ARTBASE (3)
PORTFOLIO (2)
BIO
Christina McPhee http://christinamcphee.net
Re: A Different MFA Question
Dear jason,
Wow simple and great question.
Yes it was a fantastic thing. To be to grow up with your work. To have time
to sink into it endlessly. To connect with friends about it. To be
inspired as well as to rage against the professors. To self define. To
still live by the expansive energy of it including the difficulty of it. It
was a core piece of the formation of a life. Go for it if you go for it for
itself. It's not a resume thing. Go only to a program that really calls to
you. That makes sense to you. Its the only way its worth it.
Thanks for asking ( something rarely is asked about! :-)
Christina
On 8/26/04 7:25 AM, "Jason Van Anden" <jason@smileproject.com> wrote:
> I do not have an MFA.
>
> For those of you that have one:
> How have you personally benefited from achieving it?
> ... having it?
>
> Jason Van Anden
> www.smileproject.com
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
Wow simple and great question.
Yes it was a fantastic thing. To be to grow up with your work. To have time
to sink into it endlessly. To connect with friends about it. To be
inspired as well as to rage against the professors. To self define. To
still live by the expansive energy of it including the difficulty of it. It
was a core piece of the formation of a life. Go for it if you go for it for
itself. It's not a resume thing. Go only to a program that really calls to
you. That makes sense to you. Its the only way its worth it.
Thanks for asking ( something rarely is asked about! :-)
Christina
On 8/26/04 7:25 AM, "Jason Van Anden" <jason@smileproject.com> wrote:
> I do not have an MFA.
>
> For those of you that have one:
> How have you personally benefited from achieving it?
> ... having it?
>
> Jason Van Anden
> www.smileproject.com
> +
> -> post: list@rhizome.org
> -> questions: info@rhizome.org
> -> subscribe/unsubscribe: http://rhizome.org/preferences/subscribe.rhiz
> -> give: http://rhizome.org/support
> -> visit: on Fridays the Rhizome.org web site is open to non-members
> +
> Subscribers to Rhizome are subject to the terms set out in the
> Membership Agreement available online at http://rhizome.org/info/29.php
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
Election and electronic voting fwd from NYTimes
OP-ED COLUMNIST
Saving the Vote
By PAUL KRUGMAN
Published: August 17, 2004
E-mail: krugman@nytimes.com
=
Everyone knows it, but not many politicians or mainstream journalists are
willing to talk about it, for fear of sounding conspiracy-minded: there is a
substantial chance that the result of the 2004 presidential election will be
suspect.
When I say that the result will be suspect, I don't mean that the election
will, in fact, have been stolen. (We may never know.) I mean that there will
be sufficient uncertainty about the honesty of the vote count that much of
the world and many Americans will have serious doubts.
How might the election result be suspect? Well, to take only one of several
possibilities, suppose that Florida - where recent polls give John Kerry the
lead - once again swings the election to George Bush.
Much of Florida's vote will be counted by electronic voting machines with no
paper trails. Independent computer scientists who have examined some of
these machines' programming code are appalled at the security flaws. So
there will be reasonable doubts about whether Florida's votes were properly
counted, and no paper ballots to recount. The public will have to take the
result on faith.
Yet the behavior of Gov. Jeb Bush's officials with regard to other
election-related matters offers no justification for such faith. First there
was the affair of the felon list. Florida law denies the vote to convicted
felons. But in 2000 many innocent people, a great number of them black,
couldn't vote because they were erroneously put on a list of felons; these
wrongful exclusions may have put Governor Bush's brother in the White House.
This year, Florida again drew up a felon list, and tried to keep it secret.
When a judge forced the list's release, it turned out that it once again
wrongly disenfranchised many people - again, largely African-American -
while including almost no Hispanics.
Yesterday, my colleague Bob Herbert reported on another highly suspicious
Florida initiative: state police officers have gone into the homes of
elderly African-American voters - including participants in get-out-the-vote
operations - and interrogated them as part of what the state says is a fraud
investigation. But the state has provided little information about the
investigation, and, as Mr. Herbert says, this looks remarkably like an
attempt to intimidate voters.
