BIO
Flavia Lanza studied architecture at the"Federico II", University of Naples.

After that, she has specialized in the promotion and sale of art works for "FMR-ART'E", where she worked until 2004.

In 2005 arrives in Milan to attend the degree course in "Communication and market management of art and culture" at IULM and from July 2009 to December 2010 worked as Art Project Manager at Famiglia Margini Contemporary Art Gallery.

From October 2010 to June 2011 she collaborated on "The Misael Project" as a Project Manager and Art Press.

In 2011 she received her master's degree in management education "Art & Cultural Skills for Management" at the LUISS University in Rome and currently works at Contemporanea Progetti of Florence at organization and production of temporary exhibitions. As press office she’s working on communication and promotion of contemporary art exhibitions in Italy and abroad.

Lives and works between Milan, Florence and Naples.
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EVENT

Written on the body. 7 women, 7 artists for a group show which is to leave its mark on the audience.


Dates:
Fri Mar 08, 2013 19:00 - Mon Apr 08, 2013

Location:
Lecce, Italy

E-lite studiogallery doesn’t belie. All is ready at the Italian contemporary art gallery in Lecce, which promotes the young Italian contemporary art scene with accuracy and enthusiasm, for the opening of the exhibition named Written on the body on next March, 8. On display Elisa Anfuso, Anna Caruso, Silvia Faieta, Ilaria Margutti, Jara Marzulli, Natascia Raffio, Vania Elettra Tam.

The group show, inspired by the book of the writer Jeanette Winterson, is launching the ambitious long-term art project {her} Feel Like A Woman curated by Flavia Lanza: an annual exhibition which, by pinpointing a theme and a selected group of artists throughout the country, will present to the public a path whose aim is to restore, through art, an image able to represent the aesthetic and interior identity of women in the third millennium.

"The project acts as a liaison between the delicate “new woman question”, which becomes more critical day by day, and the human, social, cultural and political contribution that art can bring to the cause, even in anticipation of a process rather long and slow, oriented towards the possibilities related to contemporary artistic languages as alternative methods of information and training of new consciousness able to modify the present and rebuild it. The "feminine" is one of the most topical and controversial issues of our time”, as Francesca De Filippi writes in the critical text which accompanies the exhibition.

Seven different artistic styles and languages, more than twenty artworks, of which eleven specifically created for the exhibition, investigate the plurality, the mistery, the intensity of the body’s meaning, staging an emotional story which promises to make its mark in the audience.

“Written on the body is a secret code only visible in certain lights; the accumulations of a lifetime gather there”. This is the fil rouge unwound along the exhibition. A body which surprises and amazes us with his emotional and rational universe in the painting by Anna Caruso, with the contradictions of spirit and body in the sculpture and the graphics by Silvia Faieta and the irrepressible innocence and chameleon-like scenarios of those by Natascia Raffio. A body which wraps and calls us back to him with the ecstatic and sensual tale of paintings by Jara Marzulli and with the figures embroidered symbolically to represent the plots of our existence, by Ilaria Margutti. A body which enchants us and leaves us dazed after crossing the world of memory and ties painted by Elisa Anfuso and after being thrown into a dimension between appearance and reality, surface and depth of the unconscious of the ironic images of women portrayed by Vania Elettra Tam.

"Denying the contact between the bodies entails, often, even denying our own body. Yet, nowadays, inside and outside the virtual reality of which we are the main characters, we see a succession of images and messages in which it is the body to be represented and to represent, in a rhythm of nagging dumb idols which we should all strive for. And, in this scenario, the female body seems more like a juicy hunting ground in which every "manipulation" is professed in the name of an alleged freedom gained. It turns out, however, that the feminine is involved in a process which leads to depersonalization, weakening of individuals and even of the relationships between them, which are becoming more and more instrumental. This exhibition is meant to represent the female body as a way of understanding existence, as a map to explore, from the epidermis to the mystery of the soul, an expression of the language of love, medium on which is written our own history. A body as an identity which throbs, being life and generating life (Flavia Lanza)".

