PORTFOLIO (4)
BIO
after ten years of film business alexandra reill focused on the development of experimenteal new media projects and - with a special view on interactive dramaturgies - transported all activities to the online platform kanonmedia, orginally founded in 1996 as the gallery kanon, situated in vienna / austria. today kanonmedia serves as a networking / content providing / exhibition platform for innovative & experimental new media projects as much as for the presentation of inhouse productions.
Circles Lab 1
Dates:
Tue Oct 06, 2015 19:00 - Tue Oct 06, 2015
Location:
Vienna,
Austria
Open Discourse Lab 1
On contemporary positions in fine arts
Depot, 1070 Vienna, 3, Breite Gasse
Tuesday, 06-10-15, 7 PM
The first lab sparks the discourse of contemporary roles of so-called fine arts. After decades of conceptualization and, associated therewith, claims of processualization of fine art production through to aspirations for self-organizing logical processes, questions regarding contemporary options for artistic interventions in societal processes arise.
Speakers:
Olivia Kaiser, painter
Margit Nobis, fine artist
Alexandra Reill, concept and video artist
Moderation:
Christian Stefaner-Schmid, concept artist and media theorist
Circles is a Panel series reflecting in six weekly Open Labs the meta-questions 'What does art want today; what does the contemporary artist want today? Relevances of artistic work in contemporary societies'.
Concept: Alexandra Reill
Technical coordination: Peter Koger
Production
kanonmedia
in cooperation with
CoSpace Gumpendorf
and
Depot
Support
Department of Culture of the City of Vienna
Cultural Commission 1060 Vienna
Cultural Commission 1070 Vienna
Photo Credits:
Günter Hentschel, Warten auf Arbeit, 2014 Attribution-NonCommercial-NoDerivs 2.0 Generic, https://creativecommons.org/licenses/by-nc-nd/2.0/
On contemporary positions in fine arts
Depot, 1070 Vienna, 3, Breite Gasse
Tuesday, 06-10-15, 7 PM
The first lab sparks the discourse of contemporary roles of so-called fine arts. After decades of conceptualization and, associated therewith, claims of processualization of fine art production through to aspirations for self-organizing logical processes, questions regarding contemporary options for artistic interventions in societal processes arise.
Speakers:
Olivia Kaiser, painter
Margit Nobis, fine artist
Alexandra Reill, concept and video artist
Moderation:
Christian Stefaner-Schmid, concept artist and media theorist
Circles is a Panel series reflecting in six weekly Open Labs the meta-questions 'What does art want today; what does the contemporary artist want today? Relevances of artistic work in contemporary societies'.
Concept: Alexandra Reill
Technical coordination: Peter Koger
Production
kanonmedia
in cooperation with
CoSpace Gumpendorf
and
Depot
Support
Department of Culture of the City of Vienna
Cultural Commission 1060 Vienna
Cultural Commission 1070 Vienna
Photo Credits:
Günter Hentschel, Warten auf Arbeit, 2014 Attribution-NonCommercial-NoDerivs 2.0 Generic, https://creativecommons.org/licenses/by-nc-nd/2.0/
CLOUDS IN THE SHARK POOL
Dates:
Tue Sep 30, 2014 19:00 - Wed Oct 01, 2014
Location:
Vienna,
Austria
An artistic barcamp on the societal role of artists
between the poles of cooperation and competition
In form of a generative performance CLOUDS IN THE SHARK POOL reflects the role of the artist as a medium between the poles of cooperation and competition – an antagonism forming one of the main pillars of onholding scientific discussion. Where do we stand today? In the process of humans and media growing together more and more one can divine a medialization of identity, thus a synchronization of individuality. As a consequence, the question needs to be posed whether not only information itself is a medium but whether the artist her-/himself – thus, humans themselves – is nothing but a medium.