Given this pattern, there will be skepticism if Florida's paperless voting
machines give President Bush an upset, uncheckable victory.
Congress should have acted long ago to place the coming election above
suspicion by requiring a paper trail for votes. But legislation was bottled
up in committee, and it may be too late to change the hardware. Yet it is
crucial that this election be credible. What can be done?
There is still time for officials to provide enhanced security, assuring the
public that nobody can tamper with voting machines before or during the
election; to hire independent security consultants to perform random tests
before and during Election Day; and to provide paper ballots to every voter
who requests one.
Voters, too, can do their bit. Recently the Florida Republican Party sent
out a brochure urging supporters to use absentee ballots to make sure their
votes are counted. The party claims that was a mistake - but it was, in
fact, good advice. Voters should use paper ballots where they are available,
and if this means voting absentee, so be it. (Election officials will be
furious about the increased workload, but they have brought this on
themselves.)
Finally, some voting activists have urged a last-minute push for independent
exit polling, parallel to but independent of polling by media groups (whose
combined operation suffered a meltdown during the upset Republican electoral
triumph in 2002). This sounds like a very good idea.
Intensive exit polling would do triple duty. It would serve as a deterrent
to anyone contemplating election fraud. If all went well, it would help
validate the results and silence skeptics. And it would give an early
warning if there was election tampering - perhaps early enough to seek
redress.
It's horrifying to think that the credibility of our democracy - a democracy
bought through the courage and sacrifice of many brave men and women - is
now in danger. It's so horrifying that many prefer not to think about it.
But closing our eyes won't make the threat go away. On the contrary, denial
will only increase the chances of a disastrously suspect election.
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
Saving the Vote
By PAUL KRUGMAN
Published: August 17, 2004
E-mail: krugman@nytimes.com
=
Everyone knows it, but not many politicians or mainstream journalists are
willing to talk about it, for fear of sounding conspiracy-minded: there is a
substantial chance that the result of the 2004 presidential election will be
suspect.
When I say that the result will be suspect, I don't mean that the election
will, in fact, have been stolen. (We may never know.) I mean that there will
be sufficient uncertainty about the honesty of the vote count that much of
the world and many Americans will have serious doubts.
How might the election result be suspect? Well, to take only one of several
possibilities, suppose that Florida - where recent polls give John Kerry the
lead - once again swings the election to George Bush.
Much of Florida's vote will be counted by electronic voting machines with no
paper trails. Independent computer scientists who have examined some of
these machines' programming code are appalled at the security flaws. So
there will be reasonable doubts about whether Florida's votes were properly
counted, and no paper ballots to recount. The public will have to take the
result on faith.
Yet the behavior of Gov. Jeb Bush's officials with regard to other
election-related matters offers no justification for such faith. First there
was the affair of the felon list. Florida law denies the vote to convicted
felons. But in 2000 many innocent people, a great number of them black,
couldn't vote because they were erroneously put on a list of felons; these
wrongful exclusions may have put Governor Bush's brother in the White House.
This year, Florida again drew up a felon list, and tried to keep it secret.
When a judge forced the list's release, it turned out that it once again
wrongly disenfranchised many people - again, largely African-American -
while including almost no Hispanics.
Yesterday, my colleague Bob Herbert reported on another highly suspicious
Florida initiative: state police officers have gone into the homes of
elderly African-American voters - including participants in get-out-the-vote
operations - and interrogated them as part of what the state says is a fraud
investigation. But the state has provided little information about the
investigation, and, as Mr. Herbert says, this looks remarkably like an
attempt to intimidate voters.
Given this pattern, there will be skepticism if Florida's paperless voting
machines give President Bush an upset, uncheckable victory.
Congress should have acted long ago to place the coming election above
suspicion by requiring a paper trail for votes. But legislation was bottled
up in committee, and it may be too late to change the hardware. Yet it is
crucial that this election be credible. What can be done?
There is still time for officials to provide enhanced security, assuring the
public that nobody can tamper with voting machines before or during the
election; to hire independent security consultants to perform random tests
before and during Election Day; and to provide paper ballots to every voter
who requests one.