The exhibition, organized by E-lite studiogallery and promoted by the Municipality of Lecce, is open until April, 8 according to the following schedule: Tuesday - Saturday: 9 - 12:30 am and 5 – 9 pm, Sunday 5 – 9 pm. Closed on Mondays . (Free admission)

Sponsors: Nicolì Costruzioni; Mokaffè; Vestas Hotels & Resort; Leone de Castris, vitivinicoltori dal 1665

INFO
E-lite studiogallery | Corte San Blasio 1c | Lecce | Mobile: 338_1674879
Mail: info@elitestudiogallery.com | Web: www.elitestudiogallery.com
Press office: FLPress | Mail: flpressartnews@gmail.com | Mobile: 3409245760


EVENT

Architetture di luce (Light's Architectures)


Dates:
Wed Oct 31, 2012 18:30 - Mon Dec 03, 2012

Location:
Lecce, Italy

E-lite studiogallery opens the curtains to the American contemporary art scene with Light’s architectures, the New Yorker artist Mary Obering' solo exhibition, curated by Marina Pizzarelli. The inauguration will take place on October 31st at 18:30 in the gallery spaces in Lecce, where it will be open until December 3rd 2012.

The gallery of Lecce brings for the first time in the Baroque city one of the highest examples among historicized artists who dedicated their lifework to the abstract painting. In fact Mary Obering's works are part of some of the most worldwide important permanent collections, including museums like the "Museum of fine Arts" in Boston or the "Whitney Museum of American Art" in New York, and private galleries like the "Galerie Frank Elbaz" in Paris or the "John Weber Gallery" in New York.

The exhibition, organized by E-lite studiogallery in collaboration with the Cultural Division of the Municipality of Lecce and with the partecipation of Maison de Créatife, will be introduced with a press conference at MUST, Museo Storico della Città di Lecce on Monday, October 29th, 2012 at 11 am. It will follow the preview for press and collectors at E-lite studiogallery. The artist will be present.

The exhibition

"Architetture di Luce" ("Light's architectures") tells the story of a kind of painting which is at one time structure and emotion, in perfect armony with the surrounding environment of the gallery, a strongly bright and with Lecce's typical stones featured environment.

The exhibition presents a captivating way through Obering's art, and its synthesis between the abstract rigour of the American minimalist tradition and the sense of the form, the chromatic sensuality, the love for techniques and materials' affectation inspired by the Italian Middle Ages and Renaissance.

image

More than twenty works - some of which are here displayed for the first time - "like in a polyptych of the 14th century, creating a polyphonic system, a simultaneous perception of the different elements and their connection to form a unit which both comprehends and surpasses them" (M. Pizzarelli). The captivating lights' play and the opaque-bright surfaces relationship are at the basis of the geometric scheme to which the E-lite Studiogallery's Lecce's stones architecture gives a contribute in order to generate a great emotional impact.

The American artist proves once again to be leading an artistic career of high level, which she started more than forty years ago. A visual fascination, an expressive strenght, a vital burst, which, through the fusion between the love for the classical mediterranean form and the minimal alphabet of the recent American tradition, let Obering "lead the visitor by the hand just to let him/her look at things through her enchanted eyes", as Pizzarelli states in her essay on Obering published in the volume "Verso Sud".

The Artist

Mary Obering was born in Shreveport Louisiana in 1937 and is currently active. She studied at the University of Denver where she received her MFA in 1971. Obering divides her time between New York and Italy. Her work, which combines traditional Renaissance techniques with rigorous formalism, derived from American minimalism art and clearly reflects her peregrinations. Her current works favor the use of egg tempera and gold leaf on gessoed panels and are a true hybrid of painting and sculpture suggesting an alchemical mystery and imperial elegance all in one. She has been exhibiting around the world since 1971 and is in many important public and private collections i.e. Wadsworth Atheneum, Hartford, Connecticut; Museum Fine Arts, Boston , Massachusetts, Muse de Arte, Costa Rica etc.

