)
Opera: Human Browser
web: http://www.iterature.com/human-browser
Breve descrizione: Human Browser e una serie di performance Wi-Fi basate su un Google Hack, in cui l'interfaccia tecnologica usuale e sostituita con la piu vecchia interfaccia che conosciamo: l'essere umano. Grazie a una serie di cuffie, un attore ascolta un testo comunicato a voce che viene direttamente da Internet in tempo reale. L'attore ripete il testo come lo sente. Il flusso testuale e preso da un programma che dirotta Google, deviandolo dalle relative funzioni d'uso. Secondo il contesto in cui l'attore si trova, le parole chiave sono trasmesse al programma e sono usate come stringhe di ricerca in Google in modo da collegare sempre il contenuto del flusso testuale con il contesto.
Artisti: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) leader, Pawel Janicki - vj, produttore, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmatore)
Opera: Mikro Orchestra Project
Web: http://mikroorchestra.com/
Breve descrizione: il progetto Mikro Orchestra e un progetto audiovisivo sperimentale, basato sull'uso della sezione comandi del gameboy come strumento musicale. Il presupposto principale degli autori del progetto e di generare un nuovo spazio sonoro sulla base dei toni della sezione comandi del gameboy. Il gruppo e attivo dal 2001, attualmente con sei suonatori.
La giuria :
Carolyn Christov Bakargiev, curatore capo del Castello di Rivoli
Joasia Krysa, professore Universita di Plymouth
Alex Adriaansen, direttore V2 di Rotterdam
Vicente Matallana, direttore La Agencia di Madrid
Gerfried Stocker, direttore ArsElectronica Festival di Linz
ENGLISH VERSION
:::::::Piemonte Share Festival 2007:::::::
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 10124 Torino
website: www.toshare.it e.mail: info@toshare.it
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2 -8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Artist: Steven Tanza (UK)
Work: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Short description: Sensity is made from real time data that is collected across the city in real time and visualized as a dynamic public installation which is also viewable online. Sensity visualizes the patterns we make, the forces we weave, which are all being networked into retrievable data structures that can be re-imagined as artworks. These patterns all disclose new ways of seeing the world.
The artist is attempting to move on towards a point where the landscape is a hybridized audio visual representation of the space. That is an audio visual experience based on the sounds and sights of the city pollutions, noise, traffic data , that are captured via sensor network. In other words sensors are used to environmentally monitor the city and the data output is used to create a public domain artwork describing the city data space.
How we understand and value information is of great importance. It seems reasonable to suggest that visual metaphors might simplify our understanding of data in space.
Artist: UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Work: Amazon-noir.com
web: http://www.amazon-noir.com/text.html
Short description:The Bad Guys (The Amazon Noir Crew: Cirio, Lizvlx, Ludovico, Bernhard) steal copyrighted books from Amazon.com - by using sophisticated robot-perversion-technology coded by supervillain Paolo Cirio. A massive media fight and a brutal legal fight escalates into an online Showdown with the heist at the center of the story. Lizvlx from UBERMORGEN.COM has daily shoot outs with the global massmedia, Ludovico and Bernhard hardly resist kickback-bribes from powerful Amazon.com and Cirio violently pushes the boundary of copyright. Betrayal, blasphemy and pessimism splits the gang of bad guys. In the end the good guys (Amazon.com) win and drive off with the beautiful and seductive femme fatale (the massmedia).
Amazon noir is a project by UBERMORGEN.COM, Paolo Cirio and Alessandro Ludovico (European based collective including Italy) provides a critique of propriety model of cultural production and distribution. The project exploits a legal loophole in amazon.com software that makes it possible to collect the single pages of the entire book making a sale / profit irrelevant. In this way, the project critically reflects on the issue of copyright and also plays with the inherent structures of the online media. Furthermore it proposes more open model for content use and distribution as we see developed in open source practice which is based on sharing content.
Artist: Gregory Shakar (USA)
Work: The Analog Color Field Computer (ACFC) web:http://www.moodvector.com/acfc/acfcShare.htm
Short description: the Analog Color Field Computer is an interactive video and sound installation. It's sculptural computers produce surging pulses of colours and tones, conveying a symphony of sonic texture and luminescent patterns into the sparsely lit exhibition space. Each ACFC provides controls for users to adjust its hues, pitches and rhythms.
Moodvector from Gregory Shakar is a beautiful landscape of computers and screens displaying basic colours and sounds. The work points to the earlier artworks researching the relationship between sound and color (Skriabin). It involves public on the level of manipulation of both sound and color in this installation. Simple, beautiful, elegant, easy.
Artist: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Work: Shockbot Corejulio
web: http://www.5voltcore.com/index.html?/content/roboter.html
Short description: “Shockbot Corejulio” creates aesthetic information out of disfunction in the form of audio and visual output.
Shockbot Corejulio is built out of three main parts: 1st the programme that controls the shockbot, 2nd the controlling circuit board, that operates, via relays, the (3rd) motors that then move the shockbot.
Essential for the piece is the circular process between the computer and the shockbot. The computer sends impulses to the robot that subsequently moves on it's tracks targeting random points within the computer hardware.
At the point of contact it creates a short-circuit that leads to fault current. This error is recognized as a command and in an attempt to interpret the disinformation, the computer creates, together with the shockbot, random pictures on the display.
