Dirk Vekemans
Since 2005
Works in Kessel-Lo Belgium

ARTBASE (1)
PORTFOLIO (1)
BIO
born in 1962 in Lier, Belgium.
studied filology at Louvain, Belgium.

worked a lot in bars and restaurants before i became obsessivly addicted to producing stuff on computers.

i once won a design contest of cgi-magazine and they let me go to New York for four days, that was nice.

i think in terms of writing mostly (or programming, but those are very similar processes for me)

painting is a very different process and i'm very bad at it but i do it anyway because i like the differences it produces and i like the freshness of amateurism, i guess.

what i produce new media-wise is also very much influenced by my daily practice of webdesign and programming with its concerns of usability and the pragmatic approach it implies.

Discussions (292) Opportunities (0) Events (1) Jobs (0)
DISCUSSION

digital culture alive and kicking in Brussels


some impressions from OKNO's PUBLIC 01
http://www.vilt.net/nkdee/okno.jsp

join OKNO PUBLIC 01
live streaming and chat through http://www.okno.be

greetings,
dv @ Neue Kathedrale des erotischen Elends
http://www.vilt.net/nkdee

DISCUSSION

z


http://www.vilt.net/nkdee/z.jsp

greetings,
dv @ Neue Kathedrale des erotischen Elends
http://www.vilt.net/nkdee

DISCUSSION

FW: z


f
[dv:---] i

only

to t[dv:---] he sy[dv:---] ntactic
str[dv:---] uc[dv:---] ture

clearly in Fig. 3. In the same way we found that we will be ab[dv:---] le
to nd
similar phenomena that each of [dv:---] t[dv:---] he Creativ[dv:---]
ity Templates as the core
of the creative process. As the mechanical method included, at least
once, a Diagonal Link as the core of t[dv:---] he creative pr[dv:---]
ocess. As th[dv:---] e
basic assumption of the[dv:---] Micro[dv:---] scopic Repr[dv:---]
esentation and Univer[dv:---] sal Dyna[dv:---] mics is related
to the fundamental [dv:---] infrastructure the[dv:---] tales of Rabbi
Nac[dv:---] hman of Brat[dv:---] slav using
and not to the meaning of t[dv:---] he text. of the hu[dv:---] man way
of thinking, we assumed
in oth[dv:---] er elds and turned to study of the Diagonal Link and
the[dv:---] ir role. It should be
this approa[dv:---] ch. We foc[dv:---] used on the r[dv:---] st in a
mechanical method that ref[dv:---] erred
story and studied the appearances[dv:---] of the Diagonal Link and their
role. It should be
emphasized[dv:---] that the analys[dv:---] is was perf[dv:---] ormed

only to the [dv:---] we w[dv:---] ill b[dv:---] e able to nd similar
phenomena that
each of[dv:---] the Creativity Templates as the core of the creative
process.
As the mechanical method included, at least once, a Diagonal Link
as the co[dv:---] re of the cre[dv:---] ative proc[dv:---] ess. As the
basic assump[dv:---] tion of the Micr[dv:---] oscopic Representation and
Univers[dv:---] al Dynamics is rel[dv:---] ated
to the funda[dv:---] mental infrastru[dv:---] cture the ta[dv:---] les

of Rab[dv:---] bi Na[dv:---] chman of Br[dv:---] atslav using
and not to the meaning of the text.
of [dv:---] the human
way of thinking,
we

assum[dv:---] ed
in other elds and tu[dv:---] rned to study of the Di[dv:---] agonal
Link and
their ro[dv:---] le. It shou[dv:---] ld be
this app[dv:---] roach.We foc[dv:---] used on the rst in a
mecha[dv:---] nical m[dv:---] ethod that refer[dv:---] red
story and st[dv:---] udied the appear[dv:---] ances of the Diagonal Link
and the[dv:---] ir role. It shou[dv:---] ld be
emphasized that the
ana[dv:---] lys[dv:---] is
was
per
f[dv:---] o
r
m
e

[dv:---] d
i

f[dv:---]

DISCUSSION

Re: MANIK'S number


YEAH, FINALLY WE CAN

DISCUSSION

The Artist with the Wrong Name in a brave but failing attempt to Address the Nation


one week after a particularly Nasty Shooting in Antwerp:
http://www.vilt.net/nkdee/lula.jsp
(254 kb jpeg, watercolour, noisetext, cu_cu_clan and just a bit of
photoshop)

(oh, the text's in Dutch i'm afraid)

greetings,
dv @ Neue Kathedrale des erotischen Elends