The venue

Through the artistic language E-lite studiogallery aims at representing a sort of cross-roads for creativity and the search for the "self". The place is a 'cultural container' set in Lecce's heart in an ancient building which constitutes the perfect scenery for an innovative project. It aims at promoting the discovery of "talents", at making the works of already well-known artists accessible to the public, and at shaping itself as a theatre of Art, of its forms, colours and shades.

INFO

Title: Architetture di luce (Light’s architectures)
Solo exhibition: Mary Obering
Curator: Marina Pizzarelli
Schedule: from 31/10 to 03/12 2012
Opening: Wednsday, October 31st at 6:30 pm | free entrance
Tme and opening days: mon-sat | 9 am – 8 pm | free entrance
Venue: E-lite studiogallery | Corte San Blasio 1c | Lecce

In collaboration with: Municipality of Lecce – Cultural
With the partecipation of: Maison de Créatife
Sponsor: Vestas Hotels & Resort

Mary Obering: www.maryobering.com

Contacts:
E-lite studiogallery
Web: www.elitestudiogallery.com
Mail: info@elitestudiogallery.com
Mobile: 338_1674879

Press office: FLPress
Flavia Lanza
Mail: flpressartnews@gmail.com
Flavia.Lanza.Press@gmail.com
Mobile: 340_9245760

©Translation by Valentina Quarta



EVENT

In the realm of fairy tales by the Milanese artist Anna Caruso, Alice, the White Rabbit, Snow White and Little Red Riding Hood have lost their own dimension.


Dates:
Fri Sep 21, 2012 19:00 - Thu Nov 08, 2012

Location:
Lecce, Italy

E-lite Studio Gallery in Lecce, in collaboration with Famiglia Margini (Milan) and in partnership with Vestas Hotels & Resort, presents the solo exhibition of the Milanese artist Anna Caruso "C’ero, una volta” (I was there, once), curated by Giovanna Lacedra, Claudia Pellegrino & Grace Zanotto. The exhibition is open until October, 8th at the gallery spaces, which host the pictorial section, and at the Jane Ross hall of the Risorgimento Resort, where it is on display the graphics section.

“C’ero, una volta” includes a series of works born from the experience of the artist in Cosplay, a game of Japanese origin which is to wear costumes of characters from the manga or anime culture and which has seen Anna dressed as Alice. As she states, "the individual experiences a new concrete dimension of contemporaneity, wearing the shoes of a character which is unreal, studying movements, features and languages typically narrative, which assume a new dialectical aspect."

On display Little Red Riding Hood, Snow White, the characters of Alice in Wonderland (starring of a compelling performance which took place on the opening day) that, extrapolated from their fabolous dimension, are catapulted by the skilful hand of the artist into an alienating modernity made of familiar urban perspective views and surreal environments, in which slowly takes shape a compelling narrative which carries the viewer into a magical and dreamlike universe, at once real and raw.

As Giovanna Lacedra has written in her critical text in the catalogue: "in the pages of Carroll, Perrault and the Brothers Grimm the good win, save themselves and end up living happily ever after. It is not exactly what happens in Anna's works, in which the plot of the tale is interrupted and its heroine is torn from the narrative context to be literally teleported into a dimension not belonging to her. Little Red Riding Hood, wandering lost with her basket among the advertising billboards in a big city, is nothing but a ready-made, a creature split off from her original context and placed where no one would expect to meet her".

The decontextualization of the fairy tale as we know it and the lack of its positive lessons are the tools with which Anna enables an operation of contemporary communication. The fairy tale becomes a modern icon, an investigation on Man and his "childhood", to unveil a tale in which, in the end, the viewer discovers to be the main character.

A tale in which Innocence, the one we tend to lose or forget in our becoming responsible adults, comes back to reveal unexpected evolutions of the real and suggests a new perspective of analyzing our life. Anna and her crowd of fairytale characters starts a dialogue with the public which becomes complaint and criticism not only of a personal feeling, but also of a global system, giving voice, albeit subtly and never pungently, to the man who lives nowadays.