As the damage to the computer increases a proportional rise of dysfunction to the controll signal occurs. This overload of errors ends in a total collapse of the system.
Roboter from Andel 5voltocore deconstructs the formal process of generating sound and image in the computer through the deployment of a small robot that randomly creates shortcuts in the circuits of the machine. In this way it creates unforeseen audio-visual outputs that are printed and displayed in the exhibition. By doing so it slowly destroys itself. The project emphasizes the idea of an error and dysfunction as part of the creative process. Furthermore, the destruction of the system itself is implemented as part of the performative act of the artists.
Artist: Christophe Bruno (FR)
Work: Human Browser
web: http://www.iterature.com/human-browser
Short description: A human being embodies the World Wide Web, the sum of all the speeches of mankind. Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being.
Thanks to its headset, an actor hears a text-to-speech audio that comes directely from the Internet in real-time. The actor repeats the text as he hears it. The textual flow is actually fetched by a programme that hijacks Google, diverting it from its utilitarian functions. Depending on the context in which the actor is, keywords are sent to the programme and used as search strings in Google so that the content of the textual flow is always related to the context.
In the Human Browser project by the French artist Christophe Bruno, the visitor is getting into a conversation with an actor in the exhibitionspace. This conversation is manipulated and given direction by the Google search engine. This is possible because the actor, with whom the visitor is talking, carries a microphone, headphones and webcam which are wirelessly linked to the artist who is sitting at home, in France, behind his computer. He can follow the conversation through the webcam carried by the actor.
So as the visitor talks to the actor, Bruno folows the conversation online via his computer. He picks out keywords from the conversation and types the into the Google search engine. A text to speech program he developed vocalises the search results and transmitts them to the actor's headphone. She or he, in turn, repeats these Google text results, including URLs, numbers and punctuation. Videos of these conversations are exhibited as part of the artwork.
Human browser is a very funny artwork that directs the conversations in different kind of contexts as the output from Google is filtered, ranked and doesn’t discriminate between useless information and/or meaningfull information, something consciously played with in human conversation. The Human Browser tries to invest in language derivative by-products, in a deflationary global semantic market - as was remarked on the website of The Thing.
Artist: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) - leader, Pawel Janicki - vj, producer, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmer)
Work: Mikro Orchestra Project
web: http://mikroorchestra.com/
Short description: Mikro Orchestra Project is an experimental sound - visual project, basing on the use of game console as a music instrument. Main assumption of project's authors is to create new sound space on the base of tones generated live from console during the performance.
Group is active since 2001, currently with six players.
Mikro Orchestra Project (formerly known as Gameboyzz Orchestra Project) is an art collective that emerged in 2001 from the context of WRO Media Art Centre based in Poland. The project addresses the issue of the adaptation of popular consumer technology - Gameboy Console - for creative experimentation. It involves low tech hardware (gameboy console) and a custom written software to generate visual and sound performances in real time. Although this is an already established project it has been selected to the shortlist in recognition of its recent new developments. Firstly, for the development of a vj software (SQJ software written in 2005) implemented in a visual aspect of the performance. Secondly, for its participatory and collaborative aspect of production expressed through the idea of public workshop that results in a public performance involving audience along with the Mikro Orchestra players.
The jury is:
Gefried Stocker (director of Ars Electronica, Linz)
Alex Adriaansen (director v2 and DEAF, Rotterdam)
Joasia Krysa (senior lecturer at the Faculty of Technology, University of Plymouth)
Carolyn Christov Bakargiev (chef curator Castello di Rivoli, Torino)
Vicente Matallana (director LaAgencia, Madrid)
:::::::Piemonte Share Festival 2007:::::::
Festival di culture e arti legate ai nuovi media e alle tecnologie digitali
Quando: da martedi 23 gennaio a domenica 28 gennaio 2007
Dove: Sede principale Accademia Albertina di Belle Arti
Via Accademia Albertina, 6 - Torino
SITO: www.toshare.it e.mail info@toshare.it
INAUGURAZIONE:
Accademia Albertina di Belle Arti MARTEDI’ 23 GENNAIO 2007 dalle ORE 18.00 alle 22.00
Con aperitivo e performance!
LA MOSTRA:
Premio Share 2007
Da mercoledi 24 a domenica 28 gennaio 2007
Accademia Albertina di Belle Arti
Orario: Mercoledi, giovedi, venerdi dalle 10.00 - 20.00 / sabato e domenica dalle 14.00 - 20.00
Nelle sale espositive dell’Accademia Albertina saranno esposte le sei opere finaliste del Premio Share 2007. Le opere che sono state selezionate per la fase finale sono:
Artisti: Steven Tanza (UK)
Opera: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Breve descrizione: Sensity e un lavoro costruito in tempo reale con i dati raccolti da un ambiente urbano e visualizzati come un' installazione dinamica, consultabile anche on-line. Sensity mostra gli intrecci che si creano, le forze che si intersecano , che collegati in un network di dati , possono essere ri - elaborati e ri- visualizzati come opere d'arte. Tutti questi intrecci di informazioni permettono di scoprire nuovi modi di vedere il mondo. L'intento dell'artista e di muoversi verso un punto dove il paesaggio e il risultato di una rappresentazione ibrida audio-visiva dello spazio. Questo lavoro e un 'esperienza basata sul suono e sulla visualizzazione dei dati sull'inquinamento, sul rumore del traffico della citta, che sono catturati con una rete di sensori. In altre parole i sensori sono usati per monitorare le condizioni ambientali della citta e i dati raccolti sono usati per creare un lavoro artistico visibile pubblicamente dello spazio urbano. Come sono valutati e capiti i dati raccolti e di grande importanza. L'opera sembra suggerire che le visioni metaforiche potrebbero semplificare la comprensione dello spazio urbano.
