Atomic Elroy is a time based media artist working in video installation and performance, and a combination of all three. Elroy considers himself an Art Humorist using a self mocking approach to all artistic values and standards. Never quite knowing if he is involved in self parody, or just frustrated with the art worlds pedantic nature, he always goes for the humor
BIO
GIGO from http://www.playdamage.org/market-o-matic/
http://www.atomicelroy.com
http://www.atomicelroy.com
http://www.atomicelroy.com
http://www.atomicelroy.com
Work of Proto-Art in the Age of Artificial Reproduction
The vortex creates, the chaos profligates. In the synaptic hallucination, art objects are calculations of the musings of the vortex -- a vortex that uses the chaos as a zeitgeist to enmesh ideas, patterns, and emotions. With the evolution of the electronic environment, the vortex is superseding a point where it will be free from the chaos to transcend immersions into the machinations of the delphic hallucination. Work of Proto-Art in the Age of Artificial Reproduction contains 10 minimal quicktime engines (also refered to as "soundtoys") that enable the user to make buxom audio/visual compositions.
measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it
atomic elroy's work investigates the nuances of pixels through the use of stopframe motion and close-ups which emphasize the Artificial nature of digital media. elroy explores abstract and stupid scenery as motifs to describe the idea of infinite hallucination. Using fresh loops, cathode rays, and neo-fascist images as patterns, elroy creates meditative environments which suggest the expansion of art...
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http://www.atomicelroy.com
http://www.atomicelroy.com
http://www.atomicelroy.com
Work of Proto-Art in the Age of Artificial Reproduction
The vortex creates, the chaos profligates. In the synaptic hallucination, art objects are calculations of the musings of the vortex -- a vortex that uses the chaos as a zeitgeist to enmesh ideas, patterns, and emotions. With the evolution of the electronic environment, the vortex is superseding a point where it will be free from the chaos to transcend immersions into the machinations of the delphic hallucination. Work of Proto-Art in the Age of Artificial Reproduction contains 10 minimal quicktime engines (also refered to as "soundtoys") that enable the user to make buxom audio/visual compositions.
measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it
atomic elroy's work investigates the nuances of pixels through the use of stopframe motion and close-ups which emphasize the Artificial nature of digital media. elroy explores abstract and stupid scenery as motifs to describe the idea of infinite hallucination. Using fresh loops, cathode rays, and neo-fascist images as patterns, elroy creates meditative environments which suggest the expansion of art...
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Re: Re: How a fake is manipulating the art scene
Interesting... I have found a number of art related concerns that put the international pretense of the word "biennale" on their little scams to, avail a form of legitimacy, on what amounts to a situation of BUYER BEWARE! unscrupulous art dealers rip off artists. I think they prey both on european artist who are mostly used to state sponsored events, and provincial american artists who think their work will be viewed by an international art crowd. I too have almost fallen victim to a slick come on, under the veil of an "invitation" to "participate" in a "biennale" held in numerous european cities. there have been many application across my desk in recent months ( especially since I've exhibited in a couple of UK venues) that INVITE me to participate for a FEE. a number of them seem to be somewhat legit art fair type of events. However on closer inspection, most are indeed come ons that border on scams. They use embarrassment of the duped artist as a deterrent to the exposure of their scam.
ART IS DANGEROUS!
be careful!
say cheese!
AE03.
ART IS DANGEROUS!
be careful!
say cheese!
AE03.
Re: Re: do you know of art work where.....
there is supposedly a site on the net with a lot of non royality footage, old high school education films, army training films, the work of atomicelroy, etc.
but i'm not certain exactly where it is.
perhaps if you googled "found footage"
say cheese!
AE03
but i'm not certain exactly where it is.
perhaps if you googled "found footage"
say cheese!
AE03