Schedule: from 9/21 to 10/08 – free entrance
Time and opening days: mon-sat 9 am – 8 pm
Venues:
Pictorial section: E-lite Studio Gallery Corte San Blasio 1C, Lecce
Graphic section: Risorgimento Resort Via Augusto Imperatore 19, Lecce

E-lite Studio Gallery
Web: www.elitestudiogallery.com
Mail: info@elitestudiogallery.com
Tel: + 39 0832 308126

Risorgimento Resort
Web: www.risorgimentoresort.it
Mail: info@risorgimentoresort.it
Tel: + 39 0832 246311

Anna Caruso: www.annacaruso.it

Famiglia Margini
Web: www.famigliamargini.com
Mail: famigliamargini@gmail.com
Tel: 02 55199449

Press Office: FLPress
Flavia Lanza artnews@flpress.eu Flavia.Lanza.Press@gmail.com
Ph: 3409245760


EVENT

RE-AZIONE (RE-ACTION)


Dates:
Thu Sep 13, 2012 15:25 - Thu Oct 04, 2012

RE-AZIONE (RE-ACTION)

An art exhibition and project aiming at creating a social responsibility bond with the audience.
From September 13th to October 4th, Fabbrica Borroni.


image

The exhibition which will open on Thursday, September 13th, 2012 at 6:30 pm in the spaces of Fabbrica Borroni, is an exhibition where the visitors become an essential part of the exhibition path itself. The artist is Andrea Martinucci, already defined by critics as a young promise of Italian contemporary art, and the exhibition is RE-AZIONE (RE-ACTION).

It is the first individual art show in Milan for this roman artist and not only, because RE-AZIONE is also a social art project which Andrea has launched on the web, inviting other ten artists to join him, which will be presented, for the first time to an audience and to insiders, with a catalogue and an open debate on the social role of art on Friday 14th at 6 pm, attended by artists, Eugenio Borroni, Grace Zanotto and Amnesty International.

The exhibition is under the patronage of the Regione Lombardia and the Provincia di Milano and of Amnesty International, because of the social relevance of the issues it deals with, it was also made with the contribution of the Municipality of San Cesareo and the help of the cultural association Famiglia Margini. Sponsored by Progeo and Palladino Editore. Media-partner EQUIPèCO.

THE EXHIBITION

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The exhibition project sets off from the facts happened during the spring 2011 protests in Egypt, which witnessed the arrest of seventeen young women because they were found, after the protests, in a camp together with male protesters. The women were incarcerated and they underwent insults, violence and abuses from the same policemen, in a room with doors and windows opening on the street, facing the indifference of people passing by. At show, a double installation, which recreates the condition faced in that room, invites the visitor to interact and be integrally part of the exhibition route, for to regain the relational dimension of existence.

In the first two rooms, seventeen white wooden blocks, with sides of twenty centimeters long, fixed along the walls and plunged in an everyday life context through audio-installations playing sounds from a city, treasure in their inside seventeen ink drawings, acrylic paintings and photographs on paper, a different one for every single cube, one for each of the seventeen women tortured and abused. On the outside of the blocks, the side that dialogues directly with the viewer, there is a hole, the one and only opening through which it is possible to see the inside scenes. The viewer will therefore function as a witness, exactly in the same way as the people who were passing by those rooms with open doors and windows. A function that is amplified by the particular viewing mechanism, and that makes him face a choice: getting his eye closer to the hole and becoming part of the inside scene, or stopping at the surface of the block, avoiding involvement.

In the third room the visitor enters in a two-meter cube, made up only of its skeleton lit up by a spotlight, becoming himself part of the vision, in the same way as the seventeen women in that room. In a condition of instability and insecurity, determined by the absence of walls and amplified by the kind of light, he is called upon to be held responsible of what he viewed in the former rooms and re-act to that overbearing situation. There is only one choice: staying inside the structure or, thanks to the absence of walls, get out and accomplish an action which expresses his will of re-action.