Artisti:UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Opera: Amazon-noir.com
Web: http://www.amazon-noir.com/text.html
Breve descrizione: I cattivi ragazzi (La Squadra del Amazon-Noir: Cirio, Lizvlx, Ludovico, Bernhard) rubano i libri protetti dal diritto d'autore da Amazon.com usando la robot-perversion-tecnologia specializzata codificata da Paolo Cirio. L'opera ci pone davanti la questione del diritto d'autore, dell'hacking e di internet come libero terreno, sempre piu monopolizzato dalle grandi corporation.
Artisti: Gregory Shakar (Canada)
Opera: The Analog Color Field Computer (ACFC)
Web:http://www.moodvector.com/acfc/acfcShare.htm
Breve descrizione: the Analog Color Field Computer e un'installazione audio-visiva interattiva. L'installazione e composta da 5 computer-scultura che producono impulsi di colori e suoni, trasportando una sinfonia composta da una struttura sonora e da campioni luminescenti che diffondono luce nello spazio della mostra. Ogni ACFC possiede i comandi che il pubblico puo usare per registrare tonalita, passi e ritmi dell'installazione.
Artisti: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Opera: Shockbot Corejulio
Web: http://www.5voltcore.com/index.html?/content/roboter.html
Breve descrizione: "Shockbot Corejulio" e una macchina che genera informazioni estetiche sotto forma audio e visiva partendo da una disfunzione pre-programmata. Shockbot Corejulio e costruito su tre parti principali: (1) il programma che controlla lo shockbot (robot), (2) scheda madre del computer, che fa funzionare, attraverso i rele, (3) i motori che spostano lo shockbot. Fra il computer e lo shockbot si instaura un processo circolare fatto da un'emissione e una ricezione di impulsi. Il computer trasmette gli impulsi al robot che genera un cortocircuito che conduce a un difetto di corrente. Questo errore e riconosciuto come un comando dal computer e nel tentativo d'interpretare il comando errato, il computer genera, insieme allo shockbot, delle immagini che vengono immediatamente stampate. Man mano che il danneggiamento del computer aumenta, si verifica un aumento proporzionale di disfunzione del segnale di controllo. Questo sovraccarico di errori si conclude in un crollo totale del sistema (crash).
Artista: Christophe Bruno (Francia)
Opera: Human Browser
web: http://www.iterature.com/human-browser
Breve descrizione: Human Browser e una serie di performance Wi-Fi basate su un Google Hack, in cui l'interfaccia tecnologica usuale e sostituita con la piu vecchia interfaccia che conosciamo: l'essere umano. Grazie a una serie di cuffie, un attore ascolta un testo comunicato a voce che viene direttamente da Internet in tempo reale. L'attore ripete il testo come lo sente. Il flusso testuale e preso da un programma che dirotta Google, deviandolo dalle relative funzioni d'uso. Secondo il contesto in cui l'attore si trova, le parole chiave sono trasmesse al programma e sono usate come stringhe di ricerca in Google in modo da collegare sempre il contenuto del flusso testuale con il contesto.
Artisti: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) leader, Pawel Janicki - vj, produttore, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmatore)
Opera: Mikro Orchestra Project
Web: http://mikroorchestra.com/
Breve descrizione: il progetto Mikro Orchestra e un progetto audiovisivo sperimentale, basato sull'uso della sezione comandi del gameboy come strumento musicale. Il presupposto principale degli autori del progetto e di generare un nuovo spazio sonoro sulla base dei toni della sezione comandi del gameboy. Il gruppo e attivo dal 2001, attualmente con sei suonatori.
La giuria :
Carolyn Christov Bakargiev, curatore capo del Castello di Rivoli
Joasia Krysa, professore Universita di Plymouth
Alex Adriaansen, direttore V2 di Rotterdam
Vicente Matallana, direttore La Agencia di Madrid
Gerfried Stocker, direttore ArsElectronica Festival di Linz
ENGLISH VERSION
:::::::Piemonte Share Festival 2007:::::::
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 10124 Torino
website: www.toshare.it e.mail: info@toshare.it
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2 -8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Artist: Steven Tanza (UK)
Work: Sensity - The Emergent City
Web: http://www.stanza.co.uk/sensity2/index.html
Short description: Sensity is made from real time data that is collected across the city in real time and visualized as a dynamic public installation which is also viewable online. Sensity visualizes the patterns we make, the forces we weave, which are all being networked into retrievable data structures that can be re-imagined as artworks. These patterns all disclose new ways of seeing the world.
The artist is attempting to move on towards a point where the landscape is a hybridized audio visual representation of the space. That is an audio visual experience based on the sounds and sights of the city pollutions, noise, traffic data , that are captured via sensor network. In other words sensors are used to environmentally monitor the city and the data output is used to create a public domain artwork describing the city data space.
How we understand and value information is of great importance. It seems reasonable to suggest that visual metaphors might simplify our understanding of data in space.