Voters, too, can do their bit. Recently the Florida Republican Party sent
out a brochure urging supporters to use absentee ballots to make sure their
votes are counted. The party claims that was a mistake - but it was, in
fact, good advice. Voters should use paper ballots where they are available,
and if this means voting absentee, so be it. (Election officials will be
furious about the increased workload, but they have brought this on
themselves.)
Finally, some voting activists have urged a last-minute push for independent
exit polling, parallel to but independent of polling by media groups (whose
combined operation suffered a meltdown during the upset Republican electoral
triumph in 2002). This sounds like a very good idea.
Intensive exit polling would do triple duty. It would serve as a deterrent
to anyone contemplating election fraud. If all went well, it would help
validate the results and silence skeptics. And it would give an early
warning if there was election tampering - perhaps early enough to seek
redress.
It's horrifying to think that the credibility of our democracy - a democracy
bought through the courage and sacrifice of many brave men and women - is
now in danger. It's so horrifying that many prefer not to think about it.
But closing our eyes won't make the threat go away. On the contrary, denial
will only increase the chances of a disastrously suspect election.
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
FW: siren songs, automobiles, and the like
Sound news from j. ... LA and Europe
Apologies for crossposting..
------ Forwarded Message
From: "j.frede" <jfrede@current-recordings.com>
Date: Mon, 16 Aug 2004 23:21:51 -0700
To: <info@current-recordings.com>
Subject: siren songs, automobiles, and the like
brief news brief...
august...
21st - my "a siren song for parthenope" sound installation will be on show
at this years soundwalk in long beach, ca this saturday... details below
http://www.soundwalk.org
28th - j.frede (los angeles) / Marcelo Radulovich (San Diego) / Sutekh (San
Francisco)
a collaboration between electronic music composers and custom car
enthusiasts, Urban Noise will showcase audio works that would be played and
performed by customized automobiles. - Conceived and Commissioned by
Electronic Signal Project.
http://www.esp.la/noise.html
september...
27th - live performance at line space line, a improv duo with austrian
artist Bernhard Gal -
http://www.linespaceline.org
october...
1st-23rd- european tour with david brady and kadet kuhne, we will be driving
all over central europe have lots of laughs,, and oh yes playing shows.
http://www.current-recordings.com/av_tour
review...
- a review of my newest album, "j.frede rewrites scanners diary" can be
found on the current recordings site,,, from a polish magazine, kindly
translated by Ewa Pietraszak...
date | August.2004
reviewed | j.frede writes scanners diary [cd]
publication | GAZ-ETA - Number 22
location | Poland
writer | PAWEL GZYL
url | http://www.vivo.pl/gaz-eta/gazeta.php?nr"&id=3
The latest example of the most liked modern electronic artist has just been
recorded and released! Scanner is the acclaimed British experimenter and
manipulator, known for his production for Sub Rosa. Four years ago he
released the album "Diary", which, through the vehicle of sound, chronicles
the semblance of his experiences and memories since 1976. The music derives
its worth by way of the fascinating and inspirational American musician from
Los Angeles- J. Frede, who produced this work on his own label, Current
Recordings.
The album sounds along the lines of pulsating sounds in accord, juxtaposed
with industrial noise (Page 1). We begin in a time of long unfurling ribbons
of clouds modulating rhythmically to a decrescendo of gently crackling
leaves and fine grating sounds (Page2) Within moments deep dub base pulsates
with layers of piano and percussion. (Page 3) At a certain moment, the music
comes to an almost complete change - we are left with a quiet hum coming
forth time and again with various points of vast space. (Page 6) The
adrenaline climax break brutally and aggressively amongst a mass of
vibrating sounds overlaid in distorted, hip-hop
rhythms (Page 7). When the ruckus dies down, left there only from context,
is an irritating and intoxicating silence (Page 8).
Robin Rimbaud was completely enchanted with J. Frede's work and latest
recording. Isn't this recommendation enough (Enough said)?
