I am a writer, editor and film curator based in London.
I write about film, contemporary art, the internet and the links between them. I’m a frequent contributor to frieze, and my work has appeared in The Wire, Film Quarterly, Sight & Sound and The White Review. In 2013, I co-authored Four Ways to Read the Cut with Hisham Awad, a publication that explores how to build a new taxonomy of terms relating to cinematic and post-cinematic montage. In 2014, I curated Open Media Ecologies at the Delfina Foundation, examining strategies deployed by artists working with open data as a source material. Other curatorial work includes events with Mosireen and Forensic Oceanography, and screenings and talks for Cinema6, Bold Tendencies, Film Africa, Gasworks, and the Beirut Art Centre. I also currently work at Open School East.
I write about film, contemporary art, the internet and the links between them. I’m a frequent contributor to frieze, and my work has appeared in The Wire, Film Quarterly, Sight & Sound and The White Review. In 2013, I co-authored Four Ways to Read the Cut with Hisham Awad, a publication that explores how to build a new taxonomy of terms relating to cinematic and post-cinematic montage. In 2014, I curated Open Media Ecologies at the Delfina Foundation, examining strategies deployed by artists working with open data as a source material. Other curatorial work includes events with Mosireen and Forensic Oceanography, and screenings and talks for Cinema6, Bold Tendencies, Film Africa, Gasworks, and the Beirut Art Centre. I also currently work at Open School East.