Artist: UBERMORGEN.COM, Paolo Cirio, Alessandro Ludovico (AT, USA, IT)
Work: Amazon-noir.com
web: http://www.amazon-noir.com/text.html
Short description:The Bad Guys (The Amazon Noir Crew: Cirio, Lizvlx, Ludovico, Bernhard) steal copyrighted books from Amazon.com - by using sophisticated robot-perversion-technology coded by supervillain Paolo Cirio. A massive media fight and a brutal legal fight escalates into an online Showdown with the heist at the center of the story. Lizvlx from UBERMORGEN.COM has daily shoot outs with the global massmedia, Ludovico and Bernhard hardly resist kickback-bribes from powerful Amazon.com and Cirio violently pushes the boundary of copyright. Betrayal, blasphemy and pessimism splits the gang of bad guys. In the end the good guys (Amazon.com) win and drive off with the beautiful and seductive femme fatale (the massmedia).
Amazon noir is a project by UBERMORGEN.COM, Paolo Cirio and Alessandro Ludovico (European based collective including Italy) provides a critique of propriety model of cultural production and distribution. The project exploits a legal loophole in amazon.com software that makes it possible to collect the single pages of the entire book making a sale / profit irrelevant. In this way, the project critically reflects on the issue of copyright and also plays with the inherent structures of the online media. Furthermore it proposes more open model for content use and distribution as we see developed in open source practice which is based on sharing content.
Artist: Gregory Shakar (USA)
Work: The Analog Color Field Computer (ACFC) web:http://www.moodvector.com/acfc/acfcShare.htm
Short description: the Analog Color Field Computer is an interactive video and sound installation. It's sculptural computers produce surging pulses of colours and tones, conveying a symphony of sonic texture and luminescent patterns into the sparsely lit exhibition space. Each ACFC provides controls for users to adjust its hues, pitches and rhythms.
Moodvector from Gregory Shakar is a beautiful landscape of computers and screens displaying basic colours and sounds. The work points to the earlier artworks researching the relationship between sound and color (Skriabin). It involves public on the level of manipulation of both sound and color in this installation. Simple, beautiful, elegant, easy.
Artist: 5VOLTCORE (Emanuel Andel - Christian Guetzer) (AT)
Work: Shockbot Corejulio
web: http://www.5voltcore.com/index.html?/content/roboter.html
Short description: “Shockbot Corejulio” creates aesthetic information out of disfunction in the form of audio and visual output.
Shockbot Corejulio is built out of three main parts: 1st the programme that controls the shockbot, 2nd the controlling circuit board, that operates, via relays, the (3rd) motors that then move the shockbot.
Essential for the piece is the circular process between the computer and the shockbot. The computer sends impulses to the robot that subsequently moves on it's tracks targeting random points within the computer hardware.
At the point of contact it creates a short-circuit that leads to fault current. This error is recognized as a command and in an attempt to interpret the disinformation, the computer creates, together with the shockbot, random pictures on the display.
As the damage to the computer increases a proportional rise of dysfunction to the controll signal occurs. This overload of errors ends in a total collapse of the system.
Roboter from Andel 5voltocore deconstructs the formal process of generating sound and image in the computer through the deployment of a small robot that randomly creates shortcuts in the circuits of the machine. In this way it creates unforeseen audio-visual outputs that are printed and displayed in the exhibition. By doing so it slowly destroys itself. The project emphasizes the idea of an error and dysfunction as part of the creative process. Furthermore, the destruction of the system itself is implemented as part of the performative act of the artists.
Artist: Christophe Bruno (FR)
Work: Human Browser
web: http://www.iterature.com/human-browser
Short description: A human being embodies the World Wide Web, the sum of all the speeches of mankind. Human Browser is a series of Wi-Fi performances based on a Google Hack, where the usual technological interface is replaced with the oldest interface we know: the human being.
Thanks to its headset, an actor hears a text-to-speech audio that comes directely from the Internet in real-time. The actor repeats the text as he hears it. The textual flow is actually fetched by a programme that hijacks Google, diverting it from its utilitarian functions. Depending on the context in which the actor is, keywords are sent to the programme and used as search strings in Google so that the content of the textual flow is always related to the context.
In the Human Browser project by the French artist Christophe Bruno, the visitor is getting into a conversation with an actor in the exhibitionspace. This conversation is manipulated and given direction by the Google search engine. This is possible because the actor, with whom the visitor is talking, carries a microphone, headphones and webcam which are wirelessly linked to the artist who is sitting at home, in France, behind his computer. He can follow the conversation through the webcam carried by the actor.
So as the visitor talks to the actor, Bruno folows the conversation online via his computer. He picks out keywords from the conversation and types the into the Google search engine. A text to speech program he developed vocalises the search results and transmitts them to the actor's headphone. She or he, in turn, repeats these Google text results, including URLs, numbers and punctuation. Videos of these conversations are exhibited as part of the artwork.
Human browser is a very funny artwork that directs the conversations in different kind of contexts as the output from Google is filtered, ranked and doesn’t discriminate between useless information and/or meaningfull information, something consciously played with in human conversation. The Human Browser tries to invest in language derivative by-products, in a deflationary global semantic market - as was remarked on the website of The Thing.
