Edwin VanGorder
Since 2010
Works in Madison, Wisconsin United States of America

PORTFOLIO (12)
BIO
I am a cyber drawing artist interested in building my archives as my art form which integrates trace both in the sense of genuine movement and prosody as well as the sense of semiotic blending which creates unusual architectures out of drawing as a cross-disciplinaric rhetoric or morphogenic agency of becoming.
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DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE

DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE

DISCUSSION

Motion Sensor Drawing: Orbidden City from Frotage Rd


https://www.youtube.com/watch?v=C1ecvowj8zE

I become interested in the "Orphic" dimension- the word informs both "morphic" and "form" and the relation of "Orphism" by which the Delauney interest in dyes ( osmotic consciousness) and the proto targets he and Dove seem to have engaged as image constructs that influence for example the Guggenheim as ramping up the sensibility of the bow and the lyre- of a circumference or comprehension that calls attention to the circle of consciousness...
The Greek eta and mu as mirror images for mysteriously to the borrowed letter h which is the "hard breathing form of eta and combined with x is "hu" meaning both report- roar of the crowd lightning bolt whip crack etc. and also dawn thus roar and aurora have this osmotic quality. The Orphic distinction of Apollonian and Dyonesian chords threads and strings of association receive my motion sensor drawing moods and modes. ( hu+ amain or direction gives a kind of arty etymology for "human"
Along these lines I also created an interactive for Archilovers - i use the site imagery of ongoing constructions to build my own environments see
http://www.archilovers.com/stories/8014/orphic-m-orphic-archipuncture.html

and
https://youtu.be/C1ecvowj8zE

DISCUSSION

Rates Of Return


What emerges consistantly in all these experiments and ephemera of yours and mine are the transposals of experience upon organization. On the mythos level shades of Jim Morrison the scheme of day people or night people mint the coinagle already where perhaps the genius of day blossoms on Corots morning or perhaps the humors and travels of the day are conversely realized upon the graceful night. You know who you are.
It intrigues me that digital works are prone to rifs and covers via the origins of electronic music, and that is a good thing that needn't be totally lost in original ideas.
Art Narrative Image 1"
Since much classic imagery stems from the act of reconstitution prepared by placing animal skins back over the sacrificial bones and since for example Corot like painting that reconstitutes the world does so on canvas flesh over stretcher bones and likewise videos of unboxing are a rif I return to via the idea of using a golden section grid and placing the skin of images through the sections in a way that stretches them by dimension... and the image in a sense becomes a rate of return or the measure of change a system sustains ...
Art Narrative Image 2
Or one could set an imagery of sculptural reveals sunk and rising from vestibular veins and pace vision to interframings of photography in different time line modes and then will show in use of digital rythms the drawing that displace push and pull to different names.

DISCUSSION

Required Reading


Thanks for this post... for a while I have been working with the idea for creating diverse shows stemmimf from a flagship concept of "tropentropy" to coin a phrase and this project of the articles note really gives enormous insight into those potentials.
Thanks-
Van


SAVED WORKS (16)
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