When
Tuesday, 30-09-2014, 7 PM - 11 PM
7 PM Opening and Generative Slot 1 - Moderation: Alexandra Reill
8 PM Generative Slot 2 - Moderation: Christian Stefaner-Schmid
9 PM Electronic Sound Performance: Arthur Denisson + Eargazm
10 PM Generative Lounge
Wednesday, 01-10-2014, 5 PM - 11 PM
5 PM Generative Slot 3 - Moderation: Susanne Schuda
6 PM Generative Slot 4 - Moderation: Karl Kilian
7 PM Generative Slot 5 - Moderation: Agnes Peschta
8 PM Generative Slot 6 - Moderation: Brigitte Wilfing
9 PM Electronic Sound Performance: das_spice
10 PM Generative Lounge
Photo Source: Eddie Maloney, Shark. Detail, 2008, cc-by sa 2.0.
between the poles of cooperation and competition
In form of a generative performance CLOUDS IN THE SHARK POOL reflects the role of the artist as a medium between the poles of cooperation and competition – an antagonism forming one of the main pillars of onholding scientific discussion. Where do we stand today? In the process of humans and media growing together more and more one can divine a medialization of identity, thus a synchronization of individuality. As a consequence, the question needs to be posed whether not only information itself is a medium but whether the artist her-/himself – thus, humans themselves – is nothing but a medium.
When
Tuesday, 30-09-2014, 7 PM - 11 PM
7 PM Opening and Generative Slot 1 - Moderation: Alexandra Reill
8 PM Generative Slot 2 - Moderation: Christian Stefaner-Schmid
9 PM Electronic Sound Performance: Arthur Denisson + Eargazm
10 PM Generative Lounge
Wednesday, 01-10-2014, 5 PM - 11 PM
5 PM Generative Slot 3 - Moderation: Susanne Schuda
6 PM Generative Slot 4 - Moderation: Karl Kilian
7 PM Generative Slot 5 - Moderation: Agnes Peschta
8 PM Generative Slot 6 - Moderation: Brigitte Wilfing
9 PM Electronic Sound Performance: das_spice
10 PM Generative Lounge
Photo Source: Eddie Maloney, Shark. Detail, 2008, cc-by sa 2.0.
CLOUDS IN THE SHARK POOL
Dates:
Tue Sep 30, 2014 20:00 - Wed Oct 01, 2014
Location:
Vienna,
Austria
An artistic barcamp on the societal role of artists between the poles of cooperation and competition
by and featuring
Arthur Denisson
Peter Koger
Alexandra Reill
and
Special Guests
In the process of humans and media growing together more and more one can divine a medialization of identity, thus a synchronization of individuality. As a consequence, the question needs to be posed whether not only information itself is a medium but whether the artist her-/himself – thus, humans themselves – is nothing but a medium.
In an audiovisual setting CLOUDS IN THE SHARK POOL reflects the role of the artist as a medium between the poles of cooperation and competition – an antagonism forming one of the main pillars of onholding scientific discussion.
Admission free
Production
kanonmedia
in cooperation with
CO SPACE
Grüne Bildungswerkstatt Wien
Peter J. Fuchs "DIRECT MARKETING“
pink zebra theatre
in the framework of the festival kultur.herbst.NEUBAU
Support
Department of Culture of the City of Vienna
Kulturkommission 1070 Vienna
---
Photo Source:
Eddie Maloney, shark, detail, 2008, cc-by sa 2.0
---
by and featuring
Arthur Denisson
Peter Koger
Alexandra Reill
and
Special Guests
In the process of humans and media growing together more and more one can divine a medialization of identity, thus a synchronization of individuality. As a consequence, the question needs to be posed whether not only information itself is a medium but whether the artist her-/himself – thus, humans themselves – is nothing but a medium.
In an audiovisual setting CLOUDS IN THE SHARK POOL reflects the role of the artist as a medium between the poles of cooperation and competition – an antagonism forming one of the main pillars of onholding scientific discussion.