Artist: Mikro Orchestra Project (Jaroslaw Kujda (aka mikrokilla) - leader, Pawel Janicki - vj, producer, Mariusz Jura, Agnieszka Kujda, Malgorzata Kujda, Tomasz,Prockow - vj, programmer)
Work: Mikro Orchestra Project
web: http://mikroorchestra.com/
Short description: Mikro Orchestra Project is an experimental sound - visual project, basing on the use of game console as a music instrument. Main assumption of project's authors is to create new sound space on the base of tones generated live from console during the performance.
Group is active since 2001, currently with six players.
Mikro Orchestra Project (formerly known as Gameboyzz Orchestra Project) is an art collective that emerged in 2001 from the context of WRO Media Art Centre based in Poland. The project addresses the issue of the adaptation of popular consumer technology - Gameboy Console - for creative experimentation. It involves low tech hardware (gameboy console) and a custom written software to generate visual and sound performances in real time. Although this is an already established project it has been selected to the shortlist in recognition of its recent new developments. Firstly, for the development of a vj software (SQJ software written in 2005) implemented in a visual aspect of the performance. Secondly, for its participatory and collaborative aspect of production expressed through the idea of public workshop that results in a public performance involving audience along with the Mikro Orchestra players.
The jury is:
Gefried Stocker (director of Ars Electronica, Linz)
Alex Adriaansen (director v2 and DEAF, Rotterdam)
Joasia Krysa (senior lecturer at the Faculty of Technology, University of Plymouth)
Carolyn Christov Bakargiev (chef curator Castello di Rivoli, Torino)
Vicente Matallana (director LaAgencia, Madrid)
PIEMONTE SHARE FESTIVAL
Dates:
Tue Jan 02, 2007 00:00 - Tue Jan 02, 2007
PRESS RELEASE
Event: “Piemonte Share Festival 2007”
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 - Torino
website: www.toshare.it e.mail info@toshare.it
Piemonte Share Festival is a five-day event dedicated to the relationship between the arts and digital innovation /new media.
The Festival runs parallel with the Universiade and is part of the programme connected to the sporting event.
Now in its 3rd year, the Festival will host an exhibition, conferences, meetings, round tables, workshops and live performances. The event will be the size of a soft-rave (a lite version of a rave) or collective party where the magic of the moment creates an atmosphere of festivity and fun, creative exchange and different types of involvement with the audience: artistic, recreational, dance, cultural and up-beat.
The arts and digital culture are expressions of a heritage of knowledge and creative languages that live through connections (network), international knowledge exchange, interdisciplinary contact, cross-media interaction, multimedia projects and computer collaboration. This new configuration means they vary from earlier creative expressions to the so-called Information Technology era.
All admission to the Festival is totally free and the conferences will be both in Italian and English.
The theme will be: Digital Affinity/Communities Now
Every year a transversal theme impacts the Festival contents, from conferences to performances, via a sampler of creative expressions applied to digital technologies (art, music, live performance, interactive installations, 3D animation, software art). The theme of the 3rd Festival is Digital Affinity/Communities Now that will be presented through taking a look at processes that regulate Communities within creative and innovative processes via meetings and round tables.
Communities today are one of the paradigms that drive transformation by collectively moving into the era of knowledge and information. Communities are multipliers of intelligence, because they give value to individual skills and become engines of growth for society.
Communities then are not just new forms of aggregation, but a way of being and living, a collective and humanitarian project, a culture that links one billion and 80 million people today. The bonds between these people are not just geographical or family based, but inspired by cultural, ideological and political affinity.
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
CONFERENCES:
From Wednesday 24th to Sunday 28th January 2007
Various locations
In order to know how to read everything strategically, new points of view and new maps are needed.
The program for the “DIGITAL AFFINITY” conferences will be useful to better understand the dynamics within the communities on the following themes: creativity and innovation, art and culture, music and live performance, information and journalism social networking, on line games, architecture and design, openness and digital divides, governance of the Internet and democracy.
The lecturers are: Geert Lovink, Bruce Sterling, Alessandro Ludovico, Antonio Caronia, Tatiana Bazzichelli, Alberto Abruzzese, Sergio Messina, Bruno Ruffilli, Matteo Pasquinelli, Paolo Atzori AND MORE....
Note: Symposium “Internet Governance Forum after Atene: the bill of rights for the Web”, curated by Fiorello Cortiana and Anna Masera with Stefano Rodota, Franco Carlini, Angelo Raffaele Meo, Juan Carlos De Martin, Vittorio Bertola, Arturo Di Corinto, Laura Sartori, Filippo Penati, Andrea Bairati.
Go to www.toshare.it for the detailed conference programme.
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2-8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Sensity - The Emergent City - Steven Tanza (U.K.)
Mikroorchestra.com Mikro Orchestra Project (Poland)
Amazon-noir.com UBERMORGEN.COM - Paolo Cirio - Alessandro Ludovico (AT,USA,IT)
The Analog Color Field Computer Gregory Shakar (USA)
Shockbot Corejulio 5VOLTCORE (Austria)
\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
SHARE GALLERY
Wednesday 24th January 2007
Round table at 5.30 pm “The imaginary moulded by social network ” with Regine Debatty and Simon Goldin (The Port - Second Life).
Spazio Espositivo “Azimut”, Piazza Palazzo di Citta 8, Torino
Semapedia.org Project
At 7 pm inauguration of the Spazio Espositivo “Azimut” , Piazza Palazzo di Citta 8, Torino
Round table at 8 pm “The map is (not) the territory ”
On show every day from 12 am to 7 pm.
