PORTFOLIO (4)
BIO
Katie Cercone was born 1984 in Santa Rosa, CA. She has shown her performative video sculpture throughout the United States and abroad including at the Brooklyn Museum, Bronx Museum, DODGEgallery, C24 Gallery and Kunsthalle Galapagos. She is also a yoga instructor, curator, adjunct faculty at the School of Visual Art and has published critical writing in Bitch Magazine, REVOLT Magazine, Utne Reader, PLAYspace Mag, Women’s Art Journal and N.Paradoxa. Cercone is a founding member of the queer transnational feminist collective Go! Push Pops.
Gender Trouble
Deadline:
Mon Sep 17, 2012 06:30
Location:
New York,
New York
United States of America
United States of America
Gender Trouble
AHC-2191-A
Sep 17 - Dec 10
06:30PM - 09:30PM
CEUS 3.50
Radical creative inquiry and the 'aesthetics of resistance' that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present-its contradictions, slogans and symbols? What content is lost in translation during art's shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Helene Cixous, Julia Kristeva, Elizabeth Grosz, Roland Barthes, bell hooks, Fred Moten, Susan Sontag and Slavoj Zizek, as well as bring in work in any media for weekly. Special Section on Hip Hop Feminism.
INSTRUCTOR
Katie A. Cercone
Visual Artist, Curator, Writer
BA, Lewis & Clark College; MFA, School of Visual Arts
GROUP EXHIBITIONS INCLUDE:
C24 Gallery, DODGEgallery, A.I.R. Gallery, Soho20 Gallery, VOXPOPULI, Apexart, White Box Gallery, Honfleur Gallery, Craftswoman House, Local Project
PUBLICATIONS INCLUDE:
Bitch Magazine, N. Paradoxa, Revolt Magazine, Women’s Art Journal, Public Art Dialogue, PLAYspace Magazine, Utne Reader
AHC-2191-A
Sep 17 - Dec 10
06:30PM - 09:30PM
CEUS 3.50
Radical creative inquiry and the 'aesthetics of resistance' that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present-its contradictions, slogans and symbols? What content is lost in translation during art's shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Helene Cixous, Julia Kristeva, Elizabeth Grosz, Roland Barthes, bell hooks, Fred Moten, Susan Sontag and Slavoj Zizek, as well as bring in work in any media for weekly. Special Section on Hip Hop Feminism.
INSTRUCTOR
Katie A. Cercone
Visual Artist, Curator, Writer
BA, Lewis & Clark College; MFA, School of Visual Arts
GROUP EXHIBITIONS INCLUDE:
C24 Gallery, DODGEgallery, A.I.R. Gallery, Soho20 Gallery, VOXPOPULI, Apexart, White Box Gallery, Honfleur Gallery, Craftswoman House, Local Project
PUBLICATIONS INCLUDE:
Bitch Magazine, N. Paradoxa, Revolt Magazine, Women’s Art Journal, Public Art Dialogue, PLAYspace Magazine, Utne Reader
Gender Trouble
Deadline:
Mon Jun 04, 2012 06:00
Location:
New York,
New York
United States of America
United States of America
Gender Trouble
AHC-2191-A
Mondays, Jun 04 - Aug 06
6:00PM - 09:30PM
Radical creative inquiry and the ‘aesthetics of resistance’ that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present—its contradictions, slogans and symbols? What content is lost in translation during art’s shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Hélène Cixous, Julia Kristeva, Elizabeth Grosz, Tricia Rose, bell hooks, Fred Moten, Susan Sontag and Slavoj Žižek, as well as bring in work in any media for weekly critique. This course features 3 guest lectures and a special section on Hip Hop Feminism.
Katie A. Cercone, visual artist, curator, writer.
BA, Lewis and Clark College; MFA, School of Visual Arts.
Group exhibitions include: C24 Gallery, DODGEgallery, Family Business, VOXPOPULI, Apexart, White Box Gallery, Honfleur Gallery, Craftswoman House, Local Project.
Publications include: Bitch Magazine, N. Paradoxa, REVOLT Magazine, Women’s Art Journal, Public Art Dialogue, PLAYspace Magazine and Utne Reader.
Sign up today on the SVA Website!
AHC-2191-A
Mondays, Jun 04 - Aug 06
6:00PM - 09:30PM
Radical creative inquiry and the ‘aesthetics of resistance’ that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present—its contradictions, slogans and symbols? What content is lost in translation during art’s shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Hélène Cixous, Julia Kristeva, Elizabeth Grosz, Tricia Rose, bell hooks, Fred Moten, Susan Sontag and Slavoj Žižek, as well as bring in work in any media for weekly critique. This course features 3 guest lectures and a special section on Hip Hop Feminism.
Katie A. Cercone, visual artist, curator, writer.
BA, Lewis and Clark College; MFA, School of Visual Arts.
Group exhibitions include: C24 Gallery, DODGEgallery, Family Business, VOXPOPULI, Apexart, White Box Gallery, Honfleur Gallery, Craftswoman House, Local Project.
Publications include: Bitch Magazine, N. Paradoxa, REVOLT Magazine, Women’s Art Journal, Public Art Dialogue, PLAYspace Magazine and Utne Reader.
Sign up today on the SVA Website!
Gender Trouble
Deadline:
Sat Jan 22, 2011 09:45
Gender Trouble
AHC-2191-A
M, Jan 23 - Apr 16
Hours: 06:30PM - 09:30PM
3.50 CEUs; $470.00
Course Status: Open
Location: 133/141 West 21 Street
Radical creative inquiry and the 'aesthetics of resistance' that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present-its contradictions, slogans and symbols? What content is lost in translation during art's shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Helene Cixous, Julia Kristeva, Elizabeth Grosz, Roland Barthes, bell hooks, Fred Moten, Susan Sontag and Slavoj Zizek, as well as bring in work in any media for weekly critique.
Katie A. Cercone
Visual artist, curator, writer
Publications include: Bitch Magazine, N. Paradoxa, Women's Art Journal, Utne Reader
Group exhibitions include: DODGEgallery; Vox Populi, Philadelphia; Apexart; White Box Gallery; Honfleur Gallery; Local Project; Figment Festival
Education: BA, Lewis & Clark College; MFA, School of Visual Arts
AHC-2191-A
M, Jan 23 - Apr 16
Hours: 06:30PM - 09:30PM
3.50 CEUs; $470.00
Course Status: Open
Location: 133/141 West 21 Street
Radical creative inquiry and the 'aesthetics of resistance' that occur when the gendered body speaks in the visual will be investigated in this course. Presentations of slide and video work by key contemporary and historical figures will help students situate their creative production in relationship to contemporary discourses around race, class, gender and sexuality in art. How do we make sense of feminist art of the past and present-its contradictions, slogans and symbols? What content is lost in translation during art's shift from private practice to public locus? Students will complete weekly reading assignments by a range of critical theorists including Helene Cixous, Julia Kristeva, Elizabeth Grosz, Roland Barthes, bell hooks, Fred Moten, Susan Sontag and Slavoj Zizek, as well as bring in work in any media for weekly critique.
Katie A. Cercone
Visual artist, curator, writer
Publications include: Bitch Magazine, N. Paradoxa, Women's Art Journal, Utne Reader
Group exhibitions include: DODGEgallery; Vox Populi, Philadelphia; Apexart; White Box Gallery; Honfleur Gallery; Local Project; Figment Festival
Education: BA, Lewis & Clark College; MFA, School of Visual Arts