THE PROJECT

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RE-AZIONE (RE-ACTION) is an independent and travelling project that has eleven artists, Andrea Martinucci, Paolo Angelosanto, Pietro Mancini, Lisa Wade, Giovanna Lacedra, Daniel Silvo, Angelo Bellobono, Tiziana Contino, Gea Casolaro, Filippo Riniolo and Fabrizio Ajello/Christian Costa – Spazi Docili, working together for the first time to share their common goal: to state once more, through projects stimulating real community awareness, that doing art means activating civic-mindedness and sense of critic responsibility.

An adventure started on last May 12th with the launch of an online user interface, Re-Azione, and a facebook page, reazionartesociale, on which every two weeks has been presented and shared the project of each artist, to make people aware of how art can relate with the material world – with the identity and traditions of a country, with mental or physical disorders, with a multicultural world or even with economics or an eco-friendly world, with emotions, with imprisonment, with tough issues such as abortion, with modernization – and how art can create alternative ways of life. In a world of uncertainties and transition, in which there seems lack of a security net, Re-Azione wants to create this net and put on show an art that can end this vicious circle created by a social model emphasizing individuality and diminishing the love for others, for the ‘diverse’. An ambitious challenge which, in the months following the presentation, will see the participation of new artists and new exhibition spaces.



THE ARTIST


Andrea Matinucci lives in Roma. He attended Multimedia Design at the Accademia delle Nuove Tecnologie of Rome. Events of the past years: Cartabianca 2012, National Contemporary Art Museum of Villa Croce, Genoa, by Silvia Cina, with the help of Francesca Serrati, contemporary view and Black; Quadratonomade, 2012, Palazzo delle Esposizioni, Rome, by 100% periferia; 6 UGUALE 9, 2011, Galleria Nuvole Arte, Montesarchio, by Domenico Maria Papa; PAPIROFLEXIA, 2011, Aratro, Campobasso by Lorenzo Canova; Young Forever,2011, Palazzo della Cultura, Modica, by Francesco Lucifora; Arte Laguna Award 2011, Arsenale di Venezia, by Igor Zanti; NEXT_GENERATION 2010, Galleria San Lorenzo, Milan, by Ivan Quaroni; AUFHEBUNG, 2010, Spazio 1:1 projects , Rome by Cecilia Canziani and Maria Rosa Sossai.

VENUE

Fabbrica Borroni originates from a project of Eugenio Borroni, collector and fond of art, which had the aim of giving birth to a place capable of hosting his collection and work for the promotion of young Italian art. Its cultural activity is vary and intense, starting from the visit of the Borroni Collection (more than 500 art works of young Italian artists) to the exhibitions dedicated to the young art, to the partnership with the regional area in order to enhance the entrenchment of culture and the openness to new ideas.

CULTURAL ASSOCIATION FAMIGLIA MARGINI

Famiglia Margini is a cultural association and contemporary art gallery that supports an active movement of artistic avant-garde, meeting point of people that still believe in the possibility of sharing existential paths.

TECHNICAL DETAILS

Title: RE-AZIONE
Personal Exhibition and social art project by: Andrea Martinucci
Schedule: from Sept 13th – to Oct 4th - Free entry
Vernissage: Thursday, September 13th, 2012 at 6.30 pm
Debate and project presentation: Friday September 14th 2012 at 6:00 pm
Venue: Fabbrica Borroni, Via Matteotti 19, Bollate (MI)
Time and opening days: Mon -Wed: on appointment; Thur – Fri from 5:00 pm to 7:00 pm; Sat – Sun: 3:00 pm to 8pm – free entry

Under the patronage of: Regione Lombardia e Provincia di Milano
Under the patronage of: Amnesty International
With the contribution of: Comune di San Cesareo
With the partnership of: Associazione Culturale Famiglia Margini

