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Christina McPhee http://christinamcphee.net
Re: CONVERGENCE RESIDENCY, Cardigan, West Wales, UK
Hi Emma,
Does this mean, that there will be a fee paid by the artist, as well as
materials and outreach travel paid by the artist, or is the festival
paying for these things?
thanks
-cm
On Monday, April 11, 2005, at 02:46 AM, Emma Posey wrote:
> ONE OF THREE ARTIST-IN-RESIDENCY OPPORTUNITIES IN WALES, UK
> OPEN TO ALL ARTISTS WORLDWIDE
>
> The residencies are part of the programme for MAY YOU LIVE IN
> INTERESTING TIMES, Cardiff festival of creative technology, 28th to
> 30th October 2005.
>
> The artist/s will address the convergence of traditional, new media
> and emerging technologies. Focusing on the combination of data and
> communication, the project will employ one or all of the following
> technologies: transmission, networking, and/or surveillance.
>
> The residency host is Creative Mwldan, Cardigan, where the artist will
> have access to a range of technical equipment and expertise. Creative
> Mwldan is a centre in West Wales, UK, working with digital creativity.
> For further information on the host visit www.mwldan.co.uk.
>
> Fee: There is a fee of 4,800 (40 days), materials budget of 2,000,
> and outreach travel of 250.
>
> Deadline: Posted applications should be received by FRIDAY 29th APRIL
> 2005. Shortlisted artists will be notified on 6th May, interviews will
> be held in Cardigan, West Wales.
>
> Selection Panel: Hannah Firth (Curator, Chapter/ Festival Director),
> Steve Knight (Director, Creative Mwldan), Walt Warrilow (Project
> Manager, Cywaith Cymru/Artworks Wales), and Emma Posey (Director,
> Bloc/Festival Director).
>
> MAY YOU LIVE IN INTERESTING TIMES is Cardiff's inaugural festival of
> creative technology - a three-day programme of events being held
> across the capital. The festival is being developed between bloc and
> Chapter. The residency programme for the festival is supported and
> managed by Cywaith Cymru/Artworks Wales), the national organisation
> for public art in Wales. The festival residencies are supported
> through the National Lottery celebration of Cardiff 2005.
>
> Festival Theme:
> Artists are increasingly engaged with or inspired by digital
> technology - exploring consumer and communication technologies such as
> the worldwide web, mobile networks, file sharing, and computer gaming.
> Because digital technology is a participatory medium with global
> reach, artists tend to explore digital technology in the context of
> public and shared spheres. Often digital art is situated somewhere
> between public art - albeit in a dematerialised form - and street
> culture where the technology itself is used as a 'site' for the
> production and presentation of art works. Although digital technology
> is often claimed to go beyond physical limitations, engagement with
> technology is always embedded in, or grounded in, real spaces and
> places whether this is explored from a user or network perspective.
>
> The residency form part of the festival's core programme where artists
> are being invited to investigate the 'places' where digital
> technologies become grounded in a geographical and social context. It
> is anticipated that the work from the residencies will have a strong
> presence in Cardiff during the festival period - 28th to 30th October
> 2005. All commissioned works shown at the festival will negotiate with
> the specifics of the location at various 'sites' in order to bring
> about activity and exchange beyond the gallery.
>
> The residency is open to an artist or group of artists and cover a
> period spent with the residency host between June and November this
> year (the timing of the residencies is negotiable although the work
> must be made evident during the festival period).
>
> If you have any questions or would like to have an informal discussion
> about the residency please email Walt Warrilow: walt@cywaithcymru.org.
>
> Applicants should post their CV, a proposal of no more than 1 side of
> A4 stating ref: Convergence, and supporting visual material in slide
> or CD format to:
> Convergence
> Cywaith Cymru . Artworks Wales
> Crichton House
> 11-12 Mount Stuart Square
> Cardiff
> CF10 5EE
> UK
>
> T: +44 (0)29 2048 9543
> F: +44 (0)29 2046 5458
> www.cywaithcymru.org
> e: walt@cywaithcymru.org
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
Does this mean, that there will be a fee paid by the artist, as well as
materials and outreach travel paid by the artist, or is the festival
paying for these things?
thanks
-cm
On Monday, April 11, 2005, at 02:46 AM, Emma Posey wrote:
> ONE OF THREE ARTIST-IN-RESIDENCY OPPORTUNITIES IN WALES, UK
> OPEN TO ALL ARTISTS WORLDWIDE
>
> The residencies are part of the programme for MAY YOU LIVE IN
> INTERESTING TIMES, Cardiff festival of creative technology, 28th to
> 30th October 2005.
