Chris Wenn completed a Postgraduate Diploma in Theatre Production (Sound Design) at the Victorian College of the Arts in 2008. His recent work has included Sound Design for Helen Linkenbagh’s ‘individuation’ and ‘tuning in’ by Gabby Rose as part of the VCA’s Postgraduate Choreographers season, Peter Finlay’s ‘The Jerilderie Letter’ at the Celtic Club, ‘Oedipus - A Poetic Requiem’ for Liminal Theatre, his own devised work ‘Anxiety Ritual’ at the VCA (with Gabby Rose), and Glenda Linscott’s ‘A Midsummer Night’s Dream’ at Theatreworks.
His reviews, articles and stories have seen publication in The Enthusiast, The Pun, and small-press magazines.
Chris is also a computer systems administrator, with extensive experience in Linux (particularly audio and multimedia systems) and web development. Current projects include the Poorly Controlled blog, and chriswenn.net
His reviews, articles and stories have seen publication in The Enthusiast, The Pun, and small-press magazines.
Chris is also a computer systems administrator, with extensive experience in Linux (particularly audio and multimedia systems) and web development. Current projects include the Poorly Controlled blog, and chriswenn.net