Admission free
Production
kanonmedia
in cooperation with
CO SPACE
Grüne Bildungswerkstatt Wien
Peter J. Fuchs "DIRECT MARKETING“
pink zebra theatre
in the framework of the festival kultur.herbst.NEUBAU
Support
Department of Culture of the City of Vienna
Kulturkommission 1070 Vienna
---
Photo Source:
Eddie Maloney, shark, detail, 2008, cc-by sa 2.0
---
STRANGE FLOWERS SPLASH or ONLY THE CAT HAS NINE LIVES
Dates:
Wed Sep 18, 2013 20:00 - Wed Sep 18, 2013
Location:
Vienna,
Austria
Featuring:
Florentin Groll / Susanne Gschwendtner / Tina Muliar /
STRANGE FLOWERS SPLASH or ONLY THE CAT HAS NINE LIVES researches personal mechanisms of mystification existing as a result of brachial or perfidious denial of violence in society. Human sovereignty creating access to freedom of decision – fought for by Sylvia, Georgine and Albrecht chafing against each other in a passionate ménage à trois full of fatal attraction – becomes the starting point for reflections on the relevance of the moment of cutting or stepping through the mirror – an act which is repeated until the deceptive self-image bursts and which becomes the driving force in a process of personal development, eventually turning into that moment where manipulative mystification ends and the perspective of collective reality perceived from beyond individual disposition emerges.
Live Sound: Arthur Denisson / eargazm /
Live Video: Peter Koger
Video Editing: Nikita Lauth / Alexandra Reill /
Docu Camera: Georg Eisnecker / Sascha Osaka /
Concept / mise-en-scéne: Alexandra Reill /
Production: kanonmedia in the framework of kultur.herbst.NEUBAU
Ticket Reservation:
+43 650 5051025 or office@ateliertheater.net
18,-- Euro / Pupils, students, IG members 10,-- Euro
With thanks to the Department of Culture of the City of Vienna
Florentin Groll / Susanne Gschwendtner / Tina Muliar /
STRANGE FLOWERS SPLASH or ONLY THE CAT HAS NINE LIVES researches personal mechanisms of mystification existing as a result of brachial or perfidious denial of violence in society. Human sovereignty creating access to freedom of decision – fought for by Sylvia, Georgine and Albrecht chafing against each other in a passionate ménage à trois full of fatal attraction – becomes the starting point for reflections on the relevance of the moment of cutting or stepping through the mirror – an act which is repeated until the deceptive self-image bursts and which becomes the driving force in a process of personal development, eventually turning into that moment where manipulative mystification ends and the perspective of collective reality perceived from beyond individual disposition emerges.
Live Sound: Arthur Denisson / eargazm /
Live Video: Peter Koger
Video Editing: Nikita Lauth / Alexandra Reill /
Docu Camera: Georg Eisnecker / Sascha Osaka /
Concept / mise-en-scéne: Alexandra Reill /
Production: kanonmedia in the framework of kultur.herbst.NEUBAU
Ticket Reservation:
+43 650 5051025 or office@ateliertheater.net
18,-- Euro / Pupils, students, IG members 10,-- Euro
With thanks to the Department of Culture of the City of Vienna
Nelkengasse: Screening at the Austrian Cultural Forum London
Dates:
Tue Jun 25, 2013 19:00 - Tue Jun 25, 2013
NELKENGASSE
The Flight of the Moldau Family,
recounted by Heinz Moldau
A documentary film by Alexandra Reill
Screening with English subtitles
Opening words: Elisabeth Kögler
Thematic table with Alexandra Reill and Tom Wade-West, Heinz Moldau's brother-in-law, after the screening
When
Tuesday, 25 June 2013, 7 PM
Admission free, but please reserve your seat:
http://www.acflondon.org/booking/?event=nelkengasse-flight-moldau-family
Where
Austrian Cultural Forum London
28 Rutland Gate, London SW7 1PQ
In Vienna 1938-1945, the buildings No 4 and 6, Nelkengasse represent a particularly tragic location in the 6th district of Vienna - Mariahilf. In these houses, a high number of so-called Sammelwohnungen were installed - group flats where many Jews had to move to after eviction from their homes. From here, 31 people were deported to the concentration camps Kielce, Litzmannstadt/Lodz, Kowno, Maly Trostinec, and Auschwitz and murdered there.[1] Heinz Moldau and his family lived in 6, Nelkengasse; the father ran a well-reputed leather goods factory in 26, Westbahnstraße. The factory was aryanized, and the family - Heinz Moldau then a boy of sixteen years - had to flee from Vienna. In the interviews, Heinz Moldau talks about his family, the threats from the Nazis, the aryanization of the leather goods factory and the flight from Vienna.