PAWEL GZYL
----------------------------------------------------------------------------
--------------------
F L O O D
Presents
SoundWalk 2004
CONTACT:
Shea Gauer at Open (562) 499-OPEN
Visit soundwalk.org to learn more about SoundWalk 2004
Email: soundwalk2004@yahoo.com
LONG BEACH, CA- On August 21st, 2004, the Long Beach artist group, FLOOD is
breaking new ground by organizing the first annual SoundWalk event.
SoundWalk is a day of installation of works by over 30 Southern California
sound artists in a variety of indoor and outdoor spaces throughout the
downtown Long Beach East Village Arts District. Performances are scheduled
in a few locations, including the first art event to be scheduled in the
East Village Art Park. Please see the complete list of participating artists
and their locations that follows.
WHAT: Sound Art Festival "SoundWalk 2004", a day of
discovery of sound art installations by over 30
Southern California sound artists
WHERE: In a variety of indoor and outdoor spaces
throughout the downtown Long Beach East Village Arts
District, specifically located in the area encompassed
by Broadway, Atlantic, Ocean and Elm. Maps available
at Koo's, 540 E. Broadway or at Open, 144 Linden, in
Long Beach.
WHEN: August 21st, 2004 from 6 - 10 pm (see map for
performance schedules)
Reception for artists, 5-6pm at Koo's, 540 E. Broadway
Closing Performances, 10-11pm at Koo's.
ADMISSION: Free
PARKING: Free parking is available on the street, or
in the SST parking lot at the SW corner of 4th and
Linden.
SoundWalk 2004
Groundbreaking Art Event Produced by Long Beach Artist
Group, FLOOD
This event, conceived of as SoundWalk, is a variation on the concept of the
usual "ArtWalk" events that happen every 2nd Saturday in the Arts District.
We envision an environmental experience, which alters the participants'
perception of their sense of being in a familiar space. Habituation blunts
our inquisitiveness, our engagement in the visual as well as audible
surroundings. Sound installations will thus not only be an exciting moment
of perception, but a way of rethinking our sensory engagement with the
spaces in which we function.
In contrast to indoor art installations, which are seen and experienced as
separate from our daily routines, we are visited with the expectation of the
extra-ordinary. Our sound-installations function in concert with the sounds
of the city, thus adding, altering and intermingling with the customary.
The outdoor locations keep the ordinary din of the city in the
extra-ordinary event. The viewer may thus perceive common occurrences in
startling new ways. We wish to surprise, puzzle, enchant, excite and delight
those who intentionally or unintentionally participate in SoundWalk. This
event is free to the public and is being sponsored by the Downtown Long
Beach Associates (DLBA), Gallery 33 East, 689 Design and the East Village
Association (EVA). A Catalog/CD about some of the artists involved in this
project will be available for sale to the public during and after the event.
More information about FLOOD and the artists is available upon request.
===
------ End of Forwarded Message
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
Apologies for crossposting..
------ Forwarded Message
From: "j.frede" <jfrede@current-recordings.com>
Date: Mon, 16 Aug 2004 23:21:51 -0700
To: <info@current-recordings.com>
Subject: siren songs, automobiles, and the like
brief news brief...
august...
21st - my "a siren song for parthenope" sound installation will be on show
at this years soundwalk in long beach, ca this saturday... details below
http://www.soundwalk.org
28th - j.frede (los angeles) / Marcelo Radulovich (San Diego) / Sutekh (San
Francisco)
a collaboration between electronic music composers and custom car
enthusiasts, Urban Noise will showcase audio works that would be played and
performed by customized automobiles. - Conceived and Commissioned by
Electronic Signal Project.
http://www.esp.la/noise.html
september...
27th - live performance at line space line, a improv duo with austrian
artist Bernhard Gal -
http://www.linespaceline.org
october...
1st-23rd- european tour with david brady and kadet kuhne, we will be driving
all over central europe have lots of laughs,, and oh yes playing shows.
http://www.current-recordings.com/av_tour
review...