>
> The artist/s will address the convergence of traditional, new media
> and emerging technologies. Focusing on the combination of data and
> communication, the project will employ one or all of the following
> technologies: transmission, networking, and/or surveillance.
>
> The residency host is Creative Mwldan, Cardigan, where the artist will
> have access to a range of technical equipment and expertise. Creative
> Mwldan is a centre in West Wales, UK, working with digital creativity.
> For further information on the host visit www.mwldan.co.uk.
>
> Fee: There is a fee of 4,800 (40 days), materials budget of 2,000,
> and outreach travel of 250.
>
> Deadline: Posted applications should be received by FRIDAY 29th APRIL
> 2005. Shortlisted artists will be notified on 6th May, interviews will
> be held in Cardigan, West Wales.
>
> Selection Panel: Hannah Firth (Curator, Chapter/ Festival Director),
> Steve Knight (Director, Creative Mwldan), Walt Warrilow (Project
> Manager, Cywaith Cymru/Artworks Wales), and Emma Posey (Director,
> Bloc/Festival Director).
>
> MAY YOU LIVE IN INTERESTING TIMES is Cardiff's inaugural festival of
> creative technology - a three-day programme of events being held
> across the capital. The festival is being developed between bloc and
> Chapter. The residency programme for the festival is supported and
> managed by Cywaith Cymru/Artworks Wales), the national organisation
> for public art in Wales. The festival residencies are supported
> through the National Lottery celebration of Cardiff 2005.
>
> Festival Theme:
> Artists are increasingly engaged with or inspired by digital
> technology - exploring consumer and communication technologies such as
> the worldwide web, mobile networks, file sharing, and computer gaming.
> Because digital technology is a participatory medium with global
> reach, artists tend to explore digital technology in the context of
> public and shared spheres. Often digital art is situated somewhere
> between public art - albeit in a dematerialised form - and street
> culture where the technology itself is used as a 'site' for the
> production and presentation of art works. Although digital technology
> is often claimed to go beyond physical limitations, engagement with
> technology is always embedded in, or grounded in, real spaces and
> places whether this is explored from a user or network perspective.
>
> The residency form part of the festival's core programme where artists
> are being invited to investigate the 'places' where digital
> technologies become grounded in a geographical and social context. It
> is anticipated that the work from the residencies will have a strong
> presence in Cardiff during the festival period - 28th to 30th October
> 2005. All commissioned works shown at the festival will negotiate with
> the specifics of the location at various 'sites' in order to bring
> about activity and exchange beyond the gallery.
>
> The residency is open to an artist or group of artists and cover a
> period spent with the residency host between June and November this
> year (the timing of the residencies is negotiable although the work
> must be made evident during the festival period).
>
> If you have any questions or would like to have an informal discussion
> about the residency please email Walt Warrilow: walt@cywaithcymru.org.
>
> Applicants should post their CV, a proposal of no more than 1 side of
> A4 stating ref: Convergence, and supporting visual material in slide
> or CD format to:
> Convergence
> Cywaith Cymru . Artworks Wales
> Crichton House
> 11-12 Mount Stuart Square
> Cardiff
> CF10 5EE
> UK
>
> T: +44 (0)29 2048 9543
> F: +44 (0)29 2046 5458
> www.cywaithcymru.org
> e: walt@cywaithcymru.org
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
>
April on Empyre: Border Crossings / InteractivA 05 Artists/UPDATE
April on -empyre- : Border Crossings : UPDATE
Do conceptual art and curatorial practice merge in post digital
cultural production? How are new media art, criticism and curatorial
practice a 'transgressive' ecology"?
This month, please join the artists' group Glorious Ninth (UK),
together with InteractivA 05 artist/curator Raul Ferrara-Balanquet
(MX) and new media artist/editor Eduardo Navas (US) as we consider
cultural production as a border condition, ethically and aesthetically,
locally and internationally, in simultaneously personal and public
spaces.