Semapedia.org is a no-profit community project. The aim is to connect the virtual and physical worlds by linking a dedicated physical area with information available on Wikipedia.
\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
LIVE PERFORMANCE
Thursday 25th January 2007
Mikro Orchestra Project (Poland) AKA Gameboyzz Orchestra Project, is an artistic collective founded in 2001 by the context of WRO Media Art Centre based in Poland. The project tackles the theme of adapting a popular technology - the Gameboy Console - to creative trials.
From 11 pm
AB+, on the corners of via Egidi and via della Basilica, Torino
Friday 26th January 2007
LAN\_PARTY
Aperitif and meeting dedicated to video game multi-players to play over a LAN (Local Area Network) where players can share the passion of the multiplayer “challenge” and put his/her own skills to the test. But LAN\_PARTY is not just this: first and foremost it’s a party, with everything that it involves: dance and fun. It’s a chance to support initiatives and promote ideas, where the meeting of sport and e-sport begins.
Organised by clan-hostin MxB, a community of players from Turin.
From 11 pm
The Beach°, Murazzi del Po - Torino
Saturday 27th January 2007
SUGURU GOTO
This is music between reality and science fiction, for creativity that knows no limit. This is the journey-concert that Japanese artist Suguru Goto presents. In fact, the concert is a journey to the edge of sound, where music takes life from the “Virtual Musical Instrument”; these are virtual tools in the shape of interfaces that manage the relationship between human gestures and the computer, producing and then turning sounds and images into real time. Body-suite for musician-dancers, robot violins and devices that are ready to capture any type of signal and translate it into sonorous, musical and visual action. Suguru Goto’s music starts here, from this magic and technological universe.
From 8 pm
Casa UNIVERSIADI, Piazzale Aldo Moro,Torino
NETLABEL PARTY
This music event is central to many musical scenes that represent excellence in contemporary IDM despite frequenting underground circuits.
With digital technologies all artists can easily and globally find and increase their own public. The artists presented here share backgrounds of creative trials and running their own shows. Each of them collaborates on or has founded their own netlabel in order to distribute their own music in complete and creative freedom.
Alongside three international artists, LACKLUSTER, AZ-ROTATOR, and the underground-star CYLOB there will also be two labels from Turin, Illogik Records and Tonimusic.
Magazzino di Giancarlo - Murazzi del Po - Torino
From 11 pm
After-hour, Doctor Sax - Murazzi del Po - Torino
From 5:00 am (after-hour)
General information:
The Festival runs from
23rd to 28th January 2007
Locations for the Festival:
Accademia Albertina di Belle Arti, via Accademia Albertina 6, Torino
Laboratorio Multimediale Guido Quazza - Facolta di Scienze della Comunicazione, Universita di Torino Palazzo Nuovo, Torino
Casa UNIVERSIADI, Piazzale Aldo Moro, Torino
Camera di Commercio di Torino, via Carlo Alberto 16, Torino
Spazio Espositivo AZIMUT, Piazza Palazzo di Citta 8, Torino
AB+, Via Egidi angolo via della Basilica, Torino
The Beach°, Murazzi del Po, Torino
Magazzino di Giancarlo - Murazzi del Po, Torino
Dottor Sax - Murazzi del Po, Torino
The Crew
Simona Lodi, artistic director: simona.lodi@toshare.it
Chiara Garibaldi, director general: chiara.garibaldi@toshare.it
Manuela De Caro, general coordinator: manuela.decaro@toshare.it
Luca Barbeni, curator: luca.barbeni@toshare.it
Organisation:
The Sharing, via Rossini 3 -10124 -Turin
Tel. 011.81.70.974, 011.5883693 www.toshare.it
Per images of the event: info@toshare.it
For the Festival logo: info@toshare.it
Go to www.toshare.it for the complete programme
Event: “Piemonte Share Festival 2007”
Festival of culture and arts linked to the new media and digital technologies
When: from Tuesday, 23rd January to Sunday, 28th January 2007
Where: Accademia Albertina di Belle Arti main premises
Via Accademia Albertina, 6 - Torino
website: www.toshare.it e.mail info@toshare.it
Piemonte Share Festival is a five-day event dedicated to the relationship between the arts and digital innovation /new media.
The Festival runs parallel with the Universiade and is part of the programme connected to the sporting event.
Now in its 3rd year, the Festival will host an exhibition, conferences, meetings, round tables, workshops and live performances. The event will be the size of a soft-rave (a lite version of a rave) or collective party where the magic of the moment creates an atmosphere of festivity and fun, creative exchange and different types of involvement with the audience: artistic, recreational, dance, cultural and up-beat.
The arts and digital culture are expressions of a heritage of knowledge and creative languages that live through connections (network), international knowledge exchange, interdisciplinary contact, cross-media interaction, multimedia projects and computer collaboration. This new configuration means they vary from earlier creative expressions to the so-called Information Technology era.
All admission to the Festival is totally free and the conferences will be both in Italian and English.
The theme will be: Digital Affinity/Communities Now
Every year a transversal theme impacts the Festival contents, from conferences to performances, via a sampler of creative expressions applied to digital technologies (art, music, live performance, interactive installations, 3D animation, software art). The theme of the 3rd Festival is Digital Affinity/Communities Now that will be presented through taking a look at processes that regulate Communities within creative and innovative processes via meetings and round tables.