From 6, Nelkengasse 14 people werde deported and murdered.
Our thxs go to
Heinz Moldau, Michael Moldau, Susanne Moldau, Tom Wade-West
as well as to
Austrian Cultural Forum London
Cultural Commitee of 1060 Vienna
Department of Culture of the City of Vienna
Production
kanonmedia
Vienna / Orkney Islands 2008 / 2012 / 2013
Press Contact
kanonmedia
Alexandra Reill
call: ++43[0]6991 820 70 03
mail to: alexandra.reill@kanonmedia.com
write to: 12 / 24, richtergasse, A 1070 vienna
visit: http://www.kanonmedia.com
---
Photo Source:
Heinz Moldau. Around 1936; family-owned, date and author of photography unknown.
High-resolution download for press purposes only from:
http://www.kanonmedia.com/portfolio/films/hm.html
Text Sources:
[1] Cp. Alexandra Reill, Nelkengasse, in: Kilian Franer, Ulli Fuchs [Hg.], Erinnern für die Zukunft, echomedia, Vienna 2009, p. 162-163
--
The Flight of the Moldau Family,
recounted by Heinz Moldau
A documentary film by Alexandra Reill
Screening with English subtitles
Opening words: Elisabeth Kögler
Thematic table with Alexandra Reill and Tom Wade-West, Heinz Moldau's brother-in-law, after the screening
When
Tuesday, 25 June 2013, 7 PM
Admission free, but please reserve your seat:
http://www.acflondon.org/booking/?event=nelkengasse-flight-moldau-family
Where
Austrian Cultural Forum London
28 Rutland Gate, London SW7 1PQ
In Vienna 1938-1945, the buildings No 4 and 6, Nelkengasse represent a particularly tragic location in the 6th district of Vienna - Mariahilf. In these houses, a high number of so-called Sammelwohnungen were installed - group flats where many Jews had to move to after eviction from their homes. From here, 31 people were deported to the concentration camps Kielce, Litzmannstadt/Lodz, Kowno, Maly Trostinec, and Auschwitz and murdered there.[1] Heinz Moldau and his family lived in 6, Nelkengasse; the father ran a well-reputed leather goods factory in 26, Westbahnstraße. The factory was aryanized, and the family - Heinz Moldau then a boy of sixteen years - had to flee from Vienna. In the interviews, Heinz Moldau talks about his family, the threats from the Nazis, the aryanization of the leather goods factory and the flight from Vienna.
From 6, Nelkengasse 14 people werde deported and murdered.
Our thxs go to
Heinz Moldau, Michael Moldau, Susanne Moldau, Tom Wade-West
as well as to
Austrian Cultural Forum London
Cultural Commitee of 1060 Vienna
Department of Culture of the City of Vienna
Production
kanonmedia
Vienna / Orkney Islands 2008 / 2012 / 2013
Press Contact
kanonmedia
Alexandra Reill
call: ++43[0]6991 820 70 03
mail to: alexandra.reill@kanonmedia.com
write to: 12 / 24, richtergasse, A 1070 vienna
visit: http://www.kanonmedia.com
---
Photo Source:
Heinz Moldau. Around 1936; family-owned, date and author of photography unknown.
High-resolution download for press purposes only from:
http://www.kanonmedia.com/portfolio/films/hm.html
Text Sources:
[1] Cp. Alexandra Reill, Nelkengasse, in: Kilian Franer, Ulli Fuchs [Hg.], Erinnern für die Zukunft, echomedia, Vienna 2009, p. 162-163
--