<http://subtle.net/empyre>
NEW
From April 15, -empyre- is very pleased to announce that artists from
InteractivA 05 will join us to discuss "Border Crossings" / Blurring
"La Frontera" Some details follow (below) on the project and
participants:
'Arte Nuevo InteractivA
Do conceptual art and curatorial practice merge in post digital
cultural production? How are new media art, criticism and curatorial
practice a 'transgressive' ecology"?
This month, please join the artists' group Glorious Ninth (UK),
together with InteractivA 05 artist/curator Raul Ferrara-Balanquet
(MX) and new media artist/editor Eduardo Navas (US) as we consider
cultural production as a border condition, ethically and aesthetically,
locally and internationally, in simultaneously personal and public
spaces.
<http://subtle.net/empyre>
NEW
From April 15, -empyre- is very pleased to announce that artists from
InteractivA 05 will join us to discuss "Border Crossings" / Blurring
"La Frontera" Some details follow (below) on the project and
participants:
'Arte Nuevo InteractivA
April on -empyre-: Border Crossings
April on -empyre- soft-skinned space : Border Crossings:
Do conceptual art and curatorial practice merge in post digital
cultural production? How are new media art, criticism and curatorial
practice a 'transgressive' ecology"?
This month, please join the artists' group Glorious Ninth (UK),
together with InteractivA 05 artist/curator Raul Ferrara-Balanquet
(MX) and new media artist/editor Eduardo Navas (US) as we consider
cultural production as a border condition, ethically and aesthetically,
locally and internationally, in simultaneously personal and public
spaces.
We will trace crossovers and transgressions from the psychic space of
internet art practice and psychoanalytic theory, to the social space of
a local/international new media festival and back again.
We follow the impulse noted by Ryan Griffis in "subRational eRuptions"
on <http://turbulence.org>, recalling the Frankfurt School theorists,
to combine studies of unconscious or subliminal desire with economic
realities in a provocative synthesis.
Join Glorious Ninth (UK) in a discussion of net art practice relative
to Matrix Theory, a post-Lacanian theory of trans-subjectivity and
'witness' in the face of traumatic catastrophe, developed by
Israeli-French artist and Bracha Ettinger, whose insights I first
learned of on Jordan Crandall's UnderFire project, at Witte de With
Center for Contemporary Art <http://www.wdw.nl/underfire-archive/>
Glorious Ninth writes, "Within Bracha Ettinger's Matrix Theory,
borderlines, thresholds and limits are continually transgressed and
dissolved, allowing new borderlines to emerge, to be crossed and to
fade. Our work comes about through an inter-weaving of ethics and
aesthetics. Aurally, visually and conceptually our pieces ebb and
flow, and the elements within the pieces co-emerge and co-fade in
ever-changing patterns that constantly shift focus."
<http://gloriousninth.com>
Raul Ferrara-Balanquet and Eduardo Navas join Glorious Ninth to extend
the conversation into a focus on public/ social space and cultural
production in a post digital world.
Raul Ferrara-Balanquet's InteractivA project in Merida, Yucatan, is an
annual interdisciplinary laboratory that employs an alternative vision
of the art. He writes, " I don't consider myself an authority, but a
curator with a vision closer to the production of a proposal like a
work of art; a vision that consider the economic reality of artistic
production in the region where I live; and, one that tries to create
communities of exchange to enrich our social process of apprenticeship
and development." <http://www.cartodigital.org/interactiva/>
Eduardo Navas has founded and sustained the online critical resource
Net Art Review since 2002. Net Art Review focuses on net-art and its
crossover to other fields in new media. In a recent article on
blogging as cultural production, Navas calls for a "constant
reinvestment in culture: the arena where, regardless of late
postmodernist cynicism, meaning can still be questioned; this is a time
when theories are extended through theory, and metas are referenced
through meta." <http://netartreview.net>
Please join us this month at <http://subtle.net/empyre>
--cm
About our guests:
----------------------------------->Eduardo Navas is an
interdiciplinary artist who develops projects in music, performance art
and new media. Navas is founder and contributing editor of Net Art
Review <http://www.netartreview.net>, and was Assistant Professor at
Loyola Marymount University in Los Angeles from August 2001 - May 2003,
where he taught technical and theoretical multimedia principles in the
Art and Art History Department. Eduardo Navas currently continues his
studies in the Art History, Theory, and Criticism Ph.D. program at
University of California in San Diego as a 2003 - 2007 Cota Robles
graduate Fellow. <http://www.navasse.net>.