Communities today are one of the paradigms that drive transformation by collectively moving into the era of knowledge and information. Communities are multipliers of intelligence, because they give value to individual skills and become engines of growth for society.
Communities then are not just new forms of aggregation, but a way of being and living, a collective and humanitarian project, a culture that links one billion and 80 million people today. The bonds between these people are not just geographical or family based, but inspired by cultural, ideological and political affinity.
INAUGURATION:
Accademia Albertina Tuesday 23rd January 2007 from 6 to 10 pm
With aperitif and live performances
CONFERENCES:
From Wednesday 24th to Sunday 28th January 2007
Various locations
In order to know how to read everything strategically, new points of view and new maps are needed.
The program for the “DIGITAL AFFINITY” conferences will be useful to better understand the dynamics within the communities on the following themes: creativity and innovation, art and culture, music and live performance, information and journalism social networking, on line games, architecture and design, openness and digital divides, governance of the Internet and democracy.
The lecturers are: Geert Lovink, Bruce Sterling, Alessandro Ludovico, Antonio Caronia, Tatiana Bazzichelli, Alberto Abruzzese, Sergio Messina, Bruno Ruffilli, Matteo Pasquinelli, Paolo Atzori AND MORE....
Note: Symposium “Internet Governance Forum after Atene: the bill of rights for the Web”, curated by Fiorello Cortiana and Anna Masera with Stefano Rodota, Franco Carlini, Angelo Raffaele Meo, Juan Carlos De Martin, Vittorio Bertola, Arturo Di Corinto, Laura Sartori, Filippo Penati, Andrea Bairati.
Go to www.toshare.it for the detailed conference programme.
EXHIBITION:
Share Award 2007
From Wednesday 24th to Sunday 28th January 2007
Accademia Albertina
Wednesday, Thursday, Friday from: 10 am - 8 pm /Saturday, Sunday from: 2-8 pm
The works of the six Share Prize 2007 finalists will be exhibited in the Accademia Albertina exhibition rooms. The works that have been selected for the final phase are:
Sensity - The Emergent City - Steven Tanza (U.K.)
Mikroorchestra.com Mikro Orchestra Project (Poland)
Amazon-noir.com UBERMORGEN.COM - Paolo Cirio - Alessandro Ludovico (AT,USA,IT)
The Analog Color Field Computer Gregory Shakar (USA)
Shockbot Corejulio 5VOLTCORE (Austria)
\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
SHARE GALLERY
Wednesday 24th January 2007
Round table at 5.30 pm “The imaginary moulded by social network ” with Regine Debatty and Simon Goldin (The Port - Second Life).
Spazio Espositivo “Azimut”, Piazza Palazzo di Citta 8, Torino
Semapedia.org Project
At 7 pm inauguration of the Spazio Espositivo “Azimut” , Piazza Palazzo di Citta 8, Torino
Round table at 8 pm “The map is (not) the territory ”
On show every day from 12 am to 7 pm.
Semapedia.org is a no-profit community project. The aim is to connect the virtual and physical worlds by linking a dedicated physical area with information available on Wikipedia.
\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_\_
LIVE PERFORMANCE
Thursday 25th January 2007
Mikro Orchestra Project (Poland) AKA Gameboyzz Orchestra Project, is an artistic collective founded in 2001 by the context of WRO Media Art Centre based in Poland. The project tackles the theme of adapting a popular technology - the Gameboy Console - to creative trials.
From 11 pm
AB+, on the corners of via Egidi and via della Basilica, Torino
Friday 26th January 2007
LAN\_PARTY
Aperitif and meeting dedicated to video game multi-players to play over a LAN (Local Area Network) where players can share the passion of the multiplayer “challenge” and put his/her own skills to the test. But LAN\_PARTY is not just this: first and foremost it’s a party, with everything that it involves: dance and fun. It’s a chance to support initiatives and promote ideas, where the meeting of sport and e-sport begins.
Organised by clan-hostin MxB, a community of players from Turin.
From 11 pm
The Beach°, Murazzi del Po - Torino
Saturday 27th January 2007
SUGURU GOTO
This is music between reality and science fiction, for creativity that knows no limit. This is the journey-concert that Japanese artist Suguru Goto presents. In fact, the concert is a journey to the edge of sound, where music takes life from the “Virtual Musical Instrument”; these are virtual tools in the shape of interfaces that manage the relationship between human gestures and the computer, producing and then turning sounds and images into real time. Body-suite for musician-dancers, robot violins and devices that are ready to capture any type of signal and translate it into sonorous, musical and visual action. Suguru Goto’s music starts here, from this magic and technological universe.
From 8 pm
Casa UNIVERSIADI, Piazzale Aldo Moro,Torino
NETLABEL PARTY
This music event is central to many musical scenes that represent excellence in contemporary IDM despite frequenting underground circuits.
With digital technologies all artists can easily and globally find and increase their own public. The artists presented here share backgrounds of creative trials and running their own shows. Each of them collaborates on or has founded their own netlabel in order to distribute their own music in complete and creative freedom.
Alongside three international artists, LACKLUSTER, AZ-ROTATOR, and the underground-star CYLOB there will also be two labels from Turin, Illogik Records and Tonimusic.