Sponsor: Progeo e Palladino Editore
Media Partner: EQUIPèCO

Andrea Martinucci: www.andreamartinucci.com
RE-AZIONE: www.re-azione.weebly.com

Press office: FLPress Flavia Lanza artnews@flpress.eu Flavia.Lanza.Press@gmail.com ph: 340_9245760


EVENT

AsAbaroK


Dates:
Fri Apr 20, 2012 16:00 - Sat May 26, 2012

Location:
Amsterdam, Netherlands

On Friday the 20th of April 2012 at 16:00 will be opened the personal exhibition of the italian artist Christian Zanotto, at Red Stamp Art Gallery, Amsterdam, curated by Sonia Arata.
The odd show title , AsAbaroK, discloses to the viewer the artist's visual world like a code of an unknown language, between an anagram and a magical formula.

Asa and Baroque first of all point to the peculiarity of Christian Zanotto's artistic practice: the combination between modern and past figuration, between the asa values of photography and a passed epoch of grandious use of images. Another reading is: “As a Barok”, “As a baroque man”, that is to say like the one who acts and feels through the particular aesthetic and spiritual qualities which are peculiar to the baroque universe. Zanotto therefore refers to himself and to humankind when he ironically states: “I like to think of man as a baroque monkey”.

On display: 15 unreleased works and 7 videos realized by the artist. The images, created by means of the combined use of various softwares and digital medias then transferred on crystal sheets through a photographic exposure process and the videos, which make use of complex 3D animation techniques, will lead the viewer on a virtual journey across the fascinating dimension in which the entities depicted by the artist live.

“Christian Zanotto (1972) originally from the Italian province of Vicenza but cosmopolitan by nature, since the year 2000 has lived and worked in Amsterdam. He is a talented “virtuoso” of the digital arts, and he stands out for his ability to manipulate multimedia technology creating striking “plastic-sculptural” effects. He has creative potential in the style of the mannerists and the neo-baroque which are quite out of the ordinary [...]
These divine figures, which stand out from a black background, are drawn from the collective imagination within the sphere of sacred iconography and mythology. They possess a hypnotic power and are generated by sophisticated virtual constructions, which stage a three-dimensional reality using an innovative technique [...]
His are overly-refined images animated by intriguing, fascinating and seductive beings, solemn priestesses, winged figures both male and female adorned in precious golden detailed accessories. These angels or gods, with their perfect bodies, surrounded by metallic machinery, thrones, triumphal carriages of death, with mysterious functions, whisk us away in the whirlwind of the passion of Eros and Psyche, evoking the imaginative power of love, suspended between eroticism and mysticism.”

From: Jacqueline Ceresoli, FlashArt n. 291, March 2011

“...In Christian Zanotto's work at first glance we perceive “an exquisite clock”, golden, precious, glistening...Then on looking again more carefully something de-stabilising happens: the eye is captured by the darkness of eternity and the alluring presence of perpetually glowing figures which absorb within them the essence both of the female and the male, to then dissolve into a sole entity giving birth to androgenous figures, manifestation of our present times....Time which has lost the tic-toc of its seconds going by, wanders aimlessly among spaces anchored to remote ages and an unknown epoch, immersed in a suspended space. The scenic structure vibrates within a sacred event, inside which the bodies are wrapped in a hieratic atmosphere and chained to moral pain and to the hovering dramma of death. A time leap through the history of art through the Renaissance, Manierism and the Baroque, accompanied by an atmosphere mysteriously wrapped in gothic darkness.
Christian Zanotto chooses crystal as the element onto which to entrust his images. An alchemic procedure in which crystal, the aseptic, motionless and inert substance, is rianimated by means of a chemical reaction obtained through light, using a procedure of photographic exposure, then covering the surface of the crystal with an emulsion of micro-crystals. The result obtained radiates light over the entire work, bestowing an extraordinary clarity to the figures portrayed; the artist moulds his figures in every detail and dimension, using sophisticated software and photographic techniques to pick out and fix details like real human skin, fabrics, lace, gold, so as to be able then to create textures with which to cover his figures.
They have stolen our time! They have taken away meditation, emotional tension necessary to penetrate the mesh of life, stealing not only our indispensable right of self determination, but even trying to drown us in a sea of chaos, among the din of nothingness which absorbs essential silence. Let us not then remain immobile but, as Zanotto advises and exhorts us, let us enter deeply into the great crystal mirror, unhinging the pre-arranged and chained visions of the ephemeral, and recover the mystery of the world, sensibility as a carnal vibration together with a hymn to life...
Wrapped in a din of music, of lights, of noise, of words, of colour, images on Christian Zanotto's videos flow, among imaginary myticism, multimedia, sensual eros and unconscious thought. The mirror is not only the support, the 'place' of art, but first of all it is the portrait of our time, concentrated more and more on the physical aspect of flesh and bone protected by the smooth skin of superficiality. It is urgent therefore to demonstrate how the skin does not simply wrap the mass of a body, but an individual who inside himself unites organic material and existential spirit.”