----------------------------------->Glorious Ninth / Kate Southworth
and Patrick Simons have been working together on Internet art projects
since 2000. Their work explores personal, social and historical
phenomena each using a variety of aesthetic, political, theoretical and
conceptual approaches. Glorious Ninth have exhibited Internet art
projects at galleries and museums including Newlyn Gallery, Cornwall,
Evergreen Cultural Centre, British Columbia, Canada and the Irish Film
Centre, Dublin. They are featured in several net art databases
including Martin Wattenberg's Net Art Idea Line on the Whitney Museum's
Artport site, Rhizome Artbase, and Soundtoys. Glorious Ninth appears
in Net:Reality, A UK national touring exhibition of New Media artworks
which simultaneously exist within networked and physical space, and
Artytechs Parlour, Port Eliot Literary Festival, St. Germans, Cornwall.
Kate Southworth is leader of the Interactive Art & Design Research
Cluster, and Course Leader of MA Interactive Art & Design, at
University College Falmouth, Cornwall. Patrick Simons is a composer
and sound artist. He makes artistic enquiries into the material world
and tries to communicate his findings using many different approaches
to data mapping.His most recent soundwork 'd-flat01' which recently was
exhibited in the elevator as part of the science-art exhibition
Blip@Newlyn, is included in the current edition of drunken boat
(<http://www.drunkenboat.com>).
------------------------------------>Raul Ferrera-Balanquet migrated
to the United States in 1980 during the Mariel Boat Lift.
Do conceptual art and curatorial practice merge in post digital
cultural production? How are new media art, criticism and curatorial
practice a 'transgressive' ecology"?
This month, please join the artists' group Glorious Ninth (UK),
together with InteractivA 05 artist/curator Raul Ferrara-Balanquet
(MX) and new media artist/editor Eduardo Navas (US) as we consider
cultural production as a border condition, ethically and aesthetically,
locally and internationally, in simultaneously personal and public
spaces.
We will trace crossovers and transgressions from the psychic space of
internet art practice and psychoanalytic theory, to the social space of
a local/international new media festival and back again.
We follow the impulse noted by Ryan Griffis in "subRational eRuptions"
on <http://turbulence.org>, recalling the Frankfurt School theorists,
to combine studies of unconscious or subliminal desire with economic
realities in a provocative synthesis.
Join Glorious Ninth (UK) in a discussion of net art practice relative
to Matrix Theory, a post-Lacanian theory of trans-subjectivity and
'witness' in the face of traumatic catastrophe, developed by
Israeli-French artist and Bracha Ettinger, whose insights I first
learned of on Jordan Crandall's UnderFire project, at Witte de With
Center for Contemporary Art <http://www.wdw.nl/underfire-archive/>
Glorious Ninth writes, "Within Bracha Ettinger's Matrix Theory,
borderlines, thresholds and limits are continually transgressed and
dissolved, allowing new borderlines to emerge, to be crossed and to
fade. Our work comes about through an inter-weaving of ethics and
aesthetics. Aurally, visually and conceptually our pieces ebb and
flow, and the elements within the pieces co-emerge and co-fade in
ever-changing patterns that constantly shift focus."
<http://gloriousninth.com>
Raul Ferrara-Balanquet and Eduardo Navas join Glorious Ninth to extend
the conversation into a focus on public/ social space and cultural
production in a post digital world.