- a review of my newest album, "j.frede rewrites scanners diary" can be
found on the current recordings site,,, from a polish magazine, kindly
translated by Ewa Pietraszak...
date | August.2004
reviewed | j.frede writes scanners diary [cd]
publication | GAZ-ETA - Number 22
location | Poland
writer | PAWEL GZYL
url | http://www.vivo.pl/gaz-eta/gazeta.php?nr"&id=3
The latest example of the most liked modern electronic artist has just been
recorded and released! Scanner is the acclaimed British experimenter and
manipulator, known for his production for Sub Rosa. Four years ago he
released the album "Diary", which, through the vehicle of sound, chronicles
the semblance of his experiences and memories since 1976. The music derives
its worth by way of the fascinating and inspirational American musician from
Los Angeles- J. Frede, who produced this work on his own label, Current
Recordings.
The album sounds along the lines of pulsating sounds in accord, juxtaposed
with industrial noise (Page 1). We begin in a time of long unfurling ribbons
of clouds modulating rhythmically to a decrescendo of gently crackling
leaves and fine grating sounds (Page2) Within moments deep dub base pulsates
with layers of piano and percussion. (Page 3) At a certain moment, the music
comes to an almost complete change - we are left with a quiet hum coming
forth time and again with various points of vast space. (Page 6) The
adrenaline climax break brutally and aggressively amongst a mass of
vibrating sounds overlaid in distorted, hip-hop
rhythms (Page 7). When the ruckus dies down, left there only from context,
is an irritating and intoxicating silence (Page 8).
Robin Rimbaud was completely enchanted with J. Frede's work and latest
recording. Isn't this recommendation enough (Enough said)?
PAWEL GZYL
----------------------------------------------------------------------------
--------------------
F L O O D
Presents
SoundWalk 2004
CONTACT:
Shea Gauer at Open (562) 499-OPEN
Visit soundwalk.org to learn more about SoundWalk 2004
Email: soundwalk2004@yahoo.com
LONG BEACH, CA- On August 21st, 2004, the Long Beach artist group, FLOOD is
breaking new ground by organizing the first annual SoundWalk event.
SoundWalk is a day of installation of works by over 30 Southern California
sound artists in a variety of indoor and outdoor spaces throughout the
downtown Long Beach East Village Arts District. Performances are scheduled
in a few locations, including the first art event to be scheduled in the
East Village Art Park. Please see the complete list of participating artists
and their locations that follows.
WHAT: Sound Art Festival "SoundWalk 2004", a day of
discovery of sound art installations by over 30
Southern California sound artists
WHERE: In a variety of indoor and outdoor spaces
throughout the downtown Long Beach East Village Arts
District, specifically located in the area encompassed
by Broadway, Atlantic, Ocean and Elm. Maps available
at Koo's, 540 E. Broadway or at Open, 144 Linden, in
Long Beach.
WHEN: August 21st, 2004 from 6 - 10 pm (see map for
performance schedules)
Reception for artists, 5-6pm at Koo's, 540 E. Broadway
Closing Performances, 10-11pm at Koo's.
ADMISSION: Free
PARKING: Free parking is available on the street, or
in the SST parking lot at the SW corner of 4th and
Linden.
SoundWalk 2004
Groundbreaking Art Event Produced by Long Beach Artist
Group, FLOOD
This event, conceived of as SoundWalk, is a variation on the concept of the
usual "ArtWalk" events that happen every 2nd Saturday in the Arts District.
We envision an environmental experience, which alters the participants'
perception of their sense of being in a familiar space. Habituation blunts
our inquisitiveness, our engagement in the visual as well as audible
surroundings. Sound installations will thus not only be an exciting moment
of perception, but a way of rethinking our sensory engagement with the
spaces in which we function.
In contrast to indoor art installations, which are seen and experienced as
separate from our daily routines, we are visited with the expectation of the
extra-ordinary. Our sound-installations function in concert with the sounds
of the city, thus adding, altering and intermingling with the customary.
The outdoor locations keep the ordinary din of the city in the
extra-ordinary event. The viewer may thus perceive common occurrences in
startling new ways. We wish to surprise, puzzle, enchant, excite and delight
those who intentionally or unintentionally participate in SoundWalk. This
event is free to the public and is being sponsored by the Downtown Long
Beach Associates (DLBA), Gallery 33 East, 689 Design and the East Village
Association (EVA). A Catalog/CD about some of the artists involved in this
project will be available for sale to the public during and after the event.