from: Alberto Mattia Martini, “Between mistery and free will”, Catalogue of the exhibition“ God O' Clock – Horlogerie Exquise – God Is Wearing A Rolex”, 2011

Christian Zanotto (Marostica, Vicenza, Italy, 1972) lives and works between Amsterdam and Italy. In 2007 he has been awarded with the “Prize for Digital Art” by the jury of the “Prize for the Arts – Prize for the Culture ”, Milano, IT. Recent exhibitions include: “Alessandria Biennial”, Fortress of Alessandria, Alessandria, IT (2008), curated by Sabrina Raffaghello; “Third Renaissance”, Palazzo Ducale, Urbino, IT (2010) and “Third Renaissance – Languages of Hybrid Sensibility”, Civic Gallery of Contemporary Art A' Caos, Norman Castle, Aci Castello, Catania, IT (2010), curated by Carmelo Strano, Grace Zanotto and Angelo Cruciani; “Asolo Biennial”, Asolo, Treviso, IT (2010), curated by A. Schirato, “God O' Clock – Horlogerie Exquise – God Is Wearing A Rolex”, Famiglia Margini Gallery, Milano, IT (2010/2011), curated by Alberto Mattia Martini; “Responses in Time”, Georgia Museum of Art, Athens, Georgia, USA (2012), curated by Lynn Boland. Between the upcoming exhibitions: IV Malindi Art Biennial, Malindi, Kenya (2012/2013), curated by Achille Bonito Oliva.

Red Stamp Art Gallery was born in Amsterdam (Netherlands) in 2005. It is located in the heart of the historic center of the town and is based in a building of the eighteenth century, rated as Royal Monument. The gallery exhibits artworks of international talented artists, which techniques range from painting to sculpture, from digital art to photography and video art; attention is always paid to a high formal and conceptual quality of the works.

AsAbaroK
Christian Zanotto's Personal Exhibition
curated by Sonia Arata
critic text by Jacqueline Ceresoli

from the 20th of April 2012 to the 26th of May 2012
Opening: Friday 20 April 2012 – 16:00 / 20:00
Address: Red Stamp Art Gallery, Rusland 22, 1012 CL Amsterdam - NL

Exhibition catalogue _ critic text by Jacqueline Ceresoli

Contacts:

Red Stamp Art Gallery
href="http://www.redstampartgallery.com ">www.redstampartgallery.com
info@redstampartgallery.com">">info@redstampartgallery.com

tel.: +31 0 6 46406531
+31 0 20 4208684
+39 347 1917003

Christian Zanotto
www.christianzanotto.com

Press Office Italy:

FLPress
Via Maiocchi 12, 20129, Milano

flavia.lanza.press@gmail.com
tel.: +39 02 87391564
+39 340 9245760

Press Office - The Netherlands:

Christian Pazzaglia

press@redstampartgallery.com
Tel.: +31 06 42275355