BIO
Curt Cloninger is an artist, writer, and Associate Professor of New Media at the University of North Carolina Asheville. His art undermines language as a system of meaning in order to reveal it as an embodied force in the world. His art work has been featured in the New York Times and at festivals and galleries from Korea to Brazil. Exhibition venues include Centre Georges Pompidou (Paris), Granoff Center for The Creative Arts (Brown University), Digital Art Museum [DAM] (Berlin), Ukrainian Institute of Modern Art (Chicago), Black Mountain College Museum + Arts Center, and the internet. He is the recipient of several grants and awards, including commissions for the creation of new artwork from the National Endowment for the Arts (via Turbulence.org) and Austin Peay State University's Terminal Award.
Cloninger has written on a wide range of topics, including new media and internet art, installation and performance art, experimental graphic design, popular music, network culture, and continental philosophy. His articles have appeared in Intelligent Agent, Mute, Paste, Tekka, Rhizome Digest, A List Apart, and on ABC World News. He is also the author of eight books, most recently One Per Year (Link Editions). He maintains lab404.com, playdamage.org , and deepyoung.org in hopes of facilitating a more lively remote dialogue with the Sundry Contagions of Wonder.
Cloninger has written on a wide range of topics, including new media and internet art, installation and performance art, experimental graphic design, popular music, network culture, and continental philosophy. His articles have appeared in Intelligent Agent, Mute, Paste, Tekka, Rhizome Digest, A List Apart, and on ABC World News. He is also the author of eight books, most recently One Per Year (Link Editions). He maintains lab404.com, playdamage.org , and deepyoung.org in hopes of facilitating a more lively remote dialogue with the Sundry Contagions of Wonder.
Assistant Professor 3D Design/Graphics : UNC Asheville
Deadline:
Thu Sep 07, 2006 20:29
POSITION DESCRIPTION
Assistant Professor
Assistant Professor
some stuff i made this summer at school
Hi all,
Here's some stuff i made this summer at school [
http://www.meca.edu/academicprograms/GraduatePrograms.aspx ] --
1.
http://deepyoung.org/current/lightness/
Documentation of an installation/performance, described by one critic
as a memory museum of earth made by people in heaven.
2.
http://lab404.com/video/vertical_features_remix.html
Faux collaboration with Tulse Luper whereby I remix his notes for
"Vertical Features" according to the notes themselves. [source
watercolors by Peter Greenaway. source audio by My Bloody Valentine.]
peace,
curt
Here's some stuff i made this summer at school [
http://www.meca.edu/academicprograms/GraduatePrograms.aspx ] --
1.
http://deepyoung.org/current/lightness/
Documentation of an installation/performance, described by one critic
as a memory museum of earth made by people in heaven.
2.
http://lab404.com/video/vertical_features_remix.html
Faux collaboration with Tulse Luper whereby I remix his notes for
"Vertical Features" according to the notes themselves. [source
watercolors by Peter Greenaway. source audio by My Bloody Valentine.]
peace,
curt
Re: what are we calling ourselves?
i am the world's forgotten boy
the one who searches and destroys
Richard Rinehart wrote:
I'm doing some
> research into what our field/sub-discipline/genre of
> digital/newmedia/media art is being called these days.
the one who searches and destroys
Richard Rinehart wrote:
I'm doing some
> research into what our field/sub-discipline/genre of
> digital/newmedia/media art is being called these days.
Re: Re: New Media Ghetto
_ this concept: new media ghetto art stamps
Like food stamps, except you can save them up and exchange them for critical affirmation. No net.artist virtually left behind.
it takes a nation of dozens to hold us back!
curt
Eryk Salvaggio wrote:
> What they call it never really matters, no one's getting paid anyway.
> All this talk about ghettos seems like it might be a distraction from
> investing oneself into making good work in a self-defined sort of way.
Like food stamps, except you can save them up and exchange them for critical affirmation. No net.artist virtually left behind.
it takes a nation of dozens to hold us back!
curt
Eryk Salvaggio wrote:
> What they call it never really matters, no one's getting paid anyway.
> All this talk about ghettos seems like it might be a distraction from
> investing oneself into making good work in a self-defined sort of way.