More information about FLOOD and the artists is available upon request.
===
------ End of Forwarded Message
--
soundart performance videoinstallation multimedia painting theory
<www.christinamcphee.net>
<www.naxsmash.net>
<www.naxsmash.net/inscapes>
FW: [terpsichore-info] Terpsinews.....\\\\
------ Forwarded Message
From: sariahstorm@terpsichoregroup.org
Reply-To: terpsichore-info-owner@yahoogroups.com
Date: Thu, 5 Aug 2004 20:56:10 -0700 (PDT)
To: terpsichore-info@yahoogroups.com
Subject: [terpsichore-info] Terpsinews.....\\\\
SYNAPSE ----------AUGUST 9TH
+music to tickle your neurons+
In LA Monday night at Monroe's near the Pacific Design Center...
@ Monroe's
8623 Melrose at Huntly
9 - 1
FREE
come visit us
this monday august 9th as we present an array of experimental film work
and music presented by visiting and local artists..
SYNAPSE ----------AUGUST 9TH
+music to tickle your neurons+
a multimedia lounge.
with.\\
L.I.V.E
IsDiff recordings joins us from Portland, Oregon...
M O R I
releases: EP - isdiff records (summer)
live appearances: Berlin, Germany / Portland, OR
-Mori combines experimental sound design and synthesis with melodic
structure to create a unique and diverse sound. The music speaks for
itself. Expect a release on IsDiff records in August.
A Z M O T R O N I K
live appearances: Portland, OR / New Orleans, LA / Los Angeles, CA
website: www.azmotronik.com
-azmotronik pushes the boundaries of genre, combining styles to create a
unique sound. His studies of midi and recording techniques have blossomed
to create amazing compositions and concepts. Expect a release on IsDiff
soon.
DIZZYSTARHOUSE
releases: 'nothing lost' EP - IsDiff records / 'animal?' a comic
soundtrack - contraption labs
live appearances: Portland, OR / Seattle, WA / Austin, TX
website: www.dizzystarhouse.com email:
dizzystarhouse@dizzystarhouse.com
-dizzystarhouse interfaces with his machine for some smooth grooves that
balance the line between glitch and harmony pretty nicely
From: sariahstorm@terpsichoregroup.org
Reply-To: terpsichore-info-owner@yahoogroups.com
Date: Thu, 5 Aug 2004 20:56:10 -0700 (PDT)
To: terpsichore-info@yahoogroups.com
Subject: [terpsichore-info] Terpsinews.....\\\\
SYNAPSE ----------AUGUST 9TH
+music to tickle your neurons+
In LA Monday night at Monroe's near the Pacific Design Center...
@ Monroe's
8623 Melrose at Huntly
9 - 1
FREE
come visit us
this monday august 9th as we present an array of experimental film work
and music presented by visiting and local artists..
SYNAPSE ----------AUGUST 9TH
+music to tickle your neurons+
a multimedia lounge.
with.\\
L.I.V.E
IsDiff recordings joins us from Portland, Oregon...
M O R I
releases: EP - isdiff records (summer)
live appearances: Berlin, Germany / Portland, OR
-Mori combines experimental sound design and synthesis with melodic
structure to create a unique and diverse sound. The music speaks for
itself. Expect a release on IsDiff records in August.
A Z M O T R O N I K
live appearances: Portland, OR / New Orleans, LA / Los Angeles, CA
website: www.azmotronik.com
-azmotronik pushes the boundaries of genre, combining styles to create a
unique sound. His studies of midi and recording techniques have blossomed
to create amazing compositions and concepts. Expect a release on IsDiff
soon.
DIZZYSTARHOUSE
releases: 'nothing lost' EP - IsDiff records / 'animal?' a comic
soundtrack - contraption labs
live appearances: Portland, OR / Seattle, WA / Austin, TX
website: www.dizzystarhouse.com email:
dizzystarhouse@dizzystarhouse.com
-dizzystarhouse interfaces with his machine for some smooth grooves that
balance the line between glitch and harmony pretty nicely
FW: Tomorrow night!! Transport Gallery presents......