Magazzino di Giancarlo - Murazzi del Po - Torino
From 11 pm
After-hour, Doctor Sax - Murazzi del Po - Torino
From 5:00 am (after-hour)
General information:
The Festival runs from
23rd to 28th January 2007
Locations for the Festival:
Accademia Albertina di Belle Arti, via Accademia Albertina 6, Torino
Laboratorio Multimediale Guido Quazza - Facolta di Scienze della Comunicazione, Universita di Torino Palazzo Nuovo, Torino
Casa UNIVERSIADI, Piazzale Aldo Moro, Torino
Camera di Commercio di Torino, via Carlo Alberto 16, Torino
Spazio Espositivo AZIMUT, Piazza Palazzo di Citta 8, Torino
AB+, Via Egidi angolo via della Basilica, Torino
The Beach°, Murazzi del Po, Torino
Magazzino di Giancarlo - Murazzi del Po, Torino
Dottor Sax - Murazzi del Po, Torino
The Crew
Simona Lodi, artistic director: simona.lodi@toshare.it
Chiara Garibaldi, director general: chiara.garibaldi@toshare.it
Manuela De Caro, general coordinator: manuela.decaro@toshare.it
Luca Barbeni, curator: luca.barbeni@toshare.it
Organisation:
The Sharing, via Rossini 3 -10124 -Turin
Tel. 011.81.70.974, 011.5883693 www.toshare.it
Per images of the event: info@toshare.it
For the Festival logo: info@toshare.it
Go to www.toshare.it for the complete programme
share prize 2007
Deadline:
Fri Sep 29, 2006 00:00
Il 30 settembre e il giorno ultimo per l'iscrizione al PREMIO SHARE 2007.
Una Giuria assegnera un premio di 2.500 euro all'opera (edita o inedita)
che meglio rappresentera la sperimentazione tra arti e nuove tecnologie.
Il giorno 12 novembre la Giuria Internazionale determinera le 6 opere finaliste. L'annuncio sara dato il 12 novembre alle ore 11:15 alla 13° edizione di ARTISSIMA 2006 e sul nostro sito www.toshare.it
Queste 6 opere saranno esposte durante la terza edizione di Piemonte
Share Festival dal 23 al 28 gennaio 2007, presso l'Accademia Albertina di Belle Arti - Torino
La Giuria internazionale e composta da:
Gefried Stoocker (direttore Ars Electronica, Linz)
Alex Adriaansen (direttore v2 e DEAF, Rotterdam)
Joasia Krysa (curatore/ricercatore, KURATOR e University of Plymouth)
Carolyn Christov Bakargiev (curatore capo Castello di Rivoli, Torino)
Vicente Matallana (direttore di LaAgencia, Madrid)
_______________________________________________________________________
The 30th of september it's the deadline for the inscription to the SHARE AWARD 2007.
A Jury will award a prize of 2,500 euro to the work (published or not) that best represents
experimentation of arts and new technologies.
A short list of no more than six finalists will be announced the 12th of november 2006.
The award candidates are invited to participate in the 3rd edition of Share Festival in Turin
from 23rd to 28th January 2007 at the Accademia Albertina di Belle Arti.
The international Jury is composed by:
Gefried Stoocker (director Ars Electronica, Linz)
Alex Adriaansen (director v2 e DEAF, Rotterdam)
Joasia Krysa (curator/researcher, KURATOR e University of Plymouth)
Carolyn Christov Bakargiev (chief curator Castello di Rivoli, Turin)
Vicente Matallana (director LaAgencia, Madrid)
Una Giuria assegnera un premio di 2.500 euro all'opera (edita o inedita)
che meglio rappresentera la sperimentazione tra arti e nuove tecnologie.
Il giorno 12 novembre la Giuria Internazionale determinera le 6 opere finaliste. L'annuncio sara dato il 12 novembre alle ore 11:15 alla 13° edizione di ARTISSIMA 2006 e sul nostro sito www.toshare.it
Queste 6 opere saranno esposte durante la terza edizione di Piemonte
Share Festival dal 23 al 28 gennaio 2007, presso l'Accademia Albertina di Belle Arti - Torino
La Giuria internazionale e composta da:
Gefried Stoocker (direttore Ars Electronica, Linz)
Alex Adriaansen (direttore v2 e DEAF, Rotterdam)
Joasia Krysa (curatore/ricercatore, KURATOR e University of Plymouth)
Carolyn Christov Bakargiev (curatore capo Castello di Rivoli, Torino)
Vicente Matallana (direttore di LaAgencia, Madrid)
_______________________________________________________________________
The 30th of september it's the deadline for the inscription to the SHARE AWARD 2007.
A Jury will award a prize of 2,500 euro to the work (published or not) that best represents
experimentation of arts and new technologies.
A short list of no more than six finalists will be announced the 12th of november 2006.
The award candidates are invited to participate in the 3rd edition of Share Festival in Turin
from 23rd to 28th January 2007 at the Accademia Albertina di Belle Arti.
The international Jury is composed by:
Gefried Stoocker (director Ars Electronica, Linz)
Alex Adriaansen (director v2 e DEAF, Rotterdam)
Joasia Krysa (curator/researcher, KURATOR e University of Plymouth)
Carolyn Christov Bakargiev (chief curator Castello di Rivoli, Turin)
Vicente Matallana (director LaAgencia, Madrid)