BIO
I am a cyber drawing artist interested in building my archives as my art form which integrates trace both in the sense of genuine movement and prosody as well as the sense of semiotic blending which creates unusual architectures out of drawing as a cross-disciplinaric rhetoric or morphogenic agency of becoming.
Performance, All Over the Map: On Chris Salter's Entangled
Salters from the description seems to agree with Heraclitus that the sun is" born anew each day" and what intrigues me in the description of his interest in a democratic history is how the topologies of histories and their embeddings upon each other are like the new concept we have of geography in which satelite views in their variety create a different sense of map lines which are seen as simplified and considered differently or represented simpler.
If reality is not a given and cannot be represented but only enacted to experience the word reality needs a second look I suppose- it would appear to be a combination of the prefix re and and the word "alite" as in to land again upon. The world performance corresponds in my view with a world that is very much about publishing as much as it is about performing... those performances get published and that publishing is a reification so I hesitate to propose replacing the word reality....
If reality is not a given and cannot be represented but only enacted to experience the word reality needs a second look I suppose- it would appear to be a combination of the prefix re and and the word "alite" as in to land again upon. The world performance corresponds in my view with a world that is very much about publishing as much as it is about performing... those performances get published and that publishing is a reification so I hesitate to propose replacing the word reality....
Untitled (2010) - Micah Schippa
I admire the way the work initiates one into questing the question that if to see one thing you must also see another is it yet true the edge and center transposal to a singularity are a motion of things within things and a topography or is the positioning of the mind to understand time an inside out activity which in the end belongs to the things seen rather than the seer?
Tanner America
The family unit is the primary "publishing" mode of the species yet art which in our age is so much a complex publishing has in the recent past tried to reconcile an image of art as exile with art as community by explaining adventures, a process very much "souvenir", "salon", as it were....and the caretaking of curating. The first photo is memorable because the human hand has an "articulation" in the picture, a body language a head of pictorial narrative. The second photo is the opposite, the weightlifters hand is not articulate, the possibility of redemption has dissapeared in an image about self improvement. in the third photo declension The ear as found is a phononym that has nothing to do with imagery, it is a complicated idea in the realm of word and sound...
zu tauschen den Schutzhund at PPOW and REFERENCE Art Gallery
As quickly as I was bewildered everything fell into place , the show has an aha quality that is also provocative. The Detail alien has a resonance for me in relaying both the topography of computer building that is more than formal and relating also something of the homoerotic otherness of Donatellos outreach that finds its other in art as love in the clime of its time and is currently as terestial as ever while the Iphonomene Specific Object wasnt bad either ( I don't think) The Breeding of drawings showcases the strangenes by which the Queens collection made diplomatic channels upon Ingres shore and again, there you are.
The nice thing about our time is a show like this creates a kind of personal nicety in its overall gesture in the age of mechanical aporia while the specific art does manage to emerge however unpredictably in hyper elastic contexts.
The nice thing about our time is a show like this creates a kind of personal nicety in its overall gesture in the age of mechanical aporia while the specific art does manage to emerge however unpredictably in hyper elastic contexts.
PARTY FOOD (2006-Ongoing) - Joseph Gillette
I enjoyed the very complex topography of the work which begins at the end, contrasting movement as motion and movement as entirely within a static object.In the rest of the work the state of information context was dramatically more interesting than a "thematic " approach. The inevitable contrast of edge to center information network was interestingly relayed in contrasting centers in motion generating a still via spatial consequence, and centers stable surrounded by inquisitive space, all of which dialectic subsumes to variable release to new states of mind and place.
CURATED EXHIBITIONS (1)