------ Forwarded Message
From: <mike@russekdesign.com>
Reply-To: <mike@russekdesign.com>
Date: Fri, 6 Aug 2004 18:39:57 -0700
To: <mike@russekdesign.com>
Subject: Tomorrow night!! Transport Gallery presents......
By 1
one foot by one foot pieces
from over 70 artists
Opening reception: Saturday, August 7th 7-11pm
Exhibition continues through September 5th
Karen Fiorito, Jeff Bughouse, Shepard Fairey, John Carr, Jaclyn Present,
Winston Smith, Daron Nefcy, Sherry Brody, Art Jordan, Luis Sanchez, Mike
Russek, David Wilson, Nate Seubert, Helen Garber, Eric Monasterio, Eric
LoPresti, Todd Moyer, Jennifer Schmidt, Erik Geschke, Michael Salerno, Meera
Rana, Luke Chueh, David Haskell, Fumiko Amano, Joe Davidson, Bill Schaeffer,
Benjamin Godsill, TK Nagano, Christina McPhee, Nayce, Lana Shuttleworth,
Shelley Herman, Clare Zero, Spectr, Poli Marichal, Keith Tamashiro, Brandy
Flower, Wayne Kirk, Esaw Boyd, Tofer, Nathan Spoor, Orion, Plasticfucker,
Nathan Cartwright, Muffinhead, Mikael J. Haye, Jason Maloney, L. Croskey,
Lani Meltzer, Johnny Lieberman, Travis Morley, Theo Jemison, John Miner,
Skye Ray, Yuri Shimojo, Man One, Rebecca Bughouse, Mitra Fabian, Christopher
Hassett, Mike Barker, Richard Parker, Jarred Eberhardt, Diana Jacobs, Brian
Holderman, Nathan Trowbridge, Don Kim, Jason Hughes, Bronz/Headucate Design,
Travis Talley, Michelle Waterman, Dennis Larkins, Samuel Proof, Kiku
Yamaguchi, and others......
Visit www.transportgallery.com for more information
------ End of Forwarded Message
--
<www.naxsmash.net>
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From: <mike@russekdesign.com>
Reply-To: <mike@russekdesign.com>
Date: Fri, 6 Aug 2004 18:39:57 -0700
To: <mike@russekdesign.com>
Subject: Tomorrow night!! Transport Gallery presents......
By 1
one foot by one foot pieces
from over 70 artists
Opening reception: Saturday, August 7th 7-11pm
Exhibition continues through September 5th
Karen Fiorito, Jeff Bughouse, Shepard Fairey, John Carr, Jaclyn Present,
Winston Smith, Daron Nefcy, Sherry Brody, Art Jordan, Luis Sanchez, Mike
Russek, David Wilson, Nate Seubert, Helen Garber, Eric Monasterio, Eric
LoPresti, Todd Moyer, Jennifer Schmidt, Erik Geschke, Michael Salerno, Meera
Rana, Luke Chueh, David Haskell, Fumiko Amano, Joe Davidson, Bill Schaeffer,
Benjamin Godsill, TK Nagano, Christina McPhee, Nayce, Lana Shuttleworth,
Shelley Herman, Clare Zero, Spectr, Poli Marichal, Keith Tamashiro, Brandy
Flower, Wayne Kirk, Esaw Boyd, Tofer, Nathan Spoor, Orion, Plasticfucker,
Nathan Cartwright, Muffinhead, Mikael J. Haye, Jason Maloney, L. Croskey,
Lani Meltzer, Johnny Lieberman, Travis Morley, Theo Jemison, John Miner,
Skye Ray, Yuri Shimojo, Man One, Rebecca Bughouse, Mitra Fabian, Christopher
Hassett, Mike Barker, Richard Parker, Jarred Eberhardt, Diana Jacobs, Brian
Holderman, Nathan Trowbridge, Don Kim, Jason Hughes, Bronz/Headucate Design,
Travis Talley, Michelle Waterman, Dennis Larkins, Samuel Proof, Kiku
Yamaguchi, and others......
Visit www.transportgallery.com for more information
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