Raul Ferrara-Balanquet's InteractivA project in Merida, Yucatan, is an
annual interdisciplinary laboratory that employs an alternative vision
of the art. He writes, " I don't consider myself an authority, but a
curator with a vision closer to the production of a proposal like a
work of art; a vision that consider the economic reality of artistic
production in the region where I live; and, one that tries to create
communities of exchange to enrich our social process of apprenticeship
and development." <http://www.cartodigital.org/interactiva/>
Eduardo Navas has founded and sustained the online critical resource
Net Art Review since 2002. Net Art Review focuses on net-art and its
crossover to other fields in new media. In a recent article on
blogging as cultural production, Navas calls for a "constant
reinvestment in culture: the arena where, regardless of late
postmodernist cynicism, meaning can still be questioned; this is a time
when theories are extended through theory, and metas are referenced
through meta." <http://netartreview.net>
Please join us this month at <http://subtle.net/empyre>
--cm
About our guests:
----------------------------------->Eduardo Navas is an
interdiciplinary artist who develops projects in music, performance art
and new media. Navas is founder and contributing editor of Net Art
Review <http://www.netartreview.net>, and was Assistant Professor at
Loyola Marymount University in Los Angeles from August 2001 - May 2003,
where he taught technical and theoretical multimedia principles in the
Art and Art History Department. Eduardo Navas currently continues his
studies in the Art History, Theory, and Criticism Ph.D. program at
University of California in San Diego as a 2003 - 2007 Cota Robles
graduate Fellow. <http://www.navasse.net>.
----------------------------------->Glorious Ninth / Kate Southworth
and Patrick Simons have been working together on Internet art projects
since 2000. Their work explores personal, social and historical
phenomena each using a variety of aesthetic, political, theoretical and
conceptual approaches. Glorious Ninth have exhibited Internet art
projects at galleries and museums including Newlyn Gallery, Cornwall,
Evergreen Cultural Centre, British Columbia, Canada and the Irish Film
Centre, Dublin. They are featured in several net art databases
including Martin Wattenberg's Net Art Idea Line on the Whitney Museum's
Artport site, Rhizome Artbase, and Soundtoys. Glorious Ninth appears
in Net:Reality, A UK national touring exhibition of New Media artworks
which simultaneously exist within networked and physical space, and
Artytechs Parlour, Port Eliot Literary Festival, St. Germans, Cornwall.
Kate Southworth is leader of the Interactive Art & Design Research
Cluster, and Course Leader of MA Interactive Art & Design, at
University College Falmouth, Cornwall. Patrick Simons is a composer
and sound artist. He makes artistic enquiries into the material world
and tries to communicate his findings using many different approaches
to data mapping.His most recent soundwork 'd-flat01' which recently was
exhibited in the elevator as part of the science-art exhibition
Blip@Newlyn, is included in the current edition of drunken boat
(<http://www.drunkenboat.com>).
------------------------------------>Raul Ferrera-Balanquet migrated
to the United States in 1980 during the Mariel Boat Lift.
LivingTomorrow - streaming
streaming from http://www.montevideo.nl
Begin forwarded message:
> From: Linda Wallace <linda@machinehunger.com.au>
> Date: Wed Mar 9, 2005 11:49:11 PM US/Pacific
> To: "fibreculture@lists.myspinach.org"
> <fibreculture@lists.myspinach.org>
> Subject: ::fibreculture:: LivingTomorrow - streaming
>
> streaming the launch live, from 6pm Friday March 11 amsterdam time
>
> linda
>
> -----
>
>
> Artist-in-Residence project launch
>
> LivingTomorrow
> a video database work by Linda Wallace
>
> March 11
Begin forwarded message:
> From: Linda Wallace <linda@machinehunger.com.au>
> Date: Wed Mar 9, 2005 11:49:11 PM US/Pacific
> To: "fibreculture@lists.myspinach.org"
> <fibreculture@lists.myspinach.org>
> Subject: ::fibreculture:: LivingTomorrow - streaming
>
> streaming the launch live, from 6pm Friday March 11 amsterdam time
>
> linda
>
> -----
>
>
> Artist-in-Residence project launch
>
> LivingTomorrow
> a video database work by Linda Wallace
>
> March 11
seismic memory
Dates:
Sat Mar 05, 2005 00:00 - Sat Mar 05, 2005
Carrizo-Parkfield Diaries, an intensive exploration of seismic memory, based on locative data, digital audio remix and documentary photography and video on location at Carrizo Plains, California and Parkfield, active sites on the San Andreas Fault, opens tonight, Saturday, March 5, 2005 at Transport Gallery Los Angeles
through April 16, 2005
1308 Factory Place, near 6th and Alameda, downtown
Christina McPhee, with Jeremy Hight, Sindee Nakatani, Terry Hargrave and Glorious Ninth
through April 16, 2005
1308 Factory Place, near 6th and Alameda, downtown
Christina McPhee, with Jeremy Hight, Sindee Nakatani, Terry Hargrave and Glorious Ninth